Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Celebs

“Birdseye View of Greater Dallas” by Ashley Bond — 1925

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Spot your neighborhood? (click for larger image)

by Paula Bosse

This great drawing from 1925 features several of Dallas’ then-new (and new-ish) neighborhoods.

The “birdseye view” appeared in a Dallas Chamber of Commerce publication and was drawn (with a few large dollops of artistic license) by Dallas commercial artist Ashley R. Bond.

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I couldn’t find much about Mr. Bond except that he had a son who became a child actor in Hollywood — his son was Tommy Bond, who was best known as “Butch,” the bully in the Our Gang/Little Rascals comedies (which featured another Dallasite, Spanky McFarland). Little Tommy was walking down a Dallas street with his mother when a talent scout saw him, thought he had a great face for the silver screen, and told his mother that if she got the boy to Hollywood, he would guarantee a meeting with the famous Hal Roach. A short time later, 6-year-old Tommy Bond signed with the Hal Roach Studios.

Here’s a great clip of Master Bond (who briefly attended Bradfield Elementary School and lived in the 4400 block of Potomac in University Park…) admirably belting out the song “Just Friends” from a short which appeared not long after he had been plucked from obscurity on the streets of Big D:



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It’s a good day when an obscure Dallas Chamber of Commerce illustration leads directly to the Little Rascals.

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Sources & Notes

Map by Ashley Bond from the June, 1925 issue of the Dallas Chamber of Commerce magazine.

More on Tommy “Butch” Bond can be found at Wikipedia here. I’m not sure about the dates in that entry. The Dallas Morning News reported on Dec. 3, 1932 that Tommy’s parents had received word the previous day that Hal Roach had offered the boy a 5-year contract and that the youngster had been in Hollywood for two-and-a-half months.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Esquire Theater — 1969

esquire-theater_1969_portal“Midnight Cowboy” at the Esquire, 1969… (click for  larger image)

by Paula Bosse

This is a really great photo of the still-missed Esquire Theater in Oak Lawn. Here we see it in 1969, showing the X-rated film Midnight Cowboy, which went on to win several Academy Awards, including Best Picture (the only X-rated film to receive the Best Picture Oscar), Best Director (John Schlesinger), and Best Adapted Screenplay (by Waldo Salt, based on the novel by James Leo Herlihy).

Midnight Cowboy opened at the Esquire in July, 1969 and ran for several months. One of the featured actors in this American classic is Dallas’ own Brenda Vaccaro (Thomas Jefferson High School Class of 1958, daughter of Mario Vaccaro who owned Mario’s Italian restaurant) — I’ve loved her in everything I’ve ever seen her in. (Here’s one of her scenes from Midnight Cowboy.)

vaccaro-brenda_thomas-jefferson_1958_seniorThomas Jefferson High School, 1958

“Whatever you hear about Midnight Cowboy is true!” … “A reeking masterpiece. It will kick you all over town.” … “A nasty but unforgettable screen experience.”

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Opening day, July 23, 1969

It’s been a while since I’ve seen this movie. I had forgotten how much I liked the opening in which Joe Buck leaves Texas to head to New York. Here it is, overflowing with small-town Texas flavor (filmed in Big Spring). Cameo by an evocative Mrs. Baird’s paper hat.

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Sources & Notes

Photo titled “[‘Midnight Cowboy’ at Esquire Theatre]” is from the Spotlight on North Texas collection, provided by UNT Media Library to The Portal to Texas History; more on this photo can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

Jane Asher in Dallas — 1967

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by Paula Bosse

English actress Jane Asher — who has acted since the age of 5 — will probably forever be referred to somewhere (like here) as “Paul McCartney’s former girlfriend.” They dated from 1963 to 1968, and Jane always asserted that her acting career was what was important to her, not being a celebrity (or the girlfriend of a celebrity). But if you were dating a Beatle, that was probably an impossible thing to escape.

In 1967, Jane toured the United States for several months as part of the Bristol Old Vic company. One of their longest stays was in Dallas (April 10-15, at the State Fair Music Hall), where the company performed Shakespeare’s Measure For Measure, Hamlet, and Romeo and Juliet (in which Jane appeared as Juliet). The Dallas performances (“The theatrical event of the season!” “Only Southwestern engagement…”) were co-sponsored by Neiman-Marcus.

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It appears that Jane popped into Dallas early — on April 4 and April 5 — in order to do some publicity, catch a Dallas Theater Center production of Julius Caesar (as the guest of Richard Marcus who, afterwards, hosted a small dinner party), and, the next day, celebrate her 21st birthday at a noon luncheon in Neiman’s Zodiac Room.

Her arrival at Love Field was captured by Channel 8 news cameras (sadly, without sound).

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asher-jane_ap-wire-photo_040567_dtcAP wire photo, taken in Dallas on April 4, 1967

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AP wire photo, taken in Dallas at Neiman-Marcus on April 5, 1967

After cake at the Zodiac Room on her birthday — April 5, 1967 — she left for Denver, the next stop on the tour. That night her famous boyfriend joined her there for even more cake.

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Denver, April 5, 1967

After the run in Denver, the Bristol Old Vic company came to Dallas for six days (and seven performances). A reviewer complained about the Music Hall’s poor acoustics and thought that the productions of the three plays were a bit “mod” for his taste (“considerable stage movement and fast-paced dialogue caused many of the lines to be lost”), but he thought Jane acquitted herself well as Juliet in a good, if somewhat undistinguished production.

