Photographs | Flashback : Dallas

October 27, 2016

50 Years Before Main Street Garden Park

Hey, Skillern’s, you’re blocking the view!

by Paula Bosse

This view showing a Skillern’s drugstore at the southwest corner of Main and Harwood was taken as the Statler Hilton was nearing its opening in 1956. The block bounded by Main, Harwood, Commerce, and St. Paul was filled with businesses (…and later a parking garage) (…and way before that, homes) has been cleared and is now the lovely Main Street Garden Park. It’s always nice to have green space downtown, but, for me, the absolute best thing about this open space is that it FINALLY allows the beauty of the old (soon-to-be-new again) Statler Hilton, the old Titche-Goettinger building, and the old Municipal Building to be seen as they should have been seen all along: in full view, from a distance, without anything impeding the view. And now … the 360°-view — especially at night — is spectacular! Below, that same block these days, captured in a fantastic photo by my favorite Dallas photographer, Justin Terveen.

Justin Terveen

As much as I love the mid-century skyline of this city, I have to say, the 21st-century version of this end of downtown — this square — wins.

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Sources & Notes

The top photo appeared a couple of months ago on eBay.

The color photo is by Dallas photographer Justin Terveen, used with permission. See more of Justin’s incredible photos here — the one above and many others are available for purchase. I tend to get stuck in the past, but seeing Justin’s photographs of present-day Dallas make me realize how remarkably modern and vibrant the city is right now.

The same view from Main and Harwood, as seen today on Google, is here.

It always felt a little claustrophobic on Main, Harwood, and Commerce — those buildings needed room to breathe. For years, that block in the middle got in the way of fully appreciating Titche’s (this idealized postcard view shows Main Street at the right, St. Paul at the left), the Statler Hilton, and the Municipal Building (this 1920s photo shows people standing on the steps with a former drugstore occupant — Drake’s — across Harwood; Harwood was especially narrow when the building was originally built in 1914, and, as I recall, many were unhappy that such a majestic building was built in a location where it was impossible to fully appreciate its aesthetic qualities, even after the street was widened several years later).

More on Main Street Garden Park is here and here.

9 Comments

October 23, 2016

Three Flags Over Texas at the Entrance to Fair Park — 1936

Mexico, France, and Texas welcome visitors…

by Paula Bosse

Another State Fair of Texas is winding down. Here’s what the entrance to Fair Park looked like when the Texas Centennial opened in June 1936. This Associated Press photo was accompanied by the following caption when it ran in newspapers:

FLAGS WAVE AT TEXAS CENTENNIAL
Dallas, June 6 — Three of six flags which have flown over the Lone Star State, waved over the main entrance to the Texas Centennial celebration at its opening here today. Buildings throughout the grounds of the exposition are ultra modern in design.

This view — taken at about Parry and Exposition — hasn’t changed all that much. See it on Google Street View here.

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Sources & Notes

Associated Press photo from the New York Public Library’s digital collections, here.

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October 16, 2016

Lady Godiva and the “Flesh Shows” of the Texas Centennial — 1936

George W. Cook Collection/SMU

by Paula Bosse

When one thinks of the Texas Centennial Exposition, the splashy 6-month extravaganza held at Fair Park to celebrate the 100th anniversary of Texas independence, one might not immediately think of the three things associated with the big show that were making headlines around the country (and were undoubtedly responsible for healthy ticket sales): according to Variety, the Centennial had “all the gambling, wining and girling the visitor wants” (June 10, 1936).

The Dallas exposition (and the coattail-riding Frontier Exposition, which was held at the same time in Fort Worth) was “wide open” in 1936: there was gambling, liquor, and nudity everywhere. The Texas Rangers cracked down on some of the gaming in the early days, but alcohol and girlie shows continued throughout the expo’s run.

As far as the nudity, it really was everywhere. It’s a little shocking to think that this sort of thing was so widely accepted in very conservative Dallas — 80 years ago! — but it was (despite some local pastors disdainfully referring to the big party as the Texas Sintennial). Many of the acts — and much of the personnel — had appeared in a version of the same revue in Chicago in 1933 and 1934. Some of the offerings for the Centennial visitor: peep shows a-plenty, the clad-only-in-body-paint “Diving Venus” named Mona Lleslie (not a typo), a naked “apple dancer” named Mlle. Corinne who twirled with a “basketball-sized ‘apple'” held in front of her frontal nether regions, and the somewhat obligatory nude chorus girls. There was also an “exhibit” in which nude women were on display as “artists’ models,” posing for crowds of what one can only assume were life-drawing aficionados who were encouraged to render the scene before them artistically (…had they planned ahead and brought a pencil and sketchpad); those who lacked artistic skill and/or temperament were welcome to just stand there and gawk. (Click photos and ads to see larger images.)

