Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Downtown

Old Red: Once Under Threat of Demolition

Old Red, 2026 (photo by Paula Bosse)

by Paula Bosse

By 1961, the exterior of the Dallas County Courthouse (affectionately known as “Old Red”) had been slowly eroding for years. It was not uncommon for passers-by to have to dodge bits of the sandstone building raining down on them. And inside, county workers complained of severely cramped conditions in a building that had become overcrowded. The plumbing wasn’t great, and the lack of air conditioning made summertime intolerable. The courthouse was built in 1892 and was almost 70 years old.

County commissioners agreed that a new, modern courthouse was needed, and plans were drawn up to submit to the public. The $18,500,000 “Courthouse Building Program” was enthusiastically approved by voters in a September 1961 bond election. This vision included:

  • a new courts building and jail (to be erected on Commerce Street opposite the old red courthouse) which would “give space, dignity and stability to our county services”
  • landscaped plazas which would “conceal useful and urgently needed underground parking areas”
  • seven decentralized, permanent suburban sub-courthouses which the county would own and not have to rent

The new Dallas County Courthouse (which was renamed in 1992 to honor former City Councilman George Allen) began construction in the spring of 1963, and it was finished by the end of 1965. (Plans had changed somewhat by then, as in the intervening time there had been a presidential assassination, requiring the need to utilize one of the landscaped plaza blocks for a memorial.)

Throughout the construction of the new courthouse, heated discussions were going on about the fate of the old courthouse: what would happen to it? Commissioners refused to even discuss the question until the new courthouse was finished. One newspaper article said that this discussion hadn’t been brought up before the bond election for fear that voters wouldn’t approve it if they knew the old courthouse might be demolished when the new one opened (“County To Consider Prisoners as Yardworkers” by John Geddie, Dallas Morning News, Feb. 24, 1965). That didn’t bode well.

Because the sandstone exterior was eroding and the clock tower had been removed in 1919 for fear that it was structurally unsafe, people presumed that the building was in a dangerous state of disrepair and was falling apart. That it would cost more to repair than it was worth. But engineers inspected it at the time and reported that it “would stand for years and years.”

Ultimately, Old Red survived because the Texas Department of Public Welfare wanted to set up their Dallas office in the building: they told the commissioners that they would pay roughly half the renovation cost and that the county could retain ownership. This was sweet music to the commissioners, who decided against the demolition that most expected. Work began at the end of 1967 to update and modernize the old courthouse. It cost a million dollars.

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I was surprised to read how many people absolutely loathed Old Red and were actively urging the county to tear it down. I mean people hated it. I read so many newspaper articles in which people used words like “monstrosity,” “eyesore,” “ugly,” “gnarled,” “creaky,” “unsafe,” “unsightly,” and “obsolete.” Old Red?

There were also many who thought the building was beautiful and historically important and feared that it would be razed. But what could they do except write polite letters-to-the-editor saying that it would be a shame to tear down such an important landmark, and don’t you think it would make a nice museum? Dallasites had not yet become organized community activists for historic preservation, but this might have spurred people to become involved in saving buildings they felt deserved to be saved — the persistent effort to move Millermore to Old City Park and the fight to establish historic districts in Old East Dallas was just around the corner.

Thankfully, Old Red is still hanging in there, and since its incredible makeover in 2006/2007 — which included the welcome return of a clock tower — it looks spectacular. Granted, I didn’t see what the state of the building was in 1961 — and I definitely was not a fan of the clock tower being lopped off — but it’s hard for me to imagine it ever being considered a “monstrosity.” I think a lot of people just don’t like anything that’s old. Or anything that they feel is blocking a path to what they consider “progress.”

