Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: HOF

Nighthawks on Elm Street

Coca-Cola, neon, and fedoras

by Paula Bosse

This may be my favorite Dallas photo EVER.

I have been absolutely fascinated by this gigantic Coca-Cola sign since I first saw a photo of it. It was once blinding pedestrians and motorists from its home at the intersection of Elm, Ervay, and Live Oak (Live Oak no longer extends to Elm and Ervay). It was the product of a very busy neon sign company called Outdoor Electric Advertising Inc. They did a lot of neon downtown (and beyond). Not only did this sign encourage you to drink more Coke (“Thirst knows no season”), it also provided a helpful weather forecast.

See other photos of this fabulous sign in previous posts here, here, and here.

See it in action — IN COLOR! — in a 1939 film clip on YouTube here (1:24 mark).

This is just so fantastic.

What makes if even more fantastic is that there is a diner under the sign! I think this is the first time I’ve seen anything other than a retail shop in this space. At night, with its plate glass windows, you can see everything going on in there. Every counterman, every coffee urn, every fedora. It’s the Dallas version of Edward Hopper’s 1942 painting, “Nighthawks.”

I’ve cropped a detail. Click it to see a larger image.

This photo is undated, but my guess is that it’s from around 1939/1940. The Coke sign changed over the decades, but the configuration of its various components seen here matches the one in the 1939 video linked above.

What was the diner? The exterior sign above the entrance at the left says “Stevens” and “Home of the Cheeseburger” (what a claim!). I checked the 1939 city directory, and there it was: Stevens Waffle House, 1703 Elm (no connection with the present-day Waffle House). It wasn’t until I discovered the Waffle House connection that I could figure out the rest of it: “So Waffling Good” — or maybe “So Waffley Good.” Either way, I approve. Stevens Waffle House was at this location from at least 1939 to 1943.

The other interesting thing about this photo is what can be seen on the sidewalk directly in front of the window. Those metal bars/handrails are at the entrance to an underground “comfort station.” Public restrooms. It’s probably best that the wafflers are facing away from that, although I’m sure the people-watching there was next-level.

I haven’t been this excited seeing a new photo in a long, long time. And I see great stuff every single day at work. Thank you to my co-worker at the Dallas History & Archives, Adrianne, for bringing this one to my attention. I know she is tired of hearing me tell her how much I love this!

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Sources & Notes

Photo (undated and without a credited photographer) is from the Dallas History & Archives, Dallas Public Library (accession number PA81-00399).

For years I have searched for more information about this sign (when it went up, what people thought of it, etc.), but I’ve been unable to find anything. At least I now know that it was the work of the Outdoor Electric Advertising company. They are right up there with Texlite in neon greatness. If anyone has more information on this sign, I’d love to hear more!

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Sofia & Woody

Sofia and Woody, June 1962

by Paula Bosse

Earlier this summer, I received an email from a man named Elwood Hain, who wrote to tell me that he had read a post I wrote a few years ago about a peaceful lunch-counter sit-in by SMU students protesting a University Park drug store that refused to serve non-white customers. Elwood (“Woody”) was one of the protesters. He wrote me a series of emails recalling the early days of his involvement in civil rights work in Dallas. The memories included the recollection of the first time he met Sofia, a sociology student at TWU, who would become his wife. I asked Woody if he would put his memories into a post. He graciously agreed, and I am happy to share his memories here.

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SMU Sit-ins Revisited

by Elwood (Woody) Hain

My brother recently sent me a link to a 2022 article in Flashback Dallas, “When SMU Theology Students Were Sprayed with Insecticide at a University Park Lunch-Counter Sit-In – 1961.”  I especially enjoyed it as I was one of the protesters. I believe most of us were members of campus religious organizations, though theology students seemed to be in the lead. I was the only law student there. My brother was the only engineering student. We belonged to the Presbyterian student group. You can see our backs in the picture of the students picketing in front of the drug store. I am the last person in the line walking away from the photographer. The insecticide Mr. Bright had sprayed on us ruined the tan faux suede jacket I was wearing.

Woody, with his back to the camera

I heard about the plan for the sit-in at the drugstore only a day or two before the event. Aware that “sit-inners” were often arrested, I told two of my law professors I planned to participate and might miss some classes if arrested. One acknowledged the information, looked awkward, and turned away. The other, Alan Bromberg, an expert in corporate law, gave me his card and told me to call him if I needed to be bailed out. Fortunately, I did not need to call him. After the sit-in, I took some ribbing from law school friends, but it was in good fun. After sharing classes and brown bag lunches for two and a half years, they all knew my views and were not surprised. I had even turned down an opportunity to be managing editor of SMU’s law journal so I could spend the summer of 1960 with Operation Crossroads Africa, doing pick-and-shovel work and building relationships with local students in Guinea, West Africa.