Franklin, Indiana Evening Star, July 11, 1936

Another attraction was Lady Godiva, who, naked, rode a horse through the Streets of Paris crowds. Her bare-breastedness even made it into ads appearing in the pages of staid Texas newspapers. (Click to see larger images.)

June, 1936

There were two areas along the Midway where crowds could find these saucy attraction: Streets of Paris (which Time magazine described as appealing to “lovers of the nude”) and Streets of All Nations (“for lovers of the semi-nude”). Lady Godiva was part of the Streets of Paris, and she rode, Godiva-esque, nightly. The gimmick (beyond the gimmick of a naked woman riding a horse in Fair Park) was that she was supposed to be a Dallas debutante who rode masked in order to conceal her identity. The text below is from the ad above.

MASKED…but unclothed in all her Glory…Riding a milk-white steed. […] Miss Debutante was introduced to Dallas society in 1930. She was later starred in Ziegfeld’s Follies, in “False Dreams, Farewell,” “Furnished Rooms,” and other Broadway successes. She appeared in motion pictures, being starred in “Gold Diggers of 1935,” “Redheads on Parade” (yes, she is a redhead) and other picture successes.

SHE WILL STARTLE DALLAS SOCIETY! JUST AS THE STREETS OF PARIS WILL BE THE SENSATION OF THE CENTENNIAL SEASON .. WHO IS SHE?

And, of course, none of that was true (including the fact that this “Lady Godiva” rode a white horse — apparently one could not always be found), but I’m sure it got local pulses racing. My guess is that there were several Ladies Godiva (none of whom were members of Dallas society). One woman was actually named as the Centennial’s exhibitionist horsewoman. I haven’t been able to find mention of a “Paulette Renet” anywhere other than the caption of this photo, but here she is:

Madera (California) Tribune, Aug. 29, 1936

Another photo featuring what appears to be the same woman, with this caption: “No white horse for Lady Godiva, at the Texas Centennial Exposition in Dallas. A feature of the ‘Streets of Paris,’ a midway show, Godiva rode a ‘paint pony,’ first week because no white one was available.”

Altoona (Pennsylvania) Tribune, June 23, 1936

I think this is still the same woman, but on a rare white steed:

The Godiva who appeared in the March of Times newsreel “Battle of a Centennial” appears to be a different woman. (Watch a 45-second snippet of the newsreel which features both a glimpse of Lady Godiva and a head-shaking son of Sam Houston wondering what the deal is with the younger generation — here.)

Imagine seeing performers and attractions like this along the Fair Park midway today!

July, 1936 (ad detail)

June, 1936 (ad detail)

What was the Centennial Club? It was an exclusive, invitation-only private club located within the very large George Dahl-designed building which housed the Streets of Paris (and which was shaped like the famed S. S. Normandie ocean liner). It had three levels (“decks”) and housed a lounge, dining rooms, a main clubroom, and a “dance pavilion” — all air conditioned. From various decks, well-heeled patrons could look down at the action going on below: the milling throngs of the hoi polloi, the Streets of Paris shows, and the Midway.

June, 1936

Can’t miss the ridiculously large land-locked ocean liner in the center of the photo below. Mais oui!

The articles below on “gals, likker, and gambling” are GREAT. They are from the show biz trade publication Variety, which really latched onto the rampant nudity on view at the Texas Centennial. Remember: 80 years ago! (The abbreviation of “S. A.” in the headline of the second article stands for “sex appeal.”) (As always, click to see larger images.)

Variety, June 10, 1936

Variety, June 24, 1936

Variety, July 1, 1936

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Sources & Notes

Top photo shows an admission ticket to the Streets of Paris, from the George W. Cook Dallas/Texas Image Collection, Central University Libraries, Southern Methodist University; more information is here. Another interesting item from this collection is a brochure (here) which describes Streets of Paris as “the smartest, most sophisticated night club in America. Here you will find the gay night life of Paris in a setting of exotic splendor.”

Photo of “Mlle. Corrine” also from the Cook Collection at SMU; more info on that photo here.

