Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Celebs

“Mr. Wiggly Worm Does Much More Than Wiggle”

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by Paula Bosse

My first crush was on Mr. Peppermint, and I really, really, really loved Mr. Wiggly Worm.

This is a rather unfortunate depiction of my childhood TV pal, but how can you not love a smiling wiggly worm with a mailbox?

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WFAA understood the appeal of Mr. W. W. They even built a whole broadcasting-trade-magazine ad around him. (Click to see it larger.)

mr-peppermint_sponsor-mag_021163Sponsor, Feb. 11, 1963

Here he is again:

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Sponsor, Nov. 20, 1961

Mr. W. W. stayed at home for this one, but here we see Mr. Peppermint out mingling with his adoring public.

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Broadcasting, June 10, 1963

And, look, “Communications Center” — bet you haven’t heard that in a while!

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Sources & Notes

These Mr. Peppermint advertisements were part of a series of WFAA-Channel 8 ads which ran for several years in television trade magazines.

Click pictures to see larger images.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

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Newly Discovered Footage of Jack Ruby — 1960

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by Paula Bosse

The WFAA Telefilm Collection — part of the G. William Jones Film and Video Collection, housed at the Hamon Library at Southern Methodist University — is an incredible assemblage of film footage shot by WFAA cameramen, a significant portion of which was never included in Channel 8’s televised news stories; a lot of it is silent, filmed mostly as B-roll material. It’s a fascinating historical treasure trove of local and national (and international) events filmed between 1960 and 1978. Jeremy Spracklen — the collection’s Moving Image Curator — and his assistant, Scott Martin, regularly post entertaining short clips from this vast resource to social media.

Which brings us to the clip posted yesterday — Dec. 6, 2017 — which featured footage of a 1960 parade held in downtown Dallas at Christmastime, with shots of festively decorated Main Street and Elm Street, including nice views of the old Palace Theater. Watch it here on Vimeo.

The clip was posted last night on the Jones Collection’s Facebook page — before I watched it, I read the comment by Bert Harris: “Did you notice Jack Ruby combing his hair right toward the end of the clip?? Wild!!

What?!

Yes, at the very end of the short clip you see Jack Ruby (!) standing in a crowd of people in front of the W. A. Green department store combing his hair and adjusting his famous fedora. It’s very short, but it’s unmistakably Jack Ruby. You never know who’s going to pop up in these snippets of everyday life in Dallas, captured decades ago by WFAA cameramen! So now SMU has a few frames of what has just become historic film footage — footage which has probably been unseen for 57 years — there’s a good chance this never even aired and was merely B-roll footage. I never imagined it would be an exciting event to watch Jack Ruby comb his hair.

I contacted curator Jeremy Spracklen at SMU, and he was pretty excited about the discovery. He even cut a brand new clip this afternoon, isolating the Ruby footage and slowing it down considerably. It’s COOL. Here it is:

Below are some screen captures. I’ve had to lighten them a bit — click pictures to see larger images. Ruby and a friend are in the center of the first frames, then as the clip ends, he’s in the lower left corner.

(Who is the guy with Ruby, and what is he holding in his hand? UPDATE: My first thought was that it might be Ruby’s roommate George Senator (they became roommates in early 1962), but I didn’t really think he looked like the scarce few photos of him I found, but others in the comments below seem to think it might be him. He’s holding a Minox “spy” camera, which was an expensive tiny camera which had been sold for years in several stores in Dallas (and which was offered in classified ads in The News in 1960 for $75) — by the man’s look of utter fascination with it, it appears that it probably belonged to Ruby. The man can be seen looking through it in the longer clip at the :50 mark.) (See one of the first Minox ads found in a Dallas paper — sold by Linz Jewelers in 1951 — here, and in the year of this footage, in 1960, in a Neiman-Marcus ad, here.)

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Sources & Notes

The clip is compiled from WFAA news footage shot on November 26, 1960; it is from the WFAA Newsfilm Collection, held at the Hamon Arts Library, Southern Methodist University. The original clip (1:22) showing a holiday parade in downtown Dallas can be watched on Vimeo here; the slowed-down clip showing only the Jack Ruby footage can be watched on Vimeo here.

