Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

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African-American Businesses and Notable Dallasites — 1930

mme-pratt-muisc-teacher_dallas-negro-directory_1930_portal_det“Madame Pratt” in her music studio

by Paula Bosse

I’ve recently posted lots of photos of black schools and black churches which appeared in the Official Directory: Dallas Negro Churches, Schools and Other Activities; Civic, Business, Fraternal, Social, Etc., an absolutely fantastic historical document (which is scanned in its entirety on the Portal to Texas History site here) — now I thought I’d post some of the businesses and people featured in the directory.

First is the woman seen above, Ella Rice Pratt (1893-1966) who was known professionally as “Madame Pratt” and seems to have taught an extremely wide range of musical instruments. According to this 1930 ad, she was “The only woman of her race in Texas who performs successfully upon two instruments at the same time.”  (Most images are larger when clicked.)

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Her 1966 obituaries (one of which is here ) list a string of accomplishments, including having studied music at the New England Conservatory in Boston, toured as a concert pianist, trained a 30-piece touring orchestra, and opened what was described as “the first music studio in Dallas where Negro musicians could receive training on all instruments” (Dallas Morning News, Oct. 3, 1966). Not only was she a notable Dallasite, so were members of her family: her father, Charles A. Rice was a principal at Booker T. Washington High School (and is the namesake of Charles Rice Elementary School), her mother, Sally Rice, was the first supervisor of Griggs Park, and her husband, T. W. Pratt was a long-time principal in Dallas schools (at the time of this directory he was the principal of the Pacific Avenue School (he might be seen in this photo which also appeared in the 1930 Negro Directory). The Pratts lived at 3612 Thomas Ave., near Washington, where Madame Pratt also had her studio. (Her headstone in Lincoln Memorial Park has musical notes engraved on it.)

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Speaking of music, R. T. Ashford was a prominent businessman (he was one of the founders of the Dallas Negro Chamber of Commerce) who owned R. T. Ashford’s Music Shop, a popular record store at 408 N. Central (at Swiss), just north of Deep Ellum. Before this 1930 directory was issued, Ashford had called his shop “Black Swan Music”(I’m not sure whether this was an “homage” to the Black Swan record label or some sort of partnership). Ashford’s store was apparently very popular and Ashford himself seems to have been taken seriously by record labels whenever he would recommend local talent (he appears to have figured prominently in Blind Lemon Jefferson’s recording career). Ashford moved from Central Avenue to Hall Street in 1931, but he was a Deep Ellum music and business fixture for many, many years. I think the location of Ashford’s record shop (if not the actual store) can be seen in this photo from 1919 (on the street-level floor of the Thorburn Broom & Brush building). (Fun fact, perhaps only to me: Ashford’s Music Shop was next door to a business proprietor named “Simpson.”)

ashfords-music-shop_dallas-negro-directory_1930_portal1930

ashford_dallas-express_122223Dallas Express, Dec. 1922

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Another entrepreneur was Thad Self, whose main business seems to have been a grocery/general merchandise store on Routh Street south of Colby. He also owned a transfer company, a hotel/boarding house, a barber shop, a cafe, and at least one other general store. Most of his companies were located in buildings on the neighboring lots at 2113 Routh and 2115 Routh, one or both of which he appears to have purchased in 1913 for $100 (about $2,600 in today’s prices). He built a large three-story building on Routh in 1913 (which, according to this 1921 Sanborn map) was built over the Dallas Branch of the Trinity which snaked through downtown and the State-Thomas area — that  basement was probably pretty damp.

thad-else_dallas-negro-directory_1930_portal1930

thad-else_dallas-express_120619_HOTELDallas Express, Dec. 6, 1919

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Speaking of hotels, one of the most prominent hotels in the era when blacks were not allowed to stay in “white” hotels by law was the Powell Hotel at 3115 State Street (between Ellis and Hugo), owned by D. H. Powell and his wife Susie. In May, 1929 Powell was issued a permit to tear down a frame house at 3115 State, and he built his 40-room hotel on the property soon after. The Powell Hotel was where almost every notable African-American visitor to the city stayed. By the late 1940s, Powell had built something of a hotel empire in Dallas with several locations. (I will have to write more about him in a future post!) I like this very early ad, from the 1930 directory, describing it as the “Powel Hotel & Pleasure Dome.” The photo shows a pleasant-looking place, but you and I and Kubla Khan and Coleridge would probably agree it’s no Xanadu.

powell-hotel_dallas-negro-directory_1930_portal1930

powell-hotel_legacies_spring-2007Dallas Public Library, via Legacies, Spring, 2007

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Speaking of “resting places”… another essential element in any community is the funeral home. One of Dallas’ most prominent undertaking firms for black Dallas was the E. J. Crawford Funeral Home at 804 Good (now N. Good-Latimer, between Live Oak and Bryan), founded by Mr. Crawford in 1909. “The last word in funeralizing.”

crawford-funeral-home_dallas-negro-directory_1930_portal1930

crawford_e-j_dallas-express_020422Dallas Express, Feb. 4, 1922

Another prominent funeral home/ambulance service was Black & Clark, founded originally around 1914 by S. C. Black; in 1927 he was joined by his nephew C. J. Clark. For years they were located in Oak Cliff, at 1109 E. Tenth St., west of what is now South R. L. Thornton, near Cliff Avenue. This funeral home is still in business, and there was recently a profile of the Dallas institution on Channel 5 News (watch it here).

black-and-clark-undertakers_dallas-negro-directory_1930_portal1930

black-and-clark_archives_1802-n-washington1802 N. Washington (woozy screenshot of photo in Ch. 5 news story)

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This is Genevieve T. Starks, a woman with a lot of extra-curricular activities! I love this photo.

genevieve-starks_dallas-negro-directory_1930_portal1930

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The G Clef Club was organized around 1921 by Lincolnia Hayes Morgan, music supervisor for Dallas’ (black) public schools. A blurb about the group appeared in The Crisis, the official publication of the N.A.A.C.P.: “The objects of the club are to assist worthy music students and to raise the music standard of the community” (June, 1921).

g-clef-club_dallas-negro-directory_1930_portal1930

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A popular singing group was the Belt Sacred Quartette (comprised of J. J. Mollis, J. Poindexter, F. W. Grant, and N. Tisdale) — listen to their recording of “I Have Another Building” below.

belt-sacred-quartette_dallas-negro-directory_1930_portal1930

belt-sacred-quartette_blackwell-OK-journal-tribune_072332Blackwell (OK) Journal-Tribune, July 23, 1932

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The Davis Bible Singers (C. Davis, I. H. Burrell, R. Smith, and O. B. Walker) seem to have been pretty popular, having appeared on KRLD, WFAA, and WRR radio. They even recorded for Columbia Records (listen to their great recording of “Daniel Saw the Stone” below).