In an interview with Maryln Schwartz of The Dallas Morning News, Jane — probably for the thousandth time — had to steer the conversation back to her acting and away from her famous boyfriend. When Schwartz asked who her favorite “singing group” was she told her it was the Grateful Dead.

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Austin American-Statesman, Jan. 15, 1967 (click to see larger image)

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Sources & Notes

Top photo by Harry Benson, Daily Express, Hulton Archive, Getty Images. The Getty caption has the date as April 25, 1967, which is incorrect — the photo was most likely taken on April 5, 1967 (Jane is wearing the same outfit seen in the Zodiac Room photo, and on April 25th, the theatrical company had been in Illinois for over a week). I have to admit, I love seeing celebrities awkwardly wearing Texas cowboy hats. But Jane looks pretty cute.

The WFAA-Ch. 8 news footage is from the G. William Jones Film Collection at SMU. The short, 49-second clip shows her arriving on a Delta flight at Love Field, met by a no doubt Stanley Marcus-approved be-costumed young man with a trumpet and a woman bearing some sort of official proclamation of “welcome.” The two color photos are my screen captures.

The birthday cake photo is from a blog post teeming with fantastic photos of Jane Asher and her stunning red hair, here.

More on Jane Asher’s career at Wikipedia, here.

More on the Beatles and Dallas can be found in the Flashback Dallas post “The Fab Four in Big D — 1964,” here. (It’s interesting to note that two important people in the orbit of the Beatles celebrated milestone birthdays in Dallas: Jane Asher turned 21 here, and manager Brian Epstein turned 30 while here with “the boys” in 1964.)

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Pat Boone, Host of Channel 5’s “Teen Times” — 1954

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“Handsome teen-ager” Pat Boone, host of WBAP’s “Teen Times”

by Paula Bosse

In January, 1954, soon-to-be pop-star Pat Boone transferred from a college in Nashville to North Texas State College (now the University of North Texas) in Denton — he was 19 years old and recently married with a baby on the way. An entertainer since childhood, he had recently appeared on (and won) Ted Mack’s nationally televised “Amateur Hour” and had a few minor recordings under his  belt. He entered the Denton college in the middle of the school year, majoring in speech and minoring in music.

In an interview with the college newspaper, The Campus Chat, student reporter Bill Moyers (yes, that Bill Moyers) asked the scrupulously clean-cut Boone what career he saw for himself. His answer: “I want to preach on Sundays at churches that can’t afford pastors, and perhaps I’ll even become a full-time pastor.” He said that even though he had devoted years to being an entertainer and his father-in-law was a bona fide star, he did not envision a career as a professional singer because, for one reason, he did not approve of night clubs, on moral grounds: “I don’t want to sing at night clubs, and that’s where most of the singers do much of their work” (Campus Chat, Feb. 24, 1954).

The reason he was being interviewed in the first place — after only a couple of months in town — was because he had been named as the host of a Dallas-Fort Worth television show called “Teen Times,” sponsored by Foremost Dairies and broadcast on Saturday afternoons on WBAP-Ch. 5; the show premiered in February, 1954. Boone acted as host, dressed as a soda jerk behind a drugstore soda fountain, with teenaged guests who represented one Dallas school and one Fort Worth school (the schools changed each week), competing in a sort of talent show. Boone kept things moving, performed a few songs, and, in between, sang the praises of Foremost milk and ice cream.

Boone hosted the show through the spring of 1955. During the run of this local show, his popularity grew quickly on a national level, the result of several national TV appearances and ever-increasing record sales. After his year-and-a-half time in Denton, he moved to New York in the summer of 1955 and enrolled at Columbia University; before the end of the year, Pat Boone’s fame exploded: he had a huge hit with a cover of Fats Domino’s “Ain’t That a Shame” and was appearing regularly on national TV. By the late ’50s his record sales were reportedly second only to Elvis Presley’s, even though Boone’s squeaky-clean and sincere wholesomeness was the polar opposite of the suggestive, hep-cat abandon of Elvis’ earthier style.

Even though Pat Boone was a North Texas student for only a short time, whenever he has returned to Denton over the years he has always received something of a hero’s welcome. With formative years spent here, and with his star-turn in the 1962 filmed-at-Fair-Park movie State Fair, Pat Boone has every right to be considered an honorary Texan.

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During his time in Denton, Pat Boone hosted two television shows for WBAP-Channel 5: the Foremost Dairies-sponsored “Teen Times” (often referred to as “Teen Time”) on Saturday afternoons, and the Bewley Mills-sponsored “Barn Dance” on Friday nights. (It looks like “Teen Times” was revamped a few years later and returned to Channel 5 in a somewhat similar format as “Teen-Age Downbeat” in January, 1958.)

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1954

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Fort Worth Star-Telegram, Feb. 7, 1954 (click to read)

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Feb. 13, 1954

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FWST, Feb. 12, 1954

Below, a super-blurry excerpt from Bill Moyers’ article in The Campus Chat (read the full interview here):

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Campus Chat (North Texas State College newspaper), Feb. 24, 1954

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FWST, June 20, 1954

In June, 1955, Les Handy — a voice teacher at Texas Wesleyan College — took over as emcee at “Teen Times.” 

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1955

And in September, 1955, Pat and Shirley and their new baby moved from Denton to New York City.

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Denton Record-Chronicle, Sept. 11, 1955

Pat Boone photos from the 1955 NTSC yearbook, The Yucca:

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Junior class photo, 1955

boone-pat_unt_1955-yucca_KA-frat
Kappa Alpha fraternity photo

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Student Religious Council (detail from group photo)

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Sources & Notes

Top photo of Pat Boone behind a soda fountain holding a microphone appeared in the Feb. 24, 1954 edition of Campus Chat, the college paper of what was then North Texas State College; it is from the UNT Libraries Special Collections, and may be accessed on UNT’s Portal to Texas History, here.

