Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Celebs

Jimi Hendrix in Dallas, 4/20/69

jimi_WFAA_042069_SMU_aDoug, Mitch, Noel, and Jimi

by Paula Bosse

Today is 4/20 Day. An alternate (or parallel) way to celebrate the already alternative “holiday” is to mark the anniversary of one of Jimi Hendrix’s best interviews, on the Love Field tarmac on April 20, 1969, given to Dallas reporter Doug Terry (still a college student when he was at WFAA-Channel 8). The band was in Dallas for a show at Memorial Auditorium. It’s just a fantastic, laid-back, cool interview.

I had tried contacting Doug several years ago to let him know this clip was racking up the hits on YouTube, in case he wasn’t aware it was there, but I didn’t hear back from him until this week! He had seen the post I had written about this interview and wrote a bit about that momentous occasion in the email. He also adds some interesting behind-the-scenes tidbits I always find interesting (the following is used with Doug’s permission):

I was still a college student most of the time I worked at WFAA. I handed in my resignation after covering the north Texas pop festival in that same year. [Watch one of Doug’s reports from the Texas International Pop Festival here.] Your comment about being in a large city and its advantages was something that I did not fully grasp until years later. The access was wonderful, I saw Hendrix at least three times, on one occasion being in the dressing room with a camera when he warmed up for a show (that footage is nowhere to be found).

There are two aspects to mention about that interview. First, I was a weekend reporter and late night news anchor at Ch. 8 and I assigned myself to go interview him. In those days, one could call up the airlines when a notable person was coming in and they would give the flight number and arrival time. Amazing. Most of the people at the station at that time probably had no idea who Jimi was and wouldn’t have cared if they did know.

The other interesting point is the work of the photographer. Ordinarily, we did over the shoulder interviews, the camera to the back and side of the reporter. The fact that this was shot from the side made all the difference. As a shooter, he was not otherwise outstanding but this interview would be much less interesting if it had been shot in the traditional line-up sort of way. The two bandmates goofing around was distracting but great.

Thank you so much for getting in touch, Doug!

My original 2017 post about this interview (with the film clip of Jimi, Mitch Mitchell, and Noel Redding at Love Field) — which includes additional info about Jimi’s other performances in Dallas — is here: “Jimi Hendrix, Glen Campbell, Tiny Tim — In Dallas (…Separately), 1969.”

jimi_WFAA_042069_SMU_b

***

Sources & Notes

Screenshots from the WFAA Collection, G. WIlliam Jones Film and Video Collection, Hamon Arts Library, SMU.

Excerpt from Doug Terry’s email to me (April 16, 2024), used with permission.

jimi_WFAA_042069_SMU_a

*

Copyright © 2024 Paula Bosse. All Rights Reserved.

Some-Context Channel 8 Screenshots: 1971

lady mailman june 1971 WFAAWFAA Collection/Jones Film Collection/SMU

by Paula Bosse

I have been working as part of a 3-person team (led by Jeremy Spracklen and Scott Martin) on the WFAA archive of news film, housed in the G. William Jones Film and Video Collection at the Hamon Arts Library at SMU. I have been working on 1970 and 1971, going through daily footage shot for Channel 8 News. I get a bit bogged down by all the sports and car crashes, but at this point, I am so all-consumed by these two specific years that I feel I would do well on Jeopardy if the categories were things like “Minor League DFW Hockey Teams of the Early ’70s,” “Internecine Squabbles of the Dallas City Council, the Dallas School Board, and the Dallas County Commissioners Court,” and “So What’s the Deal with the Sharpstown Scandal?” My 2023 has been spent immersed in 1971, where the chaos of the implementation of court-ordered school busing, the huge securities fraud scandal that involved some very powerful Texas politicians (Sharpstown), and the battle between Craig Morton and Roger Staubach to become the Cowboys’ #1 quarterback were some of the stories that dominated the headlines. And, lordy, there were some pretty exotic hairstyles, fashions, and interior design trends hammering away relentlessly throughout this post-hippie (it might really still have been current-hippie), pre-disco period.

Here are a few of my favorite moments from this 1971 DFW-centric news footage from the WFAA archives. Links to the pertinent clips on YouTube are included at the end of the descriptions. These clips are rarely the full reports that would have been seen on the nightly news — they are often just silent footage or B-roll, without any identification of people or clues as to where they were filmed or even why they were newsworthy. It’s (mostly) a lot of fun to dig through and watch the unfolding of history from more than 50 years in the future.

**

Above, from JUNE 1971

One of my favorite human-interest stories from the past year (meaning 1971!) was the profile of one of the few “lady mailmen” in Dallas at the time. She’s utterly, utterly charming, has a supportive and interesting husband and family, and loves her job. The Channel 8 cameraman shows her as she sorts her mail in the Beverly Hills Station post office in Oak Cliff and follows her as she walks along her route on West Davis. The only problem with this 7 minutes of interesting footage is that the woman is never identified. I dove in, really wanting to identify her. I thought I had cracked the mystery of her identity, only to find myself at a dead end again. If only her children could see this wonderful profile of their mother. If you know who this woman is, please let me know, and we’ll add her name to the YouTube description and try to track down any family members. I would LOVE her children to be able to see this.

