Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Entertainment

The South End “Reservation” Red-Light District — ca. 1907

south-end_hobson-electric_southeast-from-courthouse_ca-1907_cook-collection_degolyer_SMUThere’s a lot going on here that you can’t see… (DeGolyer Library, SMU)

by Paula Bosse

I am reminded how much fun it is to just dive into something with no idea where you’re heading and end up learning interesting things you might have been unaware of had you not wondered, “What am I looking at?”

Yesterday I was working on a future post that involves the Hobson Electric Co., and I was looking for photos. The one above popped up in one of my favorite collections of historical Dallas photos, the George W. Cook Collection at SMU’s DeGolyer Library. I was looking for a post-1910 West End photo — this photo is identified as just that [the title has now been updated by the SMU Libraries], but the presence of the Schoellkopf Saddlery Co. building (center left, with the Coca-Cola ad on it) puts this location on the other side of the central business district — Schoellkopf was at S. Lamar and Jackson. Even knowing that, this scene didn’t look familiar at all.

I checked a 1907 city directory to find out the address of the Hobson Electric Co. before it moved to the West End in 1910 — it was located at 172-74 Commerce Street (in what is now the 700 block), between S. Market and S. Austin. The view here is to the southeast, probably taken from the courthouse.

I don’t think I’ve seen this particular view before — it shows hardly any of the downtown area but shows instead the area to the south. I was really intrigued by the block of houses facing Jackson (between Market and Austin) — the block the horse-and-buggy is moving past, at the center right. The trees. The low buildings. That block really stood out. It was kind of quaint. Did people live there? While I had the 1907 directory open, I checked to see who the occupants were. (I just picked 1907 because the Hobson Co. changed its name from “Duncan-Hobson” around 1906, and it had moved away from Commerce by mid 1910.) Here were the occupants of those houses in 1907:

jackson-between-market-and-austin_1907-directory1907 Dallas directory

That seemed odd. Three single women occupying three separate houses, all next door to one other. There weren’t a lot of single women living in houses alone in 1907. Hmm. I checked all the directories between 1905 and 1910 to see who was living in that block. Every year, each of those houses showed a new occupant, and, with one exception, all were single woman (the exception was a man who owned a saloon across the street and who had faced charges at one point for “keeping a disorderly house”). …Okay. I got the picture.

I checked the Sanborn map from 1905 for this block and saw something I’d never seen before: the designation of a building with the letters “F.B.” What did that mean? Turns out, it means “Female Boarding House.” Or, less euphemistically… a brothel. Look at the map here (more maps are linked at the bottom of this post) to see the frankly ASTRONOMICAL number of “F.B.” buildings in this one small area. (There weren’t as many saloons — designated with “Sal.” — as I expected, but I’m pretty sure a lot of saloons in this area were operating illegally.)

You might have noticed that all of those F.B.s are south of Jackson. Not one of them is north of Jackson. This area — the southwestern part of downtown — was referred to at the time as the “South End” or “The Reservation” (some called this general area “Boggy Bayou,” but I think that was technically farther south). Its boundaries were, basically, S. Jefferson Street (now Record Street) on the west, Jackson on the north, S. Lamar(-ish) on the east, and beyond Young Street on the south. If you wanted to avail yourself of illicit things and engage in naughty behavior, this was the place for you: Ground Zero for a sort of wide-open, lawless Wild West. There were other red-light districts in Dallas (most notably “Frogtown,” which was north of downtown in the general area formerly known as Little Mexico) (does anyone still call this now-over-developed area “Little Mexico”?), but if you wanted the primo experience of one-stop-shopping for drinking, gambling, drugging, and “consorting with fallen women,” you were probably familiar with the South End, where all of these activities were tolerated and, for the most part, ignored by the police (they might mosey by if there were an especially egregious shooting or stabbing or robbery). In fact, this vice-filled area had been created by a helpful city ordinance in the 1890s. So, enjoy!

Prostitutes were allowed to ply their trade in this specified chunk of blocks because the city fathers felt that it would be best to keep all that sort of thing in one somewhat controllable area, away from the more reputable neighborhoods. But once a prostitute stepped outside the Reservation to sell something she shouldn’t have been selling… laws suddenly applied, and she’d be thrown in jail and/or fined. Do not step north of Jackson, Zelma!