Pat Boone’s wife, Shirley, was the daughter of the legendary Nashville “hillbilly” singer, Red Foley. Here’s a video of a nervous Boone and his father-in-law on Foley’s “Ozark Jubilee” TV show, two weeks after Pat and Shirley had left Denton for New York. They are singing “Tennessee Saturday Night,” Red Foley’s big hit from 1949 (hear his great original hillbilly boogie version here).

Because it involves Pat Boone and UNT, check out the 20-minute informational film all about the college, made for students by students in 1963, available to watch on the Portal to Texas History, here — Pat Boone offers a few enthusiastic bits of narration.

And, why not, here’s a photo of journalist Bill Moyers from the 1953 North Texas yearbook.

moyers-bill_UNT_1953-yucca_yearbook

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Bruce Channel, Delbert McClinton, and The Beatles — 1962

beatles_delbert_bruce_062162_mike-mccartneyThe Ringo-less Beatles with Delbert and Bruce, June 21, 1962

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(CLICK HERE TO WATCH THE FILM DISCUSSED IN THIS POST)

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by Paula Bosse

You know how you’re all excited about one thing only to discover something even more exciting sitting all alone over off to the side? That’s what happened when I took a look at the “Light Crust Doughboys collection” which has recently been uploaded to the Portal to Texas History site as part of the Spotlight on North Texas project via the UNT Media Library. I’m a huge fan of Western Swing and classic country music, and I spent an enjoyable hour or two watching home movies of the Light Crust Doughboys as they toured around Texas. When I looked to see what else comprised this collection, I saw the words “England Tour,” “Bruce Channel,” and “Delbert McClinton,” and a jolt went through me: oh my god, could there be film footage of the legendary meeting between the Beatles and North Texas musicians Bruce Channel and Delbert McClinton? Every Beatles fan worth his/her salt knows about the June 21, 1962 meeting when John Lennon eagerly chatted with Delbert McClinton about his harmonica prowess.

channel-beatles_poster_new-brightonvia Beatlesource.com

I watched the 27-minute home movie (shot by Marvin “Smokey” Montgomery, member of the Light Crust Doughboys and, from what I gather, Bruce Channel’s musical collaborator and, possibly, acting manager), and it does, in fact, capture glimpses of the famed tour in which Grapevine’s Channel, riding high on his #1 hit Hey! Baby, toured England with Fort Worth musician Delbert McClinton, who played harmonica on the record. One of their dates was the English town of Wallasey, just across the Mersey from Liverpool. On June 21, 1962 Bruce and Delbert played the New Brighton Tower Ballroom — their opening act was a popular local band on the brink of superstardom, The Beatles. Backstage, John Lennon asked for a few harmonica tips from Delbert whose Hey! Baby sound John really liked, and Delbert was happy to share. The photo above was taken at that meeting by Paul’s brother, Mike McCartney: from left to right, Pete Best (who would soon be replaced by Ringo Starr), John Lennon, Delbert McClinton (is he wearing Paul’s jacket?), Bruce Channel, Paul McCartney, and George Harrison. Another one, with Bruce and Paul, is below (I’m not sure who the girl is).

channel_mccartney_062162_mike-mccartney-photoBoth photos via Beatlesource.com

The home movie shot by Smokey Montgomery shows Bruce and Delbert (both only 21 years old at the time), their Fort Worth record producer “Major Bill” Smith, as well as several members of the package show of British performers that toured with Bruce, including Frank Ifield, Jay and Tommy Scott, and Beryl Bryden. …But, argh, no Beatles! So close! Still, this is great film footage of a famous tour — footage which may never have been seen by the public — and it is now available online for all to see, courtesy of the University of North Texas!

The 27-minute (silent) film can be viewed here (the good stuff is really only in the first 11 minutes or so — the rest is mostly tourist footage of the changing of the guards at Buckingham Palace). 

This may be thrilling to only a handful of people, but I am definitely one of those people!

A few screen captures from Smokey Montgomery’s 1962 “England Tour” film (all images are larger when clicked):

channel-film_UK_1962_bruce_busBruce on the bus

channel-film_UK_1962_delbertDelbert in a taxi

channel-film_UK_1962_bruce_with-fansBruce with fans

channel-film_UK_1962_bruce_fansPerks of the trade

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More perks

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Delbert

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Bruce and Delbert, London

You just never know what you’re going to stumble across…. Below is Bruce Channel’s monster 1962 hit, recorded in 1961 at the Clifford Herring Studios in Fort Worth, Hey! Baby, kicked off by Delbert McClinton’s distinctive harmonica.

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Bruce Channel (born Bruce McMeans — the “Channel” was his mother’s maiden name), was born at the end of 1940 and attended Grapevine High School. During his high school days he gained popularity as a performer, complete with lengthy commutes between Dallas and Shreveport, where he was a regular performer on the star-making Louisiana Hayride. Around this time he began writing songs with Margaret Cobb, an Irving woman who was 10-15 years older and the sister of a musician acquaintance. Dallas-Fort Worth-area musician Smokey Montgomery (known for decades as the banjo player in the Light Crust Doughboys) not only helped arrange those songs, but he also produced and played on some of Channel’s early singles, such as the cool (and fast!) rockabilly number, Slow Down, Baby (hear it here) and a song I like even more, Come On, Baby (hear it here).