According to coverage of the event in the Dallas Times Herald (“Mile of Dimes Parade Lures Great and Small,” Nov. 27, 1960), the parade was the “Mile of Dimes” parade sponsored by the Dallas Junior Chamber of Commerce and the Salvation Army. It took place on Saturday, Nov. 26, 1960. In addition to the parade, there was a “show” staged on Elm and Ervay which had bands performing on the back of a flatbed truck. Two of the acts performing that day were the Joe Johnson combo and singer Jewel Brown — both of whom were mainstays in Ruby’s clubs: at the time of the parade, Johnson’s band was booked into a long run at the Vegas Club/Club Vegas in Oak Lawn, and Brown was appearing seven nights a week (!) at the Sovereign Club on Commerce Street (which Ruby would later rename “the Carousel Club” around March, 1961). So that explains why he was there, nonchalantly combing his hair on the street as his “employees” perform in front of him.

Footage of the musical performers begins at the 1:00 mark in the longer clip. Houston-born Jewel Brown can be seen at 1:07. She was pretty much a smash in Dallas, getting loads of good press; she later hit it big appearing with Louis Armstrong in Las Vegas — you can watch a fantastic clip of her singing here. Read a March, 1967 interview with her in which she discusses her working relationship with Ruby here.

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Ruby was standing outside the W. A. Green department store at 1616 Elm Street, which was next door to the Wilson Building; the Palace Theater was directly across the street.

elm-street_1600-block_1961 directory1961 Dallas directory

In addition to the musical performers mentioned above, other celebrities appearing in the parade footage that day were actresses/sexpots Sheree North and Lynne Forrester, who were appearing in Clare Boothe Luce’s play “The Women” at Casa Manana (:34), and orchestra leader Freddy Martin, who was appearing at the Statler’s Empire Room (:45). According to the Times Herald article, one celeb who was also there that day was recent Olympian Cassius Clay (later known as Muhammad Ali), fresh from his gold-medal performance at the Olympics. Though wearing his U.S. Olympic team jacket, the 18-year-old future-legend somehow went unnoticed in the crowd who were apparently quite wrapped up in the musical offerings that day.

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I’ve mentioned the WFAA Newsfilm Collection several times — it is an amazing collection of WFAA-Channel 8’s archival news footage, out-takes, and B-roll material. Curator Jeremy Spracklen has been uploading bite-size segments to Twitter and Facebook — it’s a lot of cool stuff you’re probably not going to be able to find anywhere else. They’re very entertaining. Follow them on social media!

All images are larger when clicked.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

Ann Wedgeworth: 1934-2017

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by Paula Bosse

The actress Ann Wedgeworth has died. If you don’t know her by her name, you probably know her by her face, or, even more likely, by her voice. I’m always impressed when actors are able to retain their natural accents without having to homogenize them to meet Hollywood standards, and Wedgeworth’s Texas accent was pretty thick. I would bet hard cash she reminds you of someone you know or someone in your own family.

Even though she had worked as an actor since she was a teenager — in school productions, small regional theaters, off-Broadway, Broadway, TV, soap operas, and movies — it was probably her short-lived role as Lana on Three’s Company which brought her to the attention of the widest audience.

Elizabeth Ann Wedgeworth was born in 1934 in Taylor County and spent her early years in Snyder and Perryton, Texas, where her father had been the superintendent of schools (her mother died when she was 2); she arrived in Dallas around 1946 when she was about 12 years old. Her father worked in conjunction with SMU and the Veteran’s Administration for a time before becoming a longtime employee of the City of Dallas; her stepmother was a student counselor at Highland Park Junior High School.

She attended high school in Highland Park, graduating from HPHS in 1950 (the same year as her school friend, Jayne Mansfield). She began her acting career when she was a teenager, racking up quite a lot of experience in Dallas theater productions and in a Colorado stock company. She focused on acting during college, which included both SMU and the University of Texas — she probably met her future husband Rip Torn in Austin, where he was a fellow actor who had been active in the UT theater program (and who was, incidentally, the cousin of future actress Sissy Spacek). The couple was married in Dallas in 1955, at the First Methodist Church. They lived in Killeen briefly until Torn’s military stint at Ford Hood was up, then they headed to New York City, where the couple began to find acting work fairly quickly. The two had one daughter and divorced in 1961; she remarried and had another daughter. (More about Ann Wedgeworth can be read in the Wikipedia entry here.)

