Teatro Panamericano / Cine Festival — 1943-1981
by Paula Bosse
El Panamericano (click for larger image) (Villasana)
by Paula Bosse
In 1937, Joaquin José (J. J.) Rodriguez opened the first theater in Dallas to show Spanish-language movies. It was the Azteca, at 1501 McKinney Avenue, one block away from the still-there El Fenix. He soon changed the name to the Colonia and later to El Patio.
1938 city directory
Even though a journalist later described this theater as being “dingy” and “unprepossessing” (DMN, July 31, 1944), the theater was quite successful, little surprise as the Hispanic community of the day was sorely underserved in almost every way. This endeavor was so successful that in the fall of 1943, the 36-year old entrepreneur made a big, BIG move: he bought the stunning and palatial Maple Avenue building that once housed the famed Dallas Little Theatre, an amateur theatrical group that had burst on the scene in 1927, but which had fallen on hard times in recent years.
Rodriguez raised the necessary $35,000 (equivalent to almost half a million dollars in today’s money), bought the beautiful building at 3104 Maple, and renamed it Teatro Panamericano. The angle of the article that appeared in The Dallas Morning News on Sept. 22, 1943 announcing the new theater had the new moviehouse as being a boon to students and Anglo members of the community who might need to brush up on their Spanish rather than as a welcomed entertainment venue for the “Mexican colony” living and working in the adjacent Little Mexico neighborhood.
El Panamericano was an immediate success and soon became not only a place to see movies, but also a place for Dallas’ Spanish-speaking community to meet and mingle, with PLENTY of room for all sorts of events. (It was so big that Rodriguez and his family lived in back. He also had TWO offices and more storage space than he had things to store in it. No skimping on the parking lot either — one ad touted an acre of parking space.)
The theater’s importance to the Hispanic community of Dallas was both cultural and social:
For Mexican-Americans growing up in Dallas during the ’50s and ’60s, the films at El Panamericano, were a link with their historical and cultural heritage. For some, it would be their only exposure to cultural ties; for those whose families were stressing their Americanization by using only English in the home, it was a chance to practice their Spanish. (“Festival Fades, but Mexican Movies Thrive,” DMN, Aug. 9, 1981)
After more than 20 years of running a successful theater that catered to his core niche audience, Rodriguez was persuaded to change the theater’s focus. Mexican families had slowly moved out of the neighborhood, many to Oak Cliff where the Stevens Theater on Fort Worth Avenue had begun showing Spanish-language movies in the early ’60s and had siphoned off a large portion of Rodriguez’s audience. In 1965 the Panamericano became an arthouse cinema which showed mostly subtitled European films (and, later, underground and cult movies) — these were movie bills which were clearly aimed at college students and an upper-class Anglo audience. The Panamericano became the splashy Festival Theatre.
BoxOffice magazine, Nov. 22, 1965
An indoor-outdoor restaurant — the Festival Terrace — was added, and it boasted of being “the only theater in the history of Texas with a wine and beer license.”
BoxOffice magazine, Nov. 22, 1965
As impressive as the Festival and its array of films were, the theater struggled, and Rodriguez later called this period a “big mistake.”
“As soon as I could, I changed it back to the way it was before. In fact, I lost money on that deal.” (DMN, Aug. 9, 1981)
Another unusual misstep for Rodriguez at this time was his decision to open a drive-in that showed only Spanish-language films. What sounded like a great idea was another surprising failure for Rodriguez. Despite its non-stop advertising in the first half of 1965, the wonderfully-named Auto-Vista (located in Grand Prairie) lasted less than a year.
“Cine en su coche”! (March, 1965)
Rodriguez’s new-old Spanish-language theater — now the Cine Festival — was still popular, but it never regained its former glory. Rodriguez retired in 1981 and sold the property. Despite efforts by preservationists to save the beautiful Henry Coke Knight-designed building, it was demolished a few months later — in early January, 1982 — in the dead of night under cover of darkness (… that happens a lot in Dallas…). A nondescript office building was later built in its place.
J. J. Rodriguez died in 1993 at the age of 86, almost exactly 50 years after opening one of the most important entertainment venues for Dallas’ Hispanic population. He was a respected leader in the community and was for many years president of the Federation of Mexican Organizations, an organization he helped found in the 1930s. His theater was both culturally important and beloved by its patrons.
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J. J. with daughter and wife (Pampa News, July 30, 1944) AP photo
With his wife, Maria, downtown 1940s (Villasana)
In the projection booth, 1950s (Villasana)
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The matchbook cover image below gives an indication of how large the theater was. The building at 3401 Maple — at the corner of Carlisle, across Maple from the Maple Terrace — was gigantic.
Matchbook via George W. Cook Collection, SMU
In a Dallas Phorum discussion (here), the space was described thusly:
It was an interesting building with an outdoor terrace restaurant, a full proscenium stage, rehearsal space downstairs below the stage, dressing rooms, shop/storage areas, and even a puppet theatre built into a wall in the balcony lobby area.
To see what the corner of Maple and Carlisle looks like now, click here (have a hanky ready). Can you imagine how wonderful it would be to still have that elegant building and still see it in use as a theater and restaurant?
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In what may well be research overkill, I thought it was odd that there was an Azteca Theatre at 1501 McKinney a year before Rodriguez owned it. I wondered if, in fact, Rodriguez had owned the first Spanish-language movie theater in Dallas, or whether that distinction belonged to Ramiro Cortez (whose name is often misspelled as Ramiro Cortes). It seems that Cortez’s theater might have featured live performances rather than motion pictures. Like Rodriguez, Cortez had ties to Dallas entertainment — read about him here.