The Cobb-Channel-penned Hey! Baby was recorded in 1961 and soon became a local radio hit, most notably on KLIF in Dallas, then worked its way up charts around Texas. The song finally reached #1 in the country in March, 1962. Channel had a few other lesser hits, but none ever reached the heights of Hey! Baby. He moved to Nashville in the ’70s and embarked on a successful songwriting career.

Delbert McClinton was born in Lubbock, also at the end of 1940, but grew up in Fort Worth where he, too, was a teenage musician, first gaining attention with his band The Straitjackets/Straightjackets and later the Rondels. He’s a bona fide Texas blues legend and continues to perform.

channel-bruce_grapevine-high-school_sr-photo_1960Bruce McMeans, Grapevine High School, 1960

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Shreveport Times, Oct. 10, 1958

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Irving (TX) News-Texan, Jan. 7, 1960 (click for larger image)

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Louann’s, Dallas, March, 1962

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British tour program photo, June, 1962, via Flickr

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Delbert McClinton, Arlington Heights High School, 1959

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Red Devil Lounge, Fort Worth, Jan., 1958

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Lubbock Avalanche-Journal, March 21, 1962 (click to read)

channel-bruce_delbert-mcclinton-strait-jacketsFWST_010662
Bruce with Delbert (and stripper Tammi True), FW, Jan. 1962

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Sources & Notes

The film featuring Bruce Channel and Delbert McClinton is titled “[The Light Crust Doughboys, No. 16 — England Tour]” and is part of the Spotlight on North Texas collection; it was provided by UNT Media Library to The Portal to Texas History and may be viewed here. It was filmed by Marvin “Smokey” Montgomery (who can be seen near the very end, sitting almost in silhouette in front of an airplane window). The film is part of a collection of Light Crust Doughboys and LCD-related materials donated by Art Greenhaw. (Special thanks to Laura Treat!)

Speaking of UNT, there may also be a film clip somewhere in the Denton vaults in which Bruce Channel, the “Grapevine farmboy,” was the subject of a WBAP-Ch. 5 news story (the April 18, 1962 script is here).

See the full printed program for Bruce Channel’s June, 1962 British package tour here.

Bruce Channel’s website is here. Read an interesting interview with him here. More Bruce on Wikipedia, here.

Delbert McClinton’s website is here. He’s constantly touring. Go see him!

The producer of (among other recordings) Hey! Baby and Hey, Paula (the song which has followed me around my whole life) was “Major Bill” Smith who was quite a polarizing character and was often described as a “hustler” (Delbert was not a fan). Read about him here. (Also, rockabilly god Ronnie Dawson might be one of the musicians on Hey! Baby — I’ve always heard he played drums on Hey, Paula.)

Marvin “Smokey” Montgomery is listed, along with Major Bill Smith, as a co-producer of Hey! Baby, which sold well over a million copies, but it rankled him that he did not get a songwriting credit (and, perhaps more importantly, did not earn royalties), which he contended he deserved: in a 1973 Dallas Morning News profile he said somewhat bitterly, “[*Now*] if I have anything to do with making the music or writing the words… you can bet your sweet life my name will be on that record.” (“The Man Who’ll ‘Listen To Your Song'” by David Hawkins, DMN, Oct. 18, 1973). More on Smokey’s long career can be found at the Handbook of Texas, here.

Read about the Beatles’ use of a perhaps Delbert-inspired harmonica sound on several of their early recordings, most notably Love Me Do, here.

Side note: Hey! Baby broke first locally on Dallas radio station KLIF and then on Houston’s KILT — both stations were owned by Gordon McLendon, which might explain why Bruce Channel was appearing at an April, 1964 political rally at Reverchon Park in support of McLendon’s race for U.S. Senate (?!) — see the ad here. (McLendon lost his Democratic primary challenge against Sen. Ralph Yarborough, who ultimately went on to defeat Republican contender, the elder George Bush.)

Bruce and Delbert weren’t the only DFW musicians with whom pre-Beatlemania Beatles hobnobbed: they also shared a bill in Paris with Dallas son Trini Lopez in 1963 — the Flashback Dallas post “Trini Lopez: Little Mexico’s Greatest Export” is here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Dallas History on the BBC

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“Howdy, chaps!”

by Paula Bosse

A few years ago, when writing about one of the many attempts in the never-ending saga of trying to make the Trinity River a navigable waterway, I stumbled across the 99% Invisible podcast website where I discovered Julia Barton and her long audio piece on the very same topic. I was surprised — and excited — to find someone with a similar background to mine tackling Dallas’ history and looking at it from a thoroughly 21st-century perspective. I felt she and I had been separated at birth, and I enthusiastically contacted her via Twitter. Since then we’ve met a couple of times, chatted back and forth online, and, this year, she asked if I would help with research for a radio piece about Dallas she was preparing for BBC Radio. Of course I would!

Julia Barton is a radio and podcast editor and has worked extensively in public radio; she is currently working on Malcolm Gladwell’s hugely successful Revisionist History podcast. She also presents stories, some of which are about Dallas, a city she seems to have a lingering fascination with, even though she hasn’t lived here in decades. Though born in Minnesota, Julia spent most of her childhood in Dallas, growing up in the Little Forest Hills area, attending Alex Sanger Elementary, Gaston Middle School, and Skyline High School (Class of ’87) where she appears to have been an overachieving student journalist. She lives in New York City now, where she puts those journalism tools to good use.