So, at one time, Dallas had legal brothels. Depending on whose account you read, these houses of ill repute ranged from godawful “White Slavery” operations and bubbling cauldrons of sin and sleaze to, as Ted Dealey remembers in his book Diaper Days of Dallas (p. 74), “ultra-fashionable houses of prostitution” which attracted Big D’s moneyed movers and shakers. Something for everyone.

Eventually, people started to get really bent out of shape about this, and there was a big push to get these houses shut down — or at least moved out of the area. The Chief of Police reported to the City Council in 1906 that, among the many Reservation-related problems, the area was getting cramped because the railroads were buying up real estate in the area and kicking people out. The city-sanctioned no-man’s land was getting too small, so city officials needed to find a bigger place to move the red-light district to. The Chief thought that North Dallas (i.e. Frogtown) was “the most logical place” — except that residents of nearby swanky neighborhoods there were not at all keen on this. But that idea seemed to stick. It took several years to actually happen, but a relocation of sorts occurred, and the South End brothel-hotspot was pretty much scrubbed of all offending “disorderly houses” by 1910. (Frogtown bit the dust around 1913, after those unhappy well-to-do North Dallas neighbors complained bitterly, loudly, and effectively.)

So, anyway, I never expected to find such an exciting photograph! I wonder if the photographer took this photo as a way of documenting the very controversial, in-the-news, not-long-for-this-world Reservation, or whether it was just a nice scenic view. I have to think it was the former, because the Reservation was well-known to everyone, near and far, and this shot would have been an unusual vista to, say, reproduce for postcards (or at least postcards sold to the general public!). Whatever the case, I’ve never seen this view, and it’s really great — and it comes with an interesting slice of Dallas history. I had heard of the Frogtown reservation to the north, but I’d never heard of the South End reservation. And now I have. And here’s a photo of it!

Let’s bring back the neighborhood designation of “South End.” It was good enough for 1900, it’s good enough for today.

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Here are a few zoomed-in details of the photo. Unless I’m imagining things, I think I can see women sitting on their porches, advertising their wares, as was the custom. (All images are larger when clicked.)

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Below is an excerpt from a blistering directive to city lawmakers by W. W. Nelms, Judge of the Criminal District Court (from an article with the endless headline “Calls For Action; Judge Nelms Charges Police Chief, Sheriff and Grand Jurors; Warfare on Crime; Says Lawbreakers Shall Not Construe Statutes of State to Suit Themselves; Stop Murder and Robbery; Declares Harboring Places for Thugs, Thieves and the Like Must Be Destroyed,” Dallas Morning News, Oct. 15, 1907).

reservation_judge-w-w-nelms_DMN_101507DMN, Oct. 15, 1907

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Below, the general area of the South End Reservation around 1907 (this map is from about 1898). The blue star is the Old Red Courthouse; the Reservation is bordered in red. In 1893, the original area was loosely designated as the area bounded by Jackson Street, Mill Creek, the Trinity River, and the Santa Fe railroad tracks, in which “women of doubtful character […] were not to be molested by police” (from “Passing of Reservation,” DMN, Dec. 11, 1904). As noted above, the area shrank over time, and the red lines show the general Reservation area about 1907, the time of the photo at the top.

south-end_reservation_1898-map_portalDallas map, ca. 1898 (det), via Portal to Texas History

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Sources & Notes

Top photo — “[Jackson Street, Looking Southeast from the Courthouse, Including a Partial View of the South End ‘Reservation’]” (previously incorrectly titled “[Dallas West End District with View of Railroad Yards]”) — is from the George W. Cook Dallas/Texas Collection, DeGolyer Library, SMU Libraries and can be accessed here. (I appreciate SMU for responding to my request to re-title and re-date this photograph — it’s always worth notifying archival collections with corrections!) (And, as always, I WELCOME corrections. I make mistakes all the time!)

The 1905 Sanborn map I linked to above (Sheet 104) is here and seems to be the epicenter of the booming brothel trade; more evidence of this can be seen just south of that in Sheet 102; and it continues just east of that in Sheet 105 (it’s interesting to note the specially designated “Negro F.B.” bawdy houses). (Sanborn maps do not open well on cell phones — or at least on my cell phone. You may have to access these from a desktop to see the full maps. …It’s worth it.)

Read more about this whole “Reservation” thing in the lengthy and informative article “Not in My Backyard: ‘Legalizing’ Prostitution in Dallas from 1910-1913” by Gwinnetta Malone Crowell (Legacies, Fall 2010).

Also, there’s a good section on this (“Fallen Women”) in the essential book Big D by Darwin Payne (pp. 48-56 in the revised edition).