I had returned from Africa in time to plunge into John Kennedy’s presidential campaign. I organized a small group of SMU students to help get out the vote in West Dallas. The area was poor. It had a large Mexican American population, most of whom were Catholic and Democratic, the ideal demographic for Kennedy. Voter turnout was usually light, leaving lots of room for improvement. When Kennedy carried Texas, we claimed it was in part because we helped keep the loss in Dallas County down to two to one. Maybe having Senator Lyndon Johnson on the ticket helped too.

The sit-ins started two months after the election. In the interim there were final exams and then the Christmas break. The sit-in at Bright’s drugstore was the first but not the last of the SMU student sit-ins. We had a well-organized sit-in at a quick-service hamburger restaurant on the strip and stand-ins at the ticket booths of at least two movie theaters, among other places. One of the student leaders, George Edwards, was the son of the Detroit police commissioner, a lawyer whose main goal when appointed was to stop the beating of prisoners on the way to jail. He asked his father how the students could make their point without being beaten or arrested. The answer was to (1) tell the local police before we acted so they could be present and (2) obey when the police told us to leave. We took the advice and were glad of it when a short-order cook at the hamburger place started waving a butcher knife under the throats of students at the counter. A policeman outside the door stepped inside. He told the cook to back off and the students to leave. Everyone obeyed. Students returned at lunchtime the next day. The cook stayed in the kitchen. I was not present, but the story spread quickly.

In addition to physically participating in sit-ins, I made one unique contribution to the effort – and arguably to Texas law. Some of the students reasonably feared they would be arrested for trespassing. As the only law student involved, I did some fast research on the subject soon after the first sit-in. I was surprised to find that there was no state trespass law. Checking municipal ordinances was harder, but I also established that neither University Park nor Dallas had a trespass ordinance. The students were heartened by the news. The next legislature passed Texas’ first trespass statute.

The sit-ins had unexpected and very happy consequences for me. The chaplain of the Methodist student organization at Texas Woman’s University in Denton was also a student at SMU’s Perkins School of Theology. He wanted a speaker from the protest group to talk to the Methodist students at TWU about the sit-ins and the civil rights movement. He contacted another theology student and, through a route I never knew, his request came to me. I suspect it was because someone thought I knew something about law.

I agreed to go, and in March 1960 I drove the 45 miles to Denton with three other guys I had not seen at the sit-ins. I think two were theology students. All three were clear that meeting girls was at least one of the reasons they were going. I thought they were nuts, but the girls at TWU seemed to have the same idea. Forty girls turned up at a meeting that usually had only ten.  (I know “girls” is not politically correct, but it was the standard terminology of the day.)

The chair of the group, a slender Mexican American girl in sensible shoes, a shapeless bulky sweater and an ankle-length skirt who had come straight from a swim class, ran a good meeting. After a few preliminaries, she discussed a task the group had undertaken to help the children of migrant farm workers. She reminded them that the toiletry kits they were making were probably going to hold the only personal items the children would own. She mentioned that she had seen how treasured such kits were during her two summers working in the Midwest with the Migrant Ministry of the United Churches of Christ. She checked on the progress of students who had agreed to work on the project. Then she asked the chaplain to introduce the guests, all of whom were impressed with her commitment to her ministry and her pleasant but businesslike manner.

I was the primary guest speaker. I started with a brief history of slavery, segregation and the civil rights movement. Then I explained the logic of sit-ins, both as an appeal to people’s better angels and as an effort to counteract the economic pressures of segregationists. I also explained why peaceful protest was a Christian response to a cruel system. One of the theology students said a few words. After a few questions about sit-ins, the chair reminded the attendees of the next meeting and the project they were working on. As people began to mill about, she disappeared. She, at any rate, was not there to meet men.

All four visitors wanted to chat with her. As we were about to give up, she came downstairs from talking with the chaplain’s wife and two small children. She was their babysitter and housekeeper in addition to having two other jobs. The visitors clustered around her. We asked her to help us find a hamburger joint – in a small town with two big universities! We didn’t fool her for a minute. She agreed but only if another girl went too. No problem! After a pleasant meal, during which she filched two of my French fries, we took the girls to their dorm. I was completely charmed.

The next day I called the chaplain for her phone number. Laughing, he gave it to me and confirmed that her name was Sofia. She turned me down the first two tries, convincingly pleading other engagements, but gave me enough encouragement that I called again. She agreed to a date, sounding pleased but cautious. While I waited for Sofia in the waiting room of her dorm the following Friday, surrounded by other guys waiting for dates, the room suddenly hushed as twenty guys caught their breath. I turned and saw a stunning brunette in a form-fitting black wool dress at the top of a set of low steps. It took me a moment to realize that she was my date, the sweet girl who was busy caring for other people and preparing to be a missionary. We had a delightful evening.