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Julia Barton, 1987 Skyline High School yearbook

The first tidbit I heard about Julia’s story for the BBC involved another former Dallas resident, Dennis Rodman (of basketball and North Korea diplomacy fame), who grew up in both South Dallas and South Oak Cliff and attended Sunset High School for a couple of years before transferring to South Oak Cliff High School, where he graduated in 1979.

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Senior photo, South Oak Cliff High School, 1979

I’m not sure about the chronology of the piecing-together of the various aspects of Dallas history which comprise the finished half-hour BBC program, but an important kernel was Rodman’s childhood memory of hiking for miles with friends through underground sewage tunnels to Fair Park in order to get into the State Fair of Texas without the burden of paying — they just popped up a manhole cover when they’d reached their destination and … voilà! — they were inside Fair Park. He wrote about this in his autobiography Bad As I Wanna Be, and you can read this passage here (if bad language offends you, buckle up). I really love Rodman’s story about these tunnels — so much so that after Julia shared it with me, it got to the point where I was asking everyone I ran into if they’d ever heard about what I assumed was an apocryphal story. But the tunnel-to-Fair-Park-legend was true. And that weird kernel snowballed into a half-hour personal narrative about Dallas, race, inequality, education, school desegregation, and, yes, Big Tex. History isn’t always pretty, but let’s hope we can learn from past mistakes.

Listen to Julia Barton’s “Big Tex,” here.

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Sources & Notes

“Big Tex” was presented by Julia Barton for the UK’s BBC Radio 4. It features Julia’s classmates Sam Franklin (Class of ’86) and Nikki Benson (Class of ’87), her former teacher at Skyline Leonard Davis (an all-around great guy and fellow Dallas Historical Society volunteer — hi, Leonard!), as well as former teenage tunneller Melvin Qualls, local historian Donald Payton, and sixth graders from Julia’s alma mater, Alex Sanger Elementary School. It is a Falling Tree production, produced by Hannah Dean and Alan Hall. The link to the audio — and background on the production — is here. (Top photo is from the BBC page.)

Jim Schutze of the Dallas Observer wrote a great piece on this radio program (“Before Desegregation, Black Kids Had a Secret Tunnel Into the State Fair. Truth!”) — read it here (it includes a few production photos taken as Julia researched the story in Dallas).

Julia Barton’s website is here; a collection of her stories for Public Radio International (PRI) is here.

Two of Julia’s Dallas narratives:

  • “Port of Dallas” — history of the attempt to navigate (and monetize) the Trinity River: as an audio-only podcast, and as a video presentation done as a TEDx Talk at SMU
  • “The Failed Socialist Utopian Dream That Helped Dallas Become a Major City” — a look at the La Réunion community of the 1850s, from the PRI “World in Words” podcast (starts at about the 5:30 mark)

Thanks for asking me to help with research, Julia — I particularly enjoyed fact-checking the question “was-Mussolini-*really*-invited-to-the-Texas-Centennial?” (He was!)

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Willie’s Picnic Or Bust

willie-nelson-picnic_1980_austin-american-statesman“All’s we need is a ride, man…”  (photo: Austin American-Statesman)

by Paula Bosse

Today is July 4th, 2018 — the 45th anniversary of the first Willie Nelson 4th of July Picnic. The photo above — taken by Austin photographer Stanley Farrar — ran in The Austin American-Statesman in 1980 and shows hitchhikers (including a bare-chested Jerry Rundell and his go-with-the-flow cat “Precious”) thumbing it on Highway 71, hoping for a ride to that year’s picnic at Willie’s Pedernales Country Club, near Austin.

Take a look at the full illustrated program for the second Picnic, which was held at the Texas World Speedway in College Station, July 4-6, 1974, in a PDF, here. The huge line-up included Dallas natives Michael Murphey, B. W. Stevenson, Ray Wylie Hubbard (all three of whom attended Adamson High School in Oak Cliff), and singer-turned-DJ-turned-singer, Johnny Dallas (aka Groovey Joe Poovey). To make this a somewhat Dallas-y, I’ve pulled out a few of the local ads (click ’em to see larger images).

willie-nelson-program_cover-1974

willie-nelson-program_1974_kzewKZEW — from the Zoo’s “Progressive Country” years?

willie-nelson-program_1974_wbapWBAP — how much Ray Wylie Hubbard was WBAP playing?

Speaking of Ray Wylie Hubbard:

willie-nelson-program_1974_ray-wylie-hubbard_mother-bluesMother Blues had a one-buck cover charge, and Gertie’s was rocking until 5 a.m.

willie-nelson-program_1974_lyons-pubLyon’s Pub, 5535 Yale Street.

willie-nelson-program_1974_fannie-annsFannie Ann’s, 4714 Greenville Avenue, the lower part of Upper Greenville.

willie-nelson-program_1974_lone-star-opryhouseThe Lone Star Opry House, 1011 S. Industrial, at Cadiz (formerly the Aragon Ballroom). Willie appeared during its first week in business.

willie-nelson-program_iconoclastThe Iconoclast, Dallas’ underground newspaper, which began as Stoney Burns’ Dallas Notes.

willie-nelson-program_1974_ethylsEthyl’s (“Only Bluegrass Club in Dallas”), 3605 McKinney Avenue.

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Sources & Notes

Top photo from The Austin American-Statesman (July 4, 1980); photo taken by photographer Stanley Farrar. See many more photos of Willie Nelson 4th of July Picnics in an American-Statesman slideshow, here.

I wonder if Willie’s picnics have their own Wikipedia page? Of COURSE they do! Have at it.

I’ve written about it before, but, hey, it’s the 4th of July, so here’s Willie’s very … um, unusual ode to Dallas:

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Happy 4th!