It’s also important to “Remember the Alamo!” as an example of how effective public sentiment and organized effort can be. I’m not suggesting that Old Red inhabits the same realm of historical significance as the Alamo, but knowing how difficult it was for a small group of women to save THE VERY SYMBOL OF TEXAS from falling victim to wealthy and powerful developers wanting to build a “luxury hotel” on the site (!)… it’s a miracle we have anything older than 20 years still standing in Dallas, a city known for its insistence on having everything as new and shiny as possible… until people get tired of it, label it “ugly” and “obsolete,” and abandon it or tear it down to build something else. City leaders and citizens must work together in finding solutions when faced with situations like the one Old Red found itself in, especially when it was taxpayers who paid for the building in the first place.

A “world-class city” is not just built with an eye to the future but also with an appreciation of its history. Old Red is 134 years old, and Dallas would not be the same without it. We’re lucky to still have it.

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Sources & Notes

Top photo by Paula Bosse, taken on Jan. 31, 2026 after leaving the 2026 Dallas Legacies Conference, held across the street at the Records Building.

The drawing is from the 1965 book The Key to Dallas by Lon Tinkle. The drawing, which was used in promotional material for the 1965 bond election, is credited to the Dallas Chamber of Commerce.

Below is a passage from a Dallas Morning News article profiling Patrick Horsbrugh, a Scottish architecture professor who was visiting Dallas. He had “near-ecstatic” praise for Old Red, which he described as being a prime example of “American Robust” architecture:

“Just look at those squat columns! Just look at the forces in that building!” He added, “Dallas is short on architectural inheritance, compared, say, with Boston or Philadelphia. It can’t afford to be as careless as older American cities about what is destroyed.” (“Architect Likes Old Courthouse” by Jim Stephenson, DMN, Oct. 2, 1963)

And a few days later, this paragraph appeared in a DMN editorial about Horsbrugh’s comments, which must have sounded unusual to the ears of people so accustomed to hearing the old courthouse described as an “architectural monstrosity”:

To the generation that built and paid for it out of fairly meager tax resources, it was “the stateliest courthouse in the South.” That is how it was described in the city directory of the day. They thought it a proper canopy for the seat of Justice in Dallas County — and who is to say today that they were a bunch of squares who couldn’t tell the Parthenon from a packing house? (“Dallas Guardians,” DMN, Oct. 7, 1963)

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Snowy Scene North of Pacific — ca. 1909

Snow, saloons, and First Baptist Church

by Paula Bosse

As I write this, we are still in a deep-freeze from a storm that rolled through several days ago. Sadly, it’s more ice than snow, and it’s taking forever for the streets to clear. Since you’re probably stuck inside, this seems like a perfect time to look back at another frosty scene of Dallas, from over a century ago. (See the link at the bottom of this post under “Sources & Notes” for a higher resolution, zoomable image at SMU’s digital collections site.)

The photo above shows the area just north of downtown in 1909 or 1910, looking to the north from Pacific Avenue. The only real landmark that might be recognizable to us is the First Baptist Church (marked with an “X”), but that burned down in 2024. It’s hard to believe that the area as we know today once looked like this.

Because I’ve written about it a couple of times, I recognized the P. S. Borich electric sign company, seen at the bottom left of the original photo and in the detail below. It was located at 102-4 Bryan (later 1600 Bryan), where it meets Akard at a point. Borich also faced Pacific, and, in this photo, we are seeing Borich from the Pacific side. (For more about this important pioneer sign company — it later became Texlite — and to see a map of the area, I’ve written about the Borich company here and here.)

Across from the Borich company was a saloon (and “sleeping rooms”) run by Ernest Dinelli at 113-15 Bryan (later 1521-23 Bryan). A close-up of the top of his building is below. (Wine and cigars and… whatever else… all going on within strolling distance of First Baptist Church!)

And across Bullington from Dinelli’s saloon was the Bryan St. Saloon owned by the Garonzik brothers, Will and Charles, at 117 Bryan (later 1601 Bryan). (That saloon had new owners practically every year.) Next door was the Hartman Construction Company at 119 Bryan (later 1603 Bryan). Next to Hartman were three large boarding houses.

I’ve determined that this photo was taken in 1909 or 1910 because the Garonzik saloon’s only appearance in the city directory was in 1909, and Hartman showed up for the first time in the 1910 directory. Below, the pertinent addresses from the 1909 Dallas city directory.