The “lady mailman” is interviewed here (this first bit is in three short segments, totaling 4 minutes); a later clip shows her on her route, here (about 3 minutes). The old post office building still stands at 509 N. Barnett.

lady mailman june 1971 WFAA_beverly hills post office

*

JANUARY 1971

So, yeah, fashion and interior design trends were pretty… in-your-face in 1971. In the three screenshots below, you’ll see some retina-abusing images of with-it decor. The first features the always beautiful Phyllis George, the Denton native who was in the midst of her Miss America reign. In this clip, she has come back home to DFW for an appearance at an event in which a room designed with her in mind is unveiled (by decorators C. John Megna and William Farrington). She is wearing a dress designed by Carlo Bitetto specifically for her to wear IN THAT ROOM (!). You don’t often see sparkles and plaid cheek-by-jowl.

The clip with the super-color-saturated room and its battling patterns is here.

phyllis-george-room_jan-1971_c

phyllis-george-room_jan-1971_b

phyllis-george-room_jan-1971_a

*

FEBRUARY 25, 1971

Before Lion Country Safari, Mesquite had World of Animals, a drive-thru safari park. World of Animals had a wild-animal veterinarian who visited regularly from California: Dr. Martin Dinnes. Below, Dinnes is seen providing dental care to popular attraction Harold the Chimp. This is not really something I expected to see, but there you are. (Dinnes was later engaged to actress and wildlife preservation activist Tippi Hedren for several years.)

The clips of Dinnes being interviewed and preparing Harold for a tooth extraction (and I grimaced a bit, because the camera keeps rolling during the procedure, so be warned!) are here and here. (The last clip has a shot of Harold’s hand, which, understandably, appears to be gripping the chair.) That is one well-behaved, chill chimp!

dinnes-martin_harold-chimp_022571_WFAA

*

MAY 18, 1971

In 1971, there was an ongoing battle between old quarterback Craig Morton and NKOTB Roger Staubach over who would be named the team’s official starting QB. Coach Tom Landry worked for months with a two-quarterback system, alternating them from game to game — he was fine with this, but everyone else hated it. Below are screenshots of Morton and Staubach at the Cowboys practice field. I know virtually nothing about sports training, but this, um, extremely low-tech gadget struck me as weird. And funny. I mean, okay, it was 1971, but surely there was something more technologically advanced than this? It’s a football on a string, tied to a post. And maybe there’s a spring or something in there. This must have been effective. Rog looks like he’s straining. I don’t know. But I love it.

See Craig in an interview with Verne Lundquist from May 18, 1971 about his elbow and shoulder injuries here, and then using the football-on-a-string thing (and then training with Staubach) here; and see Roger interviewed on the same day about really, really wanting to be the starting QB here, and then he hits the string thing here before working out with Morton in what must have been a fairly tense period of both of their careers.

morton-string_WFAA_may-18-1971

staubach-string_WFAA_may-1971

*

JUNE 1971

Medical examiners used to be on the news a lot. One who popped up frequently was Tarrant County M.E. Dr. Feliks Gwozdz. I was amused more than I should have been when I saw the skull-and-crossbones coffee mug on his desk. I hope it said “World’s Greatest Coroner!” on the back.

The silent footage of Dr. Gwozdz at his desk is here.

skull-crossbones_feliks-gwozdz_june-1971

*

JULY 14, 1971

Back in 1971 there was what seemed like the threat of a union strike every 10 minutes. I enjoyed the footage of a bunch of Southwestern Bell employees who look like they were probably a lot of fun to hang out with. Their t-shirts read “Ma Bell Is a Cheap Mother,” which is just great.

Strike footage is here (about 2½ minutes) and here.

SWB-strike_july-14-1971_big potatoes

SWB-strike_july-14-1971_ma bell is a cheap mother

SWB-strike_july-14-1971_WFAA

*

JULY 1971

One of the top stories of 1971 was the endless furor set off by court-mandated school busing in attempts to desegregate schools. It was a mess. The man seen below is attorney Bill Brice, a leader of one of the many anti-busing groups. …Surely the cameraman noticed the monkey.

Man with monkey can be seen here.

anti-busing_bill-brice_monkey_WFAA_july-8-9-1971

*

AUGUST 29, 1971

When the Dallas School Board and Supt. Nolan Estes weren’t pulling their hair out over desegregation, they tackled other issues. One of which was so overshadowed by anti-busing demonstrations that it barely got any play, but I find it really interesting. It concerned Crozier Tech High School downtown. At the end of the 1970-71 school year, the landmark school was closed, and there was lots of discussion on what the DISD should do with the building/land, which they owned (2218 Bryan). This press conference was supposed to be about Estes’ vision of a 40-story school-office complex, which he suggested be built on the land — the first 10 floors would be for school use, and the top 30 floors would be leased to businesses as office space, with leases, theoretically, paying for construction and maintenance of the building. The building was never built (and thankfully, old Tech still stands). School board president John Plath Green and Supt. Estes sit in front of an architectural drawing of the envisioned DISD skyscraper. Too bad no one wanted to talk about it.

Footage from the press conference where reporters only want to ask about busing, is here.

super-school_DISD_crozier-tech_DMN_082971_WFAA_SMU

*

SEPTEMBER 23, 1971

The Sharpstown Scandal was a bigger story than busing, but, even though political scandals are juicy, it just didn’t get everyday people mobilizing, marching in the streets, and shouting each other down in public forums the way busing did. But it was a massive story, and several political careers bit the dust because of it. The sprawling and confusing securities-fraud scandal mostly involved drab politicians and business executives. But one part of it involved, bizarrely, six celebrated — if not beloved — NASA astronauts and an insurance company pension fund.