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

“Dr. Dante” Dodges Bullets in Dallas — 1970

dante_wfaa_SMU_1The Dr. is in… (click for larger image)

by Paula Bosse

I’ve written about the interesting old WFAA Channel 8 news footage which was either never aired or was aired decades ago and hasn’t been seen since (such as newly discovered Jack Ruby footage and a fantastic short interview with Jimi Hendrix at Love Field), which is part of an ongoing digitization project by SMU’s Hamon Arts Library as part of the G. William Jones Film and Video Collection. There are so many (SO MANY!) quirky clips that are being uploaded to the web almost daily that it’s easy to miss the super-quirky.

A week and a half ago the clip below was posted online, featuring an unidentified man who was much groovier-looking than one would normally have seen on the nightly Channel 8 newscast — he said that someone had shot at him from a car, just before dawn, near the Hilton Inn at Mockingbird and Central. He seemed pretty sure they were associates of Frank Sinatra, who was not at all happy that our mystery man had been fraternizing with his daughter, the singer Nancy Sinatra. Take a look at this short (1:43) footage from May, 1970.

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Okay, that was weird. “I’ve been shot at *many* times — for one reason or another….” Add in an unexpected mention of Mrs. Baird’s bakery and, yeah, weird.

Who was that guy? The only information the SMU digitizers had on the out-of-context snippet was that it was filmed on May 21, 1970. It was obvious the guy was not local and, with that voice (and apparent ready access to Nancy Sinatra), he was most likely in the entertainment business. I could find no mention of this incident in The Dallas Morning News archives — I tried using every conceivable keyword I could think of. Nothing. So I checked Newspapers.com and found an AP story about this which had run all over the country — just not in the city where the incident had occurred.

The guy is Ronald Dante, who has gone by a variety of aliases but is generally known as “Dr. Dante,” the stage name he used for decades as a successful nightclub hypnotist. (According to a 1985 Dallas Morning News profile, he had legally changed his name from Ronald Hugh Pellar to “Dr. Dante” — with “Doctor” being his legal first name.) (This may not be true.) (Most of what Dr. Dante has said is not true.) At the time of the shooting described in the video above, he was performing in DFW.

To describe Ron Dante (who was born in Chicago on Feb. 5, 1930) (and is not to be confused with the Ron Dante who was the lead singer of The Archies) as “colorful” is an understatement. His extraordinarily … um … extreme life as a performer, con-man, fraudster, schemer, opportunist, convicted felon, etc., is too much to cover here, but there is a fantastic 2006 profile of him from the San Diego Union-Tribune here (seriously, READ THIS! — the part about him being orphaned in Kuala Lumpur when his family was attacked by Malaysian insurgents is great — in actuality, U.S. Census records from 1930 and 1940 show that he grew up in a nice Chicago neighborhood with his very-much-alive parents and brother).

But back to Dallas in May, 1970. Dante was, at the time, the estranged husband of Hollywood icon Lana Turner. They had married in May, 1969; it was Lana’s seventh (and final) marriage. In news reports of the nuptials, Dante was reported to be the same age as his new bride, but he was actually almost 10 years younger. (In the Channel 8 video above he is 40.) Below are some photos of the happy couple before Lana began to realize what she’d gotten herself into.

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Their marriage hit the skids within 6 months, with Turner accusing Dante of misappropriating $35,000 of her money and, later, disappearing with many of her jewels, worth $100,000; on Nov. 14, 1969, Dante (not Lana!) filed for divorce on grounds of “extreme mental cruelty.” Two days later, the ad below touting a “computer-developed” self-hypnosis recording by Dante appeared in a Dallas paper, complete with a suspect thumbs-up testimonial attributed to estranged and recently-bilked Lana Turner (also worth a raised eyebrow was the inclusion of the even more suspect “American Medical Hypnoidal Assoc.” office which resided in a Dallas post office box) (click to see larger image):

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Nov. 16, 1969

Six months later, Dante was in Dallas, claiming to have been shot at by men sent by Frank Sinatra to warn him to stop seeing his daughter Nancy. (A similar “being shot at” scenario was reported by Dante in Los Angeles in June, 1969 — photo here — Sinatra was not implicated by Dante in that shooting, but Lana Turner wondered about it in her 1982 autobiography: “Shortly after our wedding he was shot at, or so he said, in an underground garage, by a gunman wearing an Australian bush hat. It got a lot of attention in the papers — maybe that was what he wanted.”) One might reasonably wonder whether Dante was lying about the shooting in Dallas, but there seems to have been a witness: a Mrs. Baird’s employee, David Davis (whose name was misspelled in wire reports). Here’s the Associated Press report of the incident:

dante-ron_ap-wire_abilene-TX-reporter-news_052170AP wire story, May 21, 1970 (click to read)

Other reports noted that “a spokesman for Miss Sinatra said she did not know [Dante]” or had even ever heard of him; a spokesman for Miss Turner said they had been separated for several months and “she doesn’t even know where he is.” (It should be noted that Frank Sinatra had had a very steamy affair with Lana Turner in the 1940s — a tidbit which just adds all sorts of weird tangents to this story.)

I never saw a follow-up, but whether the story was true or not, it was pretty ballsy to accuse Frank Sinatra (a man of known “connections”) of being behind something like this. Someone should crack open this cold case!