Bryan St., 1909 city directory

If you want to check out this area on Sanborn maps from 1905, they are here (Bryan is at the very bottom) and here.

This neighborhood looks prettier in this photograph than it probably was. Snow does that. Stay warm!

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Sources & Notes

Top photo — “[Bryan Street and Surrounding Area During the Winter]” — is from the
George W. Cook Dallas/Texas Image Collection, DeGolyer Library, Southern Methodist University; more info on this real photo postcard is here. (SMU notes that the postcard was mailed in June 1919.)

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Dallas City Hall

by Paula Bosse

Our city hall has suddenly — and improbably — found itself in the headlines in recent weeks. As of this writing, its immediate fate is unknown. I don’t think I’ve written about this landmark building in the 12 years I’ve been writing about Dallas history. I guess I assumed I’d always have time.

Dallas City Hall is the work of architect I. M. Pei (1917-2019), who, in 1966, was commissioned to design a new city hall by then-mayor J. Erik Jonsson. The very modern design was both acclaimed and derided, and its bumpy road to completion was long and arduous — it was dedicated on March 12, 1978, 12 years after Pei accepted the commission. It is an instantly recognizable building by an internationally respected architect, and it has quietly held the fort on the southern edge of downtown for almost 48 years.

In the project plans presented to the City, I. M. Pei & Partners included these quotes from “Goals for Dallas,” the blueprint that Dallas leaders created for the city’s future:

In an oral history conducted by the Dallas Public Library in 2002, Pei discussed his City Hall project and was asked if he had visited the building in recent years (the link to the oral history and transcript are at the bottom of this post under “Sources & Notes”):

I’ve been back quite a few times. I always went up to the second floor to look at that public space. That public space — some people ask, “Why do you make that space so extravagant? People only come here and pay taxes or pay water bills.” I said, “Precisely. This is a People’s City Hall. You don’t build it for the mayor; you don’t build it for the Council; you build it for the people. They’re the ones who should enjoy it.” I remember that. I always go up to the second floor to look at that space. I think the public that comes to pay taxes should know that this is why. […] That was the original thought, and I still think it’s right — that this City Hall is designed for the people of Dallas. (I. M. Pei oral history, Aug. 1, 2002)

Below are a whole bunch of photos of I. M. Pei in Dallas, aerial views of the city before and during construction of the city hall, and two deceptively calm and quiet photos taken by me from the Central Library across the street only a couple of weeks ago, back when life seemed a little less precarious and before I thought it necessary to look up the dictionary definition of “beleaguered” to make sure I was using it appropriately. I was.

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The model:

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Aerial from 1967 (the original name of the project was the Dallas Municipal Center):

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Aerial from 1976:

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I. M. Pei giving a presentation in Dallas, in which he unveiled his vision for the new city hall (April 28, 1967, Dallas Times Herald photo by Ken Hardin):

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Showing off the futuristic-looking model to no doubt startled members of the Dallas City Council and city administration workers (October 5, 1970, DTH photo by Joe Gordon).

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Construction, 1973:

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Construction, 1974:

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Construction, 1975:

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Construction, 1976:

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Pei shows British sculptor Henry Moore the site where his sculptural work The Dallas Piece will be placed on the City Hall plaza (April 14, 1976, DTH photo by Paul Iverson):

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Pei in a hardhat, looking pleased (July 7, 1976, DTH photo by Jay Dickman):

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Pei with new mayor Robert Folsom, with a killer view of the Dallas skyline behind them (July 7, 1976, DTH photo by Jay Dickman):

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Side view, from Marilla:

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Finally, Dedication Day, March 12, 1978 — Pei is seen cutting the ribbon with (left to right) former City Manager Scott McDonald, current City Manager George Schrader, Mayor Robert Folsom, former mayor Wes Wise, and the man who started the whole thing rolling, former mayor J. Erik Jonsson (Pei said that his two greatest allies in the long slog to get the City Hall finished — and to continue with other projects in Dallas — were Schrader and Jonsson, both of whom he was quite fond of and considered friends):

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A chronology of the long, long trek to completion (at least up to 1976), prepared for the City by I. M. Pei & Partners:

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I. M. Pei in 1978, happy in Dallas (DTH photo by Phil Huber):

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And in October 2025, our solemn City Hall at the end of another day, holding steady as downtown Dallas’ southern anchor.