davis-bible-singers_dallas-negro-directory_1930_portal1930

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One of the most important doctors in Dallas in the 1920s and ’30s was Dr. Lee Gresham (L. G.) Pinkston (1883-1961), who opened the Pinkston Clinic at 3305 Thomas Avenue, between Hall and Central, in 1928 or 1929 (it made its first appearance in the 1929 city directory). In 1954, Pinkston — physician, surgeon, and civic leader — was one of the first five black doctors allowed to practice in a “white” Dallas hospital (St. Paul’s Hospital) — before that, the only hospital in Dallas where black doctors could practice was the Pinkston Clinic, which had 15 beds (32 beds were allotted for black patients at St. Paul’s in 1954). (See a photo of the five doctors here, Dr. Pinkston is seated.) A new West Dallas school — Pinkston High School — was named in Dr. Pinkston’s honor and opened in 1964, three years after his death. 

pinkston-clinic_dallas-negro-directory_1930_portal1930

pinkston-clinic_DHSDallas Historical Society

Below, a portrait of Dr. Pinkston with the artist, Calvin Littlejohn (whom I’d known only as a photographer previously), destined to hang in the new school.

pinkston-l-g_portrait_calvin-littlejohn_pittsburgh-PA-courier_112864Pittsburgh (PA) Courier, Nov. 28, 1964

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Sources & Notes

All 1930 images are from Official Directory: Dallas Negro Churches, Schools and Other Activities; Civic, Business, Fraternal, Social, Etc. compiled by James H. Smith, 1930; from the Tarrant County Black Historical and Genealogical Society, via the Portal to Texas History. This fantastic resource is scanned in its entirety here.

See the two other Flashback Dallas posts which also use this wonderful directory as a source:

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Copyright © 2020 Paula Bosse. All Rights Reserved.

Orphaned Factoids: Year-End Grab Bag, 2019

cyclone-twister_tornado_cigars_1928_ebay“Looks crooked but smokes straight…”

by Paula Bosse

As another year crawls to an end, it’s time to collect the odd bits and pieces that have  piled up over the past few months which struck me as interesting or funny or… whatever. I had nowhere else to put them, so they’re going here! (Most images are larger when clicked.)

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First up, the ad above for the “Cyclone Twister” 5-cent cigar, distributed by Dallas wholesaler Martin L. Richards in 1928. Note the shape of the cigar. “Looks crooked but smokes straight.” Probably looked a little strange when smoked. I guess it might help break the ice at parties. Found on eBay.

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Here’s a nice little crest for SMU I’ve never seen — I’m not sure how long this lasted. From the 1916 Rotunda yearbook.

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M. Benedikt & Co. was the “Headquarters for Hard-to-fit-men” — in other words, they specialized in “Right-Shape clothing for Odd-Shape Men.” Here are a couple of examples of what they might consider “odd-shape men” in an ad from 1899.

benedikt-clothiers_odd-shape-men_dallas-fire-dept-souvenir_1899_degolyer-lib_SMU

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This is an interesting selection of ads from a 1968 edition of the Yellow Pages: Dewey Groom’s Longhorn Ballroom, Louanns, El Zarape Ballroom, the It’ll Do Club, the Bamboo Room at the Tower Hotel Courts, the Chalet Club, and the Tamlo Show Lounge (a couple of these show up in the…um… informative story “The Meanest Bars in Dallas” (D Magazine, July, 1975).

clubs_yellow-pages_1968_ebay

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I’ve been working in the G. William Jones Film and Video Archives at SMU for the past few months, and this was something I came across while viewing a 1960 WFAA-Channel 8 News clip which made me really excited (it’s an awful screenshot, but, what the heck): while covering a car wreck at Corinth and Industrial, the Ch. 8 camera panned across the scene, and in the background, just left of center, was a very tall sign for the Longhorn Ranch, which I’d never seen before. Before it was the Longhorn Ranch it was Bob Wills’ Ranch House, and after it was the Longhorn Ranch it was the Longhorn Ballroom (more history of the legendary honky-tonk is in a Texas Monthly article here). So, anyway, it’s a fuzzy screenshot, but I think it’s cool. (The footage is from June, 1960 but the clip hasn’t yet been uploaded online.)

longhorn-ranch_wfaa-june-1960_jones-film_SMU

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Speaking of WFAA footage in the Jones Film collection, there was some sort of story about comely young women in skimpy outfits handing out samples of some sort of food to passing pedestrians on Commerce Street (the one-minute clip is here). In addition to seeing sights associated with downtown streets in 1962 (including businesses such as Sigel’s and the Horseshoe Bar, as well as a large sign advertising the Theatre Lounge), I was really happy to see a few Braniff Airways posters in a window — I love those late-’50s/early-’60s Braniff travel posters! So here’s another screenshot and, below that, the Texas-kitsch poster I was so happy to see in color.

braniff-poser_oil-well_jones-film_SMU_041262

braniff-poser_oil-well_ebayBraniff Airways, Inc., Copyright 1926 2019

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I don’t have an image for it, but I was amused to learn that in 1969 the powers-that-be at the Texas Turnpike Authority nixed the suggestion that the Dallas North Tollway be renamed in honor of president Dwight D. Eisenhower, who had recently died — the idea was turned down because 1) new signage would have been very expensive, and 2) officials were afraid that “irreverent motorists” would inevitably refer to the toll road as the “Ike Pike” (I know I would have!).

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Not Dallas, but there’s always time for a little love for Fort Worth: here’s a nice ad from 1955 for a 22-year-old Fort Worth DJ named Willie Nelson, back when he was gigging out on the Jacksboro Highway with his band the Dumplin’ Eaters.

nelson-wilie_FWST_090955Fort Worth Star-Telegram, Sept. 9, 1955

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Apparently there was a time when ladies were uncomfortable patronizing an establishment in which m*n served them ice cream, so this ad from 1899 made sure to note that “lady clerks” were in attendance. (See the back side of the Willett & Haney Confectioners parlor a couple of years before this ad, when the “cool and cozy parlor” was located on Main Street — it’s at the far left in this circa-1895 photo detail from this post.) The parlor was owned by John B. Willett and John S. Haney, and in addition to ice cream and candy, their specialty was oysters, and I can only hope that there was some experimenting with new food combos involving mollusks, ice cream sodas, and crushed fruit.

willett-and-haney_ice-cream-parlor_dallas-fire-dept-souvenir_1899_degolyer-lib_SMU

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This is an odd little tidbit from The Dallas Morning News about a couple of cadets from Camp Dick (at Fair Park) and what happened to them when they attended a lecture on “social diseases.” (The jokes write themselves….) Who knew singing and whistling were so therapeutic”

camp-dick_dmn_081718DMN, Aug. 17, 1918

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The caption for this photo (which appeared in the article “Going Downtown to Shop” by Jackie McElhaney, from the Spring, 2009 issue of Legacies): “In 1946, Sanger’s introduced a portable drapery shop. Two seamstresses sewed draperies in this truck while parked in the customer’s driveway.” Now that’s service!

sangers_drapes_legacies_2009

sangers_logo_1947_forward-with-tx
“Forward with Texas,” 1947 ad detail

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Two more. This first was a real-photo postcard I found on eBay. It shows the Pink Elephant cafe on Hwy. 80 in Forney (not Dallas, but pretty close!). I love the idea of Forney having a place called the Pink Elephant — it was quite popular and was in business from at least the 1930s to the 1950s. The card below was postmarked in 1936.