Things moved fast after that. Long-distance phone calls were expensive, so we used them primarily to coordinate dates. I drove to Denton for our dates two or three times a weekend. TWU was about 45 miles from Dallas. Freeways had not yet been built. When we went to events in Dallas I made two round trips a day.  It was an easy trip when Sofia was in the car. We talked about everything in the world and sang as many songs as we knew. Most were hymns. Sofia was my date to the annual law school awards banquet, where she met my parents, who had driven from Baton Rouge for the occasion. She also met my band of law school friends who sat around us with their wives and dates. She said little but observed everything and, as we drove back to Denton, discussed each of my friends. I was convinced she had more insight into them after an evening than I did after three years.

We both had jobs in Dallas that summer and saw each other daily. I worked for a law firm. Sofia was a social worker. I was supposed to study for the bar exam but couldn’t find time. I passed the bar anyway. We went to church together on Sundays, usually at the Spanish-speaking Presbyterian church in West Dallas where I had taught Sunday School and organized a Boy Scout troop my first year of law school. We spent one magical day at the Dallas Zoo.

Civil rights work was part of our summer. We spent a good many evenings walking door to door in a Black neighborhood of small, neat houses near Love Field. I had volunteered to help the NAACP find incoming first graders to desegregate the public schools. An openly segregationist federal judge had been forced to order the Dallas schools to desegregate but did so with a long list of conditions. Only one grade would be desegregated each year, starting with the first grade. Only Black children would be reassigned. To be reassigned to a white school, a child would have to live closer to the white school than to a Black one (in one of the most residentially segregated cities in America), have no older siblings in elementary school, have the approval of the principals of both the sending and the receiving school, and be declared emotionally sound by a psychologist. There were twenty-eight criteria in all. The school district was not required to help identify or find children who met the criteria. That burden was entirely on the plaintiffs.

Sofia and I caused a lot of excitement among the neighborhood kids. It was not every day they saw a beautiful Chicana and a skinny white guy, both dressed for office work, walking through the neighborhood during prime play hours. The adults who answered the doors were kind and helpful, even before we stated our business. Sofia’s grace and charm put everyone at ease. In the end, we found a third of the twenty-one children who were reassigned to white schools that fall.

We were formally engaged at the end of the summer. I spent the next nine months working on a doctorate in political science at Harvard while Sofia worked in Dallas as a social worker to earn enough money for her last semester of college. After a joyful Christmas together, we lived on letters and short phone calls till late May. The first week of June we were married by the chaplain who had given me Sofia’s phone number. We celebrated our sixty-fourth anniversary in early June this year.

Sofia died in her sleep in mid-July.

Elwood (Woody) Hain
B.A. 1958, LL.B. 1961, Southern Methodist University

Elwood Hain, Jr. (a/k/a Woody Hain) is a retired law professor who lives in Altadena, California. He earned a B.A. and an LL.B. from SMU and an LL.M. from Harvard Law School. For a dozen years, while primarily a professor and dean, he worked with school desegregation litigation as a scholar, a litigator, a peacekeeper, and an advisor to school boards and judges. He served thirty years in the Air Force reserve as a judge advocate, retiring as a colonel. For sixty-four years he had the joy of being married to Sofia Loera Hain, who died in July 2026.

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I send my deepest condolences to Sofia’s family and friends, and to Woody, whose further memories about his life with Sofia that he has shared with me will stay with me for a long time. –Paula

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Sources & Notes

Black-and-white photo of the SMU student protest is from the Dallas History & Archives, Dallas Public Library.

All other photos are from the family collection of Mr. Hain.

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Copyright © 2026 Paula Bosse. All Rights Reserved.

The Art Work of Dallas — 1895

“On Exall Lake”

by Paula Bosse

In my job working in the Dallas History & Archives of the downtown Dallas Public Library, I am constantly amazed by everything that’s there — the collection is so vast that no one could ever see it all. Books, maps, posters, periodicals, newspapers, a hallway of clipping files, microfilm, manuscript archives, and — the collection that speaks to me loudest — the photographs. The Dallas History & Archives has over a million photos (!). A roomful of prints and a staggering number of negatives. So much to see, so little time!

One of my favorite collections of photos is found in a subscription publication that was issued in 1895, in 1910, and in 1925: The Art Work of Dallas. Each of these is comprised of about 72 photos of buildings, streets, residences, and natural vistas. The photographs are beautiful — they are collotypes, and they have a soft, almost dreamy quality. I’m not sure why, but the photographers have gone uncredited in these collections (I suspect many of the photos from the 1895 edition were probably taken by Clifton Church).

The 1895 edition has recently been painstakingly scanned by Adrianne Pierce, our photo archives digitizer extraordinaire. The entire edition is available on the DPL Digital Collections site here (this “collection” page has the pages in order with the text included — to advance through the collection, click the “right” arrow at the top right of the page) (if you want to see only the images, with additional information about each photo, go here).