In this Channel 8 footage, you can see something you don’t see every day: five NASA astronauts walking together down the street (a sixth one was nearby, on his own). James Lovell, Pete Conrad, Fred Haise, Ken Mattingly, Richard Gordon, and Alan Bean were in Dallas on Sept. 23, 1971 to testify as witnesses before a federal grand jury that was investigating the activities surrounding the Sharpstown Scandal. These are screenshots of the five (minus Lovell), carrying briefcases through grubby downtown Dallas, and of Lovell on his own, exiting the Federal Court House. When I first watched this footage, it just seemed really odd: five internationally (galactically!) famous astronauts — heroes! — walking together down the street, without any kind of security or entourage. If you were a NASA freak (and there were a lot back then, at the height of the Apollo-Gemini programs) and you just happened to have walked past this group, your head would have exploded.

See Lovell exiting the sterile- and dystopian-looking courthouse on his own (that woman he holds the door open for has no idea who he is), and the others walking somewhat playfully down the street here (I love this footage!); a confusing wrap-up of the day’s events is here.

astronauts_WFAA_SMU_sept-23-1971

astronauts_WFAA_SMU_sept-23-1971_1

astronauts_WFAA_SMU_sept-23-1971_2

astronauts_WFAA_SMU_sept-23-1971_c

*

OCTOBER 14, 1971

In footage from the State Fair of Texas, I was really taken by this building, which I swore I had never seen. It was the home of the “lost children” center during the fair, in the Dallas police HQ in Fair Park. It looks different to me now, but it’s still there, near the Aquarium. It looked better in 1971!

Lots of footage of crying children and harried parents, here and here.

fair-park_sfot_lost-kids_101471_WFAA_SMU

*

OCTOBER 1971

This young dandy is named John Ott (I’m not 100% sure about the spelling). He was a real estate developer in Euless. He couldn’t have been more on top of the 1971 fashion wave. Represent, Euless!

It’s a story about replanting trees (with, admittedly, interesting footage of trees being uprooted and replanted). Here and here.

developer_john-ott_euless_oct-29-30-1971_WFAA_SMU

*

OCTOBER 31, 1971

In the screenshots below, Channel 8 reporter Judi Hanna (who had recently debuted an unfortunate hairdo) interviews Dallas City Councilman Garry Weber about City Council things. I don’t know where this was filmed, but I only hope it wasn’t his home. It’s hard to focus on what anyone is saying, because of the tidal wave of stuff coming at you. (Ironically, he was being interviewed about sponsoring a change to the city charter in order to crack down on the “visual pollution” of unenforced sign ordinances.) I was so overwhelmed by this vista, that I somehow assumed I was seeing cupid-studded wallpaper. But no. Check out the second screenshot, which also includes a peek at the room’s drapes. I can’t tell where the wallpaper ends and the drapes begin.

Appropriately shown on Halloween night, clips from this report are here (followed by footage of signs-galore along Lemmon Avenue) and here.

weber-garry_WFAA_SMU_oct-31-1971_wide

weber-garry_WFAA_SMU_oct-31-1971_drapes

*

OCTOBER 1971

Lastly, a shot of Mingus, Texas, a small West Texas town near Thurber. I just love this image. I think I found the location — here’s what it looks like now.

Why was the tiny town of MIngus being featured on a Dallas news report? The Greater Mingus-Thurber Metropolitan Area was in the news because it was the location of a commune of the controversial Children of God (i.e. “cult”). Actually, the “Children” were in the process of being evicted by the landowner, who, interestingly, was a TV preacher in Los Angeles (I guess even TV evangelists have a breaking point). Members of this group splintered, and a few moved to Big D for a while, where they continued to be newsworthy until they moved elsewhere.

The shot of Mingus is from one of the many clips contained in this Oct. 7 package, here (it is specifically at the 1:08 mark). Below that is a shot from a week later, after some of the self-described “Jesus Freaks” had landed in Dallas — a group member is seen walking through Exposition Park to their new HQ, at 639½ Exposition — it and other CoG footage from Oct. 14, 1971 is here (this specific shot is seen at the 17:18 mark). (If you are considering a documentary on the Children of God, there’s lots of footage for you in the WFAA archives at SMU.)

mingus_WFAA_SMU_100771

children-of-god_expo-park_WFAA_SMU_oct-14-1971

*

AUGUST 1971

This is a bonus.

As I worked my way through 1971, there was one truly amazing story. It involved the kidnapping of a toddler in Fort Worth. On Aug. 25, 1971, 21-month-old Melissa Suzanne Highsmith disappeared. Her 22-year-old mother, Alta, had hired a new babysitter, who was supposed to watch her for the day while Alta was at work. The babysitter picked Melissa up in the morning as planned, but she never returned the child. The babysitter and Melissa disappeared without a trace. There were no leads in the case for years. …And YEARS.

In 2022, the Highsmith family learned of an online DNA match, which would indicate they had found Melissa. Eventually, it was determined that a 50-something-year-old woman named “Melanie” was actually the long-missing Melissa. The woman who kidnapped her raised her as her own daughter, and Melissa never suspected she wasn’t the woman’s child (although she says she never felt really “connected” to her).

Melissa (she now uses “Melissa” again) was reunited with her family at the end of 2022. One report I read said that she grew up only 10 minutes from the Fort Worth apartment her mother lived in. Despite the Highsmith family’s 51 years of loss, grief, worry, and suffering, there has ultimately been a happy ending!

