Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: 1950s

Republic Bank Branding — 1955

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When the uniforms match the exterior of the building…

by Paula Bosse

Republic National Bank opened its dazzling new building on N. Ervay in December, 1954. It was the tallest building in the city, the interior boasted gold leaf everywhere, and the exterior was covered with thousands of aluminum panels embossed with a distinctive four-pointed “star” shape.

The building’s opening was quite the PR extravaganza — so much so that Life magazine sent photographer Joe Scherschel to take photos for the Feb. 28, 1955 article “Dazzler For Dallas.” Scherschel took a ton of photos, but only a handful made it into the article — one that didn’t make it is the one above which shows five young women on a staircase, all of whom are wearing dresses with those Republic Bank “stars” on them! I have to admit, I was a little more excited than I should have been to have noticed what I assume must have been a (fairly stylish) uniform (hostesses? elevator girls?). Kudos to whomever came up with that clever way to celebrate the bank’s home by incorporating one of the most distinctive elements of one of the city’s most distinctive buildings into something as easily overlooked as an employee’s uniform. That is attention to detail!

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Sources & Notes

All photos were taken by Joe Scherschel for Life magazine, ©Time, Inc. A large collection of the photos Scherschel took while on assignment in Dallas for this article can be viewed here.

I wrote about those fantastic embossed aluminum panels in the Flashback Dallas post “The Republic Bank Building and Spain’s ‘Casa de Los Picos,'” here.

All photos are larger when clicked.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Merry Christmas from Dallas Artist Bud Biggs

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The bright lights of Christmas in downtown Dallas…

by Paula Bosse

An evening in downtown Dallas at Christmastime — alive with traffic and lights and energy — by Dallas artist Bud Biggs.

The painting appeared on the cover of the Christmas, 1959 issue of The Shamrock, a magazine published by the Shamrock Oil and Gas Corporation. The magazine’s description:

On the sidewalks, shoppers dart to and fro. On the street, autos dash by, leaving streaks of light in their haste. Gay lights and laughing Santas swing gayly overhead, festooning the area in a holiday glow. Above all this man-made madness, stars twinkle in contrast, reflecting a serenity reminiscent of a night nineteen hundred years ago. This is what The Shamrock staff sees in this vivid water color of Downtown Dallas at Christmastime by Artist Bud Biggs.

Merry Christmas and Happy Holidays to all!

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Sources & Notes

This work by artist Bud Biggs appeared on the cover of the Christmas, 1959 edition of The Shamrock; this magazine is part of the Southwest Collection, Special Collections Library, Texas Tech University — the entire issue has been scanned and may be viewed as a PDF here.

My guess is that the title of the original painting is “Main Street, Christmas Night” and that it was one of the 12 paintings produced by Biggs in the mid 1950s as cover art for Dallas Magazine, a Dallas Chamber of Commerce publication. These paintings of Dallas scenes appeared as cover art for the monthly issues of 1956, in honor of the city’s centennial. The series won the “Best Covers of 1956” award from the American Association of Commerce Publications, and in 1958 all 12 of the original watercolors were purchased by Southwest Airmotive Company to be displayed in their new Love Field terminal. The 12 covers featured Biggs’ depictions of the following Dallas scenes and landmarks:

  • “Aerial View of Downtown Dallas”
  • “Ervay Street”
  • “Ground-breaking, Dallas University”
  • “Midway, State Fair of Texas”
  • “Trinity Industrial District”
  • “Central Expressway”
  • “Commerce Street”
  • “City Auditorium”
  • “Looking Up Pacific”
  • “Main Street, Christmas Night”
  • “SMU Legal Center”
  • “The Katy Round House”

More on this series of paintings can be found in the Dallas Morning News article “Art & Artists: Biggs Series Bought by Firm” by Rual Askew, Feb. 20, 1958.

Dallas native Bancroft Putnam “Bud” Biggs (1906-1985) attended Forest Ave. High School, SMU, and the St. Louis School of Fine Arts. He was primarily a commercial artist, working first for Dallas artist Guy Cahoon before opening his own advertising studio. He produced fine art as well, specializing in watercolors, and was a respected art instructor.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Christmas Window Shopping — 1950

xmas-shoppers_121650_hayes-collection_DPLHappy Santa fans…

by Paula Bosse

Here are a couple enjoying a Christmas display. Haven’t finished your shopping? There’s still time!

