Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Art

Dynamic Dallas Skyline — 1930s

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by Paula Bosse

Above, a dynamic view of the Dallas skyline, which appeared in the 1936 Forest Avenue High School yearbook. There’s no Pegasus atop the Magnolia Building, so the drawing was probably done in 1934 or earlier. 

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Sources & Notes

Endpaper drawing from the 1936 edition of The Forester, the yearbook of Forest Avenue High School in South Dallas (the school is now James Madison High School).

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Copyright © 2020 Paula Bosse. All Rights Reserved.

Paul Giraud’s 1892 View of Dallas with Trinity River “Improvements” Which Were Never Made

1892_map_birdseye_paul-giraud_wikimediaClick to explore a larger image…

by Paula Bosse

Above is a map titled “Dallas, Texas, With The Projected River And Navigation Improvements. Viewed From Above The Sister City of Oak Cliff.” It was a bird’s-eye view of the city drawn in 1892 by Dallas resident and businessman Paul Giraud.

If you click on the picture you will see a very large image which will allow you to look at all the tiny details. You’ll see a lot of stuff that never actually existed in Dallas, but which Giraud — an adamant and tireless proponent of a navigable Trinity waterway — hoped would become part of Dallas. It’s pretty cool and a lot of fun to wander through. (A good background history on Giraud’s “map” can be found on the Amon Carter Museum website here.)

Born in France in 1844, Paul Giraud settled in Dallas in 1890 where he worked both in real estate and as a draftsman while also acting as a booster of Dallas and Texas to anyone who would listen, especially to Europeans and fellow Frenchmen who were considering the possibility of emigrating to the United States. He was also an inventor and secured at least one patent.

Giraud’s enthusiasm and dedication for the Trinity River scheme could be found in the bird’s-eye view seen above, in a miniature three-dimensional model with working locks and dams which he constructed for the 1892 State Fair, and in newspaper articles printed across the state which he wrote to assure readers (and investors) of the feasibility of the project.

All that work, but, sadly, Giraud’s dream was never realized — the Trinity won. But he did leave us with that fantastic, partially realistic bird’s-eye view of the city.

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1892_map_birdseye_giraud_dmn_091892Dallas Morning News, Sept. 18, 1892

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DMN, Oct. 29, 1892

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Souvenir Guide of Dallas, 1894

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Photo and obituary, DMN, Dec. 11, 1917 (click to read)

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Sources & Notes

This map is in the collection of the Library of Congress, here; the picture at the top of this post links to the enlarged Wikimedia image here.

If you’d like to compare some of the buildings with Sanborn maps to see what was real and what was fanciful, you can find the 1892 Sanborn maps here (scroll down). It might be helpful to use Sheet 1 as a guide — if, for instance, you want to look at the area in the immediate vicinity of the courthouse (which was under construction at the time…), you see that you need Sheet 3, so you click on “Dallas 1892 Sheet 3” on the list of maps.

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Copyright © 2020 Paula Bosse. All Rights Reserved.

Private Education in Dallas — 1916

dallas-educational-center_ursuline_ca-1916_degolyer-library_smu_photoThe looming Ursuline Academy in Old East Dallas

by Paula Bosse

Here is a collection of photos and mini-histories of several of the top private schools that Dallas parents were ponying up their hard-earned cash for in 1916. Some were boarding schools, some were affiliated with churches, some were rooted in military discipline, some were medical schools, and some were places to go to receive instruction on the finer things in life, such as music and art. Sadly, only one of these buildings still stands. But two of the schools in this collection have been operating continuously for over 100 years (Ursuline and Hockaday), and two more are still around, having had a few name changes over the years (St. Mark’s and Jesuit). Here’s where the more well-to-do girls and boys of Dallas (…and Texas — and many other states) were sent to become young ladies and gentlemen. 

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THE URSULINE ACADEMY (above) — Mother Mary Teresa, superioress — the block bounded by Live Oak, Haskell, Bryan, and St. Joseph. This school for girls and young women was established in Dallas by the Ursuline Sisters in about 1874 — and it continues today as one of the city’s finest institutions. The incredible gothic building was… incredible. So of course it was demolished (in 1949, when the school moved its campus to its present-day North Dallas location). See what it looked like at its Gothic, grandiose height in a previous Flashback Dallas post here.