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Sources & Notes

Top and bottom color photos of City Hall taken by Paula Bosse on October 23, 2025 from the Central Library.

All other images are from various collections of the Dallas History & Archives division of the Dallas Public Library (including the Dallas Times Herald Collection and the Juanita Craft Collection). All images are used with permission.

Construction photos, “Goals for Dallas” quote, color model photo, and chronology are all from the presentation binder Dallas Municipal Center by associated architects I. M. Pei & Partners and Harper & Kemp (July 5, 1976) (Dallas History & Archives/Dallas Public Library call number R690.513 D145).

The 2002 quote from Pei about City Hall is from I. M. Pei: An Oral History Interview, conducted in New York City on August 1, 2002 by Bonnie A. Lovell for the Dallas Public Library. Ostensibly about Pei’s involvement in commissioning the Henry Moore sculpture, this is an entertaining read/listen, as Pei discusses the larger City Hall project and his affinity and admiration for the city of Dallas and its citizens (audio recording and 48-page transcript with index, Dallas History & Archives/Dallas Public Library call number 730.92 M822YP 2003) — you can listen to the recording and read the transcript on the Dallas Public Library Recollect Digital Collections page here.

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Copyright © 2025 Paula Bosse. All Rights Reserved.

Time to Fall Back, Unless You’re Hanging from the Mercantile

“Fall back” at 2 AM…

by Paula Bosse

The poor Merc is having a rough time of it at the moment. Here’s a photo from happier days, when it was the Mercantile Bank Building, getting some sort of touch-up to one of its clock faces. Which, by the way, should remind you to turn your clocks back in the wee hours of Nov. 2!

That tower used to do a lot. And all four clock faces had the correct time — all at the same time!

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Sources & Notes

Photo from the Richards Group Collection, Dallas History & Archives, Dallas Public Library (accession number PA83-3/40).

Mercantile National Bank ad from Dallas magazine, sometime in 1956:

See the Merc in all its early-days glory in these posts:

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Copyright © 2025 Paula Bosse. All Rights Reserved.

Whimsy on Main Street — ca. 1906

by Paula Bosse

I’ve seen a lot of postcards with views of “Main St. looking West,” usually taken from about Ervay, with the Wilson Building as the architecturally impressive centerpiece. But I don’t think I’ve seen this one. I don’t know when the photo was taken, but it was mailed at the very end of 1906. It looks like the new Wilson Building (which opened in 1904) may still have construction work going on, at least on the ground floor.

But “whimsical”? Take a look at the horse-drawn dry-cleaning-company delivery wagon on the lower right side of the card. It’s got a GREAT BIG TOP HAT on it! Maybe this sort of thing was popular in the early years of the 20th century, but I’ve never seen anything like this on the streets of Dallas in photographs or postcards of this period. Until now. I love it!

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The postcard — written and mailed on December 27, 1906 — was addressed to “Master Phillip Wyman” in Yonkers, New York. The sender — identified only as “Harry” — sent this message to Phil, probably a young family member:

Dear Phil, Enjoyed your letter so much. Can hardly find time to write much so will send you an occasional postcard. It is very warm down here, to[o] warm for even gloves. About July weather. Must get to business. Love to all, Harry

Too warm for gloves — in December! Imagine! I bet Master Wyman — who was no doubt shivering up in Yonkers — had his young mind blown. (I wonder if he noticed the big top hat?)

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Sources & Notes

Postcard from eBay.

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Copyright © 2025 Paula Bosse. All Rights Reserved.