Pro tip: If you want to zoom WAY in and explore the photos (totally worth it!), go to the vertical “Tools” bar directly to the left of the photo, hover your mouse over the buttons, then click the button for “Zoom to 100%.” (By the way, you’ll see a “download” button. Unfortunately, the images on the Digital Collections site are not downloadable.)

I’m going to put a few of my favorites from the 1895 edition in this post — to see more information about them, click the title in blue to go to the DPL site. The photos below are larger when clicked.

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At the top, “On Exall Lake.” Below is a detail from the photo. When’s the last time you saw a windmill in Highland Park?

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“Scene on Akard Street.” It took me a while to figure out where this was shot, but it is on Akard, about half a block south of Main, looking north. Ludwig Philipson’s cigar store at the right once stood at what is now 1500 Main (southeast corner). The Rowan Building, which later housed the Marvin Drug Co., is at the top left, on the northwest corner.

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“Dallas Opera House.” On Commerce, near, I think, what is now Record Street.

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“The Dallas Club Building.” Commerce and S. Poydras. There’s a lot of architecture going on there. A detail is below the full photo.

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“Looking East from the Court House Tower.” A view of Commerce Street.

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“Gaston Building.” Commerce and S. Lamar. And a detail.

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“A Main Street Scene.” Main looking east. The Knepfly Building — seen on the right, with the tall clock standing on the sidewalk in front — was on the southwest corner of Main and Poydras. I love seeing the very high curbs from this period (in the detail below).

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“Hughes Bros. Manufacturing Co.” Still standing! 1401 S. Ervay, in The Cedars.

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“Scene on Ewing Avenue, Oak Cliff.” I love the two women walking down the sidewalk.

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“Residence of John Bookhout.” On the corner of what is now N. St. Paul and Munger.

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“Scene on Trinity River.” I love this.

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Sources & Notes

All images are from The Art Work of Dallas, W. H. Parish Publishing Co., 1895, with text by Dallasite Paul Giraud; from the Dallas History & Archives, Dallas Public Library (call number 976.42812 A784 1895).

See how collotypes are made in a very short video here.

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Martinez Brothers, Eagle Ford — 1939

Eladio, Henry, and Feliberto

by Paula Bosse

There are pictures I come across sometimes that affect me in a way I can’t really explain. Like this one. This shows three brothers posing for a photo in West Dallas in 1939. The boys are, left to right, Eladio Martinez, Henry Martinez, and Feliberto Martinez. Their father worked for the nearby Trinity Portland Cement Company. During the Depression, the boys helped support the family by cleaning railroad boxcars for a nickel each.

Eladio was killed in action during World War II — the Eladio R. Martinez Learning Center in West Dallas is named after him. His brothers Henry (Enrique) and Feliberto were active in the community and in preserving the history of Ledbetter/Eagle Ford.

Read more about Eladio Martinez here.

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Sources & Notes

Photo — “Eladio Martinez, Henry Martinez on a bicycle, and Feliberto Martinez” — is from the Dallas Neighborhood Stories Grant Collection, Dallas History and Archives, Dallas Public Library; the accession number of this photograph is MA19.4/BDW-Martinez-H.6. More info on this is on the DPL Digital Collections page, here.

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Copyright © 2025 Paula Bosse. All Rights Reserved.

Vaudeville at the Sportatorium? — 1936

Original Sportatorium, in all its octagonal glory

by Paula Bosse

I saw this ticket recently on eBay:

SPORTATORIUM, Cadiz and Industrial Blvd.
Harley Sadler In Person
And His Company of 100 Stage Players Present
UNCLE TOM’S CABIN
And Vaudeville, Musical Floor Show, Refreshments

…What?!

The ticket is undated, but “vaudeville” had mostly faded by the 1930s. The original (octagonal!) Sportatorium was built in 1935 and opened as a premiere sporting venue for wrestling (and boxing) in December 1935.

The new sports bowl, under construction at Cadiz and Industrial, will have its official opening Monday night, December 9, when Promoter Bert Willoughby will offer the biggest wrestling program ever staged in Texas, if present plans go through as outlined. This 10,000-seating capacity structure, built as the home of wrestling, will also entertain many other events, such as boxing, basketball, indoor circuses, style shows [!], conventions and gatherings of all kinds. (Dallas Morning News, Dec. 1, 1935)

Sounds huge. But it’s really hard to keep those seats full — especially on nights when wrestling is not scheduled. By the end of April, there were already plans to do something about one of their biggest problems.