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MISS HOCKADAY’S SCHOOL FOR GIRLS — Miss Ela Hockaday, principal — 1206 N. Haskell. Hockaday was (and is) the premier girl’s school of Dallas society — like Ursuline, it is still going strong (and, like Ursuline, it moved away from East Dallas and is now located in North Dallas). In 1919, three years after these photos were taken, Miss Hockaday would buy the former home of Walter Caruth, Bosque Bonita, set in a full block at Belmont and Greenville in the Vickery Place neighborhood — there she built a large campus and cemented her place as one of the legendary educators in Dallas history. (In 1920, Hockaday’s annual tuition for boarding students eclipsed even the hefty tuition of The Terrill School for Boys: Miss Hockaday had parents lined up to pay her $1,000 a year — now the equivalent of about $13,000 — to educate and refine their daughters at her prestigious institution.)

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MISSES HOLLEY’S SCHOOL FOR GIRLS — Miss Frances Holley and Miss Josephine Holley, principals — 4528 Ross Avenue (at Annex). Another somewhat exclusive school that catered to young society ladies was the Holley school, established in 1908 by the two Holley sisters, who limited their student body to only 35 girls. The school (which is sometimes referred to as “Miss Holley’s School” and “Holley Hall” — and which was located behind the sisters’ residence) closed in 1926.

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ST. MARY’S COLLEGE — Miss Ethel Middleton, principal — Garrett and Ross Avenue.  This Episcopal-Church-associated boarding and day school for girls and young ladies was one of the Southwest’s leading institutions of learning for young women. When established in 1889, it was built outside the city limits on a “hill” — back then the area around the school was often referred to as “College Hill.”

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THE TERRILL SCHOOL FOR BOYS — M. B. Bogarte, head master — 4217 Swiss Avenue (at Peak). The exclusive boys school in Dallas (which, after several mergers, continues today as St. Mark’s); the cost of a year’s tuition for boarding students in 1920 was $850 — the equivalent of about $11,000 — a very pricey school back then. More on the Terrill School can be found in previous Flashback Dallas posts here and here.

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THE HARDIN SCHOOL FOR BOYS — J. A. Hardin, principal — 4021 Swiss Avenue. This prep school was affiliated with the University of Texas. It was located for a while in downtown Dallas and for a time at the location seen below in Old East Dallas, but in 1917 it either bought out and merged with the Dallas Military Academy or that school went out of business, because the Hardin School settled into the military academy’s location, which had been Walter Caruth’s old home, Bosque Bonita, at Belmont and Greenville, where boys were marching around doing drills until Miss Hockaday moved in two years later in 1919.

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DALLAS MILITARY ACADEMY AND SCHOOL OF ENGINEERING — C. J. Kennerly, superintendent — Belmont & Greenville Ave. This “practical school for manly boys” opened up in 1916 in a large house which had been built by Walter Caruth in the area now known as Lower Greenville. The Dallas Military Academy lasted for only one year until the large house became home to the Hardin School for Boys in 1917 (and, two years later in 1919, it became the longtime home of the Hockaday School). If you didn’t click on the link for it above, now’s your chance to read more about the history of Caruth’s grand house, Bosque Bonita, here.

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UNIVERSITY OF DALLAS — Very Rev. P. A. Finney, president — Oak Lawn Ave. & Gilbert. When it opened in 1906, this school was known as Holy Trinity College; its name was changed to the University of Dallas in 1910. The University of Dallas closed in 1928 because of lack of money; it was later known as Jesuit High School until Jesuit moved to North Dallas — the grand building was demolished in 1963. (See an aerial view of this huge building here.)

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THE MORGAN SCHOOL (formerly the Highland Park Academy) — Mrs. Joseph Morgan, principal — 4608 Abbott. A co-ed school.

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POWELL TRAINING SCHOOL — Nathan Powell, president — Binkley & Atkins (now Hillcrest) in University Park. I believe this is the only building in this post still standing — more can be read in the earlier post “Send Your Kids to Prep School ‘Under the Shadow of SMU’ — 1915,” here. (That is, in fact, a bit of the very, very young SMU campus seen in the distance at the bottom right.)

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BAYLOR MEDICAL COLLEGE — E. H. Cary, dean — 720 College Ave. (now Hall Street).

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DALLAS POLYCLINIC/POST-GRADUATE MEDICAL SCHOOL — John S. Turner, president — S. Ervay & Marilla (affiliated with Baylor Medical College).