In the screenshot below from an Aug. 26, 1971 Channel 8 story, Alta Highsmith shows a photo of her missing daughter to the camera. The report is here.

kidnapping_highsmith_WFAA_SMU_aug-26-1971

**

If you managed to get all the way through this, you deserve an award! This might be the longest thing I’ve written all year! I’m more than ready for my 1971 Jeopardy challenge (Dallas edition)!

***

Sources & Notes

All screenshots are from news film in the WFAA Collection, held by the G. William Jones Film & Video Collection, Hamon Arts Library, SMU. Clips are posted regularly from this Channel 8 collection on YouTube, here.

My previous collection of WFAA screenshots can be found in the post “No-Context Channel 8 Screenshots: 1970-1971.”

lady mailman june 1971 WFAA_sm

*

Copyright © 2023 Paula Bosse. All Rights Reserved.

Colony Club Billboard in Beautiful Kodachrome — Early 1960s

kodachrome_elm-ervay-live-oak_chris-colt_colony-club-billboard_ebay_WATERMARKDowntown Dallas has it all…

by Paula Bosse

This. Is. A. Fantastic. Photo.

If only for the great, great, great Colony Club (“the best of the undressed”) billboard featuring Chris Colt (“the girl with the 45s”).

See this same view of the (one-time) intersection of Elm, Ervay, and Live Oak here and here. (The dazzling animated neon Coca-Cola sign was once where Chris Colt is showing off her 45s.)

I almost never post images with watermarks, but this photo is pretty spectacular. Look around the watermark!

I don’t know the seller of this color slide. I have no affiliation with the person. I get no cut in any sale. But I want someone reading this to BUY IT! Let’s keep this with someone who loves Dallas history! (And if you DO buy it and would like to send me a digital copy… well, I wouldn’t say no!) See this slide currently on eBay HERE. (HURRY!)

To see a naughty photo of Chris Colt, you can click on an antique collectors’ website here.

colony-club_ad_chris-colt_112262Colony Club ad, Nov. 22, 1962

And below is a photo of Colony Club owner Abe Weinstein in his younger years counting his moolah.

abe-weinstein_abe-and-pappys_djhs-facebookphoto: Dallas Jewish Historical Society

***

Sources & Notes

Top image is from a color slide in a current eBay listing here. (Seller’s title: “Original Slide Dallas St Scene Colony Club Coca Cola Billboards Southland Life.”) There is no date, but Golden Steer Barbecue opened at 1713 Live Oak sometime in 1961.

Abe Weinstein photo — from his days as the co-owner of Abe’s and Pappy’s — is from the Facebook page of the Dallas Jewish Historical Society.

kodachrome_elm-ervay-live-oak_chris-colt_colony-club-billboard_ebay_WATERMARK_sm

*

Copyright © 2023 Paula Bosse. All Rights Reserved.

Sinead O’Connor — 1990

oconnor-sinead_rolling-stone_june-1990_ebay

by Paula Bosse

Sinead O’Connor died today. I loved her. When she came to Dallas to play the Bronco Bowl on May 25, 1990, I was there. She sang “Nothing Compares 2 U” a capella. The audience was so quiet while she sang you could hear a pin drop. It was one of the most memorable live music moments I’ve ever experienced.

In the early days of alternative radio station KDGE, I spent a lot of time at the Edge studios and provided a surprising amount of (uncredited, unheralded, and uncompensated) “comedy” writing for one of the on-air personalities. I even did a few on-air bits.

One night, out of the blue, I got a phone call at home, and was told to call the station’s answering machine and give ridiculous directions to a secret Sinead O’Connor party which was supposedly being given in her honor while she was in town for her show at the Bronco Bowl. So I did. The sound quality is atrocious, but I had to scramble to find a tape recorder before the bit aired a few minutes later. I’m still waiting for my Peabody.

So here’s one of the improvised stealth comedy bits I did on The Edge (and, yes, I really do give directions like this). It is followed by a commercial for Sinead’s appearance at the Bronco Bowl, produced by 462 (pure ’90s nostalgia). I’ve been told by a friend that he could access this link on his laptop but not his phone, but I’m going for it anyway.

Listen to it here.

I wish Sinead hadn’t had such a hard life. She made many of our lives better. She made my life better. RIP.

***

Sources & Notes

Rolling Stone cover, June 1990, from eBay.

Recording from collection of Paula Bosse.

oconnor-sinead_rolling-stone_june-1990_ebay_sm

*

Copyright © 2023 Paula Bosse. All Rights Reserved.

Muhammad Ali Visits Graham’s Barber Shop — ca. 1967

ali-muhammad_grahams-barber-shop_lincoln-high-school-yrbk_1967_photoMuhammad Ali in a Dallas barber chair

by Paula Bosse

I often just browse through the ads of old Dallas high school yearbooks on Ancestry.com. The other day, I saw the photo above and stopped and said to myself, “Is that Muhammad Ali?” I then looked at the text and, yes, that was, in fact, Muhammad Ali. Sitting in a barber chair in Dallas, Texas. What was the story behind that?

In my less-than-extensive research, I found three instances of Ali being in Dallas in or before 1967 (the year of this Lincoln High School yearbook ad). The first was in November 1960, just one month after the 18-year-old Olympic champion had won his first professional fight. He was tagging along with Archie Moore (who was acting as something of a mentor) when Moore came to Dallas to fight local boxer Willie Morris. (Morris had lost to the then Cassius Clay in the Olympic trials, and, in a somewhat bitter interview with The Dallas Morning News said this about the young upstart: “He’s not near as good as all this talk about him.”)