“We feel,” declared [manager W. T.] Cox, “that this concern is too big and that there is too much money already invested to have five or six dark nights a week, so we are going to make it possible for everyone, with anything to show, to bring it to our place, whether it be a political gathering, religious services or merchants’ and manufacturers’ exhibits. The policy of the house will be to encourage and promote sports, but it will be available to all.” (DMN, Apr. 20, 1936)

Sportatorium management came up with the idea of presenting a massive show on non-wrestling nights. They gave Harley Sadler — a longtime traveling Texas showman (and later a politician) — a long-term engagement in which he basically crammed as much “show” into one evening as was humanly possible. A stage was built, and many of those 10,000 seats were removed in order that patrons could sit at tables to enjoy the relentless, non-stop entertainment. Sadler’s company consisted of 100 players. 100!

So what could a Sportatorium visitor expect on one of these Harley Sadler nights? Brace yourself:

The Sadler players will offer two complete plays each evening — an original four-act [play], “The Siege of the Alamo” — and a three-act modern comedy farce, “This Thing Called Love.” In addition to those two complete plays, he will offer vaudeville acts, a band, novelty numbers, and 32 singing waitresses […]. The show will start at 8:30 and run for 8 hours, for those who care to stay that long. (DMN, July 8, 1936)

EIGHT HOURS! And, there were 3 different shows produced weekly. That’s a lot of entertainment. Perhaps too much entertainment. But ladies got in free.

July 12, 1936

I’m not sure how long this “residency” lasted, but however long it was, I assume all involved — performers and spectators alike — were exhausted afterward.

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Sources & Notes

Source of the top photo of the Sportatorium is unknown, but I came across it on the wrestling website World Class Memories. (this Sportatorium page is a great read). (If you know the source of this photo, please let me know.)

Sportatorium ticket was found on eBay (still there, as I write this).

More on the history of the Sportatorium here.

More on empresario Harley Sadler can be found at the Handbook of Texas, here.

Previous Flashback Dallas posts on the Sportatorium can be found here.

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Copyright © 2025 Paula Bosse. All Rights Reserved.

An Artist’s Conception of a Future Dallas

Vision of a new downtown library…

by Paula Bosse

I came across a collection of drawings recently that I think are just fantastic. They show what Dallas could be if we all just want it enough. The captions are giddy and exuberant, with the exhortation “Let’s build for the future.” It’s the sort of Chamber of Commerce boosterism which is a Dallas mainstay. Dallas dreams big and bold.

It’s not the ideas that I find so intriguing (although, they’re interesting), it’s the artwork. These drawings are great. The monumental, Deco-ish buildings exude a quiet power. Most of them are set against a dark sky, which adds extra awe-inspiring heft. I really, really love these drawings. It’s a shame most of these conceptions remained just that. I would have loved that library (above)! The artist is Ignatz Sahula-Dycke — more about him at the end of this post.

The drawings are not dated, but my guess is late 1930s or very early 1940s. Promotional captions accompany each picture. Click to see full-screen images. Enjoy!

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A NEW SPORTS STADIUM AT FAIR PARK

100,000 Witness Nation’s Annual Football Classic — “The Cotton Bowl at Dallas, Texas, was the scene of the nation’s most thrilling football classic. The game climaxed a spectacular New Year’s Carnival, including the famous Texas Gold Cup college mile relay, in which twenty of the leading colleges entered picked teams.” … This could well be the lead in all of the nation’s newspapers the day after New Year’s. With the proper promotion and attractions, Dallas can equal and surpass the Rose Bowl and Sugar Bowl. With five million sports-loving people within a radius of 500 miles, Dallas has more to draw on than either of the other two events. This Sahula-Dycke visual gives just an idea of how the new stadium might appear.

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A CITY AUDITORIUM / CONVENTION CENTER

Attendance 20,000; Patrons Walked From Downton – Your new auditorium may look something like this, according to visualizer Sahula-Dycke. In any event, it’s expected to be beautiful, comfortable, adjustable to meetings, concerts, pageants, theatricals, operas, and conventions, from the smallest and most intimate, to attractions of Madison Square Garden proportions. And it WILL be within easy walking distance from hotels in downtown areas. Millions in trade revenue will come to Dallas… trade revenues which for years have passed Dallas by because of: “no facilities.”

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AN EXPANDED LOVE FIELD

Love Field Glorified — Vastly expanded in area… capacity increased by multiple, ten-thousand-foot runways capable of serving the great “Constellation” size ships… tremendous improvement in station lobbies, offices, sky-view restaurant, parking and hotel facilities. It will be equipped to qualify as one of the three major airports of America. It can truly be called: “Grand Central Terminal of Southwest air-passenger traffic.”

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HIGHWAYS

Up and Over In a Breeze — and with perfect safety and satisfaction. Under the Master Plan on many main arteries, cross traffic and stop lights will be eliminated by modern “cloverleaf” highway grade separations. The above is the artist’s “visual” of the proposed Sylvan Street-Fort Worth Avenue overpass. It is representative of many planned trafficways and overpasses or underpasses to speed traffic, reduce hazards, and beautify our city. Central Boulevard from Downtown to North Dallas will be a six-lane dream-come-true for motorists.