Ann worked a lot, and, as I said, I’m pretty sure you’ve seen her in something. Though known mostly for her work in TV and movies, she won a Tony Award in 1978 for her role in Neil Simon’s Broadway play Chapter Two. Her breathlessly exuberant (and charmingly ditzy) acceptance speech is amusing (I am such a sucker for that accent!):


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Ann Wedgeworth died on November 16, 2017; she was 83 years old.

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wedgeworth-ann_HPHS_sophomore-1948Highland Park High School sophomore, 1948

wedgeworth-ann_HPHS_junior_1949HPHS junior, 1949

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HPHS senior, 1950

wedgeworth-ann_smu_freshman_1951SMU freshman, 1951

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SMU sophomore, 1952

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Appearing on national radio with Hume Cronyn, 1952

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wedgeworth-torn_longview-news-journal_020655_caption1955 announcement of her marriage to Rip Torn

wedgeworth-ann_scarecrow_1973Publicity photo for the 1973 movie “Scarecrow”

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photo via Lipstick Alley

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Sources & Notes

Ann Wedgeworth’s obituary in The Washington Post can be found here.

School photos are from Highland Park High School and Southern Methodist University yearbooks.

The photo of 18-year-old Ann with Hume Cronyn appeared in the SMU Campus newspaper on March 5, 1952. (I believe Ann came in second in the competition.)

The wedding announcement of Ann and Rip Torn appeared in the Longview Daily News  on Feb. 6, 1955. (Rip Torn was born Elmore Rual Torn, Jr. — as a kid he was actually known as “Skip” Torn. …Doesn’t have quite the same ring to it….)

Most photos and clippings are larger when clicked.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

 

Our Lady of Good Counsel, Oak Cliff — 1901-1961

our-lady-of-good-counsel_1944-yrbkOur Lady of Good Counsel, 1944… (click for larger image)

by Paula Bosse

Talking to my aunt today reminded me that she briefly attended Our Lady of Good Counsel, the all-girls Catholic high school in Oak Cliff next to the Church of the Blessed Sacrament, at the northwest corner of North Marsalis (originally named Grand Avenue) and 9th Street. I’m still not sure why she went there (our family isn’t Catholic), but she seems to have enjoyed her time there for a year or two before she transferred to Crozier Tech.

The school building was the former palatial home of wealthy businessman James T. Dargan, a one-time partner of Thomas L. Marsalis. The house was built about 1888, and according to Dallas Rediscovered author William L. McDonald, it was designed by the Dallas architectural firm of Stewart and Fuller.

dargan_1889-directory1889 Dallas directory

The church was holding services in Oak Cliff as early as 1901, and an affiliated school was established by Rev. Francis P. Maginn in September of that year. It appears that the Dargan house was acquired in 1902, the same year that the (new?) church building was dedicated in ceremonies officiated by Bishop E. J. Dunne.

Below, the new church can be seen in a photo which appeared in The Dallas Morning News on the day of its dedication in June, 1902 (all images are larger when clicked):

church-of-blessed-sacrament_dmn_061502_photoDMN, June 15, 1902

The neighboring school can be seen in this photo, taken around 1905:

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Our Lady of Good Counsel, ca. 1905

The school’s founder, Rev. F. P. Maginn:

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DMN, June 15, 1902

OLGC_dmn_042302DMN, April 23, 1902

And an early ad for the school, from 1903 (“Discipline mild, yet firm”):

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1903

Here it is in 1942:

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And here are some of the LGC high school students from 1944, looking bobby-soxer-y (with another view of the augmented house in the lower left corner):

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The newest additions to the building can be seen in the 1959 yearbook:

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In 1961, Our Lady of Good Counsel was a fast-fading memory: a new 32-acre campus had been acquired and on it had been built the new (coed) Bishop Dunne High School. Mr. Dargan’s old house-turned-school-building was torn down a few years later, and the land became a parking lot for the Blessed Sacrament church next door (which had also seen many changes and a new building over the years). Today, the view of the land the Dargan house sat on 130 years ago looks like this. (The church looks like this.)

The church in 1930:

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And in 1958 (from the LGC yearbook):

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This visual aid will help give an idea of the acreage of both the school (circled in red) and the church (circled in blue), via the 1905 Sanborn map:

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I’m still not sure why my aunt went there….