Photo of Lady Godiva on a white horse (with the words “Dallas Centennial” near the bottom … um, bottom of the image … is also from the Cook Collection at SMU, here.

The photo showing the night-time crowd outside the Streets of Paris Normandie is from the Ryerson & Burnham Archives, Art Institute of Chicago; more info here.

The aerial photograph showing the S. S. Normandie is from Willis Cecil Winters’ book Fair Park (Arcadia Publishing, 2010); photo from the collection of the Dallas Historical Society.

All other sources noted, if known.

See quick shots of the Streets of Paris and the Streets of All Nations in the locally-made short film “Texas Centennial Highlights,” here (Streets of Paris is at about the 7:00 mark and the more risqué bits showing the parasol chorus girls followed by Mlle. Corinne and her apple dance (I mean, it’s not really shocking, but … it still kind of is…) at the 8:45 mark. (Incidentally, there appears to be a new book on Corinne and her husband — Two Lives, Many Dances — written by their daughter.)

A very entertaining history of the State Fair of Texas and the Texas Centennial Exposition can be found in the article “State Fair!” by Tom Peeler (D Magazine, October, 1982), here.

A Flashback Dallas post on the feuding Dallas and Fort Worth Centennial celebrations can be found here.

More Flashback Dallas posts on the Texas Centennial can be found here.

Click pictures and clippings to see larger images.

2 Comments

October 14, 2016

“Night View, Downtown Section” by Arthur Rothstein — 1942

“Linger on the sidewalk where the neon signs are pretty…”

by Paula Bosse

If you’re interested in Dallas history, chances are pretty good that you’ve seen this photograph by Arthur Rothstein, which was taken in 1942 — sometime between January 9th and 16th — taken for the Farm Security Administration (FSA). It shows Elm Street — “Theater Row” — looking west from the block east of Harwood. This photograph is from the Library of Congress (here) a larger image can be explored here.

Below are a few magnified details (click pictures to see much larger images).

Chattel loans and good will:

Morton’s Pants Shop (2014 Elm) has a neon sign in the shape of a pair of pants!

More interesting neon: the Texas Pawn Shop (2012 Elm) has the traditional three balls, and, better, the Campbell Hotel (Elm and Harwood) has a camel!

The White Plaza on Main St. (at Harwood) was originally the Hilton Hotel and is now Hotel Indigo. There were some great buildings in this block.

That light is blinding.

The towering Tower Petroleum Building (Elm and St. Paul) is pretty cool-looking here.

The 2000 block of Elm (seen in the foreground, just east of the Majestic block) was full of furniture stores, pawn shops, and tailors. This is my favorite detail from this photograph. Sadly, the entire block — which was once filled with businesses and activity — was completely demolished; the “camel” side of the street is now occupied by an ugly parking garage, and this side of the street is a wasteland of ugly asphalt parking lots. Yep.

1941 plates.

Below, Elm Street businesses from the 1943 city directory, beginning at N. St. Paul and ending at N. Olive. Next stop: Deep Elm.

The view today? Here. Hope you weren’t too attached. Kiss most of it bye-bye.

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Sources & Notes

Photo from the Library of Commerce, here. This photo is all over the place, including the great Shorpy website, here (click the “supersize wallpaper” link under the photo to see it BIG). If you want a super-gigantic 26.3 MB file (5978 x 4619) (!), download the TIFF file in the dropdown beneath the photo.

The movie playing at the Majestic Theatre is “Tarzan’s Secret Treasure.” Newspaper ads show that the movie opened on January 9, 1942 and played just one week, closing on January 16.

Thanks, Cody and Chris for asking about this photo!

Everything’s bigger in Texas, and everything’s bigger when it’s clicked.

12 Comments

October 12, 2016

Wilson & Co., Their Clydesdales, and the Dallas Jaycees’ Safety Committee — 1951

Giant horses at the ready… (click for larger image)

by Paula Bosse

I came across this undated photo a couple of years ago on eBay, and it took a little bit of digging to come up with just what was going on here.