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Sources & Notes

Taken on Dec. 16, 1950, this photo is from the Hayes Collection, Dallas Public Library Dallas History & Archives Division, Dallas Public Library (“[Christmas storefront shoppers],” PA76-1/43.3).

More Flashback Dallas posts on Christmas can be found here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

Pat Boone, Host of Channel 5’s “Teen Times” — 1954

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“Handsome teen-ager” Pat Boone, host of WBAP’s “Teen Times”

by Paula Bosse

In January, 1954, soon-to-be pop-star Pat Boone transferred from a college in Nashville to North Texas State College (now the University of North Texas) in Denton — he was 19 years old and recently married with a baby on the way. An entertainer since childhood, he had recently appeared on (and won) Ted Mack’s nationally televised “Amateur Hour” and had a few minor recordings under his  belt. He entered the Denton college in the middle of the school year, majoring in speech and minoring in music.

In an interview with the college newspaper, The Campus Chat, student reporter Bill Moyers (yes, that Bill Moyers) asked the scrupulously clean-cut Boone what career he saw for himself. His answer: “I want to preach on Sundays at churches that can’t afford pastors, and perhaps I’ll even become a full-time pastor.” He said that even though he had devoted years to being an entertainer and his father-in-law was a bona fide star, he did not envision a career as a professional singer because, for one reason, he did not approve of night clubs, on moral grounds: “I don’t want to sing at night clubs, and that’s where most of the singers do much of their work” (Campus Chat, Feb. 24, 1954).

The reason he was being interviewed in the first place — after only a couple of months in town — was because he had been named as the host of a Dallas-Fort Worth television show called “Teen Times,” sponsored by Foremost Dairies and broadcast on Saturday afternoons on WBAP-Ch. 5; the show premiered in February, 1954. Boone acted as host, dressed as a soda jerk behind a drugstore soda fountain, with teenaged guests who represented one Dallas school and one Fort Worth school (the schools changed each week), competing in a sort of talent show. Boone kept things moving, performed a few songs, and, in between, sang the praises of Foremost milk and ice cream.

Boone hosted the show through the spring of 1955. During the run of this local show, his popularity grew quickly on a national level, the result of several national TV appearances and ever-increasing record sales. After his year-and-a-half time in Denton, he moved to New York in the summer of 1955 and enrolled at Columbia University; before the end of the year, Pat Boone’s fame exploded: he had a huge hit with a cover of Fats Domino’s “Ain’t That a Shame” and was appearing regularly on national TV. By the late ’50s his record sales were reportedly second only to Elvis Presley’s, even though Boone’s squeaky-clean and sincere wholesomeness was the polar opposite of the suggestive, hep-cat abandon of Elvis’ earthier style.

Even though Pat Boone was a North Texas student for only a short time, whenever he has returned to Denton over the years he has always received something of a hero’s welcome. With formative years spent here, and with his star-turn in the 1962 filmed-at-Fair-Park movie State Fair, Pat Boone has every right to be considered an honorary Texan.

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During his time in Denton, Pat Boone hosted two television shows for WBAP-Channel 5: the Foremost Dairies-sponsored “Teen Times” (often referred to as “Teen Time”) on Saturday afternoons, and the Bewley Mills-sponsored “Barn Dance” on Friday nights. (It looks like “Teen Times” was revamped a few years later and returned to Channel 5 in a somewhat similar format as “Teen-Age Downbeat” in January, 1958.)

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1954

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Fort Worth Star-Telegram, Feb. 7, 1954 (click to read)

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Feb. 13, 1954

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FWST, Feb. 12, 1954

Below, a super-blurry excerpt from Bill Moyers’ article in The Campus Chat (read the full interview here):

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Campus Chat (North Texas State College newspaper), Feb. 24, 1954

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FWST, June 20, 1954

In June, 1955, Les Handy — a voice teacher at Texas Wesleyan College — took over as emcee at “Teen Times.” 

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1955

And in September, 1955, Pat and Shirley and their new baby moved from Denton to New York City.

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Denton Record-Chronicle, Sept. 11, 1955

Pat Boone photos from the 1955 NTSC yearbook, The Yucca:

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Junior class photo, 1955

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Kappa Alpha fraternity photo

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Student Religious Council (detail from group photo)

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Sources & Notes

Top photo of Pat Boone behind a soda fountain holding a microphone appeared in the Feb. 24, 1954 edition of Campus Chat, the college paper of what was then North Texas State College; it is from the UNT Libraries Special Collections, and may be accessed on UNT’s Portal to Texas History, here.