If you enjoy these posts, perhaps you would be interested in supporting me on Patreon for as little as $5 a month — in return, you have access to (mostly!) exclusive daily Dallas history posts. More info is here.

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Copyright © 2024 Paula Bosse. All Rights Reserved.

“This Month In Dallas” — Aug./Sept. 1962: The Clubs

club-dallas_this-month-in-dallas_aug-sept-1962_ebay_detClub Dallas, Browder Street

by Paula Bosse

Downtown Dallas was a cool place for entertainment and dining in the early 1960s, from high-class clubs and lounges to famous and infamous strip joints (some of which were higher-class than others). A few months ago on eBay, someone scanned a bunch of pages of a magazine called This Month in Dallas (“Where to Go, What to Do”), which seems to have been aimed at the conventioneer or out-of-town visitor. (I’ve never heard of this publication, but I would LOVE to see more!)

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As far as image quality, I’m at the mercy of the person doing the scanning, but here are several of the ads featured in the eBay listing. All appeared in the Aug./Sept. 1962 issue of This Month in Dallas. (At the top, a detail from an ad for Club Dallas — the full ad is below.)

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Let’s just do them alphabetically.

ARAGON BALLROOM, 1011 S. Industrial Blvd. (now S. Riverfront). Featuring the Aragon Red Jackets Western Swing Band, the “Over 30” Club Dance, and Chuck Arlington and His Orchestra.

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CAROUSEL CLUB (or “New” Carousel Club), 1312½ Commerce, at Field. Jack Ruby, proprietor. “Dallas’ Newest and Most Intimate Burlesque Nite Club.” This ad (the first of several) features stripper Peggy Steele, “America’s Suzie Wong.”

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More CAROUSEL. “Dallas’ only burlesque nite club with a continuous girl and comedy show. No stopping, 9:00 PM ’til 2:00 AM.” America’s Suzie Wong” is back, now spelled Peggy Steel. MC’d by comic Wally Weston.

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More CAROUSEL. Here’s Mili Perele, “the Little French Miss.”

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More CAROUSEL. Heck, let’s throw in another Peggy Steel/e mention.

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More CAROUSEL (Jack’s advertising budget was impressive). Tammi True, then in the midst of a pinching brouhaha.

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Pat Morgan’s CLUB DALLAS, 206½ Browder (just south of Commerce). I love this ad, but I’m not familiar with the establishment or Mr. Morgan. Looks like it opened in the summer of 1962 (“Owner Pat Morgan has eliminated the semi-nude waitresses and aims for the family trade” — Dallas Morning News, July 27, 1962), changed its name in September 1962 to simply “Pat Morgan’s,” and finally closed in February 1963. I bet he rued the day he dumped those semi-nude waitresses….

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CLUB VEGAS, 3505 Oak Lawn. Yes, there was swinging nightlife beyond downtown. Club Vegas was famously owned by Jack Ruby’s sister, Eva Rubenstein. This club booked a lot of Black and Hispanic bands (for mixed audiences), including Joe Johnson and Trini Lopez. (I’ve been meaning to write about this place for the past 10 years!)

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CLUB VILLAGE / ITALIAN VILLAGE RESTAURANT, 3211 Oak Lawn. Another happening place in Oak Lawn. I wrote and wrote and wrote about Sam Ventura’s Italian Village here.

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COLONY CLUB, 1322½ Commerce. Abe Weinstein, proprietor. The “high-class” strip joint. Also featured acts like Deacon & Co., King and Queen of the Limbo.

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More COLONY CLUB. An unnamed exotic.

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GUTHREY’S CLUB, 214 Corinth, at Industrial (now Riverfront). Very popular back in the day. “Girls! Girls! Girls! Set-ups, beer, wine.” This ad features Dave Martin’s Tom Toms (James McCleeng, Glenn Keener, Gene Summers — vocalist, Charlie Mendian, Melvin Robinson, and Dave Martin).

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THE SPOT, 4906 Military Parkway. This ad features Joe Wilson & The Sabers.