The Wilson & Co. meat packing and processing business began in Chicago in 1916 and quickly became one of the nation’s largest meatpackers, right up there with Armour and Swift. It expanded across the country, and one of its plants was in Dallas — in Unit 3 of the Santa Fe complex of buildings, located on Wood Street, between Field and what is now Griffin. (This building was later known as the Ingram Freezer Building and was demolished in 1988.) The Wilson company was acquired by Dallas-based LTV in 1967, and was later “spun off” from LTV in 1981

The Wilson company had owned a prize-winning “six-horse hitch” of Clydesdale horses since 1917, and they were sent around the country to promote the company and its line of processed meats. Not only were the horses prize-winners at livestock shows, they were also incredibly popular with the public. (They had made a huge splash at the Chicago World’s Fair in 1933, and it seems Budweiser took note of the promotional possibilities of the impressive animals, as the Anheuser-Busch Co. ended up buying the original team from Wilson that same year. So there were at least two competing Clydesdale teams clomping along the downtown streets of America, through at least the late ’60s.)

The photo above was taken when Wilson & Co.’s horse celebs visited Dallas in May, 1951. During their time in Big D they paraded through downtown at noontime and entertained workers on lunch breaks; at night they bunked in temporary stables in the service department of a Pacific Avenue car dealership. The photo at the top shows a public service event in which the Dallas Junior Chamber of Commerce promoted traffic safety in conjunction with the visiting horses. In the photo, the Wilson company employees (who have somehow managed to block the view of several thousand pounds of horseflesh and the huge 1890s wagon behind them) look happy during their little photo-op break from work. And in the background, we see the Adolphus Hotel (…built by the man behind Budweiser beer…), the Magnolia Building, and the Baker Hotel.

All this kind of makes me want a ham sandwich and a bottle of beer….

via Amazon

May, 1951

Wood Street, Dallas city directory, 1953

1952 Mapsco

Below, a postcard advertising the appearance of the Wilson “Champion Six-Horse Team” at the 1936 Texas Centennial:

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Sources & Notes

Photo found on eBay in 2014; on the back is the stamp of photographer Denny Hayes.

Texas Centennial postcard from eBay.

See an unimpeded view of the famous six-horse team of Clydesdales (each of which weighed, on average, two thousand pounds) in a 1954 Cedar Rapids Gazette photo, here.

A couple of interesting tidbits about the Wilson company and about the horses:

Thomas E. Wilson, the founder of the meatpacking company also founded Wilson Sporting Goods
As a celebratory nod to the end of Prohibition, the famed Budweiser Clydesdales were purchased from Wilson in 1933 — this was Wilson’s original team from 1917. (Clydesdale horses generally live for 20-25 years.)

Pictures and clippings are larger when clicked.

3 Comments

October 6, 2016

“Teen-Age Downbeat”

WBAP’s “Teen-Age Downbeat,” 1959 (click for larger image)

by Paula Bosse

“Teen-Age Downbeat” — Fort Worth’s answer to “American Bandstand” — debuted on WBAP-TV in January, 1958 — in COLOR. It featured teens from the Dallas-Fort Worth area (…or maybe I should say from the Fort Worth-Dallas area…) who would play and dance to their favorite records. The host was WBAP broadcaster Tom Mullarkey (seen above at the left, wearing the red vest). The show was quite popular and lasted as best I can tell, from January, 1958 until July, 1961 (the last mention in The Fort Worth Star-Telegram was July 1, 1961). I’m guessing those kids danced to a lot of Fabian.

FWST, Jan. 5, 1958

“Sponsor” trade magazine, Aug. 8, 1960

North Texas State College’s Lab Band with director Gene Hall

FWST, Feb. 26, 1961

“Broadcasting” trade magazine, May 18, 1959

“Toys For Tots” campaign, Christmas 1958

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Sources & Notes

The color photo (which appeared in a full-page WBAP ad in the trade magazine Broadcasting) shows non-teen Tom Mullarkey watching over the dancers from Arlington Heights High School, as the Polytechnic High School Stage Band plays some happenin’ tunes. (I do see two Dallas high school pennants in the photo: Crozier Tech and Sunset.)

The photo showing director Gene Hall with the North Texas State College (now the University of North Texas) Laboratory Band was found at UNT’s Portal to Texas History site, here. The photo is not dated, but a blurb in The Fort Worth Star-Telegram mentioned that Hall and the band were to appear on “Teen-Age Downbeat” on Feb. 5, 1959.

Photo of the “Toys For Tots” campaign, featuring a sexy Santa’s helper, Tom Mularkey, and a Marine Corps (Reserve?) officer was found on the Instagram feed of @fortworthhistorical.

19 Comments

September 27, 2016

The Kids of State-Thomas

George W. Cook Collection, SMU

by Paula Bosse

More great photos from the George W. Cook Collection at SMU’s DeGolyer Library! Click photos to see larger images.