The photo of Ali in the barber chair isn’t from this 1960 visit, but he was specifically mentioned in a Dallas Times Herald article as being in the crowd of a Nov. 1960 event I wrote about a few years ago. There’s film footage of this, and I’ve scanned the crowds, hoping to find him, with no luck. But if you want to look to see if you can find him, that footage is linked in the Flashback Dallas post “Newly Discovered Footage of Jack Ruby — 1960.”

It’s more likely that the barbershop photo was taken in March 1967 when Ali, a Muslim, made two appearances in Dallas: the first was to “preach” at a local mosque, and the second (two days later) was to speak to students at Bishop College.

The mosque appearance was on Easter Sunday — March 26, 1967 — at Muhammad’s Mosque of Islam, described by Dallas Morning News sportswriter Bob St. John as being housed in “an old, pinkish building which used to belong to an insurance company and heretofore rested in reasonable obscurity on the corner across from Booker T. Washington High School.”

St. John continued: “On Sunday afternoon, it was no longer obscure. The old building rocked from its foundation as people filled it and lined the sidewalk outside and even poured into the streets, some coming to see Cassius Clay and others Muhammad Ali….”

The article mentions that Ali was living in Houston at the time, so it’s certainly possible he visited Dallas more often, but he was so famous at this time that it seems likely that the mere hint of his charismatic presence in town would have shown up in the papers. As it was, a visit by him to a Dallas barbershop was memorialized in this ad, which someone like me can now write about in a vaguely historical way (on a day which just happens to be Easter Sunday, the anniversary of Muhammad Ali’s 1967 Islamic sermon delivered across from Booker T. Washington High School).

**

UPDATE: I was very excited to see the three photos below pop up recently on eBay — they show Ali at his mosque appearance (all three were taken on March 26, 1967 by Bob W. Smith, a Dallas news photographer). Ali is seen signing copies of a 20-cent Muslim paper called “Muhammad Speaks.” (A quote from Ali about why he was autographing these newspapers, from Bob St. John’s article: “A fish goes for bait. Then it’s hooked. I’m bait. Many would not buy if I didn’t autograph them. But once they’re bought… they’ll be sittin’ around some evening and pick up the paper. They’ll start reading. First thing you know, they’re hooked.”)

muhammad-ali_dallas_march-1967_a

muhammad-ali_dallas_march-1967_ebay_b

muhammad-ali_dallas_march-1967_ebay_c

**

But back to the barbershop and Johnny Graham and a closer look at the two photos from the ad that originally caught my eye.

ali-muhammad_grahams-barber-shop_lincoln-high-school-yrbk_1967

“Muhammad Ali a Customer of Graham’s Barber Shop.” Ali is shown with an unidentified Graham’s customer, Jimmie Malone, Marie Cook, Althea Kimbrough, a customer, barber William Schufford, manager John Coleman, and two other customers.

*

ali-muhammad_grahams-barber-shop_lincoln-high-school-yrbk_1967_ford

The photo above also appeared in the ad, showcasing Graham’s community service and his work with the Kennedy Foundation. “Enjoy the free services of Graham Barbers. The barbers from left to right: Verbie Marrow, Lillie Hudson Brim, Willie Schufford, Emanuel Phillips, Supervisor, and customers.”

*

Johnny Graham was one of the most successful Black businessmen in Dallas at the time and was known for his philanthropic generosity. By the end of 1967, he owned eight barber shops and employed 135 barbers. Six of his shops are listed in the 1967 directory:

grahams-barber-shop_19671967 Dallas directory

***

Sources & Notes

Barbershop photos are from an ad in the 1967 Lincoln High School yearbook.

Photos of Muhammad Ali at Muhammad’s Mosque of Islam in Dallas were taken by news photographer Bob W. Smith on March 26, 1967, found on eBay.

The Dallas Morning News articles about Muhammad Ali in Dallas — and one about Johnny Graham:

  • “Morris Prefers Bout with Clay” (DMN, Nov. 26, 1960)
  • “Clay Makes Dallas Stop” by Bob St. John (DMN, Mar. 27, 1967)
  • “Clay Pleases Crowd With Speaking Form” by David Morgan (DMN, Mar. 29, 1967)
  • “Johnny Graham Offers Example” by Julia Scott Reed (DMN, Dec. 28, 1967)

Please consider supporting the work I do at Flashback Dallas by funding me on Patreon.

ali-muhammad_grahams-barber-shop_lincoln-high-school-yrbk_1967_photo_sm

*

Copyright © 2023 Paula Bosse. All Rights Reserved.

Uncle Scooter Reads the Funnies: 1940-41

radio_uncle-scooter_wfaa-wbap-kgko-combined-family-album_1941Little Man and Uncle Scooter…

by Paula Bosse

Several years ago, I was flipping through a promotional booklet for radio stations WFAA, WBAP, and KGKO, and I came across the photo above. I think about this photo a lot. It shows radio personality “Uncle Scooter” lying on the floor next to a KGKO microphone, reading the comics over the air to a vast audience of children and pointing out something pertinent to his trusty companion, a fox terrier named Little Man. I love this photograph. It makes me smile every time I see it. Wouldn’t it be great if this was how he actually conducted his broadcasts — on the floor with his doggie next to him? Here’s the caption:

uncle-scooter_dog_wfaa-wbap-kgko-combined-family-album_1941_caption

Clarence E. Tonahill (1904-1954) — known to everyone as “Scooter” — appears to have begun his radio career in Waco at the appropriately named station WACO. He then worked at KGKB in Tyler, then returned for a few years to WACO, and then to KTSA in San Antonio. Like most people in broadcasting in those days, he did a little bit of everything: he was an announcer, a newsreader, a sportscaster, and an entertainer. One of his most popular shows was just him reading the Sunday comics over the air for children. Below, a WACO ad from 1937 showing Uncle Scooter, again, lying on the studio floor (no dog, though).