pink-elephant-bbq_forney_ebay_mailed-1936

This photo of the interior is from the Spellman Museum of Forney Museum Facebook page.

pink-elephant-bbq_forney_FB_spellman-museum-forney-history

I wondered if the place was still around (sadly, it is not), and in looking for info about it found this interesting article from 1934 about outlaw Raymond Hamilton, the escaped killer who grew up in Dallas (…there’s the Dallas connection!) and was notorious for having been a member of Bonnie and Clyde’s “Barrow Gang.” (Click to read.)

pink-elephant-bbq_forney_austin-american_102234Austin American, Oct. 22, 1934

pink-elephant_forney_matchbook_pinterest

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And, lastly, a photo of a young woman which appeared in a German-language magazine, captioned simply “Eine Texas Schönheit (A Texas Beauty).” Is the hair wearing the hat, or is the hat wearing the hair?

texas-beauty_1902

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Previous installments of Flashback Dallas “Orphaned Factoids” can be found here.

Until next year!

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

“Dallas Day” at the State Fair of Texas

state-fair_dallas-day_100956
Hey, Big D — don’t forget “Dallas Day”!

by Paula Bosse

“Dallas Day” used to be an important day at the State Fair of Texas. Like really important. Like national-holiday-important. Below is a typical mayoral proclamation announcing the sweeping closures of public and private businesses and institutions on “Dallas Day,” from 1899 (click to see a larger image; transcription follows):

1899_dallas-day_sfot_dmn_101099Dallas Morning News, Oct. 10, 1899

THE GREAT TEXAS STATE FAIR

PROCLAMATION

Wednesday, Oct. 11, is hereby declared to be, and is to be, a full, free and public holiday within the corporate limits of our good city of Dallas, on account of Dallas Day at the Great Texas State Fair.

All business, public and private, the postoffice, the courts, the banks, and public schools, will close from Tuesday evening, Oct. 10, until Thursday morning, Oct. 12, to the end that all may turn out and have one full day’s benefit of this great educational institution.

Every employer in Dallas is charged to be loyal to this, our proclamation, for his own good, for the good of those he employs, for the good of their wives and families and of their sweethearts.

No loyal concern in Dallas will fail to observe this, our annual holiday, or fail to render to their employes every facility for observing it.

Every citizen of Dallas having in his possession a complimentary ticket to the Fair is hereby requested to keep his ticket in his pocket and to pay his way at the gate. Children in arms will be admitted to the Fair free. School children, accompanied by their teachers, at half price.

Done at Dallas this 9th day of October, 1899.

Signed:
John H. Traylor, Mayor

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For decades, it was expected that most Dallas businesses and government offices would close on “Dallas Day.” The central business district must have been a ghost town. Woe be to anyone needing a new frock, a replacement gasket, a bank draft, or even a postage stamp on “Dallas Day.” The city had bigger fish they wanted its citizens to fry.

1906_dallas-day_sfot_dmn_101806Oct. 18, 1906

Here’s an early “Dallas Day” ad from 1889 with pointing fingers:

1889_dallas-day_sfot_dmn_101489Oct. 14, 1889

The State Fair of Texas was (and continues to be) so filled with other ubiquitous “days” (such as old favorites “Hard Money Day” and “Chrysanthemum Day,” as seen in the ad below from 1895) that if Dallas weren’t Dallas, “Dallas Day” might run the risk of getting lost in the jam-packed fair schedule.

1895_dallas-day_sfot_dmn_102495Oct. 24, 1895

There were, of course, “Dallas Day” parades:

parade_state-fair_dallas-day_come-to-dallas_degolyer_SMU_ca1905ca. 1905, via DeGolyer Library, SMU

“Dallas Day” may still be a thing, for all I know (I guess I think of “Dallas Day” as the day Dallas’ elementary school kids get off to go to the fair, a tradition I hope never dies), but it had lost a lot of steam after those early days. Some businesses continued to close or shorten their hours to let employees enjoy the fair, but the era of a city shutting down so that everyone could flock to the State Fair began to fade after those early decades of the 20th century. But imagine how exciting that must have been, with all of Dallas descending on Fair Park en masse.

state-fair_dallas-day_101056Oct. 10, 1956

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Copyright © 2019 Paula Bosse. All Rights Reserved.

State Fair of Texas, Miscellaneous Tidbits from Its History

state-fair-of-texas_pennant_ebay_crop

by Paula Bosse

The State Fair of Texas is, once again, in full swing. Here are a few random SFOT images and ads from the past.

First up, an ad for the very first state fair in Dallas, in 1886. Almost unbelievably, this “Dallas State Fair” (held on 80 acres of land now known as Fair Park) was one of two competing state fairs held in the city that year — the other one was the “Texas State Fair,” which was held about three miles northeast of the courthouse on a 100-acre site roughly about where Cole Park is near present-day North Dallas High School. The two state fairs ran concurrently, and both were smash hits. The “Dallas State Fair and Exposition” eventually became the State Fair of Texas in 1904. Below are the ads for those competing two fairs. (Click to see a larger image.)

state-fair_first_dallas-herald_100986
The East Dallas fair, Dallas Herald, Oct. 9, 1886

texas-state-fair_fairland_dallas-herald_102086
The North Dallas fair, Dallas Herald, Oct. 20, 1886

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One of the original buildings built for the 1886 Dallas State Fair was the massive Exposition Building, designed by architect James Flanders. On a site devoted to the career of Flanders, the architect recalled this project many years later: “The progress of the work on the structure was watched by most people with a degree of curiosity far more intense than is excited by the loftiest skyscraper in these days when people have no time to wonder. Such an apparition on the bald prairie attracted crowds of the curious from far and near on Sundays.”

state-fair_exposition-bldg_ca-1890s

Above, the huge Exposition Hall, enlarged from its initial design, which, in 1886 was reported to contain 92,000 square feet of unrivaled exhibition space. Unfortunately, the wooden buildings seen above burned to the ground in the early hours of July 20, 1902. The blaze was so intense that “the whole of the city was lit up with the brilliancy of the sunrise” and that “flames rose to such great height that they were seen as far west as Fort Worth, where it was thought the whole city of Dallas was burning” (Dallas Morning News, July 21, 1902). More on this building can be found on the Watermelon Kid site, here.