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1958

UPDATE: For those who might have wanted to see some interior photos, I didn’t find many, other than typical classroom shots, but here are some additional photos, a couple of which show the hallway.

Between classes, 1959:

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Girls lining up to go into class, 1960:

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Girls outside playing volleyball, 1960:

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I had erroneously assumed that LGC was an all-girls 4-year high school; I believe it was a 12-year school, with boys and girls up to high school level, when it became girls-only. This photo appeared in the 1960 yearbook with the following caption: “The safety of all LGC students is the responsibility of the school as long as the students are on campus. For this reason, Officer H. A. Baxtley is available every day as a gracious escort for our little ‘Lions’ across the busy Ninth and Marsalis intersection.”

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And finally, because I’m such a movie nerd who loves character actors, I was happily surprised to see that the actress K Callan was a 23-year-old drama teacher (etc.) at the school in 1959. (Callan was born in Dallas as Katherine “Kay” Borman and attended Ursuline and North Texas.)

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Sources & Notes

All photos of the school (except the one from 1905) are from various editions of Reveries, the yearbook for Our Lady of Good Counsel.

The 1905 photo is from Dallas Rediscovered by William L. McDonald (p. 215), with the following credit: “Courtesy of Sister M. Adelaide Mars.”

The Blessed Sacrament Catholic Church still stands, at 231 N. Marsalis; their website is here.

All images are larger when clicked.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

 

“Dallas In the French Parliament” — 1876-77

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by Paula Bosse

Today is Bastille Day — seems right to post something about the “French Colonists” of La Réunion. One of the leaders of the French and Swiss immigrants who settled briefly — and ultimately unsuccessfully — on the western banks of the Trinity in the mid-1850s was François Jean Cantegral, “President” of the colony and one of the Directors of the Franco-American Company. Cantegral arrived in Texas about 1855 with hopes of establishing a successful utopian community, but the land, the climate, and the lack of experienced farmers in the group led to its fairly quick demise. Some of the European colonists settled permanently in the young town of Dallas, some scattered to other parts of the United States, and several — including Monsieur Cantegral — returned to their homelands.

Cantegral returned to Paris where, according to an 1876 article in the Dallas Herald, in a mission to participate in the reform and political liberation of France, he served three terms as an “alderman of Paris” and was elected to the French Chamber of Deputies, serving in the French Parliament. In 1877, Cantegral — who apparently had warm feelings toward Dallas and its citizens — sent to the city an early edition of a newly issued map of Paris. On its presentation before the mayor and the city council, it was noted that, in following in the footsteps of his fellow countrymen LaSalle and Lafayette, the members of the French Colony at Réunion “joined hands in efforts to plant the seed of French civilization, French chivalry and French hospitality, alongside and in conjunction with their American brethren in the wilds of Texas” (quoted in The Dallas Daily Herald, March 21, 1877 — see full article below).

It was noted that while living in the colony, Cantegral’s son, Simon Charles Cantegral, was born on March 2, 1856 — Texas Independence Day. He seemed quite proud of that. The map was presented in the names of Cantegral père and Cantegral fils. I wonder if that Paris map given to the City of Dallas in March, 1877 is still somewhere in the city archives?

Merci, François. Liberté, égalité, fraternité, from those of us back here in the wilds of Texas!

(Click articles to see larger images.)

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Dallas Herald, May 5, 1876

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Dallas Herald, March 21, 1877

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Sources & Notes

Top image from The Dallas Morning News, April 26, 1903.

The two articles are from the Texas Digital Newspaper collection of the University of North Texas, via their Portal to Texas History. The collection contains thousands of issues of the Dallas Herald (not to be confused with the 20th-century Dallas Times Herald); it’s hard to stop reading them because they are so unbelievably fascinating — set aside a few hours and browse the Herald collection (1855-1887) here.

Yes, Cantegral Street was named after Mssr. Cantegral. The May 5, 1876 article above makes mention of the street:

Three years ago a beautiful street in Dallas, that running east of Floyd street Church and west of the Baptist College, was named in his honor and will remain a perpetual memorial of him in this town.

More on the La Reunion colony can be found in other Flashback Dallas posts here.