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A NEW UNION STATION (…no steps!!!)

“Yes, We Have No Steps” — Not a reality, not yet a promise, but our conception of what may be, by designer Sahula-Dycke. We may have an entirely new Union Station, built WEST of the present tracks, with entrance from the west side. A wide plaza in front with room for the heaviest traffic loads, worlds of room to park. The great concourse through the center with waiting rooms, restaurants, ticket offices, baggage rooms, etc, arranged for convenience, speed, and volume. Trains on ground level at rear… No steps to climb… no steps… no steps… no steps… no.

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UNION STATION INTERIOR (…seriously, we mean it: NO STEPS!)

New Station Or Old — No Stairs — Whether or not an entirely new Union Station is built, stairs are out for the future. One proposal is to make over the present station with waiting rooms and public facilities on the ground floor. Access to train levels would be via passageways with easy grades, but no steps to climb. This suggestion is visualized by the above artist’s conception which almost anyone will agree would be a welcome improvement.

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MEDICAL CENTER

Dallas a Medical Mecca — The Greater Dallas Master Planning Committee is cooperating with Southwest Medical Foundation in many ways such as zoning, land use, routing of streets and trafficways, etc. The Medical Center when built will be one of the greatest and most complete in the world. Plans for the number, size, and arrangement of buildings are still in the formative stage, but the layout will be pretentious, efficient, beautiful and impressive; perhaps something like artist Sahula-Dycke visualizes above, a purely imaginative sketch, which can be a reality.

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CENTRAL LIBRARY

Dallas Now a City of 14,000 Population — “Why that’s absurd, must be a misprint,” you say. But that really is our present population if our present library is used as a yardstick. The old “Mid-Victorian antique,” built 40 years ago would serve nicely for a town the size of Greenville. For the city of a million people, which Dallas is destined to be within the next quarter century, we’ll need a library something like the above. So far it’s just artist Sahula-Dycke’s dream, but it can come true under the Master Plan. Let’s build for the future.

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I don’t know the date of these drawings. My guess would be the late ’30s or very early ’40s. (The Union Station drawing shows a building that looks like the Mercantile Bank Building. Plans for the Mercantile were announced to the public in 1940.) In a Dallas Morning News article (“‘Greater Dallas’ Appeals Stir Chamber to Renewed Action,” DMN, Dec. 8, 1937), many of the things covered in the captions above were hot topics at the annual meeting of the Dallas Chamber of Commerce. A “Master Plan” was later developed by Harland Bartholomew in the early ’40s. After a break for the war, the plan was finally put before the voters in April 1945.

The plans changed some between 1937 and 1945, but the visions touted in the drawings above were similar to the plans accepted favorably by Dallas voters. (The one part of this Master Plan that failed — and which is not mentioned in the drawings — is the vote on whether to “unify” the City of Dallas by annexing the Park Cities and Preston Hollow. Everyone was all for it… except for Highland Park and University Park, who chose to remain unannexed.) See an ad that appeared in March 1945, a week before the election, listing all the things Big D was hoping to build and develop here

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The artist of these conceptions was Ignatz Sahula-Dycke (1900-1982). Ignatz Sahula (known as “Iggie” to his friends) was born in Bohemia (Austria), near Prague, and immigrated with his family to the United States when he was a child. At some point he added his mother’s maiden name “Dycke” to his name — his mother was an artist and a descendant of 17th-century Flemish painter Anthony van Dyck. He studied art in Chicago and, after a stint in the U.S. Navy during World War I, worked for a variety of businesses as a commercial artist. He came to Dallas around 1937 and worked for many years at the Tracy-Locke advertising agency, eventually becoming Creative Art Director of the Dallas office. He actually left Dallas for a while to focus on his art but came back to Dallas a few years later and ended up working for Tracy-Locke for 14 years. His paintings and illustrations center around horses and Southwestern subjects such as desert landscapes and western themes. A good biography and photo of him can be found here, in an article from Western Art & Architecture.

Sahula-Dycke, 1950s

Santa Fe New Mexican, July 28, 1968

Iggie’s favorite subject was horses. Below is a little sketch he did when inscribing Alias Kinson, or The Ghost of Billy the Kid, a 1963 novel he wrote and illustrated, along with his author’s photo. (The back cover is here, complete with what may be a self-penned biography for this self-published book.)

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Sources & Notes

All Dallas Master Plan images drawn by Ignatz Sahula-Dycke are from the Master Plan Vertical Files of the Dallas History and Archives, Dallas Public Library.