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STATE DENTAL COLLEGE — 1409 ½ South Ervay, across from the Park Hotel (more recently known as the Ambassador Hotel).

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HAHN MUSIC SCHOOL — Charles D. Hahn, director — 3419 Junius. 

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AUNSPAUGH ART SCHOOL — VIvian Aunspaugh, director — 3409 Bryan. A well-established Dallas art school for 60 years. Miss Aunspaugh died in 1960 at the age of 90 and was said to have been giving lessons until shortly before her death. (The photo below of the exterior is the only one here not from about 1916 — that photo is from 1944.)

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aunspaugh-art-school_james-bell_1944_DHSvia Dallas Historical Society

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Sources & Notes

All images (but one) from the booklet “Dallas, The Educational Center of the Southwest” (published by the Educational Committee, Dallas Chamber of Commerce, and Manufacturers Association, Dallas, ca. 1916), from the collection of the DeGolyer Library, SMU Libraries, Southern Methodist University; more information on this publication — and a full digital scan of it — can be found at the SMU site, here.

The exterior photo of the Aunspaugh Art School is from the Dallas Historical Society, taken in 1944 by Dallas resident James H. Bell; more information on this photo is at the DHS site, here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Michael G. Owen Jr., Dallas Artist

owen-michael_painting_david-dike-fine-artUntitled painting by Michael G. Owen Jr. (David Dike Fine Art)

by Paula Bosse

I’ve written about Michael G. Owen Jr. previously (see links at the bottom of this page for the three Flashback Dallas posts about Owen) but only in terms of his artistic achievements as a sculptor. I knew he had been a student of painters Jerry Bywaters and Olin Travis, and I had seen a couple of prints by him, but I was surprised to see the painting above which is currently offered at auction by David Dike Fine Art here in Dallas. Dike himself was surprised to see this large painting with stylistic echoes of the Dallas Nine group, of which Owen was a peripheral figure.

The untitled painting, estimated to have been painted around 1943, shows a man playing a guitar who resembles blues legend Lead Belly (whom Owen sculpted in 1943) surrounded by a black woman and child, by a white woman and child, and by a white man, presumed to be a self-portrait of Michael Owen. I think it’s fairly safe to assume that if the male figure standing at the right is Michael Owen, then the white woman and child are his wife Lois Schwarzwaelder Owen and his oldest son Michael Gordon Owen III (born in November, 1940).

This is quite an accomplished painting for an artist known primarily as a sculptor, and its discovery will surely boost Owen’s importance as a Texas regionalist artist.

Mike Owen was born in Oak Cliff in 1915 but lived in the 3500 block of Normandy Avenue in Highland Park for most of his life in Dallas, from at least 1923. His birth certificate has his father’s occupation as “lawyer,” but something must have happened between then and 1920 when census reports and city directories had his occupation listed variously as a farmer, an automobile painter with the Ford Motor Co., a sand and gravel merchant, a “laborer” with the Town of Highland Park, a roustabout, and when he and his wife (and most of their family, including the young, married Mike) moved to El Paso around 1941, his occupation was listed as “pipe-fitter.” Mike attended Highland Park High School, but the large family (there were at least six children) was not well-to-do. Olin Travis, the noted Dallas artist who was one of Mike’s art teachers, described Mike as “very poor” — he was able to take art lessons by winning scholarships, and he often scrounged for materials wherever he could (including a discarded block of red granite from an old Maple Avenue home which he used for an early sculpture).

Owen was something of a prodigy in Dallas art circles (he received a scholarship to the Dallas Art Institute when he was 14), and he was certainly a known figure in the exploding local art scene of the 1930s which was led by fellow artists such as Jerry Bywaters and Alexandre Hogue.

Mike Owen seems to have left Dallas sometime in 1936 for New York (see the photo below), but he was back in town in 1937 when he was commissioned to do the wonderful Peruna memorial which still stands on the SMU campus.

owen_peruna_monument_flickrphoto by David Steele

He continued to work and exhibit in Dallas until about 1939, when he seems to have left the city for good.

After having lived in El Paso and the Washington, DC suburbs of Maryland for a time in the 1940s, he and his wife and their two young sons moved to the Pacific Northwest where Mike paid the bills by working as a draftsman at an engineering firm in Corvallis, Oregon while continuing to create art.