Below, the Exposition Building can be seen from the fairgrounds racetrack in a photo published in 1900 in an issue of The Bohemian magazine (via the Fort Worth Public Library).

fairgrounds_racetrack_bohemian_1900_fwpl

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A moment from the opening day parade festivities of the 1903 fair is captured in the photo below, with the following caption from the 1941-42 edition of the Texas Almanac: “Gov. S. W. T. Lanham (in rear seat of pioneer horseless carriage) in opening day parade for 1903 State Fair of Texas formed on Main Street. Fair President C. A. Keating was seated beside him, and Secretary John G. Hunter of Board of Trade is seen standing beside the gasoline buggy.”

state-fair_opening-day_1903_tx-almanac_1941-42_portal
Main Street, looking west, via Portal to Texas History

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Here is a 1911 view of the state fair midway taken by John R. Minor, Jr. in a real-photo postcard. (More on Mr. Minor is here; more images of the Shoot the Chutes water ride can be found here.)

state-fair_street-scene_john-minor_1911_cook-colln_degolyer
via George W. Cook Collection, DeGolyer Library, SMU

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From the 1920s, an ad for Clayco Red Ball gasoline (“It’s RED in color”). I’m always a sucker for ads containing photos or drawings of Dallas landmarks, and here we see the entrance to Fair Park. (Why was the gas red? Why not? It was the brainchild of Dallas advertising man Wilson W. Crook, Sr. who needed a way to make this Oklahoma gas different. He remembered that during his WWI days in France that higher quality airplane fuel was colored red to distinguish it from regular gasoline. When the gas was introduced to Dallas in August, 1924, he devised a promotion that gave away 5 gallons of this gas to every red-headed person who showed up at participating service stations.)

ad-red-ball-gas_state-fair_dmn_101224-det

ad-red-ball-gas_state-fair_dmn_101224Clayco Red Ball ad, Oct. 1924

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If we’re talking about the State Fair of Texas and we’ve come to the 1930s, there’s a pretty good chance there’s going to be a photo from the Texas Centennial. And, looky here: a nice shot of concessionaires waiting for thirsty patrons at the Centennial Exposition in 1936. A couple of nickels could get you a Coke and a phone call.

sfot_concessionaires_coke_unt_portal_1936via Portal to Texas History

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During World War II the State Fair was on hiatus. Here’s an ad from the 1941-42 Texas Almanac pre-closure, with a nice pencil sketch of the Esplanade and Hall of State:

state-fair_tx-almanac_1941-42

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And a 1946 magazine cover story on the imminent reopening of the fair:

state-fair_texas-week-mag_100446_portal_cover
via Portal to Texas History

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In 1956 Big Tex warned/assured you that the Esplanade lights would “knock your eyes out.”

state-fair_big-tex-ad_092456

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Speaking of Big Tex and lights knocking your eyes out, in the 1960s Big Tex was memorialized on the side of a downtown building, like a giant bow-legged Lite-Brite.

sfot_big-tex_illuminated_1960s

Back at Fair Park, Huey P. Nash was supplying fair throngs with barbecue from his Little Bob’s Bar-B-Q stand. In 1964, Nash was the first African-American vendor to be granted a food concession at the State Fair. Little Bob’s (which I believe is still in business) was, at the time of this 1967 ad, located in South Dallas at 4203 S. Oakland (now Malcom X), at the corner of Pine. (Ad is from the 1967 Souvenir Program of the 74th Annual Session of the Missionary Baptist General Convention of Texas; more photos from this publication can be seen here.)

sfot_little-bobs-bbq_baptist-convention-program_1967_photo

sfot_little-bobs-bbq_baptist-convention-program_oct-1967

The 1960s also gave us the Swiss Skyride, which replaced the Monorail (which, when it was introduced in 1956, was the first commercially operated monorail in the United States). The Swiss Skyride was erected in Fair Park in August, 1964, and the 6-minute ride debuted a few months later at the 1964 State Fair of Texas.

state-fair_swiss-sky-ride_tinkle-key-to-dallas_1965_replaced-monorail_
via Lon Tinkle’s children’s book Key to Dallas (1965)

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sfot_swiss-skyride_FWST_100964

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Copyright © 2019 Paula Bosse. All Rights Reserved.

The Wilson Building and the *New* Wilson Building — 1911

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Elm and Ervay… (click for larger image)

by Paula Bosse

This beautiful postcard shows the original eight-story Wilson Building, built by J B. Wilson in 1902-1904, and its twelve-story companion, which was known as both the “New Wilson Building” and the “Titche-Goettinger Annex” when it was built in 1911. Remarkably, both buildings are still standing at Main-Ervay-Elm. (The view above is looking southwest, with Ervay at the left, and Elm at the right. See this view today on Google Street View here.)

The original building — surely one of Dallas’ most beautiful landmarks — was the home of the Titche-Goettinger department store (which occupied the first two floors and the basement) as well as an important downtown office building. Until seeing this postcard, I had no idea there was a porte-cochère facing Ervay (it can be seen above at the left, under the parasol-like canopy).

By 1910 Titche’s was so successful that it needed to expand, and it was decided that a new “skyscraper” would be built right next door — the department store would continue to occupy its space in the “old” Wilson Building but would also take over the new building (occupying all twelve floors!). According to The Dallas Morning News, the new building would be “the tallest structure in the South occupied exclusively by a mercantile establishment. There are only four store buildings in the United States higher than four stories” (DMN, Nov. 13, 1910).

Below are a couple of details from a “coming soon” ad from Titche-Goettinger in September, 1903, showing a drawing of the building (still under construction) from the Fort Worth architectural firm Sanguinet & Staats. (All images are larger when clicked.)

wilson-bldg_titches_092703_coming-soon_ad-det_1DMN, Sept. 27, 1903

wilson-bldg_titches_092703_coming-soon_ad-det_2DMN, Sept. 27, 1903

titche-goettinger_wilson-bldg_postcard_postmarked-1912

The two photos and article below ran in The Dallas Morning News on March 13, 1904 under the headline “Completion of the Great Eight-Story Wilson Building in Dallas.” The caption of the photo immediately below read “This view was taken from the postoffice, and is the first to show the entire Ervay street front.”

wilson-bldg_dmn_031304_newly-completed_clogenson

Although the quality of the image below isn’t great, it’s interesting to see this “grand marble stairway,” a feature which was removed in 1911 while the new “annex” was under construction, in order to give Titche’s even more room. The grand staircase was replaced by elevators. (The “rest rooms” referred to in the caption were more “lounge” than bathroom — a place where ladies could sit, relax, and even jot off a few letters as they recovered from their bout of intense shopping.)

wilson-bldg_dmn_031304_grand-stairway_clogenson

The accompanying article (click to read):

wilson-bldg_dmn_031304_completed_textDMN, March 13, 1904

Jump forward six years to the announcement of the “new” Wilson Building:

wilson-bldg_expansion_dmn_111310DMN, Nov. 13, 1910

Here it is under construction:

wilson-bldg_expansion_dmn_032811_clogensonDMN, March 28, 1911

They rushed to be ready to open in time to dazzle State Fair of Texas visitors — and they made it:

wilson-bldg_titche-annex_101411DMN, Oct. 14, 1911

And, below, the completed building, in a photo looking east on Elm (this photo shows one of the brand new street lights written about in the post “The Grand Elm Street Illumination — 1911”). (See this view today on Google Street View, here.)

wilson-bldg_expansion_dmn_121611_clogensonDMN, Dec. 16, 1911

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Sources & Notes

See photos of the original building under construction in the Flashback Dallas post “The Wilson Building Under Construction — 1902.”

I love looking at Sanborn maps. See what was going on at Main-Ervay-Elm in 1899 (before any Wilson buildings), in 1905 (one year after the arrival of the first one), and in 1921 (ten years after the annex went up).