Commerce & Market, Where the Air Was Made Blue

Kinder, gentler times…

by Paula Bosse

The photo above shows a small, fairly nondescript building at the southwest corner of Market and Commerce, with retail stores and a cafe at street level and, I think, a hotel on the second floor. My car-make-and-model knowledge is bad, but I’ll guess that this photo might be from the early ’20s (a 1921 Sanborn map of the area is here). If you go back even further — like to 1891 — this corner was a hangout for unsavory types, as reported below in The Dallas Morning News in 1891.

Dallas Morning News, Sept. 7, 1891

It’s no surprise there was “indecent and profane language” in the air in 1891 (“particularly on Saturdays”), seeing as that corner was a mere hop, skip, and a jump from Dallas’ premier red-light district.

This corner is currently occupied by the George Allen Courts Building.

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Sources & Notes

Photo, titled “Building at SW corner of Market and Commerce Streets, formerly occupied by City National Bank Dallas, 1872,” is from the Collection of Dallas Morning News negatives and copy photographs, DeGolyer Library, Southern Methodist University; more information is here.

This post appeared in a slightly different version on the Flashback Dallas Patreon page.

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Copyright © 2025 Paula Bosse. All Rights Reserved.

A Somber Armistice Day Observance — 1922

Veterans march in Dallas (Dallas Public Library)

by Paula Bosse

On November 11, 1922, Dallas observed the 4th anniversary of the end of World War I. The photo above, taken by Dallas photographer Frank Rogers, shows veterans of the devastating war marching north on Masten (N. St. Paul) from Main Street — they are headed to First Baptist Church for a special remembrance service.

The crowd is somber, with the war still fresh in their memories. From The Dallas Morning News:

Soberly and without show of emotion Dallas celebrated Saturday, the fourth anniversary of the stilling of the guns of the World War. Their faces mirroring no more than idle curiosity, tens of thousands of men, women and children flowed lazily along the Main Street waiting for the parade of men who had been part of the glorious adventure, but there was no evidence of that high-racing blood that filled the hearts of Americans on Nov. 11, 1918. (Dallas Morning News, Nov. 12, 1922)

More details of the scene can be seen when zooming in on the photo and on the faces of the participants and the spectators (images are larger when clicked).

by John Knott, DMN, Nov. 11, 1922

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Notes and Sources

Photo of the Nov. 11, 1922 Armistice Day parade is from the Frank Rogers Collection, Dallas History and Archives, Dallas Public Library (photo accession number is PA78-2-1003).

The address of the Cecil V. Rogers drug store was 1814 Elm Street. The movie posters for the silent films “Rags To Riches” (playing at the Old Mill) and “To Have and To Hold” (playing at the Palace) are posted on the back of the old Majestic Theatre (its second “temporary” location, which, I believe, had once been the old opera house — see the 1921 Sanborn map here). The cartoon is by Dallas Morning News cartoonist John Knott.

See other Flashback Dallas posts on Dallas and World War I here.

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Copyright © 2024 Paula Bosse. All Rights Reserved.

The Bright Lights of Big D — 1951

…Forget all your worries, forget all your cares…

by Paula Bosse

This is the downtown Dallas I’ve always wished I had seen.

Check out a clipping from the 1953 city directory for a list of the businesses in this immediate block, from about Akard to Ervay, here.

Then click over to the 2015 post “Dazzling Neon, Theater Row — 1929” to see how drastically Elm Street — and Movie Row — changed in just 22 years.

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Sources & Notes

Photo by Denny Hayes, Hayes Collection, Dallas History and Archives, Dallas Public Library; Call Number PA76-1-576-2.

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Copyright © 2024 Paula Bosse. All Rights Reserved.

Flashback Newsflash: Working at the Library

“Central Research Library”

by Paula Bosse

I have news: I am now working on the Dallas History and Archives floor at the downtown Dallas Public Library! I am surrounded by so many interesting things every day that it’s hard not to be distracted by all the photos, maps, books, manuscript collections, etc. Cool stuff everywhere. And great co-workers!

I might as well take this opportunity to share a few tidbits about the building (at 1515 Young Street, facing City Hall).