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“Groovy hypnotist,” Reno Gazette-Journal, Aug. 7, 1970

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Ronald Dante’s first appearance in Dallas was at the Adolphus Hotel’s tony Century Room in January, 1963, back when he was known simply as “Dante.” Tony Zoppi, who covered the city’s nightclub scene for The News, wrote, “The handsome showman entertained his Century Room crowd with one of the most amazing hypnotic acts in the business” (DMN, Jan. 3, 1963). Back then his act looked something like this:

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An interesting New Year’s Eve engagement at the Adolphus’ Rose Room was announced in The News in December, 1970 (same year as the shooting…): 

The Adolphus Hotel has lined up a star-studded evening for its New Year’s Eve celebration, including hypnotist Dr. Ronald Dante, reportedly to be accompanied by his wife, actress Lana Turner. (DMN, Dec. 17, 1970)

An appearance by Lana Turner seems … unlikely. Others rumored to be appearing on the star-studded bill? Actor Ralph Bellamy, comedian Tommy Smothers, and … singer Nancy Sinatra. Unsurprisingly, none of the special guests showed up.

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Dec. 20, 1970

A couple of weeks after the New Year’s Eve engagement, an ad appeared in the paper filled with SO MUCH odd stuff in it: after a “world tour” which had him playing at swanky venues in Rome, Paris, London, Athens, Japan, and Bangkok, the next stop by Dr. Dante (“Ph.D.”) was none other than the somewhat less exotic Ramada Inn in the somewhat less exotic Irving, Texas; he billed himself as the “favorite husband” of both Lana Turner and “Brigett” [sic] Bardot (to whom he had never been married); and his eyes and voice were said to have been insured for 10 million dollars. Etc. In general, statements made by Dr. Dante were more likely than not to be absolutely untrue … untrue but usually pretty entertaining.

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Jan. 15, 1971

A year later, Lana Turner and Ron Dante were divorced — the judge ruled that Dante had defrauded Turner, dissolved the marriage, and “postponed indefinitely a ruling on community property.” That was soon followed by a string of weirdness including the bizarre case of Dante’s being charged with soliciting an undercover cop to kill a rival stage hypnotist (!), creating a “school” to teach aspiring cosmeticians to administer permanent makeup (via tattoos), suing Johnny Carson for one billion dollars (“billion” with a “b”), and running an extremely lucrative diploma mill. (And that’s just the tip of the iceberg.) There were convictions and there was prison time.

Ron Dante — who is probably 88 years old — is, I believe, still with us.  A short documentary about him, “Mr. Hypnotism,” was shown at SXSW in 2009 (watch it here). It’s entertaining, but he really deserves a much longer documentary — and I really hope someone is working on a book. (PLEASE let someone be working on a book!)

In a lengthy Dallas Morning News profile/exposé of Dante (“Dr. Dante’s Traveling Hypnotherapy Show,” Feb. 24, 1985), reporter Glenna Whitley wrote:

Whatever else Dante is, he is likable. Even the most outrageous statements seem strangely plausible when coming from his lips. That may be the secret to his success, says [District Attorney] Gary Kniep, who was alternately amused and exasperated during Dante’s attempted-murder trial.

“Yeah, I kind of like him,” Kniep says. “He’s got some sort of magnetism that gets people into his confidence.” (DMN, Feb. 24, 1985)

I can see that.

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This was Dante’s closing statement to Muncie, Indiana reporter Betty Harris after a 1970 interview absolutely LOADED with whoppers. Can’t say she wasn’t warned!

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Muncie Evening Press, Oct. 23, 1970

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Sources & Notes

Screen captures at top and bottom are from the digitized WFAA Channel 8 News film footage from May 21, 1970; the video is from the WFAA Newsfilm Collection, held at the Hamon Arts Library, Southern Methodist University. The direct link to the Ron Dante clip on YouTube is here. Follow the WFAA clips as they are added by SMU digitizers to YouTube here, and on Facebook here. (Thanks for your tireless dedication, Jeremy and Scott!)

Photos of Lana Turner and Ron Dante are from Pinterest and eBay.

The photo of Dante performing in a nightclub was found on a page about Lana Turner on the University of Alabama site, here.

See Wikipedia for more on Dr. Dante and Lana Turner.

I HIGHLY recommend listening to Jennifer Sharpe’s 6-minute 2007 NPR story on Dr. Dante (“Lana Turner’s Ex Maintains Dreams of Grandeur”), here (click the “play” button in the blue circle at the top of the page). The short film “Mr. Hypnotism” was made by her and Austin-based director Bradley Beesley — the full film is here, the trailer is here.

All images are larger when clicked.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

“Mr. Wiggly Worm Does Much More Than Wiggle”

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by Paula Bosse

My first crush was on Mr. Peppermint, and I really, really, really loved Mr. Wiggly Worm.

This is a rather unfortunate depiction of my childhood TV pal, but how can you not love a smiling wiggly worm with a mailbox?

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WFAA understood the appeal of Mr. W. W. They even built a whole broadcasting-trade-magazine ad around him. (Click to see it larger.)

mr-peppermint_sponsor-mag_021163Sponsor, Feb. 11, 1963

Here he is again:

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Sponsor, Nov. 20, 1961

Mr. W. W. stayed at home for this one, but here we see Mr. Peppermint out mingling with his adoring public.

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Broadcasting, June 10, 1963

And, look, “Communications Center” — bet you haven’t heard that in a while!

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Sources & Notes

These Mr. Peppermint advertisements were part of a series of WFAA-Channel 8 ads which ran for several years in television trade magazines.