Mike Owen suffered what must have been a debilitating series of setbacks, particularly in his later years. In 1942 in El Paso, his 16-year-old sister Sue was killed when a car she was riding in was hit by a train; in 1960 his wife sued him for divorce; in 1964 he was diagnosed with multiple sclerosis; in 1965 his 18-year-old son William was killed in a motorcycle accident; in 1970 his father died; and in 1971 he had to abandon his artistic pursuits because the progression of the MS has made it impossible to shape clay with his numb hands.

Mike Owen died in Kennewick, Washington in April, 1976 after a twelve-year battle with MS. Even though he was not widely known, his obituary ran in newspapers around the country, possibly because of the lurid circumstances. The first two sentences read: “Noted artist and sculptor Michael Owen, 60, lost a 12-year battle with multiple sclerosis last week and, it was reported, died in a filthy trailer. He was buried at his own request without services in an unmarked grave at Desert Lawn Memorial Park with only his 90-year-old mother and a friend to mourn him” (UPI wire story May 5, 1976).

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UPI wire story, May 5, 1976 (click for larger image)

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April 29, 1976

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In a 1969 interview, Olin Travis, Mike’s childhood art teacher, said (possibly with some exaggeration) that Mike was “as good as Rodin…. Yet Dallas has never recognized this man” (DMN, Aug. 23, 1969).

The painting at the top of this post will be offered in Dallas at auction on November 9, 2019. It has an estimate of $80,000-$150,000.

UPDATE, Nov. 9, 2019: Dallas has recognized Mike Owen now — the painting at the top of the page sold at auction for $228,000.

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Highland Park High School senior photo, 1933

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From an application for a Seaman’s Protection Certificate, 1936

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ca. 1938

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Sources & Notes

See the auction listing in the David Dike Fine Art Fall 2019 catalog here — the painting is Lot 128 on page 37. The auction will be held Saturday, November 9, 2019 in Dallas at noon. UPDATE: The painting sold at auction for $228,000 (including the buyer’s premium).

Read about the painting and how it was brought to Mr. Dike’s attention in a Sept. 25, 2019 article from The Dallas Morning News here.

Read the previous Flashback Dallas posts on Michael G. Owen Jr.:

More Flashback Dallas posts on the local art scene can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

“Birdseye View of Greater Dallas” by Ashley Bond — 1925

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Spot your neighborhood? (click for larger image)

by Paula Bosse

This great drawing from 1925 features several of Dallas’ then-new (and new-ish) neighborhoods.

The “birdseye view” appeared in a Dallas Chamber of Commerce publication and was drawn (with a few large dollops of artistic license) by Dallas commercial artist Ashley R. Bond.

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I couldn’t find much about Mr. Bond except that he had a son who became a child actor in Hollywood — his son was Tommy Bond, who was best known as “Butch,” the bully in the Our Gang/Little Rascals comedies (which featured another Dallasite, Spanky McFarland). Little Tommy was walking down a Dallas street with his mother when a talent scout saw him, thought he had a great face for the silver screen, and told his mother that if she got the boy to Hollywood, he would guarantee a meeting with the famous Hal Roach. A short time later, 6-year-old Tommy Bond signed with the Hal Roach Studios.

Here’s a great clip of Master Bond (who briefly attended Bradfield Elementary School and lived in the 4400 block of Potomac in University Park…) admirably belting out the song “Just Friends” from a short which appeared not long after he had been plucked from obscurity on the streets of Big D:



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It’s a good day when an obscure Dallas Chamber of Commerce illustration leads directly to the Little Rascals.

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Sources & Notes

Map by Ashley Bond from the June, 1925 issue of the Dallas Chamber of Commerce magazine. I think he also drew the skyline view of the city seen at the top of the Flashback Dallas post “Keeping Up With Busy Dallas — 1927.”

More on Tommy “Butch” Bond can be found at Wikipedia here. I’m not sure about the dates in that entry. The Dallas Morning News reported on Dec. 3, 1932 that Tommy’s parents had received word the previous day that Hal Roach had offered the boy a 5-year contract and that the youngster had been in Hollywood for two-and-a-half months.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

“Enjoy That Dallas, Texas Hospitality”

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by Paula Bosse

…Or else!

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“Easy to reach … hard to leave.”