Click articles to see larger images.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

 

“Meet Me in Dallas, On June the 23rd…”

jeannie-c-riley_flickrJeannie C. Riley

by Paula Bosse

Until last week, I don’t think I’d ever heard the 1969 song “The Back Side of Dallas,” sung by Jeannie C. Riley, who had had the blockbuster hit “Harper Valley PTA” the previous year. How have I never heard this? I was going to post it last week until I realized that it would be better to wait until today, because of this line from the song: “Meet me in Dallas on June the 23rd, his letter read.” And here we are, June 23rd.

The song, written by Jerry Foster and Bill Rice was released in October, 1969. It wasn’t the huge, crossover, multi-award-winning monster hit that “Harper Valley PTA” was, but it did earn Jeannie another Grammy nomination (she lost to Tammy Wynette’s “Stand By Your Man” — if you’re going to lose, that’s a pretty great performance to lose to!).

Like “Harper Valley PTA,” it was one of several songs of the era which brought country music into the somewhat seedy realm of 1960s American culture. “The Back Side of Dallas” is about a small-town girl who finds herself a lonesome “working girl” in Dallas, chain-smoking king-size cigarettes, drinking in dingy bars, and popping pills. This ain’t no Kitty Wells song, y’all. (I’d love to hear Miranda Lambert — who also has an incredible country voice — cover this.)

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Jeannie C. Riley — born in Anson, Texas in 1945 — was one of the first certifiable sex symbols in country music, always gorgeous, outfitted in miniskirts and go-go boots, with sky-high hair teased to a fare-thee-well. AND she had an absolutely fantastic voice. Below is video of a 24-year-old Jeannie C. Riley singing “Back Side of Dallas” on Del Reeves’ Country Carnival in 1969 (Del Reeves had some great songs in the ’60s, but his TV persona was a little too Dean Martin-wannabe for my taste … and … oh dear … that set!):

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I prefer the studio version, below. I’ve listened to this song dozens of times now, and I haven’t gotten tired of it yet!

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And here’s Jeannie singing it in 2011, still sounding great! (Her thick Texas accent is the absolute best, and her laugh is fantastic.) She talks about the song a bit at the beginning with Jerry Foster, one of the writers of the song — the song itself starts at about the 3:10 mark.

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And, to round out this “June the 23rd” post, a few photos of Jeannie C. — surely one of the most photogenic faces and bad-ass vocalists in the history of country music. As my father used to say, “hot damn.”

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Sources & Notes

Most, if not all, photos of JCR from Pinterest.

Record label image found here.

A biography of Jeannie C. Riley is here.

“Harper Valley PTA” — you know you want to hear it. This is a great live version she did on, I think, the Wilburn Brothers Show, with Harold Morrison on dobro.

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Click pictures to see larger images.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

 

“Pickle Brine Ryan” — 1968

baseball_nolan-ryan_pickle-juice_1968_corbisBrining the blisters away….

by Paula Bosse

I give you a 21-year-old Nolan Ryan soaking his pitching finger in pickle juice. As one does.

Years before the future Baseball Hall of Famer made it to DFW, young Nolan was the star pitcher of the New York Mets. He was prone to blisters on the middle finger of his pitching hand, so Mets trainer Gus Mauch put him on a strict pickle juice regimen of soaking the affected finger between innings to toughen the skin and prevent blisters from popping up at inopportune moments. And, of course, this weird pickle juice thing became really big news in May, 1968. Sportswriters jumped all over it, and a few began calling him “Pickle Brine Ryan,” because it sort of rhymes.

The delicatessen where Ryan’s pickle juice of choice was purchased tried to cash in on what they hoped would become a fad by placing jars of the brine in the window with a sign proudly proclaiming that they were the source of the famous “Mets’ Pitching Juice.” According to a UPI story, when another pickle company offered the Mets five gallons of their pickle juice, trainer Mauch responded, “Gosh, you could embalm a whole swimming team with five gallons!”

And the rest, as they say, is history.

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Photo ©Bettmann/CORBIS, from May 6, 1968; it appeared in newspapers with the following caption:

While teammates relax before a game, using anything handy for a pillow, New York Mets’ pitcher Nolan Ryan (left) soaks his pitching fingers in pickle juice. That’s right — pickle juice! Ryan says the juice toughens his fingers so that he doesn’t get blisters.

I wonder if he kept it up? By the time he got back home to Texas and signed with the Rangers, I’d love to know that he upped his brine game by using pickled jalapeño juice.