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Copyright © 2019 Paula Bosse. All Rights Reserved.

Theaters at 1517 Elm: The Garden, The Jefferson, The Pantages, The Ritz, and The Mirror — 1912-1941

garden-theatre_ca-1912_ebayThe Garden Theatre, ca. 1912

by Paula Bosse

The photo above shows the Garden Theatre, located at 1517 Elm, on the north side of the street, between Akard and Stone Street. It was opened in the fall of 1912 by partners W. J. Brown and R. J. (Ray) Stinnett (who also operated the Cycle Park Theatre at Fair Park). The Garden was a vaudeville stop for touring companies.

1912_garden-theatre_variety_sept-1912Variety, Sept. 1912

It was one of many local theaters which simulcast World Series baseball games via telegraph updates, in the days before radio and TV (I wrote more about this fascinating subject here).

1912_garden-theatre_101612Oct. 16, 1912

As seen in the top photo, the Garden Theatre sat between the Pratt Paint & Paper Co. and the Roderick-Alderson Hardware Co.

garden-theatre_1913-directory_1517-elm1913 Dallas city directory

The photo at the top was found on eBay, with the seller-provided date of 1912. Zooming in, one can see a placard in front of the theater advertising the appearance of the Hendrix Belle Isle Musical Comedy Company (misspelled on the sign as “Henndrix”) — for many years this troupe toured with a production called “The School-Master”/”School Days,” the very production seen here on offer to audiences at the Garden. (Read a review of a 1912 Coffeyville, Kansas performance of the troupe’s bread-and-butter act here.)

garden-theatre_ebay_det

In April, 1913 Brown and Stinnett split, with Brown taking the Cycle Park action and Stinnett keeping the Garden (and a handful of other theaters).

On March 8, 1915 the theater changed its name and reopened as the Jefferson Theater. As the ad below stated, “This is the only theater in Dallas presenting popular players in repertoire […] Not moving pictures.”

1915_jeffersosn-theater-opens_dmn_030715March 7, 1915

I’m not sure where the “Jefferson” name came from, but….

jefferson-theater_061115June 11, 1915

There were a few back-and-forths as far as operators and leases of the Jefferson, but in 1923, Ray Stinnett “sold” (or probably more accurately sub-leased) the theater in order to concentrate on his other (bigger! better! brighter!) venture, the next-door Capitol Theater, but he reacquired it in 1925 and renamed it the Pantages. (This has caused confusion, with some thinking it had become the Pantages earlier — the confusion is understandable, as the Jefferson was affiliated with the Pantages vaudeville circuit between 1917 and 1920, and during that time the word “Pantages” appeared prominently on the theater’s marquee, but it was still the Jefferson. See a photo from May, 1925, showing the Jefferson from the Pacific side here, after it had become a Loew’s-affiliated theater.)

The Jefferson became the Pantages Theater on December 27, 1928 when Stinnett opened the newly remodeled venue which offered vaudeville stage acts as well as motion pictures. (All images are larger when clicked.)

pantages-opening_122725Dec. 27, 1925

That incarnation didn’t last too long. Goodbye, Pantages, hello, Ritz. The Ritz Theater opened on October 14, 1928, operated by the R & R (Robb & Rowley) chain but leased from Stinnett. The first film shown was “The Lights of New York,” the first all-talking feature-length movie.

1928_ritz_101028Oct. 10, 1928

1928_ritz_101328
Oct. 13, 1928

1928_ritz_101528Oct. 15, 1928

Below, a 1929 photo showing the 1500 and 1600 blocks of Elm Street, the heart of Theater Row: seen here are the Ritz, Capitol, Old Mill, and Palace theaters (the regal Queen was a few doors west of the Ritz, at the corner of Elm and Akard).

ritz_capitol_old-mill_palace_photo_sherrodphoto from “Historic Dallas Theatres” by D. Troy Sherrod

A postcard showing the Ritz (and neighbors) a couple of years later, in 1931:

ritz_capitol_old-mill_palace_postcard_cinematreasures

But the Ritz didn’t last all that long either — a little over three years.

1931_ritz-mirror_120831Dec. 8, 1931

In 1931 the theater was acquired by the Hughes-Franklin company (as in Howard Hughes, the super-rich Texan who had an obsession with Hollywood). The plan was to renovate the building and rename it the Mirror, “a duplicate, in so far as possible, of the famous Mirror Theater of Hollywood. A feature will be the extensive use of mirrors in the lobby and foyer” (Dallas Morning News, Nov. 29, 1931).

mirror_motion-picture-times_122931Motion Picture Times, Dec. 29, 1931

The Mirror Theater opened at 1517 Elm on Christmas Day, 1931.

1931_mirror_122531
Dec. 25, 1931

Theater Row, 1936:

theater-row_mirror_march-1936

More Elm Street:

mirror-capitol-rialto-palace-melba-majestic_theater_row_night_big

The Mirror chugged on for several years as a second-run house, apparently less and less profitable as the years passed. On August 4, 1941 the theater burned down in an early-morning fire. The property owner, Vice Admiral Adolphus Andrews, decided against rebuilding.

mirror-fire_variety_081341Variety, Aug. 13, 1941

Here’s the same view as seen above, only now the space next to the Capitol is a nondescript one-story retail building. (The Telenews, a theater showing newsreels, opened in November, 1941.)

telenews_missing-mirror-post-fire_capitol_postcard

Below, a photo from around 1942, the first time in 30 years without a theater at 1517 Elm Street.

theater-row_by-george-mcafee_degolyer_SMUphoto via the DeGolyer Library, SMU

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Sources & Notes

Top photo of the Garden Theatre is from an old eBay listing.

More Flashback Dallas posts on Dallas theaters can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

The Aldredge Book Store — 2909 Maple Avenue

abs_2909-maple-ave_erik-bosse
The last location of The Aldredge Book Store, next to the Stoneleigh Hotel

by Paula Bosse

Today is the birthday of my late father, Dick Bosse. For most of the life of The Aldredge Book Store, he either managed it or, later, owned it. The store’s first location was in an old Victorian house at 2800 McKinney Avenue, at Worthington (a photo showing the house with weirdly overgrown vegetation is here), the second location was at 2506 Cedar Springs, near Fairmount, and the final location was the one seen above, at 2909 Maple Avenue, right next door to the Stoneleigh Hotel. My brother, Erik, took the photo, sometime in the 1980s, I think. The Stoneleigh is the building partially seen at the right. The bookstore occupied the building’s lower floor, and the top floor was occupied by the engineering business of the owner, Ed Wilson.