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THE SPOT, the “other” location, 10635 Harry Hines. House band The Spotters.

spot_harry-hines_this-month-in-dallas_aug-sept-1962_ebay

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THEATER LOUNGE, 1326 Jackson, at Akard. Barney Weinstein, proprietor. “Glamour Girls Galore.”

theater-lounge_this-month-in-dallas_aug-sept-1962_ebay

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TOWN PUMP, 5021 Lovers Lane. “Dallas’ Original and Largest ‘Sing Along’ Piano Bar.” That is one scary sentence.

town-pump-piano-bar_this-month-in-dallas_aug-sept-1962_ebay

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Sources & Notes

All ads from the Aug./Sept. 1962 issue of This Month in Dallas.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Herbert A. Kline’s “Miniature Coney Island” at the State Fair of Texas — 1909

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by Paula Bosse

Herbert A. Kline (1873-1934) was a showman and promoter from Michigan who provided acts to several state fairs and large carnivals in the U.S. — his heyday appears to have been the 1910s. In 1909, he brought his troupe of performers and sideshow features to the State Fair of Texas. Most of the photos in this post are from promotional material for that 1909 season, with most of the photos showing Kline’s traveling “amusements.”

Two weeks before he got to Texas, he posted this ad in the entertainment trade magazine Billboard — I hope Capt. Sorcho (“the great deep-sea diver”) dropped him a line.

sfot_kline_billboard_100209 Billboard, Oct. 2, 1909

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“THE BEAUTIFUL ORIENT” — included were dancers, gun-spinners, magicians, acrobats, and — somehow — wedding ceremonies. It also boasted “the cleanest and most refined dancing-girl show in America.”

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“SUPERBA, THE BEST” — a collection of vaudeville-type performers, including one woman whose “talent” appears to be that she was attractive.

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“MRS. D. H. KINCHELOE, WARBLER” (a whistler/reader/vocalist/pianist from Kentucky — her name is misspelled below) and “THE GREAT McGARVEY, FEMALE IMPERSONATOR” (Bert McGarvey was known for a nicely turned-out ankle, charisma, magnetism, and a specialty number called “The Sacred Cobra Dance”). They — along with Galetti’s Musical Monkeys — would appear after the more high-brow operatic singers.

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“THE IGORROTE VILLAGE” — native peoples of the Philippines gave a sort of presentation on how they lived, employing what might be seen as primitive customs in daily life. (A description of a “performance” in New York’s Central Park noted that there were demonstrations on how to shrink heads, which might have been too “exotic” for Dallas.)

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John T. Backman’s Troupe of Glass Blowers — this was absolutely fascinating (the sign alone!). Check out this entertaining article about the sorts of things these people did.

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Also in Kline’s family of traveling show-folk:

  • A creature half-reptile and half-human
  • Russian Prince Midget, who speaks three languages, weighs less than 16 pounds, and whose crib was a cigar box
  • Alice, The Wonder, “who is acknowledged by the press and the public to be the strangest girl in all the world”
  • Schlitzie, the Aztec Wild Girl, “whose head is no larger than an orange” (this is most likely the sideshow performer best known for appearing in Tod Browning’s cult movie “Freaks”)

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Here is an image from an eBay item, showing where these photos came from.

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There was also a “ride” called “THE HUMAN ROULETTE WHEEL.” It was probably more fun for the spectators than for the participants.

sfot_1909_human-roulette-wheel_houston-post_110709Houston Post, Nov. 7, 1909

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The prospect of being flung off a human roulette wheel might have been daunting to women of the period, who wore heels, corsets, long skirts, and big hats. Below are some typical fairgoers of the time, in a souvenir photo taken at the 1907 State Fair of Texas (Louis Block of Fort Worth, Miss Ray Goldsmith of Dallas, her sister Grace Goldsmith Rosenblatt, and Grace’s husband, David Rosenblatt). Imagine these people wandering around Fair Park and stopping in to see “the strangest girl in all the world” and watching people being hurled off a spinning disk.

sfot_RPPC_ebay_1907_photovia eBay

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kline-herbert-a_new-york-clipper_oct-1912New York Clipper, Oct. 1912

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This ad for a South Dakota fair — a few months before Kline’s stop in Dallas — shows descriptions of several of the acts. (“A tiger that rides horseback.”)

kline-herbert-a_dakota-home-coming_aberdeen-american_SD_060909Aberdeen (South Dakota) American, June 9, 1909

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And a promotional article sent to local papers ahead of Kline’s arrival.

sfot_kline_mckinney-weekly-democrat-gazette_101409_detMcKinney (TX) Weekly Democrat Gazette, Oct. 14, 1909

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Sources & Notes

All photos from a brochure/handbills listed earlier this year on eBay; sources of ads and other images as noted.