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Sources & Notes
Photos with “Villasana” under them are from the book Dallas’s Little Mexico by Sol Villasana (Charleston, SC: Arcadia Publishing, 2011); all are from the personal collection of Mariangel Rodriguez. More photos of J. J. Rodriguez can be seen here (click “Next” on top yellow bar).
The full article from the Nov. 22, 1965 issue of the industry journal, BoxOffice, includes additional photos and information and can be seen here and here.
All other images and clippings as noted.
Articles on J. J. Rodriguez and his theaters which appeared in The Dallas Morning News:
- “Pan-American Theater to Aid Spanish Study” (DMN, Sept. 22, 1943)
- “Teatro Panamericano” by John Rosenfield (DMN, Oct. 12, 1943)– coverage of opening night festivities
- “Maple Location Regains Swank” by John Rosenfield (DMN, Sept. 18, 1965) — about the change from El Panamericano to the arthouse Festival Theater
- “Festival Fades, but Mexican Movies Thrive: Theater Owner Says Adios to Film Business” by Mercedes Olivera (DMN, Aug. 9, 1981) — about the closing of the Festival Theater
- “Encore No More” (DMN, Jan. 4, 1982) — photo of the partially demolished theater
- “Rites Set for Hispanic Leader J. J. Rodriguez — He Co-Founded Federation of Mexican Organizations” by Veronica Puente (DMN, Sept. 26, 1993) — Rodriguez’s obituary
“Dallas Theater Owner Is One-Man Pan-American Agency” — a syndicated Associated Press article by William C. Barnard — can be read here.
Read about Teatro Panamericano at Cinema Treasures, here.
Read about the competing Stevens Theater in Oak Cliff on Fort Worth Avenue, here.
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Copyright © 2015 Paula Bosse. All Rights Reserved.
I missed your posts when you were silent!
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I’m rarely silent, but thanks!
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Great article Paula.
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Thank you!
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Had the pleasure of a couple of midnight movie events at this theater, once for experimental films and another for a concert film (Cream) the place was big, I’ve wondered what happened to it
Thanks for research
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Thanks! I wasn’t sure if the midnight movies ran up until the closing of the theater.
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yes we were there, and the tickst house was next to Bill Coles Little Gallery on Cedar Springs, then it became the festival theater..where the first Andy Warhol and other movies showed…..Paula you have done th Hispanic community a great justice……
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What did you mean to type when you wrote “tickst house”? I loved Bill Cole — he was in my father’s bookstore quite a bit, but I only remember being in his gallery once. That man had some FABULOUS cowboy outfits!
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I am sorry, ticket house, it has been a long day, Stevens theatere had two locations…..and and they sold the tickets next door to us and Bill cole.
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You mean the Festival? When it was showing arthouse films? They sold tickets in places other than the theater? That’s interesting.
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no that was the ticket agency we were next too, cars were coming by at all times of the day I can recall…..Festival was later 1969 right…..there ain’t no contest here, just bad brain thinking.
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Well we are back on the track, the location is up for a Historical marker and I am going to recommend you story as that basis, since there is a need for such in the area….and you have done a great job, while I hope you will realize your work is not in vane or lost, it is great Dallas History and you should be proud that people love your work, I do and Thank You…..
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Thank you!
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You are so Welcome native Dallas girl from the heart of the State Fair of Texas….
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do a story on bill he had the first modern art gallery that sartor could not show….
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I hope some enterprising photographer took pictures of him walking down Cedar Springs.
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they did go to Neimans he worked there 35 years and the Smithsonian has his clothes and the highland park library…for art
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Wow.
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some did and some didn’t……I have a news article on him….people who are misunderstood have to be left out of the
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I am going to propose this concept this week and you are one of the authors of this original story….I finished up the Genisis of LIfe Mural that was very Hispanic in make but the artist got a communist rap since he was good friends with Diago Rivera who was a Communist in 1955…
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[…] “TEATRO PANAMERICANO / CINE FESTIVAL — 1943-1981.” J. J. Rodriguez is kind of an unsung icon in the history of Dallas’ Mexican-American […]
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You left out the period in the 1970s-80s when they showed ‘underground’ flicks at 1130 every Saturday night. It was the place to be for all of us stoners. There was always the Mexican audience leaving while we were waiting to get in, looking at us kinda weird ( or maybe it just seemed that way). There was open dope smoking for those shows every Sat nite, and many fond memories.
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PS, when I found out they were gutting the place in 1981 I went and snatched on to a pair of seats they had removed. I grabbed them and ran down the long steps to the parking lot below with them.
I always meant to do something with them, but never did.
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One of the minor cultural delights of that part of McKinney was the structure at 2205 Caroline, just off McKinney and around the corner from El Fenix. I call it a structure because the 1921 Sanborn map identifies it as a store but circa 1960 it appeared to be a residence. With an evident intent to make fullest use of an odd-shaped lot 2205 had been built as a trapezoid, with the building’s front coming up to the sidewalk at a distinct angle. The effect was such that it seemed to be eternally looking over its right shoulder, producing in the passerby a slight but definite double take.
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[…] “Asi Se Quiere en Jalisco” — with Jorge Negrete — was at the Panamericano. […]
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Paula, I never knew about this establishment or Rodriguez. Thank you for compiling all this information. I plan to include it in my collection of Maple Avenue history. You never cease to amaze. Please keep up the super work.
Truly,
Chris Leeds
Maple Avenue Resident
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Thank you, Chris!
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