Pat Boone’s wife, Shirley, was the daughter of the legendary Nashville “hillbilly” singer, Red Foley. Here’s a video of a nervous Boone and his father-in-law on Foley’s “Ozark Jubilee” TV show, two weeks after Pat and Shirley had left Denton for New York. They are singing “Tennessee Saturday Night,” Red Foley’s big hit from 1949 (hear his great original hillbilly boogie version here).

Because it involves Pat Boone and UNT, check out the 20-minute informational film all about the college, made for students by students in 1963, available to watch on the Portal to Texas History, here — Pat Boone offers a few enthusiastic bits of narration.

And, why not, here’s a photo of journalist Bill Moyers from the 1953 North Texas yearbook.

moyers-bill_UNT_1953-yucca_yearbook

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

A Gaston Avenue Plumbing Company, Its Windmill, and a Water-Whooshing Neon Sign

gaston-ave_strip-shopping_colteraConsumers Plumbing Co., Gaston and Hall

by Paula Bosse

A few years ago I came across this photo, showing the 3200 block of Gaston Avenue, just west of Hall. At the time I was more concerned with whether the deco-esque building still stood (it does not) that, somehow, I don’t think I even noticed the windmill (!). I know I didn’t notice that absolutely fantastic sign at the right, which I only hope was an animated neon sign with water whooshing from a faucet and then bubbling up at the bottom.

The business seen here is a plumbing supply business referred to over the years as both Consumers Supply & Plumbing Co. and as Consumers Plumbing Supply Co. It began in Dallas in 1924 when Sam Glickman opened a location on Main Street; two years later, the company incorporated, with two locations — one in Dallas and one in Fort Worth: the incorporators were Glickman and his wife, Minnie, and Morris Strauss and his wife, Josephine.

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July, 1924 (click for larger image)

In these early years, an incident in July, 1927 involving partner Morris Strauss (who ran the Fort Worth store) led to a highly publicized trial which garnered front-page coverage. Morris was abducted from his house late one night by several men, some of whom may have been wearing masks (which, on its own, was illegal, per the anti-mask law), had a hood placed over his head, and was driven to a deserted country road where he was beaten and flogged with a whip or rope and a tree limb. He was left bloodied, in his robe and pajamas, with a warning that the same fate awaited his partner, Glickman, in Dallas.

Newspaper reports suggested that the masked “floggers” were affiliated with a plumbers’ organization whose members were reportedly unhappy with what they thought was shoddy work and low-ball bidding on city projects by Consumers Plumbing. There was huge interest in the ensuing trial of one of the men implicated in the beating, a former FW police detective with ties to the Ku Klux Klan, but the trial ended anti-climactically in a hung jury. In 1990, a Fort Worth Star-Telegram article (“KKK Links Lurk In Tarrant Past” by Hollace Wiener, FWST, Feb. 25, 1990) noted that this incident was precipitated not so much by the fact that Strauss was outselling the competition, but, more importantly, it was because he was Jewish (both Strauss and Glickman were Russian-Jewish immigrants). Not only did the defendant have Klan connections, so did the judge (and probably several members of the jury). Strauss had been granted permission by the city manager to carry a firearm for his protection, and as far as I can tell, there were no further attacks. But the Fort Worth branch of Consumers Plumbing did not make it into the 1930s, and Mr. Strauss appears to have left town.

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Detroit Free Press, Oct. 1, 1927

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Samuel G. Glickman (1898-1967) was born in Russia and, as a boy, immigrated with his family to the United States, settling in New Orleans. He initially trained as a telegraph operator but eventually became a plumber and moved to Dallas to set up his own retail/wholesale plumbing company, offering plumbing services and selling supplies and fixtures.

In 1934 or 1935, he moved into a large building in Old East Dallas at 3207-3211 Gaston, next to the 1890s-era Engine Co. No. 3 firehouse (which stood immediately east of Consumers Plumbing, at the corner of Hall, until about 1963). The building had a second floor, where Glickman lived for a time. In fact, he was sleeping there when a huge early-morning 4-alarm fire broke out in the half-block-long building in January, 1949. Despite being right next door to a fire station, the building was gutted. Glickman rebuilt. And the new building (seen at the top) and THAT SIGN were pretty cool. (All images are larger when clicked.)