So many Flashback Dallas posts about the State Fair of Texas — here.

I’m on Patreon, where I post daily. Check it out!

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Copyright © 2023 Paula Bosse. All Rights Reserved.

“Thrilling! Inspiring! Gorgeous!” — 1936

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by Paula Bosse

I don’t think the 1936 Texas Exposition at Fair Park could have oversold itself. It was everything it promised. The sensory overload must have been almost debilitating!

The night beauty of the Texas Centennial Exposition at Dallas is breath-taking! Rainbow-hued fountains, rippling flags, colorful buildings, thousands of constantly changing lights blending into a symphony of thrilling, inspiring, gorgeous effects… A glamorous fairyland of scintillating light, color and cool water that alone will repay your trip. SEE this marvel of beauty!

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“Have the time of your life in Dallas! […] Joyous days and nights of holiday-making await you … in one of the most magnificent settings ever conceived! […] The Texas Centennial Exposition at Dallas is being enthusiastically applauded as the most magnificent spectacle ever attempted on the American continent.”

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“World’s Greatest Show for 50¢… Ample Tourist Accommodations… Come to Dallas!”

(According to the Inflation Calculator, 50¢ admission in 1936 would be equivalent to about $10 in today’s money. 10¢ hamburgers would be about $2, and 5¢ cold drinks would be about $1.)

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“Dallas: Night Spot of the World! / Dallas: Day Spot of the World!”

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Sources & Notes

Images from a promotional brochure offered recently on eBay.

Check out many previous Flashback Dallas posts on the Texas Centennial here.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

The Stagecoach Ride at Six Flags: 1961-1967

six-flags_stagecoach_fort-worth-magazineWhat could possibly go wrong?

by Paula Bosse

Did you ride the stagecoach at Six Flags?

The stagecoach at Six Flags? What? This:

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And this (with grazing buffalo for added Old West atmosphere):

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When I first saw Six Flags postcards touting stagecoach rides, my first thought was, “How did they ever manage to get insurance for that?”

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The “Butterfield Overland” ride debuted in the “Confederate” section when the park opened in 1961 and lasted until about 1967. It was very, very popular.

six-flags_stagecoach_1965_UTA_det1965, via UTA Libraries Special Collections (det)

Why did I never know about this when I was a kid? I never saw a stagecoach. I would have LOVED to ride a stagecoach. What happened? Well, here’s what happened: in May 1967, one of the stage’s wheels came off mid-ride, and the stage overturned, injuring 11 of the 14 people on board, most of them children. A 4-year-old Haltom City girl — who was riding on the top — was pinned beneath the overturned stagecoach. When she was freed, she was rushed to the hospital and underwent emergency surgery on both feet. One of the news stories about this unfortunate incident ended with, “Saturday’s accident was the first involving the stagecoach since the park opened in 1961,” adding that more than 4 million persons had ridden this ride between 1961 and 1967. (Four million!) (Granted, I think there were four stagecoaches and four teams of horses, but… four million!!)

One month after the accident, it was reported that the girl’s father had sued Six Flags for $531,000, contending that park officials were guilty of 30 counts of negligence. ($531,000 would be the equivalent in today’s money of about $5 million.) I can’t find anything about what happened with this lawsuit, but I assume there was probably a quiet settlement. Coincidentally or not, that spelled the end of the Butterfield Overland stagecoach ride at Six Flags Over Texas.

And that’s why I never heard of — or got to experience — a stagecoach ride at Six Flags.

(I don’t know what happened to the buffalo.)

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Sources & Notes

Top photo of a Six Flags stagecoach jam-packed with kids from Fort Worth magazine.

The 1965 image is a detail of a larger photo from the Jack White Photograph Collection, UTA Libraries Special Collections — see the full photo and more details here.

Read more about this Butterfield Overland stagecoach ride at Parktimes.com.

The whole “Confederate” and “Texas” sections of SFOT were kind of weird, including a several-times-a-day lynching (!), as can be seen in one of the postcards in the 2014 Flashback Dallas post “Angus Wynne Jr.’s ‘Texas Disneyland’ — 1961.”

For real, non-amusement-park stagecoach tidbits, check out the post (also from 2014) “Dallas to Austin by Stagecoach: Only Three Days! (1854).”