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Sources & Notes

Images from a great 1950s matchbook, found on eBay — like these.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

Merry Christmas from Dallas Artist Bud Biggs

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The bright lights of Christmas in downtown Dallas…

by Paula Bosse

An evening in downtown Dallas at Christmastime — alive with traffic and lights and energy — by Dallas artist Bud Biggs.

The painting appeared on the cover of the Christmas, 1959 issue of The Shamrock, a magazine published by the Shamrock Oil and Gas Corporation. The magazine’s description:

On the sidewalks, shoppers dart to and fro. On the street, autos dash by, leaving streaks of light in their haste. Gay lights and laughing Santas swing gayly overhead, festooning the area in a holiday glow. Above all this man-made madness, stars twinkle in contrast, reflecting a serenity reminiscent of a night nineteen hundred years ago. This is what The Shamrock staff sees in this vivid water color of Downtown Dallas at Christmastime by Artist Bud Biggs.

Merry Christmas and Happy Holidays to all!

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Sources & Notes

This work by artist Bud Biggs appeared on the cover of the Christmas, 1959 edition of The Shamrock; this magazine is part of the Southwest Collection, Special Collections Library, Texas Tech University — the entire issue has been scanned and may be viewed as a PDF here.

My guess is that the title of the original painting is “Main Street, Christmas Night” and that it was one of the 12 paintings produced by Biggs in the mid 1950s as cover art for Dallas Magazine, a Dallas Chamber of Commerce publication. These paintings of Dallas scenes appeared as cover art for the monthly issues of 1956, in honor of the city’s centennial. The series won the “Best Covers of 1956” award from the American Association of Commerce Publications, and in 1958 all 12 of the original watercolors were purchased by Southwest Airmotive Company to be displayed in their new Love Field terminal. The 12 covers featured Biggs’ depictions of the following Dallas scenes and landmarks:

  • “Aerial View of Downtown Dallas”
  • “Ervay Street”
  • “Ground-breaking, Dallas University”
  • “Midway, State Fair of Texas”
  • “Trinity Industrial District”
  • “Central Expressway”
  • “Commerce Street”
  • “City Auditorium”
  • “Looking Up Pacific”
  • “Main Street, Christmas Night”
  • “SMU Legal Center”
  • “The Katy Round House”

More on this series of paintings can be found in the Dallas Morning News article “Art & Artists: Biggs Series Bought by Firm” by Rual Askew, Feb. 20, 1958.

Dallas native Bancroft Putnam “Bud” Biggs (1906-1985) attended Forest Ave. High School, SMU, and the St. Louis School of Fine Arts. He was primarily a commercial artist, working first for Dallas artist Guy Cahoon before opening his own advertising studio. He produced fine art as well, specializing in watercolors, and was a respected art instructor.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Happy Halloween from Karl Hoefle — 1955

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Getting ready for the big day, polishing her broom… (click for larger image)

by Paula Bosse

Before Karl Hoefle entered the consciousness of most Dallasites with his fun phone book covers, he was a hard-working commercial artist. This 1955 Halloween-themed drawing was done for a magazine cover, and, like those phone book covers, he rewards the observant viewer with lots of little jokes. It might help to zoom in and look at some of the details.

The first one is a little fuzzy, but the calendar is from the A-1 Witchcraft Supply House: “Everything for the discriminating witch. See the all-new ’56 jet broom with ‘floating ride.'”

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The witch has some handy-dandy Bonson’s Broom Polish (“with added anti-sliver compound”).

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Her bookshelf contains works such as My Ghoul in Life, the Encyclopedia of Witchcraft (Standard Revised Edition), and Haunting Melodies. And the smiling ghost portrait adds a nice homey touch.

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A crumpled-up note on the floor reads “Call Merlin.”

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Mice are scaring each other, and the V8 Jet Broom appears to be revving.

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Thank you, Karl!

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Happy Halloween!

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Sources & Notes

This illustration by Karl Hoefle was drawn for the September-October, 1955 issue of Among Ourselves, a local publication for the Pollock Paper Corporation Employees. I found this image in an old post on the website of the fab establishment in Lakewood, Curiosities. The post from 2014 is here — it includes two more Among Ourselves covers by Hoefle.

I’ve written only one Karl Hoefle post so far: “1971 Yellow Pages Cover: SMU Gets the Karl Hoefle Treatment,” here.

More Halloween posts can be found here.