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Jan., 1949

consumers-plumbing_gaston_100249Oct., 1949

consumers-plumbing_gaston_oct-1949Oct., 1949

And because everything — no matter how obscure — seems to end up on the internet — here are a couple of random photos from a 1959 Volkswagen trade publication, showing Consumers workers loading plumbing-related things onto the back of a VW pick-up — some copywriter was no doubt ecstatic to have the opportunity to use “Everything goes in, including the kitchen sink!”

consumers_VW-truck_1959

consumers_vw_1959_thesambadotcom_1via TheSamba.com

At some point the Eveready Supply Co. (another of Glickman’s businesses) joined Consumers in the same block. Glickman died in 1967, and the businesses either moved or closed in the 1970s. The building is, unfortunately, long gone, and that block of Gaston is just one of … EVERY SINGLE BLOCK IN THAT AREA which seems to have been swallowed up by the gargantuan, ravenous, real-estate-gobbling machine known as Baylor Hospital (or whatever it’s called these days).

God, I wish I’d seen that neon faucet sign.

Oh, and the windmill? Aside from being an attention-grabber to passersby, Consumers also sold farm and ranch supplies.

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Oct., 1947

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Sources & Notes

Top color photo is from a postcard found several years ago on a Flickr page of superstar user “Coltera,” here.

I love neon signs, and Dallas used to have them everywhere. I haven’t seen another sign with quite this same water-whooshing-out-of-a-faucet design, but the one seen in this video is similar (but not as good!). Dripping faucets are popular — like this one. A great page featuring eccentric vintage neon signs of plumbing establishments is here.

And only because one of those Volkswagen trucks is featured prominently in a previous Flashback Dallas post, check out the floating VW pick-up bobbing along a flooded 4600-block of Gaston (mere blocks from Consumers Plumbing), here. And — why not? — a Clarence Talley Volkswagen ad from 1961 can be found here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

Dallas History on the BBC

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“Howdy, chaps!”

by Paula Bosse

A few years ago, when writing about one of the many attempts in the never-ending saga of trying to make the Trinity River a navigable waterway, I stumbled across the 99% Invisible podcast website where I discovered Julia Barton and her long audio piece on the very same topic. I was surprised — and excited — to find someone with a similar background to mine tackling Dallas’ history and looking at it from a thoroughly 21st-century perspective. I felt she and I had been separated at birth, and I enthusiastically contacted her via Twitter. Since then we’ve met a couple of times, chatted back and forth online, and, this year, she asked if I would help with research for a radio piece about Dallas she was preparing for BBC Radio. Of course I would!

Julia Barton is a radio and podcast editor and has worked extensively in public radio; she is currently working on Malcolm Gladwell’s hugely successful Revisionist History podcast. She also presents stories, some of which are about Dallas, a city she seems to have a lingering fascination with, even though she hasn’t lived here in decades. Though born in Minnesota, Julia spent most of her childhood in Dallas, growing up in the Little Forest Hills area, attending Alex Sanger Elementary, Gaston Middle School, and Skyline High School (Class of ’87) where she appears to have been an overachieving student journalist. She lives in New York City now, where she puts those journalism tools to good use.

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Julia Barton, 1987 Skyline High School yearbook

The first tidbit I heard about Julia’s story for the BBC involved another former Dallas resident, Dennis Rodman (of basketball and North Korea diplomacy fame), who grew up in both South Dallas and South Oak Cliff and attended Sunset High School for a couple of years before transferring to South Oak Cliff High School, where he graduated in 1979.

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Senior photo, South Oak Cliff High School, 1979

I’m not sure about the chronology of the piecing-together of the various aspects of Dallas history which comprise the finished half-hour BBC program, but an important kernel was Rodman’s childhood memory of hiking for miles with friends through underground sewage tunnels to Fair Park in order to get into the State Fair of Texas without the burden of paying — they just popped up a manhole cover when they’d reached their destination and … voilà! — they were inside Fair Park. He wrote about this in his autobiography Bad As I Wanna Be, and you can read this passage here (if bad language offends you, buckle up). I really love Rodman’s story about these tunnels — so much so that after Julia shared it with me, it got to the point where I was asking everyone I ran into if they’d ever heard about what I assumed was an apocryphal story. But the tunnel-to-Fair-Park-legend was true. And that weird kernel snowballed into a half-hour personal narrative about Dallas, race, inequality, education, school desegregation, and, yes, Big Tex. History isn’t always pretty, but let’s hope we can learn from past mistakes.