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Sources & Notes

All photos from the George W. Cook Dallas/Texas Image Collection, DeGolyer Library, Central University Libraries, Southern Methodist University. Additional information for each photo can be found for photo 1 here; photo 2 here; photo 3 here; photo 4 here; photo 5 here; and photo 6 here.

The State-Thomas area (also known in the past as Freedman’s Town and North Dallas) was once a vibrant African-American neighborhood which has now become swallowed up by “Uptown.” A short history can be found here (scroll down to “Freedman’s Town”).

Other State-Thomas-related photos can be found in these Flashback Dallas posts:

“The Allen Street Taxi Company,” here
“The Dunbar Branch: Dallas’ First Library for the African-American Community, 1931-1959,” here

Photos are big. Click them!

2 Comments

September 20, 2016

The Skyline Beyond — 1950

by Paula Bosse

The view over there; the view over here.

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“Skyline of Dallas from backyards of tenement houses, 12/04/1950” — photograph by Squire Haskins, from the Squire Haskins Photography, Inc. Collection, UTA Libraries. Info is here. Super-gigantic image is here.

The view is looking south toward downtown.

A map below, showing:

the Medical Arts Building at the center right (Pacific & Ervay, red star)
the Magnolia Oil Building (with Pegasus, at Commerce and Akard, orange star)
the Tower Petroleum Building (Elm and St. Paul, green star)
the Mercantile Bank Building (Main and Ervay, blue star)

Google Maps

4 Comments

September 15, 2016

The Mitchell Building: Home to Cotton Gins, Rockets, Frozen Beverages, A/C Units, Slackers, Squatters, Hipsters, and Urban Loft-Dwellers

In 1988, the building had seen better days… (click for larger image)

by Paula Bosse

In 1928, the John E. Mitchell Company (discussed previously here, here, and here) arrived in Dallas from St. Louis and built their J. A. Pitzinger-designed 2-story factory at 3800 Commerce Street (a wing was added the next year, and a third story was added the year after that). It produced cotton gins and farm implements. As strange as it seems today, Dallas was once the largest producer of cotton gin machinery in the United States. The Mitchell Company was located in a mostly industrial area very close to several other cotton gin manufacturers (such as the nearby Continental Gin Company and Murray Company). At the height of their production, these Dallas factories were responsible for half of the world’s cotton gins.

When World War II hit, the company became an important defense contractor and produced munitions for the U.S. Navy and U.S. Army, making things such as “anti-submarine projectiles,” anti-aircraft shells, rocket nozzles, and “adapters for incendiary bomb clusters.”

After the war, the Mitchell Company continued to manufacture agricultural implements but diversified by turning out other types of machinery, like automobile air conditioners and and cleaning systems. As the 1960s dawned, they developed the machine that made ICEE frozen slushy drinks (forever immortalized by 7-Eleven as The Slurpee).

After the death of company president John E. Mitchell, Jr. in 1972, the business began a slow slide downward. The company appears to have gone out of business in the early 1980s. In the fall of 1982, the company’s equipment was sold at public auction, and, in 1984, the building became the temporary home of the Junior Black Academy of Arts and Letters.

In the 1980s, Deep Ellum and Exposition Park began to explode with new bars, clubs, and galleries. If it was cool, it was in Deep Ellum and Expo Park; if it was in Deep Ellum and Expo Park, it was cool. Artists and musicians began to move into many of the neighborhood’s old warehouses. These usually run-down buildings — in which bohemian types lived (not always legally) and used as studio spaces — were huge and (in the beginning) cheap. The Mitchell Building became something of a ground zero for wild parties and was described in a fantastic 1995 newspaper article by Shermakaye Bass (linked below) as both a “flophouse” and “an artists commune and downtown slacker den.” The building was closed and boarded up by its owners in early 1995 in order to avoid code-violation citations, but by 1999 the building had been purchased, cleaned up, modernized, and converted into 79 loft apartments. Today, the Mitchell Lofts have been a part of the Expo Park scene for almost 20 years.

In 1991, the Mitchell Building was listed on the National Register of Historic Places. The photographs below (and the one at the top) were included in the application form. They were taken by Daniel Hardy of Hardy-Heck-Moore in October, 1988. Things weren’t looking great for the building in 1988. It must have been quite an undertaking to convert this large L-shaped building (which had certainly seen better days) into hip, sleek lofts.