uncle-scooter_waco-tribune-herald_010337Waco Tribune-Herald, Jan. 3, 1937

Around September 1939, he moved to Fort Worth to begin a busy stint at KGKO, a DFW station co-owned by The Dallas Morning News and The Fort Worth Star-Telegram (this was part of the very unusual WFAA-WBAP radio broadcasting partnership). He started as an “announcer” (which might well have included cleaning up the studio!), but he quickly graduated to doing a lot of sports-announcing and color commentary (football and boxing), man-on-the-street interviews, and personal appearances. He also hosted several shows, including a weekday morning show called “Sunrise Frolic.” But Sundays… Sunday mornings were set aside for his funnies-reading.

1940_radio_uncle-scooter_FWST_090840Fort Worth Star-Telegram, Sept. 1940

1940_radio_uncle-scooter_FWST_091540FWST, Sept. 1940

1941_radio_uncle-scooter_FWST_031641FWST, March 1941

The Sunday lineup on KGKO, before and after the funnies:

1940_radio_uncle-scooter_bryan-tx-eagle_121440Bryan Eagle, Dec. 1940

I see listings for the show in 1940 and 1941 — and then, briefly, in 1947. His obituary says that Tonahill retired from his career as a broadcasting personality in 1946 and opened his own business in Fort Worth, Scooter’s Radio Supply (a supplier of broadcasting equipment to stations around the country).

He must have been a bright, friendly voice on the radio. I’d love to know the role Little Man played (Little Man was Scooter’s real-life pet and was described in a magazine profile as Scooter’s “favorite hobby”). I have fond (if somewhat vague) memories from my childhood of Bill Kelley reading the comics on The Children’s Hour on Channel 5 — but I can say without hesitation that things on The Children’s Hour would have been a whole lot more interesting if he’d just had a cute little dog with him!

1940_scooter-tonahill_FWST_042040_kgko-ad_det_photo1940_scooter-tonahill_FWST_100940_kgko-ad_det_photo1940

1954_tonahill-clarence-e_FWST_072654_obit_photo1954

kgko_19391939

***

Sources & Notes

Top photo from “WFAA, WBAP, KGKO Combined Family Album” (Dallas-Fort Worth, 1941).

radio_uncle-scooter_wfaa-wbap-kgko-combined-family-album_1941_sm

*

Copyright © 2023 Paula Bosse. All Rights Reserved.

Wes Wise, 1929-2022

wise-wes_apr-1971_WFAA_SMUWes Wise and family campaigning for Mayor, April 1971

by Paula Bosse

Wes Wise, former 3-term Dallas mayor (1971-1976), has died. He was 94. Read his obituary in The Dallas Morning News, here. Also, a tribute to Wise from the Dallas Municipal Archives is here.

In the piece linked above, the Dallas Municipal Archives mentions this: “Wise is noted for being the first mayor since the 1930s not endorsed by the Citizens Charter Association.” The CCA was a powerful political organization I’ve only become aware of recently. It wasn’t really until I began working in the WFAA-Channel 8 News archives that I saw Dallas political history up close, and it was full of all these powerful groups I had never heard of which, for decades, could make or break candidates simply by deeming them endorsable. If you were running for mayor or City Council, you really wanted the support of the Citizens Charter Association. And you absolutely wouldn’t have dared poke at them with sharp sticks. …Wes Wise poked at them with sharp sticks.

I’ve been going through old Channel 8 News footage, chronologically, for a while now. I am, at present, making my way through April 1971, when Wise and his opponent — the establishment-backed (i.e. CCA-backed) Avery Mays — were in the midst of a runoff for Dallas mayor. Mays, a businessman and civic leader, was the hand-picked candidate of the Citizens Charter Association and, as such, was expected to win. Wise, a City Councilman and former sportscaster, was the self-assured maverick who loudly proclaimed that he was an independent candidate who would not have accepted CCA backing had it been offered. He was young, good-looking, and — with a background in broadcasting — was comfortable and confident in the limelight.

mays_wise_apr-1971_WFAA_SMU

There was a “debate” of sorts between the two on Channel 8, with each man given a minute to make a statement. It’s not on the level of Nixon and JFK, but there is a stark, generational contrast in the two men. I don’t see perspiration on Mays’ upper lip, but I’m getting a rattled, sweaty vibe from him. Wise, on the other hand, is all casual bravado.

Two clips of the candidates during this runoff campaign show the difference in styles of the two men: it’s Old Dallas vs. New Dallas.

  • Watch Avery Mays accuse his opponent Wise of being all talk and no action and being nothing more than a professional “TV and radio talker” (even though Wise had just finished serving a 2-year term on the City Council) — the clip is here.
  • Watch Wes Wise deliver his stinging rebuttal here.

Old Guard vs. New Blood. New Blood won, and Wes Wise led Dallas through the 1970s, a decade of huge change for the city.