Listen to Julia Barton’s “Big Tex,” here.

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Sources & Notes

“Big Tex” was presented by Julia Barton for the UK’s BBC Radio 4. It features Julia’s classmates Sam Franklin (Class of ’86) and Nikki Benson (Class of ’87), her former teacher at Skyline Leonard Davis (an all-around great guy and fellow Dallas Historical Society volunteer — hi, Leonard!), as well as former teenage tunneller Melvin Qualls, local historian Donald Payton, and sixth graders from Julia’s alma mater, Alex Sanger Elementary School. It is a Falling Tree production, produced by Hannah Dean and Alan Hall. The link to the audio — and background on the production — is here. (Top photo is from the BBC page.)

Jim Schutze of the Dallas Observer wrote a great piece on this radio program (“Before Desegregation, Black Kids Had a Secret Tunnel Into the State Fair. Truth!”) — read it here (it includes a few production photos taken as Julia researched the story in Dallas).

Julia Barton’s website is here; a collection of her stories for Public Radio International (PRI) is here.

Two of Julia’s Dallas narratives:

  • “Port of Dallas” — history of the attempt to navigate (and monetize) the Trinity River: as an audio-only podcast, and as a video presentation done as a TEDx Talk at SMU
  • “The Failed Socialist Utopian Dream That Helped Dallas Become a Major City” — a look at the La Réunion community of the 1850s, from the PRI “World in Words” podcast (starts at about the 5:30 mark)

Thanks for asking me to help with research, Julia — I particularly enjoyed fact-checking the question “was-Mussolini-*really*-invited-to-the-Texas-Centennial?” (He was!)

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Happy Halloween from Karl Hoefle — 1955

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Getting ready for the big day, polishing her broom… (click for larger image)

by Paula Bosse

Before Karl Hoefle entered the consciousness of most Dallasites with his fun phone book covers, he was a hard-working commercial artist. This 1955 Halloween-themed drawing was done for a magazine cover, and, like those phone book covers, he rewards the observant viewer with lots of little jokes. It might help to zoom in and look at some of the details.

The first one is a little fuzzy, but the calendar is from the A-1 Witchcraft Supply House: “Everything for the discriminating witch. See the all-new ’56 jet broom with ‘floating ride.'”

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The witch has some handy-dandy Bonson’s Broom Polish (“with added anti-sliver compound”).

halloween_hoefle_curiosities-blog_1955_det_broom-polish

Her bookshelf contains works such as My Ghoul in Life, the Encyclopedia of Witchcraft (Standard Revised Edition), and Haunting Melodies. And the smiling ghost portrait adds a nice homey touch.

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A crumpled-up note on the floor reads “Call Merlin.”

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Mice are scaring each other, and the V8 Jet Broom appears to be revving.

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Thank you, Karl!

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Happy Halloween!

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Sources & Notes

This illustration by Karl Hoefle was drawn for the September-October, 1955 issue of Among Ourselves, a local publication for the Pollock Paper Corporation Employees. I found this image in an old post on the website of the fab establishment in Lakewood, Curiosities. The post from 2014 is here — it includes two more Among Ourselves covers by Hoefle.

I’ve written only one Karl Hoefle post so far: “1971 Yellow Pages Cover: SMU Gets the Karl Hoefle Treatment,” here.

More Halloween posts can be found here.

All pictures are larger when clicked/tapped.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Casa View Elementary/Casa View Park — 1954-1974

casa-view-elementary_park_aerial_squire-haskins_1954_dallas-municipal-archives_portalCasa View Elementary and next-door park, 1954 (click for larger image)

by Paula Bosse

I wrote about Casa Linda Park not long ago, so today … Casa View Park (and its neighbor, Casa View Elementary School).

After World War II, there was a severe housing shortage in Dallas, and developers began looking to areas which offered new land to build on and were ripe for annexation. One such area — east of White Rock Lake and beyond the city limits — was eyed as a prime site for a new residential neighborhood: it didn’t take long for the area now known as Casa View to pop up.

One of Casa View’s neighborhoods was Casa View Heights (which, roughly, is bounded by Garland Road, Centerville Road, Shiloh Road, and … maybe Barnes Bridge? — see ad below) — it was a development spearheaded by Carl Brown, whose nearby Casa Linda development had been a big hit. The land this addition was built on was annexed by the City of Dallas in 1949. In mid-1950, it was announced that “ten acres of pasture land north of Centerville Road in the Casa View area” had been purchased by the Dallas School Board, a tract which “some day may be the site of a school […] though the school building program has no project scheduled for the area” (“Sizable Land Plots,” Dallas Morning News, July 16, 1950).