Click pictures to see larger images.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

Newly Discovered Footage of Jack Ruby — 1960

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by Paula Bosse

The WFAA Telefilm Collection — part of the G. William Jones Film and Video Collection, housed at the Hamon Library at Southern Methodist University — is an incredible assemblage of film footage shot by WFAA cameramen, a significant portion of which was never included in Channel 8’s televised news stories; a lot of it is silent, filmed mostly as B-roll material. It’s a fascinating historical treasure trove of local and national (and international) events filmed between 1960 and 1978. Jeremy Spracklen — the collection’s Moving Image Curator — and his assistant, Scott Martin, regularly post entertaining short clips from this vast resource to social media.

Which brings us to the clip posted yesterday — Dec. 6, 2017 — which featured footage of a 1960 parade held in downtown Dallas at Christmastime, with shots of festively decorated Main Street and Elm Street, including nice views of the old Palace Theater. Watch it here on Vimeo.

The clip was posted last night on the Jones Collection’s Facebook page — before I watched it, I read the comment by Bert Harris: “Did you notice Jack Ruby combing his hair right toward the end of the clip?? Wild!!

What?!

Yes, at the very end of the short clip you see Jack Ruby (!) standing in a crowd of people in front of the W. A. Green department store combing his hair and adjusting his famous fedora. It’s very short, but it’s unmistakably Jack Ruby. You never know who’s going to pop up in these snippets of everyday life in Dallas, captured decades ago by WFAA cameramen! So now SMU has a few frames of what has just become historic film footage — footage which has probably been unseen for 57 years — there’s a good chance this never even aired and was merely B-roll footage. I never imagined it would be an exciting event to watch Jack Ruby comb his hair.

I contacted curator Jeremy Spracklen at SMU, and he was pretty excited about the discovery. He even cut a brand new clip this afternoon, isolating the Ruby footage and slowing it down considerably. It’s COOL. Here it is:

Below are some screen captures. I’ve had to lighten them a bit — click pictures to see larger images. Ruby and a friend are in the center of the first frames, then as the clip ends, he’s in the lower left corner.

(Who is the guy with Ruby, and what is he holding in his hand? UPDATE: My first thought was that it might be Ruby’s roommate George Senator (they became roommates in early 1962), but I didn’t really think he looked like the scarce few photos of him I found, but others in the comments below seem to think it might be him. He’s holding a Minox “spy” camera, which was an expensive tiny camera which had been sold for years in several stores in Dallas (and which was offered in classified ads in The News in 1960 for $75) — by the man’s look of utter fascination with it, it appears that it probably belonged to Ruby. The man can be seen looking through it in the longer clip at the :50 mark.) (See one of the first Minox ads found in a Dallas paper — sold by Linz Jewelers in 1951 — here, and in the year of this footage, in 1960, in a Neiman-Marcus ad, here.)

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Sources & Notes

The clip is compiled from WFAA news footage shot on November 26, 1960; it is from the WFAA Newsfilm Collection, held at the Hamon Arts Library, Southern Methodist University. The original clip (1:22) showing a holiday parade in downtown Dallas can be watched on Vimeo here; the slowed-down clip showing only the Jack Ruby footage can be watched on Vimeo here.

According to coverage of the event in the Dallas Times Herald (“Mile of Dimes Parade Lures Great and Small,” Nov. 27, 1960), the parade was the “Mile of Dimes” parade sponsored by the Dallas Junior Chamber of Commerce and the Salvation Army. It took place on Saturday, Nov. 26, 1960. In addition to the parade, there was a “show” staged on Elm and Ervay which had bands performing on the back of a flatbed truck. Two of the acts performing that day were the Joe Johnson combo and singer Jewel Brown — both of whom were mainstays in Ruby’s clubs: at the time of the parade, Johnson’s band was booked into a long run at the Vegas Club/Club Vegas in Oak Lawn, and Brown was appearing seven nights a week (!) at the Sovereign Club on Commerce Street (which Ruby would later rename “the Carousel Club” around March, 1961). So that explains why he was there, nonchalantly combing his hair on the street as his “employees” perform in front of him.

Footage of the musical performers begins at the 1:00 mark in the longer clip. Houston-born Jewel Brown can be seen at 1:07. She was pretty much a smash in Dallas, getting loads of good press; she later hit it big appearing with Louis Armstrong in Las Vegas — you can watch a fantastic clip of her singing here. Read a March, 1967 interview with her in which she discusses her working relationship with Ruby here.

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Ruby was standing outside the W. A. Green department store at 1616 Elm Street, which was next door to the Wilson Building; the Palace Theater was directly across the street.

elm-street_1600-block_1961 directory1961 Dallas directory

In addition to the musical performers mentioned above, other celebrities appearing in the parade footage that day were actresses/sexpots Sheree North and Lynne Forrester, who were appearing in Clare Boothe Luce’s play “The Women” at Casa Manana (:34), and orchestra leader Freddy Martin, who was appearing at the Statler’s Empire Room (:45). According to the Times Herald article, one celeb who was also there that day was recent Olympian Cassius Clay (later known as Muhammad Ali), fresh from his gold-medal performance at the Olympics. Though wearing his U.S. Olympic team jacket, the 18-year-old future-legend somehow went unnoticed in the crowd who were apparently quite wrapped up in the musical offerings that day.

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I’ve mentioned the WFAA Newsfilm Collection several times — it is an amazing collection of WFAA-Channel 8’s archival news footage, out-takes, and B-roll material. Curator Jeremy Spracklen has been uploading bite-size segments to Twitter and Facebook — it’s a lot of cool stuff you’re probably not going to be able to find anywhere else. They’re very entertaining. Follow them on social media!

All images are larger when clicked.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

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