An earlier Nolan Ryan-related Flashback Dallas post — “Nolan Ryan’s Celebratory Pancake Breakfast — 1972” — is here.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

Country Music — Every Saturday Night on Channel 11

country-music_saturday-night_channel-11_ktvt_1969The warm-up for wrestling…

by Paula Bosse

I have a surprisingly deep knowledge of classic country music. And it can all be traced back to sitting with my father every Saturday night as he watched the jam-packed lineup of country music TV shows on KTVT-Channel 11.

Followed by wrestling.

Which I also have a surprisingly deep knowledge of. If only by osmosis.

Thank you, Channel 11, for providing this bonding time with my father, which I didn’t really appreciate as a child, but I do now.

(And, yes, I’m happy that my antiquarian bookseller father and Comparative Literature-degree-holding mother often took our family to the Sportatorium to see both country music package shows and wrestling matches. You can’t say our family wasn’t well-rounded.)

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1969 ad from an odd little local publication (which probably used to belong to my father) called Country and Western — The Sound That Goes Around the World, published in DFW by PegAnn Production.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

The Neiman-Marcus Corporate Flag, Designed by Emilio Pucci — 1966

neiman-marcus-corporate-flag_emilio-pucci_1966_dallas-public-library“Emilio Pucci was our Betsy Ross…”

by Paula Bosse

While looking through the Neiman Marcus Collection at the downtown Dallas Public Library, I stumbled across this perhaps long-forgotten part of Neiman-Marcus history: the “corporate flag” designed by Italian fashion legend Emilio Pucci. The image was featured on a Neiman’s postcard; the text on the back of the card reads:

Flying high over the fashion land of Neiman-Marcus: our new corporate flag, the Lone-Star-and-Stripes. Emilio Pucci was our Betsy Ross.

Betsy Ross and Emilio Pucci mentioned in the same breath! An 18th-century American seamstress who became a patriotic icon, and an Italian fashion designer whose vividly colorful, boldly patterned designs came to symbolize the youth and energy of the 1960s… talk about your strange bedfellows!

The only thing I could find about this unusually colorful flag was a brief mention in a Dallas Morning News fashion article about Neiman’s 28th Neiman-Marcus Exposition Award in early February of 1966. Gay Simpson wrote in The News that the luncheon centerpieces “carried the colors of the new Neiman-Marcus house flag. The flag, designed by Emilio Pucci, Italian couturier, has the colors of a Texas sunset dramatized with the Lone Star and stripes” (DMN, Feb. 9, 1966).

Stanley Marcus wrote in his 1974 memoir Minding the Store that his business relationship with Pucci (“the most copied designer of our time, aside from Chanel”) began in Italy in 1948 when Marcus met with the struggling young designer and placed an order for several of his scarves. Though Neiman-Marcus had not yet expanded beyond their single department store in Dallas, the store’s reputation and influence were certainly known in fashionable circles around the world, and this N-M “stamp of approval” must have been immensely important to Pucci, whose name was not yet known. This friendship and business relationship blossomed into a mutually beneficial and very profitable partnership, and it seems perfectly reasonable that Pucci would design a flag for his friend and early supporter, Stanley Marcus. (Read more of Marcus’ thoughts on Pucci here.)

There you have it. Who knew?

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As a postscript, any Dallas blog worth its salt cannot let a mention of Emilio Pucci go by without noting his main connection to the city: Pucci will forever be remembered as the man who brought outrageously colorful and super groovy mod designs to the stewardess uniforms of Dallas-based Braniff International Airways (designs so retinally exciting that they make that little Neiman’s flag look a little dowdy in comparison!).

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Sources & Notes

The image of the corporate flag is from a Neiman’s postcard, which can be found in the extensive (!) Neiman Marcus Collection of the Dallas Public Library (the back of the card can be seen here); it is used with permission. Thanks to the incredibly helpful staff of the Dallas History & Archives division of the downtown Dallas Public Library. (Much thanks, particularly, to Digital Archivist Misty Maberry!)

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Copyright © 2017 Paula Bosse. All Rights Reserved.