A slightly different version of this post originally appeared on the Flashback Dallas Patreon page in August 2023. If you’d like to see daily Flashback Dallas posts, please consider supporting me on Patreon, for as little as $5 a month.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Sinead O’Connor — 1990

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by Paula Bosse

Sinead O’Connor died today. I loved her. When she came to Dallas to play the Bronco Bowl on May 25, 1990, I was there. She sang “Nothing Compares 2 U” a capella. The audience was so quiet while she sang you could hear a pin drop. It was one of the most memorable live music moments I’ve ever experienced.

In the early days of alternative radio station KDGE, I spent a lot of time at the Edge studios and provided a surprising amount of (uncredited, unheralded, and uncompensated) “comedy” writing for one of the on-air personalities. I even did a few on-air bits.

One night, out of the blue, I got a phone call at home, and was told to call the station’s answering machine and give ridiculous directions to a secret Sinead O’Connor party which was supposedly being given in her honor while she was in town for her show at the Bronco Bowl. So I did. The sound quality is atrocious, but I had to scramble to find a tape recorder before the bit aired a few minutes later. I’m still waiting for my Peabody.

So here’s one of the improvised stealth comedy bits I did on The Edge (and, yes, I really do give directions like this). It is followed by a commercial for Sinead’s appearance at the Bronco Bowl, produced by 462 (pure ’90s nostalgia). I’ve been told by a friend that he could access this link on his laptop but not his phone, but I’m going for it anyway.

Listen to it here.

I wish Sinead hadn’t had such a hard life. She made many of our lives better. She made my life better. RIP.

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Sources & Notes

Rolling Stone cover, June 1990, from eBay.

Recording from collection of Paula Bosse.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Gritty Dallas — 1969

honest-joes-pawn-shop_deep-ellum_perkins-school-recruitment-film_1969_jones-film_SMU_5.13Honest Joe’s: sign overload in Deep Ellum

by Paula Bosse

Here are a few things I found when I clicked on something I normally wouldn’t have, but I’m glad I did. These are screenshots from a 20-minute film made in 1969 by SMU’s Perkins School of Theology. (I certainly hope SMU has the original somewhere — or at least a crisper copy — because the quality of this 54-year-old film is, as you can see in these screenshots, pretty low-resolution.) The title of this offering on YouTube is the supremely un-sexy “Perkins School of Theology (SMU) Orientation and Recruiting Film — 1969.” Which is all well and good, but, let’s face it, how many of us would click on that? I wouldn’t! But it was the thumbnail that drew me in — a shot of the Colony Club, the famous burlesque club on Commerce Street. What did that have to do with theology school? I clicked and started fast-forwarding until I found the Colony Club — and it paid off, because I found a bunch of cool shots of places that, for the most part, don’t exist anymore.

The image above shows one of dozens of pawn shops in Deep Ellum, Honest Joe’s Pawn Shop, owned by Joe Goldstein. (Various Goldstein family members ran a dizzying number of pawn shops in Deep Ellum. I mean a LOT.) In 1969, Honest Joe’s and its adjacent office and warehouse spread from 2516 Elm to 2526 Elm — most of these buildings still stand (see them today, here), but others were torn down to make way for the highway-palooza. (Two more photos of Honest Joe’s are at the end of this post.)

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The two shots below were in the same block — keep panning right from the P B Cleaners (2700 S. Ervay, at Grand Avenue — now Al Lipscomb Way), and you’ll see Choice’s Hotel and Bill’s Lounge next door. What’s there now? Nothing.

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This is Friendship Hall (Dallas Inner City Parish), at 1823 Second Avenue. It was one of many businesses and homes condemned by the city and torn down to expand Fair Park and build new parking lots. See where this used to be, here.

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St. Martin’s Spiritual Church of Christ, 2828 Carpenter. This is such an unusual-looking building. It’s gone, but there’s a new church in its place, here.

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Iglesia Metodista, 1800 Park Avenue (at Beaumont), not too far from Old City Park. Wow, this area (a couple of blocks’ worth, anyway) has been developed way beyond what I would have guessed. The church once stood, I think, in this grassy area.

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Soul City, 4714 Greenville Avenue, near University Blvd. (you might know it from its recent incarnation as a Vespa dealership). This wasn’t in a “gritty” neighborhood, but it was close to the filmmakers’ home, the SMU campus, and, surely, there were reprobates cavorting inside who could have benefited from a good Methodist sermon. From what I gather, this was a cool place for cool people to see cool bands. The building still stands, here. I don’t think it’s occupied at the moment.