Inscription with watercolor-highlighted sketch and author photo are from an inscribed copy of Sahula-Dycke’s novel, Alias Kinson, currently listed on eBay.

A related Flashback Dallas post regarding Bartholomew’s Master Plan: “‘Your Dallas of Tomorrow’ — 1943.”

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Copyright © 2025 Paula Bosse. All Rights Reserved.

Tooling Around Munger Place — ca. 1913

Snazzy motor car parked in front of 5109 Swiss Avenue

by Paula Bosse

This arresting photo shows a woman in the driver’s seat of what appears to be a “ladies'” electric car (possibly a Detroit Electric, although I can find no models that look like this one…), parked in front of an unusual-looking Swiss Avenue home, complete with a second-story sleeping porch and virtually no landscaping. The photo — taken by notable Dallas photographer Charles Erwin Arnold — is currently offered on eBay.

Here’s a view of the entrance to the house which, as noted on the reverse, is at 5109 Swiss Avenue.

The house was built in 1911/12 and was designed by Lang & Witchell (architects to the rich and richer), who were busy drawing up house plans for people up and down Swiss (they were so prolific that it seems like most of the buildings built in Dallas at the time came from their drafting tables!). This house was commissioned by James P. Griffin (president of the Texas Electric Railway Co.) and his new wife, May Burford Griffin (daughter of Dallas pioneer Judge Nat Burford).

Dallas Morning News, Sept. 13, 1911

The house is still standing but has been remodeled, as is mentioned in various real estate ads over the years. (At one point, there was a reference to a kitchen with marble floors, which… I’m not sure I’ve ever seen marble floors in a kitchen. I don’t know if they were original to the house — or are still there — but, whatever the case, that is très élégant.)

The house can be seen in recent years in an Ebby Halliday listing from 1982, in an undated photo on Douglas Newby’s Architecturally Significant Homes website, and on the Swiss Avenue Historic District website. The image below is a Google Street View from Feb. 2023.

I assume that the woman in the car is Mrs. Griffin, seen below in later years. In the photo, she would have been about 32.

I love that car. And I love that house, which looked very modern 112 years ago!

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Sources & Notes

The circa-1913 photos are from a current listing on eBay. I posted the top photo on my Patreon page less than a week ago, and reader Tom R. identified the house. I think the second photo has been added in the past couple of days, because I’m pretty sure it wasn’t there when I wrote that post! Someone might have contacted the seller to ask if it might be a house on Swiss Avenue, and they realized they had another photo of the house, which they added to the listing. …And increased the price significantly! These are such cool photos. If I were the current owners of this Swiss Ave. house, I would be all over this!

Thanks to Tom and William for their helpful comments on my original Patreon post (“Super-Cool Car, Super-Cool House”).

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Copyright © 2024 Paula Bosse. All Rights Reserved.

The Bright Lights of Big D — 1951

…Forget all your worries, forget all your cares…

by Paula Bosse

This is the downtown Dallas I’ve always wished I had seen.

Check out a clipping from the 1953 city directory for a list of the businesses in this immediate block, from about Akard to Ervay, here.

Then click over to the 2015 post “Dazzling Neon, Theater Row — 1929” to see how drastically Elm Street — and Movie Row — changed in just 22 years.

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Sources & Notes

Photo by Denny Hayes, Hayes Collection, Dallas History and Archives, Dallas Public Library; Call Number PA76-1-576-2.

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Copyright © 2024 Paula Bosse. All Rights Reserved.

Labor Day Weekend, 1952 (Redux)

labor-day_083152_denny-hayes_PA76-1-11420-002_webWaiting for the fun to start… (photo: Dallas Public Library)

by Paula Bosse

Happy Labor Day! Back in 2020 I wrote a post called “Labor Day Weekend, Union Bus Depot — 1952.” I really enjoyed writing that one, and I loved the main photo in it. It turns out that the photo I’m using in this post was taken only a couple of minutes before the one I used four years ago. I discovered this photo a few weeks ago and have been waiting for Labor Day to roll around. Which it has now done.

On August 31, 1952, Dallas photographer Denny Hayes took several photos of travelers waiting to be whisked away to someplace else. (With luck, someplace cooler.) These photos were taken at the Union Bus Depot in the Interurban Building. Let’s zoom in on this great people-packed photo.

Everyone and everything pales in comparison to the young woman walking toward the camera. In her left hand she holds a box camera. She’s ready to take fun photos, if she ever gets out of that station.

labor-day_083152_denny-hayes_PA76-1-11420-002_woman

labor-day_083152_denny-hayes_PA76-1-11420-002_woman_camera

labor-day_083152_denny-hayes_PA76-1-11420-002_modern-screen

labor-day_083152_denny-hayes_PA76-1-11420-002_waiting

labor-day_083152_denny-hayes_PA76-1-11420-002_queue

labor-day_083152_denny-hayes_PA76-1-11420-002_father-daughter

(If the man above looked any more like Harvey Korman, he’d be Harvey Korman.)