We closed the store in the early 2000s, a few years after my father’s death. Erik and his friend Pete removed the letters spelling out the store’s name which were bolted to the brick exterior over the entrance. I came across them a few years ago and laid them out in my driveway (in a much jauntier arrangement than was seen on Maple).

abs_sign-letters_paula-bosse

As far as I can gather, the two-story building was built about 1930 and was originally a duplex — a classified ad shows that the lower floor (where the bookstore was) was a 6-room apartment with 3 bedrooms and a tile bath. Sometime in the late ’30s, building owner Glen Shumaker opened up the Dallas Music Center, where students (children and adults) took music lessons; a sort of “music business school” was also offered as part of the curriculum. That business seems to have been around at least into the early 1950s.

dallas-music-center_0527471947 ad

dallas-music-center_0124481948 ad

It was later the home of several businesses, including sales offices and an advertising company, a farming trade magazine, a correspondence school, and the Dallas Diabetes Association. I’m not sure when the bookstore moved in — maybe 1979 or 1980.

Sadly, the building was demolished in the early-to-mid-2000s and is currently a driveway/parking area for the Stoneleigh Hotel. It still surprises me to not see the old building when I drive by.

dick-bosse_aldredge-book-store
Dick Bosse

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Sources & Notes

Photograph of The Aldredge Book Store by Erik Bosse; photo of the ABS letters by Paula Bosse.

Other Flashback Dallas posts on The Aldredge Book Store can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Rubber Stockpile: Forty-One Mountainous Piles of Tires — 1943

rubber-stock-pile_dallas-1943_ebay-det
Guarding wartime scrap rubber, near Love Field…

by Paula Bosse

You don’t see this everyday: a photo of a pile of tires so large it dwarfs the armed guards who stand in front of it. (For that matter, you don’t often see armed men guarding tires.) What’s going on here? All is explained in the accompanying Time magazine article from March, 1943, which appears to have been cut from the magazine and pasted onto an envelope.

rubber-stock-pile_dallas-1943

The article reads:

RUBBER STOCK PILE
Last week a bewildered Dallas motorist stopped to examine this 30-acre stock pile of old tires collected seven months ago by the Rubber Reserve Corp. The 41 mountainous piles, each towering 40 feet high, contained some 30,000 tons of rubber tires. The question puzzling Dallas citizens: why these tires are allowed to deteriorate instead of being converted into reclaimed rubber for tire recapping. The answer, by RRC officials: rubber reclaiming plants located in Ohio are working at capacity from stocks of old rubber collected in the East and Middle West, which are being used first to conserve freight car space. Once these stocks closer to the mills are exhausted, the rubber from Texas will be shipped. Then the 25 armed guards, who watch Dallas’s [illegible] day and night, can go home.

Ah, that mound of tires was the result of one of World War II’s many scrap drives. The national rubber drive ran from June 15, 1942 until July 10, 1942. The government requested that all Americans collect any old or unused rubber items in order to help with the supply of rubber in the U.S. (Japan controlled the bulk of rubber imports, and those imports had stopped when the United States entered the war). Rubber was needed for military purposes, but it was also necessary for essential domestic needs, mainly as tires needed to transport goods and people. Americans were told they needed to treat their automobile’s tires like gold: drive safely, drive slowly, and drive only when necessary — don’t wear your tires out, because you don’t know how long it’ll be until they’re manufactured again and/or how long it will be until large-scale production of synthetic rubber would become a reality. 

defense-needs-rubber_sarah-sundin

scrap-rubber-poster_sarah-sundinPosters via SarahSundin.com

When the rubber drive began, people were basically told that if they collected enough scrap rubber, the dire prospect of nation-wide gas rationing might be unnecessary (at the time only a few states in the northeast had been suffering through the rationing of gasoline) — the thinking was that if the government withheld gasoline that citizens would conserve rubber simply because they were unable to drive as much. Texans really like their cars and trucks, and we have long distances to drive, so it’s no surprise that throughout the rubber drive, Texas out-performed almost every state in per capita tonnage collected. In the first day of the drive, a Dallas gas station at Harwood and Young reported that 4,500 pounds of collected scrap rubber had been left throughout the day by Dallasites performing their patriotic duty. And that was just one day and one gas station! The government was paying a penny a pound, but many people refused payment.

What sorts of things were people dropping off at their neighborhood gas station (the government-directed drop-off points)? Other than used tires, everything you could imagine:

  • Automobile floor mats
  • Galoshes and raincoats
  • Bathing caps
  • Hot water bottles
  • Garden hoses
  • Girdles
  • Doorstops
  • Tennis and golf balls
  • Rings from jelly jars
  • Baby pants
  • Dolls
  • Toy mice
  • Slingshots
  • Soles of athletic shoes
  • Roadside debris
  • Mats found under office furniture and cuspidors

That stuff adds up fast.

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Below are several ads exhorting readers to do their bit for the war effort by collecting and donating scrap rubber during the national rubber drive. (All images are larger when clicked.)

conserve-rubber_ad_nebraska_061642Mobil ad detail, June 16, 1942

Scrap could be dropped off at any service station.

humble-ad_061742_detHumble Oil ad detail, June 17, 1942

If you needed home pick-up service, Sanger Bros. would send a truck.

rubber-drive_sangers_061642Sanger Bros. ad, June 16, 1942

As would Titche’s.

rubber-drive_titches-ad_062142Titche’s ad, June 21, 1942

Reminders to ferret out that rubber were added to many advertisements, as seen in this detail from a larger grocery store ad. (The drive was originally intended to run through June 30, but ended up being extended through July 10.)

rubber-drive_safeway-ad_062642_detSafeway ad detail, June 26, 1942

This appeared in an ad from the men’s and boys’ clothing store Reynolds-Penland.

rubber-drive_reynolds-penland-ad_062642_detReynolds-Penland ad detail, June 26, 1942

As well as things were going in Big D, according to the government, things weren’t going well nationally, and the powers-that-be were more loudly threatening gas rationing for the entire country, including the states which were actually collecting the most, Texas and California.

rubber-drive_austin-statesman_062742
Austin Statesman, June 27, 1942

The deadline was extended until July 10, with hopes that people would knuckle down and collect much, much more. This Neiman’s ad asked the question “What’s rubber got to do with me?” and answered its own question with an emphatic “EVERTHING!” The ad ended with a barn-burner: “We must not be too late with too little. The stake is life and freedom, and civilization itself. When did Texas ever fail in its patriotic duty?”

rubber-drive_neiman-marcus_070342Neiman-Marcus ad, July 3, 1942

The drive ended with Texas and the western states collecting the most scrap rubber. At the very bottom were New York, New Jersey, and Pennsylvania, all of which were already rationing gasoline. Ultimately, FDR considered the rubber drive to have been a failure, but, like the other scrap drives, it whipped up patriotism and resulted in a feeling of shared community as people worked together for the sake of the country — something which might have been more valuable than rubber.