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Speaking of reprobates, their Big D mecca for many years was Commerce and Akard, home to all sorts of places you probably wouldn’t book for a Mother’s Day brunch. Clogging up this area at various times were strip joints and dive bars, including the Colony Club, the Theatre Lounge, and the Carousel Club. The Colony Club was at 1322½ Commerce. That whole block (and the one just beyond it — across Akard — home to the Baker Hotel) went bye-bye a long time ago.

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And, like Soul City, the legendary Cellar was cool, but I’ll bet there were more illicit substances in this downtown “coffeehouse” than in the Greenville Ave. club. “Swings all night.” It stood at 2125 Commerce (at what is now Cesar Chavez). This building appears to be gone.

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More shots of Honest Joe’s Pawn Shop, which took up a good chunk of the 2500 block of Elm. See what this view looks like today, here (I warn you: do not rotate 180 degrees). I assume the tall white building bit the dust for highway construction. I would have loved to have wandered around that place and chatted with Joe. I bet that guy saw some stuff. Deep Ellum has lost most of its grittiness. It used to be so cool. Thank you, seminary students from 1969, for preserving this for future generations, ’cause in a few years, the place won’t be recognizable.

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Sources & Notes

All images are screenshots from the film “Perkins School of Theology (SMU) Orientation And Recruiting Film – 1969” — see it on YouTube here. It’s odd. It is from the keeps-on-giving G. William Jones Film and Video Archive, Hamon Arts Library, Southern Methodist University.

If you like this kind of thing, perhaps you will consider supporting me on Patreon. I post something there every day. More info is here.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Uncle Scooter Reads the Funnies: 1940-41

radio_uncle-scooter_wfaa-wbap-kgko-combined-family-album_1941Little Man and Uncle Scooter…

by Paula Bosse

Several years ago, I was flipping through a promotional booklet for radio stations WFAA, WBAP, and KGKO, and I came across the photo above. I think about this photo a lot. It shows radio personality “Uncle Scooter” lying on the floor next to a KGKO microphone, reading the comics over the air to a vast audience of children and pointing out something pertinent to his trusty companion, a fox terrier named Little Man. I love this photograph. It makes me smile every time I see it. Wouldn’t it be great if this was how he actually conducted his broadcasts — on the floor with his doggie next to him? Here’s the caption:

uncle-scooter_dog_wfaa-wbap-kgko-combined-family-album_1941_caption

Clarence E. Tonahill (1904-1954) — known to everyone as “Scooter” — appears to have begun his radio career in Waco at the appropriately named station WACO. He then worked at KGKB in Tyler, then returned for a few years to WACO, and then to KTSA in San Antonio. Like most people in broadcasting in those days, he did a little bit of everything: he was an announcer, a newsreader, a sportscaster, and an entertainer. One of his most popular shows was just him reading the Sunday comics over the air for children. Below, a WACO ad from 1937 showing Uncle Scooter, again, lying on the studio floor (no dog, though).

uncle-scooter_waco-tribune-herald_010337Waco Tribune-Herald, Jan. 3, 1937

Around September 1939, he moved to Fort Worth to begin a busy stint at KGKO, a DFW station co-owned by The Dallas Morning News and The Fort Worth Star-Telegram (this was part of the very unusual WFAA-WBAP radio broadcasting partnership). He started as an “announcer” (which might well have included cleaning up the studio!), but he quickly graduated to doing a lot of sports-announcing and color commentary (football and boxing), man-on-the-street interviews, and personal appearances. He also hosted several shows, including a weekday morning show called “Sunrise Frolic.” But Sundays… Sunday mornings were set aside for his funnies-reading.

1940_radio_uncle-scooter_FWST_090840Fort Worth Star-Telegram, Sept. 1940

1940_radio_uncle-scooter_FWST_091540FWST, Sept. 1940

1941_radio_uncle-scooter_FWST_031641FWST, March 1941

The Sunday lineup on KGKO, before and after the funnies:

1940_radio_uncle-scooter_bryan-tx-eagle_121440Bryan Eagle, Dec. 1940

I see listings for the show in 1940 and 1941 — and then, briefly, in 1947. His obituary says that Tonahill retired from his career as a broadcasting personality in 1946 and opened his own business in Fort Worth, Scooter’s Radio Supply (a supplier of broadcasting equipment to stations around the country).