About half that parcel of land became Casa View Park sometime in 1950; the other half became the campus of Casa View Elementary School. The school (designed by premier Dallas architect Mark Lemmon) began construction in 1952 and was ready for use by the opening of the new school year in 1953 (enrollment on the first day was an impressive 870 students).

Below are four aerial photos showing the Casa View park and school, taken over a 20-year period by Squire Haskins. (All images are larger when clicked.)

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At the top: a photo from 1954, with the year-old Casa View Elementary School on the left (in its original square shape, with an unusual-for-the-time open courtyard in the center); the fairly bleak-looking, treeless Casa View Park is on the right. The view is to the west, with Farola at the top, Monterrey on the left, and Itasca at the bottom and right.

Below, from January, 1966 — a view toward the south:

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November, 1969 — looking west:

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August, 1974 —  looking east:

casa-view-elementary_park_aerial_squire-haskins_aug-1974_dallas-municipal-archives_portal

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Below, with annexation under their belt (and assurance of city services, schools, etc.) developers’ ads like this one began appearing in local newspapers, hoping to entice prospective homeowners to the brand new “Casa View Heights” addition. (The description of these modest homes as “luxury” was a bit of a stretch….) 

casa-view-heights_103049_adOctober, 1949

Here are a couple of interesting pages from the 1952 Dallas Mapsco. Take a look at all that empty white space just waiting to be gobbled up by an ever-sprawling Big D. (The location of the park and school is marked in the second image.)

casa-view_mapsco-1952a


casa-view_mapsco-1952b_marked

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Sources & Notes

The aerial photos are from the Dallas Municipal Archives, and are included in the collection “Dallas Parks Aerial Photographs” provided to UNT’s Portal to Texas History site; all photos above can be found here.

The location of the school and park can be seen here. A present-day aerial view from Google is here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

The State Fair of Texas Over the Decades

state-fair-of-tx_midway_kodachrome_1961_ebaySFOT midway, 1961… (click for larger image)

by Paula Bosse

The history of the State Fair of Texas is also the history of Dallas — if you live in Dallas, you know a lot about the fair, if only by osmosis. Here are a few images from the decades since the fair began in 1886.

Below, from 1889, a sedate advertisement for the Texas State Fair and Dallas Exposition (from The Immigrant’s Guide to Texas, 1889). (All images are larger when clicked.)

state-fair_imm-gd_1889

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A great-looking poster from 1890, colorful and exciting:

sfot_poster_1890

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A midway in its infancy, in the aughts. (I wrote about the “The Chute” water ride, here.)

shoot-the-chute_postcard_ca-1906

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Here’s a group photo showing the food vendors at the 1910 fair. No corny dogs in 1910, but plenty of candy, peanuts, popcorn, ice cream, and, sure, why not, cigars and tobacco.

state-fair-concessionaires_1910_cook-colln_degolyervia George W. Cook Collection, DeGolyer Library, SMU

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In the 1920s, Fair Park looked a lot smaller:

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via George A. McAfee Collection, DeGolyer Library, SMU

Here’s a handy 1922 map of the grounds, from the fine folks at Caterpillar (don’t miss those tractors!) — you can see where the people in the photo above are walking.

state-fair-map_caterpillar_ad_1922

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If it’s 1936, it’s gotta be the Texas Centennial — and here’s an exhibit I’d never heard of: Jerusalem, The Holy City. This was one of many exhibits at the Texas Centennial previously seen at the 1933 Chicago World’s Fair, where it apparently had attracted more than one million visitors. In the weeks leading up to the Centennial’s opening, it was described thusly: “The Holy City will contain a collection of religious artworks and other material. The entrance will represent the Damascus gate of Jerusalem. No admission will be charged but donations will be asked visitors” (Dallas Morning News, May 17, 1936).

tx-centennial_jerusalem-the-holy-city_postcard

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The State Fair of Texas was not held during much of World War II, but it was back in 1946, with Tommy Dorsey, Gypsy Rose Lee, and Jackie Gleason.

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Sept., 1946

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Neiman-Marcus was at-the-ready in 1950 with suggestions on stylish footwear for ladies wanting to trudge around the Fair Park midway in heels.