***

Sources & Notes

Top image is a screenshot showing Wes Wise campaigning for mayor during the runoff race against Avery Mays on April 8, 1971. Wise is seen with his wife, Sally, and his son, Wyn. The clip is from the WFAA Newsfilm Collection, G. William Jones Collection, Southern Methodist University — it can be viewed on YouTube here (Wise is seen in the segments at 14:20 and 17:21).

An informative mini-biography on Wes Wise can be found here. (It’s interesting to see that, while in the army, Wise was an instructor in psychological warfare, the perfect training for both a broadcaster and a politician!)

More on Wes Wise at Wikipedia, here.

See a shot of Wes Wise in his sports broadcasting days in the Flashback Dallas post “Wes Wise, Dallas Texans, WFAA — 1961.”

wise-wes_apr-1971_WFAA_SMU_sm

*

Copyright © 2022 Paula Bosse. All Rights Reserved.

Stuart Margolin, 1940-2022

margolin-stuart_hillcrest-high-school_1955Hillcrest High School, 1955

by Paula Bosse

Everyone’s favorite character actor, Stuart Margolin, has died. He grew up in Dallas (Preston Hollow) and went to Hillcrest High School — until he was sent to what sounds like a reform school in another state. A brief look through the Dallas Morning News archives shows that he appeared in local theater productions as a child — he trod the boards in a production of A Midsummer Night’s Dream when he was 10. As a teenager, he was active in the Courtyard Theater in Oak Lawn, a school and theater led by Robert Glenn, who had also mentored other young Dallas actors such as Jayne Mansfield, Brenda Vaccaro, Ann Wedgeworth, and… Candy Barr). When he wasn’t acting — and apparently causing enough mayhem to get sent to reform school — he was a very good, avid junior golfer who competed in many tournaments (he is shown in one very grainy photo as a 13-year-old member of the DAC Country Club team, wearing a jaunty golf cap). There is no further mention of the young Margolin after 1955, when, one assumes, the teenager was shipped off to someplace not as cushy as Preston Hollow. He starts popping up again in newspaper stories in 1967, in the early days of his long and successful career in Hollywood when he was making regular appearances on TV shows such as Love American Style

His most-remembered role is Angel, sidekick to James Garner, in The Rockford Files. People loved this character. HE loved this character. He has said, with great affection, that he based Angel on streetwise guys he grew up with in Dallas. 

In 1979, though an established working actor and director in Hollywood, he moved back to Dallas for a couple of years, working on writing projects and establishing the production company River Entertainment.

margolin-stuart_dmn_022481_river-entertainmentFeb. 1981 (Dallas Morning News)

He tried for several years to establish a theater in the city, saying, “I don’t think there’s a professional theater here that is of a quality that this city deserves, a city that likes to view itself as Dallas does” (“Margolin’s Life Has Many Stages” by Joe Leydon, DMN, Apr. 20, 1980). (He was not a huge fan of the Dallas Theater Center and was especially unhappy that, in 1980, the DTC hadn’t had an Actors Equity contract in 20 years.)

At this time he also recorded a country/blues album, And the Angel Sings, of which he said:

I’m from [Dallas], and my musical influences are from this area. When I grew up in Dallas, I listened to a lot of blues — Muddy Waters, B.B. King, This record was made for the kind of people I grew up with. (The Daily Oklahoman, Apr. 22, 1980)

I just watched him in an old episode of The Mary Tyler Moore Show a couple of days ago and said to myself, “I love this guy.” I was always a fan of Stuart Margolin. RIP.

margolin-stuart

***

Sources & Notes

Top photo from the 1955 Hillcrest High School yearbook, The Panther.

margolin-stuart_hillcrest-high-school_1955_sm

*

Copyright © 2022 Paula Bosse. All Rights Reserved.

New Wheels for Margo Jones — 1955

jones-margo_theatre-55_dallas-magazine_apr-1955DeWitt Ray and Margo Jones

by Paula Bosse

The photo above shows Dallas theater legend Margo Jones accepting the keys to a new Ford truck in March 1955. Below, the caption that appeared in the April 1955 issue of Dallas magazine:

GIFT FOR THEATRE ’55: Margo Jones, director of Theatre ’55, is shown as she accepts the keys to a new 1955 panel truck from DeWitt T. Ray, Dallas banker and member of Dallas Theatre ’55 board of trustees. The truck, gift of a group of 18 Dallas businessmen and civic leaders, will be used for transporting set furniture, props and other necessities for the theatre’s productions.

She looks very, very happy!

margo-jones_theatre-56_dpl

jones-margo_theatre-56_this-month-in-dallas_dec-1956_ad

***

Sources & Notes

Photo is from the April 1955 issue of Dallas, a periodical published by the Dallas Chamber of Commerce.

Photo of the exterior of the theater from the collection of the Dallas Public Library.

Ad from the Dec. 1956 issue of This Month in Dallas.

More on Margo Jones can be found in the following Flashback Dallas posts:

Watch “Sweet Tornado: Margo Jones and the American Theater,” the full documentary on Margo Jones produced by KERA-Channel 13, here.

jones-margo_theatre-55_dallas-magazine_apr-1955_sm

*

Copyright © 2022 Paula Bosse. All Rights Reserved.

Claes Oldenburg in Dallas — 1962

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_postersClaes Oldenburg at the DMCA, April, 1962 (WFAA Collection, SMU)

by Paula Bosse

Claes Oldenburg, the Swedish-born American sculptor, died this week at the age of 93. Among his connections to Texas are two of my favorite Oldenburg pieces: the fabulous “Monument to the Last Horse,” a permanent fixture of Donald Judd’s Chinati Foundation in Marfa, which he created with his wife Coosje van Bruggen, and the much-missed “Stake Hitch,” a site-specific work commissioned by the Dallas Museum of Art (installed in the brand-new DMA in 1984, and, sadly, de-installed in 2002 after a nasty contretemps between Oldenburg and the museum).