All pictures are larger when clicked/tapped.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

“Triple Underpass” by Florence McClung — 1945

mcclung_triple-underpass_1945_david-dike-fine-art“Triple Underpass” by Florence McClung (photo: David Dike Fine Art)

by Paula Bosse

The word “iconic” is used way too much these days, but I suppose Dallas’ triple underpass is something that truly deserves to be described as “iconic.” Aside from the beauty, the engineering, and the usefulness of the underpass/railroad bridge, it is also, of course, known around the world for its cameo appearance in the Kennedy assassination.

Built in 1936, after years of back-and-forth planning and negotiating, the triple underpass was open in time for the Texas Centennial Exposition. It finally opened up a straight shot from Fort Worth to Dallas via Highway 1, and it and the concurrently-built Dealey Plaza served as Dallas’ welcoming “gateway” into the city for visitors approaching from the west.

The 1945 painting seen above — “Triple Underpass” by Dallas artist Florence McClung (1894-1992) — may be one of the first depictions of the structure in a fine art context. This painting goes up for sale this weekend, as the featured lot in the David Dike Fine Art Texas Art Auction. The estimate is $75,000-$175,000. Florence would be shocked by that, as her original price — which she wrote on a checklist for a show at the then-Dallas Museum of Fine Arts was $300 (which would, today, be about $4,000). (UPDATE 10/27/18: The painting sold for $252,000 — which, I assume, includes the buyer’s premium.)

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As a fan of Texas art — and especially of the Dallas regionalist group, the Dallas Nine (with which McClung, though not a member, was closely associated) — I hope this wonderful piece of Dallas art (and you can’t get much more quintessentially Dallas than this!) goes for much more than the gallery estimate. (I wrote about McClung previously, here, with images showing a couple of other Dallas “cityscapes” done around the same time as “Triple Underpass.”)

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Below is a photo from 1945 showing an aerial view of the scene captured by McClung that same year. (A photo from a little later, with a view to the west, is here.)

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Dallas, 1945 (click for larger image)

A few things are interesting to me:

  • McClung neglected to include the ever-present billboard atop what was then the Sexton Foods building (later the School Book Depository) — in the photo above, U. S. Royal tires are being advertised.
  • I love that little oval, landscaped island, which is also seen in McClung’s painting.
  • Those four obelisk-y pillars, seen in both the photo and the painting, two on either side of the roadway, west of the underpass — what are those?
  • Is that large white building in the lower middle of the photograph Pappy’s Showland? Maybe the Sky-Vu Supper Club (which I have meant to write about for years)? (No! It’s the Chicken Bar, at the northeast corner of Commerce and Industrial. A photo of it under construction in 1945 is here.)

See here for as close to the angle of McClung’s view as I could get, from a 2014 Google Street View. (The painting shows the Dallas County Courthouse as it was then, without its now-replaced tower.)

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Good luck to the bidders this weekend. It’s a great painting!

dike-gallery_catalog-cover_oct-2018

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Sources & Notes

Image of Florence McClung’s painting “Triple Underpass” is from the David Dike Fine Art catalog, which is illustrated with the works to be auctioned on Saturday, October 27, 2018; the catalog can be viewed in its entirety, here (this painting and its description are on p. 45). The website of David Dike Fine Art is here. The prices realized for this auction can be found here — McClung’s painting is Lot 163.

I am unsure of the source of the 1945 aerial photo — I saved it years ago and did not make note of the source, although I highly suspect it is from one of the many fine collections held by SMU.

See McClung’s application for the DMFA show where “Triple Underpass” was shown, here; her checklist of works to be shown is here (both documents are from the Dallas Museum of Art’s Exhibition Records, via UNT’s Portal to Texas History).

The earlier Flashback Dallas post “Dallas Scenes by Florence McClung — 1940s” (with two other paintings from the same period as “Triple Underpass”) is here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

David Bates — “Corny Dog” (1986)

bates-david_corny-dog_litho_tyler-museum-of-art_1986“Corny Dog” by David Bates, 1986

by Paula Bosse

First day, y’all. Here’s how David Bates, one of my favorite contemporary Texas artists, sees it. Click it to see that corny dog real big.

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Sources & Notes

“Corny Dog” by David Bates (lithograph, 1986), shown at the Tyler Museum of Art this summer in the show “David Bates: Selected Works From Texas Collections.” More on that exhibition is here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

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