For the Million-Dollar Midway — For taking in this famous “main drag” of the State Fair — get into our famous-maker midway heel shoes. Most everybody — after walking a block or two in them — says they’re worth a million! Have all the comfort of low heels, plus the high-heel’s way of making your ankles look prettier.

sfot-neiman-marcus_ad_101650October, 1950

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The 1960s were certainly colorful, and this is a great color photo from 1961 (currently available on eBay as a 35mm Kodachrome slide) — it’s the photo at the top of this post, but in order to cut down on unnecessary scrolling, I’ll slide it in again right here:

state-fair-of-tx_midway_kodachrome_1961_ebay

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The 1970s was a weird decade, and what better way to start off a weird decade than with 80-something-year-old oil tycoon (and eccentric Dallas resident) H. L. Hunt handing out cosmetics at a booth at the State Fair? Hunt — whom Frank X. Tolbert described as “probably the world’s only billionaire health freak” — manufactured a line of cosmetics and other products containing aloe vera, the wonder elixir. Imagine seeing the world’s richest man handing out plastic goodie-bags to awe-struck passersby. Like I said, weird.

h-l-hunt_state-fair_1971

hunt_state-fair_pomona-progress-bulletin_CA_111471Pomona (CA) Progress-Bulletin, Nov. 14, 1971 (click to read)

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And, finally, the 1980s. A century after the State Fair of Texas began, the X-Men came to Big D to do whatever it is they do — and The Dallas Times Herald got a cool little advertising supplement out of it. (If this appeals to you, check out when Captain Marvel came to Dallas in 1944, here, and when Spider-Man came to Dallas in 1983, here.)

sfot_xmen_comic-book_1983

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Sources & Notes

Sources (if known) are noted.

All images are larger when clicked.

I wrote a similar State-Fair-of-Texas-through-the-ages post a few years ago: “So Sorry, Bill, But Albert Is Taking Me to the State Fair of Texas,” here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

Casa Linda Park — 1947-1977

casa-linda_aerial_baseball-diamond_squire-haskins_072047_dallas-municipal-archives_portalThe idyllic Casa Linda countryside, 1947…

by Paula Bosse

Here are several aerial photographs, taken over a 30-year span, showing Casa Linda Park, located east of White Rock Lake — most (if not all) were taken by noted Dallas photographer Squire Haskins. When the little 6.3-acre park opened in 1947, it was described by The Dallas Morning News as “rustic and picturesque” (DMN, Aug. 19, 1947), a description which could be used for the whole Casa Linda area which was being developed at the time by Carl Brown.

The land for Casa Linda Park was purchased by the City of Dallas in March, 1947, and it is bounded by Old Gate Lane on the southwest, the curving San Saba Drive on the north, and what used to be the Santa Fe Railway railroad tracks on the southeast, between White Rock Lake and Buckner Blvd. I’m not exactly sure where Little Forest Hills ends and Casa Linda begins, but both neighborhoods could claim this cute little park as their own, I suppose.

These aerial photos are from the Dallas Municipal Archives, via the Portal to Texas History (links can be found at the bottom of this post). All photos are larger when clicked. See your house?

At the top, the earliest photo of the park in this collection, taken in July, 1947 by Squire Haskins.

Below, the second Haskins photo, from 1954:

casa-linda_aerial_baseball-diamond_squire-haskins_1954_dallas-municipal-archives_portal

Below, another Haskins photo, from January, 1966:

casa-linda-park_aerial_baseball-diamond_squire-haskins_jan-1966_dallas-municipal-archives_portal

Another Haskins photo, from July, 1970:

casa-linda_aerial_baseball-diamond_squire-haskins_july-1970_dallas-municipal-archives_portal

And lastly, a photo by an unidentified photographer, from July, 1977 — 30 years to the month after the photo at the top was taken:

casa-linda-park_aerial_july-1977_dallas-municipal-archives_portal

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An aerial Google view of the park today can be seen here.

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Sources & Notes

These photos are from the Dallas Municipal Archives, and are included in the collection “Dallas Parks Aerial Photographs” provided to UNT’s Portal to Texas History site; all photos above can be found here.

See aerials of nearby Casa View Park — taken by Squire Haskins between 1954 and 1974 — in the Flashback Dallas post “Casa View Elementary/Casa View Park — 1954-1974,” here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

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