 

Jimi Hendrix, Glen Campbell, Tiny Tim — In Dallas (…Separately), 1969

jimi_wfaa_hamon_smu-1The Jimi Hendrix Experience, Love Field, 4/20/69 (click for larger image)

by Paula Bosse

My Tiny Tim post from a few days ago has been surprisingly popular — who knew Tiny Tim was still so admired! I tracked down the original source of one of the clips I’d used — which I had stumbled across on YouTube — and found that the clip comes from a longer video of footage from the WFAA Newsfilm Collection, housed at the Hamon Arts Library at SMU. Jeremy Spracklen — the Moving Image Curator — compiled the short video (see below) and posted it a couple of months ago on the Hamon Library blog. The Tiny Tim footage is great, but there’s also Glen Campbell (in a very short discussion on the importance of Tommy Smothers to his career), and… oh my god, footage of Jimi Hendrix, standing on the tarmac of Love Field with bandmates Mitch Mitchell and Noel Redding on April 20, 1969, giving a great, relaxed interview to a very lucky Channel 8 reporter.

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Jimi Hendrix appeared at least 4 times in Dallas:

  • Feb. 16, 1968: Fair Park Music Hall
  • Aug. 3, 1968: Moody Coliseum, SMU
  • April 20, 1969: Memorial Auditorium (where he was headed after the Ch. 8 interview)
  • June 5, 1970: Memorial Auditorium

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July 28, 1968

Two surprising errors (grammatical and factual) appear in a Neiman-Marcus tie-in ad (of sorts) which states that Jimi would be at Memorial Auditorium, rather than Moody Coliseum. Despite the error, it’s cool that Neiman’s was expanding its cultural horizons to include someone like Jimi Hendrix in one of its ads (which was featuring teen fashions, but still). N-M has always had its finger on the pulse of current fashions — and Jimi Hendrix was certainly fashionable.

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July 31, 1968 (ad detail)

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April 20, 1969

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Jimi & Noel Redding, WFAA-Ch. 8, April 20, 1969 (screenshots)

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June 5, 1970 — poster via

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Glen Campbell was in town for several days in June, 1969. He arrived at Love Field on June 15 and was met by a “high-spirited throng” of teenage admirers. He was here to promote the release of the movie True Grit (in which he appeared with John Wayne), as well as to perform at Memorial Auditorium on June 19, 1969.

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June 19, 1969

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WFAA-Ch. 8 interview, June 16, 1969 (screenshot)

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And Tiny Tim was in Dallas on June 17, 1969 to appear at a book-signing at the downtown Sanger-Harris department store. The signing was a bit more sedate than his previous visit to Dallas when he caused something of a riot on January 23, 1969 while making an appearance at the Melody Shop in NorthPark. I’m not sure what sort of crowd the Melody Shop thought they’d get for their little “autograph party,” but it’s safe to say they did not expect 5,000 over-excited teenagers. The news report the next day was peppered with words like “pandemonium,” “swarm,” “mob scene,” and “human wall.” (Read about that bizarre event here). His drawing power continued the next year when Tiny made his Dallas performing debut at … of all places … Abe Weinstein’s Colony Club, one of the city’s top “burlesque” houses. He was booked for an incredible 9-night run (!) in September, 1970. It was a major success. Dallas apparently loved Tiny Tim. And, of course, years later, Bucks Burnett’s Edstock and Burnett’s tiny Tiny Tim museum continued the Big D/Tiny Tim lovefest.

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June 17, 1969

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WFAA-Ch. 8 interview (screenshot)

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Sources & Notes

Video is from the WFAA Newsfilm  Collection, held at the Hamon Arts Library, Southern Methodist University. (I have captured the color images from that video.) The video appeared in a post on the Hamon Library blog (its homepage is here); that post can be found here. Any requests to license these clips (or any of the other thousands at SMU!) should be directed to curator Jeremy Spracklen.

Hit the Dallas Morning News archives to find a little pre-Music Hall interview with Jimi Hendrix conducted by “YouthBeat Editor” Marge Pettyjohn: “A Real Experience” (DMN, Feb. 25, 1968). Her interview with Tiny Tim (“Magical Mystery Tour: On Meeting Tiny Tim,” DMN, Jan. 25, 1969) is also worth checking out, as is the Jean Kelly article “5,000 Kids Mob Tiny Tim” (DMN, Jan. 24, 1969).

While you’re in the archives, look for the interview with Glen Campbell at Love Field amidst the frenzied teenage girls: “High-Spirited Throng — Fans Mob Glen Campbell at Airport”  by Maryln Schwartz (DMN, June 17, 1969).

All photos and clippings are larger when clicked.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

 

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