Synthetic-rubber production slowly increased, but, even so, tire manufacturer B. F. Goodrich wanted everyone to continue to make sure their tires lasted as long as possible, because, after all, ” Hitler smiles when you waste miles.”

rubber-drive_b-f-goodrich-ad_071942_detB. F. Goodrich Tires ad detail, July 17, 1942

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So where exactly was that massive used-tire mountain range? According to The Dallas Morning News, it was in a large open field “at the intersection of the MKT Railroad switch and Cedar Springs, just west of the Coca-Cola plant” (DMN, July 13, 1942), between Inwood and W. Mockingbird, not far from Love Field. The map below (from 1949) shows the general location of the yard, marked with a black star.

tire-mountain_1949-ashburn-map_dallas-freeways-site_det1949 Ashburns’ map detail, via DFW Freeways site

Initially, the salvage yard was to be contained on a 13-acre plot of land, surrounded by an 8-foot board fence. There were to be several tall guardhouses, and the “precious pile of vital war material” would  be patrolled 24 hours a day by armed guards “to protect it from fire hazards, thieves, or saboteurs” (DMN, Aug. 6, 1942). The fear of a potentially huge and uncontrollable fire was the main concern — a special fire plug was installed on the property and a direct phone/alarm line to the central fire station was set up. By August, the size of the yard increased by 50% to accommodate the 30 or more freight carloads which were arriving daily with scrap rubber from all over Texas (except the Panhandle). This huge salvage yard was meant to hold the rubber-drive scrap until reclamation plants in Ohio could accommodate it.

Several months later, the Time article put the expanded size of the yard at 30 acres, containing 30,000 tons of rubber material. By January, 1944, it was estimated the mammoth tire graveyard contained a whopping one million tires. Rather anti-climactically, a local tire dealer was contracted by the Rubber Reserve Corporation to “pick out the repairable and recappable carcasses” (DMN, Jan. 23, 1944) which were estimated to number about 150,000 tires; they would then be dispersed to Texas dealers who would either sell  them to consumers or vulcanize them. Despite the frenzied rubber drive of 1942 and almost a year and a half of sitting forlornly in an open field guarded by men with guns, it looks like those tires never made their trip to Ohio.

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The land that these “tire mountains” occupied appears to have been leased from Carl C. Weichsel, member of a noted Dallas pioneer family. 23 acres of the land was sold to the Coca-Cola Company in 1937 — a $1,000,000 syrup plant and warehouses were built on ten of the acres, at Lemmon and W. Mockingbird. (Coca-Cola bought ten more acres in 1947 in order to expand.) A few weeks after the Coca-Cola land-purchase was announced, Dallas County granted the Missouri-Kansas-Texas Railway right of way across Cedar Springs, just south of Mockingbird, for a switch track to the Coca-Cola plant. 

In the mid 1940s, the Airlawn Industrial District sprang up in this area. The planning and development of Airlawn was spearheaded by none other than the Katy Railroad, beginning when Coca-Cola decided to move to the area. 

The […] plans were drawn up by the Katy’s industrial research and development department with the aid of experts versed in the problems of present day industry. […] The Katy maintains a Diesel switch engine on duty twenty-four hours a day to handle the switching operations in the Airlawn area. One section gang is assigned to this area to maintain the miles of track that interweave the industrial buildings. (DMN, Oct. 9, 1949)

The MKT was working to attract businesses along their lines: they needed the businesses, and the businesses needed them. Win-win! (It’s interesting to note that another major manufacturer that the Katy worked with on securing a location was another soft drink company: the Dr Pepper plant on Mockingbird, near Central.)

Below is a map from 1952 which shows the railroad spurs which were used by the Airlawn businesses. I’m not sure why I find this so interesting, but I do! (Are these tracks still in use?)

airlawn-industrial-district_mapsco-19521952 Dallas Mapsco

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Sources & Notes

First and second image are from an old eBay listing; it appears that someone pasted a Time magazine article (March 15, 1943) to an envelope; the postmark and cancellation shows that it was mailed from Dallas on March 16, 1943, even though there does not appear to be an address on the front or back of the envelope.

A really interesting article on the various WWII scrap drives — “Getting In the Scrap: The Salvage Drives of World War II” by Hugh Rockoff, of the Economics Dept. of Rutgers University — is well worth a read, here. From his abstract: “While the impact of the drives on the economy was limited, the impact of the drives on civilian morale, may well have been substantial.”

Another very informative article on the national rubber drive of 1942 can be found in the post “Make It Do — Tire Rationing in World War II” by Sarah Sundin, here.

See a variety of patriotic posters encouraging Americans to participate in WW2 scrap drives here.

Pertinent Dallas Morning News articles about this rubber salvage yard:

  • “Work Begun on Rubber Storage Plant” (DMN, July 13, 1942)
  • “Close Guard Is Kept On Rubber” (DMN, Aug. 6, 1942 — includes a photo of the yard, similar to the one that appeared in Time magazine)
  • “150,000 Usable Tires Believed Salvageable From Waste Pile” (DMN, Jan. 23, 1944)

rubber-stock-pile_dallas-1943_ebay-det_sm

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Copyright © 2019 Paula Bosse. All Rights Reserved

 

The Zodiac Room

zodiac-room_ebay_menu_cover

by Paula Bosse

The tastefully swanky Zodiac Room opened at the downtown Neiman-Marcus store on April 27, 1953. (Interestingly, there was an earlier — and presumably unrelated — Zodiac Room, in the Jefferson Hotel, from at least 1950 to 1952.)

The Zodiac, a fashionable restaurant and tearoom featuring select foods, will open Monday on the sixth floor of Neiman-Marcus Company’s downtown store. Designed by Eleanor LeMaire of New York, the restaurant’s décor will suggest the roof of the world with signs of the Zodiac represented in both the main dining area and the terrace. (The Dallas Morning News, April 26, 1953)

Stanley Marcus wanted a restaurant in the store in which customers could take a break from shopping by having lunch or afternoon tea on-site, without having to leave the premises. Customers could continue to “shop” while dining as models walked around modeling fashions from the store’s inventory.

“[W]e installed a large restaurant, the Zodiac Room, to attract more people to the downtown area and as a service to those customers from out of town who were spending the day in the store.” (Stanley Marcus, in his book Minding the Store)

Below are a few ads from the Zodiac’s first week (click to see larger images).

zodiac_opening-ad_042653
April 26, 1953

COME AND SEE DALLAS’ NEW AND DISTINCTIVE RESTAURANT — THE ZODIAC.

Just completed on our new sixth floor, the Zodiac Restaurant is another step in our downtown expansion program to bring to Dallas the most luxurious and elegant store in America.

The star studded atmosphere of the Zodiac will give you an out of this world feeling. The walls are a wonderful cerulean blue, the carpet’s deep enough for snowshoes and an Italian tile pool sprouts water lilies for the occasion. Informal modeling every day at luncheon.