Below, looking northwest on Commerce. The Mitchell Building is in an L-shape — the smaller building in the foreground is an old Dallas Power and Light substation, built around 1925. (Click photos to see larger images.)

The back, from the old T&P/Missouri-Pacific railroad tracks.

And two interior views of the second floor.

Here’s what the exterior looks like today, spiffified. (Explore it on Google Street view here.)

Google Street View (Jan. 2016)

Google Maps

mitchell_sign_war-bk
Mitchell War Book, ca. 1945

Flickr

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Sources & Notes

Photos are from the application to the National Register of Historic Places; in addition to the photos, there is a thorough history of both the building and the John E. Mitchell Company, written by David Moore of Hardy-Heck-Moore. The 28-page form can be found in a PDF, here. (3/14/17 UPDATE: The link no longer works for me, and I am unable to find the document. Here’s the full URL: ftp://ftp.dallascityhall.com/Historic/National%20Register/John_E_Mitchell_Plant.pdf.)

More info on the Mitchell Company and its building through the years can be found in the following Dallas Morning News articles:

“Dallas Gets Gin Factory” (DMN, March 17, 1928) — the announcement that a permit has been granted for the construction of a two-story brick factory and warehouse
“John E. Mitchell Exemplifies Faith as Secret to Success,” by Helen Bullock (DMN, July 17, 1949) — an entertaining profile of John E. Mitchell, Jr.
“Demise of a Dream Factory — Deep Ellum’s Historic Mitchell Building Leaves a Legacy of Artistic and Industrial Vision,” by Shermakaye Bass (DMN, Feb. 5, 1995) — for those who grew up when Deep Ellum was experiencing its (first) renaissance, the article is a great snapshot of what things were like in Deep Ellum and Exposition Park back in the ’80s and early ’90s

See what the Mitchell Lofts look like now in this Candy’s Dirt article from 2014; more photos are here. Pretty hard to believe people used to manufacture things like cotton gins and anti-aircraft missiles there.

The Mitchell Lofts website is here.

Click pictures and clipping to see larger images.

3 Comments

September 8, 2016

Preston and Valley View: The Calm Before the Storm — 1958

LBJ Freeway, T-minus 6 years….

by Paula Bosse

This photo makes my head hurt. The road crossing horizontally at the bottom is Preston. The vertical road at the left is Valley View Lane (the view is to the west). What we’re looking at is land soon to be eaten up by LBJ Freeway, which was built along Valley View.

This fantastic photo by aerial photographer Squire Haskins (which can be seen REALLY big at the UTA website here) is included in Oscar Slotboom’s book Dallas-Fort Worth Freeways. This is his caption to the above photo:

Preston at LBJ, 1958. This December 1958 view looks west along Valley View Lane with the Preston Road intersection at the lower left. LBJ Freeway was built along Valley View Lane with work underway in 1964. A Sears store opened in the foreground in 1965 and Valley View Mall opened in 1973. The corridor was fully urbanized by the 1980s.

The only street directory I could find fairly close to the date of this photo was the one from 1961 — which already shows development not seen in the photograph. By this time, people knew the freeway was coming, but it was still fairly sparsely developed.

Here is the listing of addresses along Valley View Lane, stretching from Inwood, east past Central Expressway. (Click for larger image.)

Valley View Lane, 1961 Dallas directory

And, below, addresses along Preston Road, moving north from Forest Lane. The thing that makes me lightheaded about this, is one particular business, way, WAY up north — out in the middle of nothing back in 1961: Lilyan’s Original Hats, at Preston and Alpha. That was my great-aunt’s hat shop. She owned that land. Imagine! She sold it, I think, in the ’70s. I can only hope she made a pretty penny!

Preston Road, 1961 Dallas directory

Here’s what construction of LBJ looked like in 1967 — the photo shows the intersection of Central Expressway and LBJ, with a view to the southwest).

Flickr, Red Oak Kid

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Sources & Notes

Photo from the Squire Haskins Photography, Inc. Collection, UTA Libraries; more info here.

More on the construction of LBJ can be found in the chapter “Interstate 635, Lyndon B. Johnson Freeway” (from Oscar Slotboom’s amazingly researched book Dallas-Fort Worth Highways), here.

The 1957 map linked above is one of many scanned road maps which can be found on Slotboom’s site — the page “Old Highway Maps of Texas, 1917-1973) is here.

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Category: Photographs

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