He must have been a bright, friendly voice on the radio. I’d love to know the role Little Man played (Little Man was Scooter’s real-life pet and was described in a magazine profile as Scooter’s “favorite hobby”). I have fond (if somewhat vague) memories from my childhood of Bill Kelley reading the comics on The Children’s Hour on Channel 5 — but I can say without hesitation that things on The Children’s Hour would have been a whole lot more interesting if he’d just had a cute little dog with him!

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Sources & Notes

Top photo from “WFAA, WBAP, KGKO Combined Family Album” (Dallas-Fort Worth, 1941).

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Stuart Margolin, 1940-2022

margolin-stuart_hillcrest-high-school_1955Hillcrest High School, 1955

by Paula Bosse

Everyone’s favorite character actor, Stuart Margolin, has died. He grew up in Dallas (Preston Hollow) and went to Hillcrest High School — until he was sent to what sounds like a reform school in another state. A brief look through the Dallas Morning News archives shows that he appeared in local theater productions as a child — he trod the boards in a production of A Midsummer Night’s Dream when he was 10. As a teenager, he was active in the Courtyard Theater in Oak Lawn, a school and theater led by Robert Glenn, who had also mentored other young Dallas actors such as Jayne Mansfield, Brenda Vaccaro, Ann Wedgeworth, and… Candy Barr). When he wasn’t acting — and apparently causing enough mayhem to get sent to reform school — he was a very good, avid junior golfer who competed in many tournaments (he is shown in one very grainy photo as a 13-year-old member of the DAC Country Club team, wearing a jaunty golf cap). There is no further mention of the young Margolin after 1955, when, one assumes, the teenager was shipped off to someplace not as cushy as Preston Hollow. He starts popping up again in newspaper stories in 1967, in the early days of his long and successful career in Hollywood when he was making regular appearances on TV shows such as Love American Style

His most-remembered role is Angel, sidekick to James Garner, in The Rockford Files. People loved this character. HE loved this character. He has said, with great affection, that he based Angel on streetwise guys he grew up with in Dallas. 

In 1979, though an established working actor and director in Hollywood, he moved back to Dallas for a couple of years, working on writing projects and establishing the production company River Entertainment.

margolin-stuart_dmn_022481_river-entertainmentFeb. 1981 (Dallas Morning News)

He tried for several years to establish a theater in the city, saying, “I don’t think there’s a professional theater here that is of a quality that this city deserves, a city that likes to view itself as Dallas does” (“Margolin’s Life Has Many Stages” by Joe Leydon, DMN, Apr. 20, 1980). (He was not a huge fan of the Dallas Theater Center and was especially unhappy that, in 1980, the DTC hadn’t had an Actors Equity contract in 20 years.)

At this time he also recorded a country/blues album, And the Angel Sings, of which he said:

I’m from [Dallas], and my musical influences are from this area. When I grew up in Dallas, I listened to a lot of blues — Muddy Waters, B.B. King, This record was made for the kind of people I grew up with. (The Daily Oklahoman, Apr. 22, 1980)

I just watched him in an old episode of The Mary Tyler Moore Show a couple of days ago and said to myself, “I love this guy.” I was always a fan of Stuart Margolin. RIP.

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Sources & Notes

Top photo from the 1955 Hillcrest High School yearbook, The Panther.

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Copyright © 2022 Paula Bosse. All Rights Reserved.

New Wheels for Margo Jones — 1955

jones-margo_theatre-55_dallas-magazine_apr-1955DeWitt Ray and Margo Jones

by Paula Bosse

The photo above shows Dallas theater legend Margo Jones accepting the keys to a new Ford truck in March 1955. Below, the caption that appeared in the April 1955 issue of Dallas magazine:

GIFT FOR THEATRE ’55: Margo Jones, director of Theatre ’55, is shown as she accepts the keys to a new 1955 panel truck from DeWitt T. Ray, Dallas banker and member of Dallas Theatre ’55 board of trustees. The truck, gift of a group of 18 Dallas businessmen and civic leaders, will be used for transporting set furniture, props and other necessities for the theatre’s productions.

She looks very, very happy!

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Sources & Notes

Photo is from the April 1955 issue of Dallas, a periodical published by the Dallas Chamber of Commerce.

Photo of the exterior of the theater from the collection of the Dallas Public Library.

Ad from the Dec. 1956 issue of This Month in Dallas.

More on Margo Jones can be found in the following Flashback Dallas posts:

Watch “Sweet Tornado: Margo Jones and the American Theater,” the full documentary on Margo Jones produced by KERA-Channel 13, here.

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Copyright © 2022 Paula Bosse. All Rights Reserved.