Plan to have lunch with us this week and bring your guests. We think you’ll be enchanted with the atmosphere as well as the excellent cuisine. Luncheon 11:00 to 2:30, tea 2:30 to 5:00, dinner Thursday night 5:00 to 8:00. NEIMAN-MARCUS

zodiac_opening-today-ad_042753
April 27, 1953

zodiac-room_042853-ad_opening
April 28, 1953 (N-M ad, detail)

You could even get a Zodiac-inspired hair-do, the Zodiac Cut: “Sophisticated, spherical — without a hint of a part.”

zodiac-cut_nm-ad_042953April 29, 1953

Other than the fact that this elegant dining space was part of the world-famous Neiman-Marcus department store, its main draw was its food. According to Stanley Marcus, in his book Minding the Store, the Zodiac struggled for the first year or two and didn’t find its footing until he hired the now-legendary Helen Corbitt as the restaurant’s director. He wrote the following in a guest column in The Dallas Morning News in 1979:

“A landmark in the culinary history of Dallas was the arrival of Helen Corbitt, who made a monumental contribution to improvement of food and service standards in the community. The Neiman-Marcus Zodiac Room became famous under her direction.” (Stanley Marcus, DMN, April 12, 1979)

Below is an example of the fare favored by the Ladies Who Lunch (and the occasional Men Who Lunch), seen in a menu from 1956. (The most expensive item on the menu was the Roast Prime Rib of Beef, which came with a Baked Idaho Potato, a salad from the “Salad Wagon,” and a choice of coffee, milk, or “exquisite tea” — the price was $2.25, which in today’s money was a shockingly affordable $21.00.)

zodiac-1956-menu_inside_ebay

A dessert menu (a bit hard to read, I’m afraid) is below:

zodiac-menu-2_ebay_dessert-menu

There was also a children’s menu, which was so charmingly designed by Neiman’s gift-wrap designer, Alma Shon, that I don’t blame a customer for having spirited away a copy of the menu as a holiday-time souvenir of what was no doubt a very special occasion (the date penciled at the top is Dec. 23, 1966). (More information about Ms. Shon is in the “Sources & Notes” section at the bottom of this post.) Below, the front and back of the children’s menu, illustrated with the signs of the zodiac:

zodiac-room_childrens-menu_instagram_front

zodiac-room_childrens-menu_instagram_back

Inside, meal options for well-appointed kiddies and a “Zodiac game” to keep them occupied.

zodiac-room_childrens-menu_instagram_food

zodiac-room_childrens-menu_instagram_zodiac-game

A few years later, this Stanley Marcus-penned letter appeared as a 1976 N-M ad — it was a personal reply to a nine-year-old Zodiac patron who had apparently written to Neiman’s inquiring about the children’s menu, which she was distressed to see had disappeared on her last visit:

zodiac-room_051776_ad-det_childrens-menu
May 17, 1976

zodiac-room_postcard_flickr

Lastly, a memory of the downtown Zodiac, from the Department Store Museum website:

The downtown Dallas store was in its entirety a magic store. Every step and turn off the escalators to the top floor was amazing. The Zodiac room with its floor-to-ceiling diaphanous curtains that filtered the bright Texas sky made for a dreamlike atmosphere along with the slender long-legged models in evening gowns and furs and the Andre Previn-inspired piano player. The popovers with strawberry and cinnamon butter weren’t bad either. Thank you, Dallas and Neiman-Marcus, for such a rich time in my life.

And it’s still going strong.

zodiac_matchbox_cook-collection_degolyer-library_SMU

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Sources & Notes

Top image and other (non-children’s) menu images from eBay.

The four images of the Zodiac Room children’s menu are the reason I decided to do this post. My whimsy-threshold is pretty low, but I love the utterly charming drawings which grace the front and back covers. I saw them posted on the Instagram account @reflectionofaman (a cool account — here, for the desktop site — which features the photographs of Stanley Marcus, curated by his granddaughter, photographer Allison V. Smith); it had been shared there by Babs Bern (@mullett7665.manor). The menu’s artist — Alma Shon — was identified by her daughter Kate Heyhoe (@StarkRavingCat) in the comments. According to a 1953 Dallas Morning News profile, Shon was born in California in the early 1920s to Korean refugees who had fled Korea in 1905 during the Russo-Japanese War. She grew up in Los Angeles but made her way to Dallas by at least 1948; she began working for Neiman Marcus in 1948 or 1949. She was in charge of Neiman’s giftwrap design, but also designed other merchandising elements — she was with the store for several decades. More on Ms. Shon (including a photo of her from the ’50s) can be found in a post by her daughter Kate, here.

Color postcard of the Zodiac Room was found on Flickr, here. I used this same card in a previous Flashback Dallas post, “Luncheon at The Zodiac Room, Darling.”

Image of the  blue matchbox at the bottom is from the George W. Cook Dallas/Texas Image Collection, DeGolyer Library, SMU Libraries; more info is here.

More on Helen Corbitt can be found in articles in Texas Monthly and in Legacies; a couple of her recipes — including her famous Poppy-Seed Dressing — can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

Dallas Ephemera and Memorabilia #1

army-war-show_fair-park_ebay_front

by Paula Bosse

I come across a lot of stuff that I don’t know what to do with, but which I find interesting, odd, or amusing. Why not just throw them all together in their own little post? Most of these are from old eBay auctions, but if something here strikes your fancy, it’s always worth an online search to see if one of these might be available in a current listing.

Above is a ticket for a benefit show for the Army Emergency Relief Fund, held in the Cotton Bowl, Nov. 10-13, 1942. The back of the ticket is below (all images are larger when clicked).

army-war-show_fair-park_ebay_back

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Who doesn’t need a burlap bag which once contained 50 pounds of extra-large (artificially-colored) pecans, packed by the Hines Nut Company? (An absolutely fantastic photo of Hines’ Farmers Market location is here.)

hines-nuts_pecans_burlap-bag_ebay

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This little cardboard advertisement for the Morten Milling Company’s La France Flour “walks” when a dial is turned on the back, moving the girl’s feet. “I would walk a mile to get a bag of La France Flour for my Mamma.” Not only did one get flour with one’s purchase, one also often used the flour sacks to make clothes for little girls (and their dollies). 

la-france-flour_morten-millng-co_1922_ebay

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Will Dallas ever be as languidly sophisticated as it was in the champagne-and-dancing days of the Adolphus?

adolphus-napkin_ebay

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Every business needs a commemorative glass paperweight — even the Continental Gin Co.

continental-gin-co_paperweight_ebay

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If not a paperweight, then certainly a pin. “Metzger’s Milk keeps them smiling.”

metzgers-milk_pin_ebay

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If not a pin, then maybe a glass tumbler. Like this one featuring a scantily-clad Sivils carhop.

sivils-glass_ebay

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If only there were more odd and incongruous vintage advertising like this religious-themed thermometer for the Chas. F. Weiland Co., one of Dallas’ top funeral homes for decades.

weiland_funeral-directors_thermometer_ebay

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Ross Avenue used to be lined with used-car lots. And if you remember that, you certainly remember Goss on Ross, the Tradin’ Hoss. “We tote the note.”

goss-on-ross_ebay

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This colorful Dr Pepper can is great. I’m sure this probably pre-dated both the aluminum can and the pull-tab.

dr-pepper-can_ebay

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Speaking of soft drinks, just what is a “7-Eleven Cola”? I must have missed this Southland Corp. beverage, which the internet tells me was made in the ’70s. (There was a whole line of flavors, as seen here.)

7-eleven-cola_ebay

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Lastly, another oddity: High Sobriety, a “bar” of sorts, which offered “Non-Alcoholic Wines, Beer & Liqueurs” (“Free Tastings”).

high-sobriety_matchbook_ebay

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Sources & Notes

All images from eBay. 

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Copyright © 2019 Paula Bosse. All Rights Reserved.

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