Oldenburg’s first visit to Dallas was in April, 1962, at a time when he was known mainly to NYC art-world hipsters — well before he had achieved anything approaching his later international acclaim. He came to Dallas to present “The Store,” a pop art installation which was part of the group show “1961” at the Dallas Museum for Contemporary Arts (the DMCA was merged with/absorbed by what is now the Dallas Museum of Art in 1963). While Oldenburg was in Dallas exhibiting “The Store” (comprised of 45 individual works, the placement of which he re-created from the original December, 1961 show in Manhattan), he also presented “Injun,” the first-ever “happening” held outside New York or Los Angeles and the first such interactive event commissioned by a museum (Oldenburg’s Ray Gun Theater performance-art “happenings” were much talked about and had gained a cult following in New York, and having him in Dallas to present a “happening” was a definite “get” for the DMCA).

“The Store” and “Injun” — and Claes Oldenburg himself — were very un-Dallas. The reception Oldenburg received from Dallas’ followers of edgier contemporary art appears to have been positive, but his work was handily dismissed by Dallas Morning News art critic Rual Askew, who, invoking the “royal we,” wrote this rather laborious sentence:

Claes Oldenburg’s ‘The Store,’ a painted-plaster waste of time in our view, has interest as assembled pattern with carnival colors at a considerable distance perhaps, but displaces space out of all proportion to aesthetic experience. (DMN, April 15, 1962)

As I work with the WFAA Collection (held by the G. William Jones Collection at SMU’s Hamon Arts Library), I was pretty excited when film footage popped up showing Oldenburg and his first wife (and his collaborator), Patty Mucha, at the DMCA. I knew that the DMCA was somewhere in Oak Lawn (it was at 3415 Cedar Springs), but I had never seen an image of it until this footage. The Oldenburgs are seen walking into the DMCA, tinkering with the installation before the show opened, inspecting the store’s “foods” and other “merchandise,” and playfully “playing store” and exchanging imaginary cash at his “cash register.” Sadly, there is no sound for the one-minute-45-second film, but — being an art history major (that always sounds pretentious…) — I really, really love this. A young, happy Claes Oldenburg in a moth-eaten sweater, here in Dallas, in the early years of what would become an artistically important career is pretty cool to see.

I have been meaning to write this post since I first saw the WFAA footage two years ago. I’m sorry that it’s taken the death of the artist to finally get me to do it. RIP, Claes.

*

UPDATE: Morgan Gieringer, Head of UNT Special Collections, alerted me to a WBAP-Channel 5 news script they have in their collection which describes much the same sort of thing that is going on in the WFAA-Channel 8 film above. In the script, Oldenburg discusses some of the pieces — read the two pages here. (The Ch. 5 report was filmed on March 29, 1962, which could be the same date as the Ch. 8 footage.)

*

“The Store” at the Dallas Museum for Contemporary Arts, 1962 — in vivid color:

oldenburg-claes_the-store_DMCA_1962_DMAvia Dallas Museum of Art

via Dallas Museum of Art

1961_claes-oldenburg_catalog_DMCA_1962_injun“1961” catalogue, via DMA/Portal to Texas History

Screenshots from the WFAA footage, showing Oldenburg and his wife, Patty (who worked alongside her husband and was a frequent participant in the “happenings”) preparing “The Store” for its opening at the DMCA.

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_ext

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_1

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_2

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_3

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_4

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_5

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_7

***

Sources & Notes

Top image (and all other black-and-white images) are screenshots from the WFAA Newsfilm Collection, G. William Jones Film and Video Collection, Hamon Arts Library, Southern Methodist University; the footage was filmed in early April 1962 (or possibly late March 1962); the clip may be viewed on YouTube, here.

The color photograph of “The Store” and the poster for “Injun” are both from a publication of the Dallas Museum of Art, here.

Other Oldenburg-related sources:

  • The “1961” exhibition catalogue — this group-show featured heavy-hitting up-and-comers such as Robert Rauschenberg, Roy Lichtenstein, Robert Motherwell, James Rosenquist, Joseph Albers, Morris Louis, Jasper Johns, Jim Dine, and Richard Diebenkorn — can be viewed in a fully scanned Dallas Museum for Contemporary Arts catalogue here, via the Dallas Museum of Art Exhibition Records, Portal to Texas History
  • Candid photos from the “Injun” performance can be seen here
  • See several great photos of Oldenburg taken during the installation of “Stake Hitch” in 1984, in a DMA Bulletin here, here, here, and here
  • Watch a short video about “The Store” when it was restaged at the Museum of Modern Art in 2013, with comments on the pieces by Oldenburg; see what the pieces shown in the 1962 black-and-white film made in Dallas looked like 51 years later, in color, in the MoMA video, here

On my blog High Shrink (non-Dallas stuff), you can read more about Oldenburg in a post I really enjoyed writing, “Claes Oldenburg’s ‘Slice of Bread; Tombstone for Ed Kienholz — 1974.”

oldenburg-claes_dallas-museum-for-conteporary-arts_april-1962_WFAA_jones-film_SMU_posters_sm

*

Copyright © 2022 Paula Bosse. All Rights Reserved.