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If you have the day off, I hope you enjoy it. And if you’re traveling somewhere, I hope you get there quickly!

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Sources & Notes

Photo by Denny Hayes, from the Hayes Collection, Dallas Public Library, Dallas History and Archives; Call Number: PA76-1/11420-002.

See the companion post, “Labor Day Weekend, Union Bus Depot — 1952,” and see how many people made it into both photos.

labor-day_083152_denny-hayes_PA76-1-11420-002_web

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Copyright © 2024 Paula Bosse. All Rights Reserved.

Deep Ellum: Life Along Central Track

The heart of Deep Ellum… (Dallas Public Library photo)

by Paula Bosse

One of my happiest Flashback Dallas research deep-dives resulted in the post “The Gypsy Tea Room, Central Avenue, and The Darensbourg Brothers.” It was prompted by a photo I had seen for years but had never really known what it showed. I loved writing that, and I’m so happy that it is a perennially popular post. Here is that original photo, below, which shows people walking along the row of barber shops, cafes, pool rooms, domino parlors, taverns, and other businesses:

gypsy-tea-room_dallas-public-libraryDallas Public Library photo

The view is to the south — Elm Street is in the distance, where that building juts out to the left. The street about the same distance away to the north (behind the photographer) was Pacific. Someone walking out of the Gypsy Tea Room would have been facing the old train depot. Between the depot and the block of businesses were railroad tracks (not in frequent use in the 1930s, the time of these photos) — the unpaved road that ran alongside the tracks was Central Avenue (when North Central Expressway was built years later, it closely followed the path of these railroad tracks). This general area was considered the heart of Deep Ellum and was filled with Black-owned retail establishments and was a gathering place for social activities and entertainment.

A while back, I came across two other photos, which I recognized as being “companion” photos to the “Gypsy Tea Room” one — the one at the very top of this post, and the one below.

Dallas Public Library photo

The photo immediately above shows the Roosevelt Cafe, which was at 201 N. Central, and the North Pole Domino Parlor (a partial window sign is seen at the right), at 207 Central. A train is passing. This photo and the photo at the very top both show partial signs for Black Dallas beer. (All images are larger when clicked.)

For a better idea of where these photos were taken, see the map below (it shows a detail from a 1921 map — about 15 years before these photos were taken). (See the larger, full Sanborn map here.)

central-ave_1921-sanborn_sheet-17_det1921 Sanborn map (det) showing where photos were taken

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These are just great, great photos. There aren’t enough photographs like this which capture everyday life in Dallas’ minority communities. Deep Ellum was a thriving Black area at the time. Read a contemporary description of the good things and the bad things going on in this vibrant neighborhood in a (mostly uncondescending) chapter in the WPA Guide to Dallas, “Deep Ellum: Harlem in Miniature.”

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What about “Black Dallas Beer”? I haven’t found a lot about it, but it apparently began as a Dallas-brewed beer in the 1930s but was later brewed elsewhere. (A mention of its Schepps Beer affiliation is here.)

black-dallas-beer_taverntrove_label1937, via Taverntrove.com

black-dallas_beer_u-s-patent-office_090836U.S. Patent Office bulletin, Sept. 8, 1936

“Don’t be a sissy! Drink Black Dallas Beer — Made Without Sugar.”

black-dallas_beer_ad_waco-times-herald_052237Waco Times-Herald, May 22, 1937

A “Famous Black Dallas Malt Liquor” popped up a few decades later — at that point, there was no connection to Dallas, except for the name and the fantastic label boasting the Dallas skyline. “Smooth as Evening Dusk.”

fbd_beer_black-dallas-malt-liquor_ebayeBay

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Sources & Notes

The top Dallas Public Library photo — “[African American men walking and sitting along North Central Avenue in downtown Dallas in the early 1930’s]” — is from the Saxon Collection, Texas/Dallas History & Archives Division of the Dallas Public Library; its call number is PA85-16/4.

The second photo — “Gypsy Tea Room Cafe located in Deep Ellum” — is from the WPA Dallas Guide & History Collection of the Dallas Public Library — its call number is PA85-16/22.

The third photo — “[African American men seated on benches and standing outside of the Roosevelt Cafe in downtown Dallas in the 1930’s]” — is from the Saxon Collection, Texas/Dallas History & Archives Division of the Dallas Public Library; its call number is PA85-16/5.

Much more info on this Deep Ellum block can be found in the previously linked post from 2015, “The Gypsy Tea Room, Central Avenue, and The Darensbourg Brothers.”

See my other Flashback Dallas posts on Deep Ellum here.

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Copyright © 2024 Paula Bosse. All Rights Reserved.