As you can see from the 3-D architectural model above (the model is on permanent display on the 7th floor), the library was originally referred to as “Central Research Library” when it opened in April 1982 (it was later renamed the J. Erik Jonsson Central Library, in honor of the former mayor). I’m not sure I knew that. Here’s another photo, showing the Wood Street side of the model:

When this library opened, it was the only major library (in the world, I think) that had its entire collection cataloged electronically. Bye-bye to card catalog files and their cute little drawers and hello to desktop computers, 50 of which were donated by Texas Instruments (Erik Jonsson was a founder of T.I.). These were for use by patrons, and, for many of them, these computers were their first experience with a personal computer.

Here is another interesting factoid from a Dallas Morning News article touting the new library’s innovations:

Special exhibits are housed in rooms protected by halon gas, an oxygen-consuming gas that will be released if a fire breaks out, removing all the oxygen and starving the fire. (DMN, April 18, 1982)

The architects were Fisher & Spillman, and they designed the building to be something of a stylistically sympathetic companion to I. M. Pei’s City Hall right across the street. This is the view of it I see every day (and, yes, I think of RoboCop every day):

I can’t believe this building — which I still think of being fairly “new” — is 42 years old. Time flies. Read about the journey of this library, from bond proposal to dedication, in a D Magazine article by my co-worker Brandon Murray, here (check out the slideshow).

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I’m very excited about my new job, surrounded by Dallas and Texas history. Much of my childhood was spent in my local library (the Lakewood Branch), and the occasional trip to the downtown library on Commerce Street, which predated the one I now work in, was always something of a magical experience. And now I’m back, just on the other side of the desk.

If you’re ever in the neighborhood, stop by and say hi!

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Sources & Notes

All photos by me, taken in the summer of 2024.

The architectural rendering by Fisher & Spillman is from the Dallas Public Library Archives.

A version of this post appeared on the Flashback Dallas Patreon page.

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Copyright © 2024 Paula Bosse. All Rights Reserved.

Labor Day Weekend, 1952 (Redux)

labor-day_083152_denny-hayes_PA76-1-11420-002_webWaiting for the fun to start… (photo: Dallas Public Library)

by Paula Bosse

Happy Labor Day! Back in 2020 I wrote a post called “Labor Day Weekend, Union Bus Depot — 1952.” I really enjoyed writing that one, and I loved the main photo in it. It turns out that the photo I’m using in this post was taken only a couple of minutes before the one I used four years ago. I discovered this photo a few weeks ago and have been waiting for Labor Day to roll around. Which it has now done.

On August 31, 1952, Dallas photographer Denny Hayes took several photos of travelers waiting to be whisked away to someplace else. (With luck, someplace cooler.) These photos were taken at the Union Bus Depot in the Interurban Building. Let’s zoom in on this great people-packed photo.

Everyone and everything pales in comparison to the young woman walking toward the camera. In her left hand she holds a box camera. She’s ready to take fun photos, if she ever gets out of that station.

labor-day_083152_denny-hayes_PA76-1-11420-002_woman

labor-day_083152_denny-hayes_PA76-1-11420-002_woman_camera

labor-day_083152_denny-hayes_PA76-1-11420-002_modern-screen

labor-day_083152_denny-hayes_PA76-1-11420-002_waiting

labor-day_083152_denny-hayes_PA76-1-11420-002_queue

labor-day_083152_denny-hayes_PA76-1-11420-002_father-daughter

(If the man above looked any more like Harvey Korman, he’d be Harvey Korman.)

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If you have the day off, I hope you enjoy it. And if you’re traveling somewhere, I hope you get there quickly!

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Sources & Notes

Photo by Denny Hayes, from the Hayes Collection, Dallas Public Library, Dallas History and Archives; Call Number: PA76-1/11420-002.

See the companion post, “Labor Day Weekend, Union Bus Depot — 1952,” and see how many people made it into both photos.

labor-day_083152_denny-hayes_PA76-1-11420-002_web

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Copyright © 2024 Paula Bosse. All Rights Reserved.