Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: 1960s

Sofia & Woody

Sofia and Woody, June 1962

by Paula Bosse

Earlier this summer, I received an email from a man named Elwood Hain, who wrote to tell me that he had read a post I wrote a few years ago about a peaceful lunch-counter sit-in by SMU students protesting a University Park drug store that refused to serve non-white customers. Elwood (“Woody”) was one of the protesters. He wrote me a series of emails recalling the early days of his involvement in civil rights work in Dallas. The memories included the recollection of the first time he met Sofia, a sociology student at TWU, who would become his wife. I asked Woody if he would put his memories into a post. He graciously agreed, and I am happy to share his memories here.

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SMU Sit-ins Revisited

by Elwood (Woody) Hain

My brother recently sent me a link to a 2022 article in Flashback Dallas, “When SMU Theology Students Were Sprayed with Insecticide at a University Park Lunch-Counter Sit-In – 1961.”  I especially enjoyed it as I was one of the protesters. I believe most of us were members of campus religious organizations, though theology students seemed to be in the lead. I was the only law student there. My brother was the only engineering student. We belonged to the Presbyterian student group. You can see our backs in the picture of the students picketing in front of the drug store. I am the last person in the line walking away from the photographer. The insecticide Mr. Bright had sprayed on us ruined the tan faux suede jacket I was wearing.

Woody, with his back to the camera

I heard about the plan for the sit-in at the drugstore only a day or two before the event. Aware that “sit-inners” were often arrested, I told two of my law professors I planned to participate and might miss some classes if arrested. One acknowledged the information, looked awkward, and turned away. The other, Alan Bromberg, an expert in corporate law, gave me his card and told me to call him if I needed to be bailed out. Fortunately, I did not need to call him. After the sit-in, I took some ribbing from law school friends, but it was in good fun. After sharing classes and brown bag lunches for two and a half years, they all knew my views and were not surprised. I had even turned down an opportunity to be managing editor of SMU’s law journal so I could spend the summer of 1960 with Operation Crossroads Africa, doing pick-and-shovel work and building relationships with local students in Guinea, West Africa.

I had returned from Africa in time to plunge into John Kennedy’s presidential campaign. I organized a small group of SMU students to help get out the vote in West Dallas. The area was poor. It had a large Mexican American population, most of whom were Catholic and Democratic, the ideal demographic for Kennedy. Voter turnout was usually light, leaving lots of room for improvement. When Kennedy carried Texas, we claimed it was in part because we helped keep the loss in Dallas County down to two to one. Maybe having Senator Lyndon Johnson on the ticket helped too.

The sit-ins started two months after the election. In the interim there were final exams and then the Christmas break. The sit-in at Bright’s drugstore was the first but not the last of the SMU student sit-ins. We had a well-organized sit-in at a quick-service hamburger restaurant on the strip and stand-ins at the ticket booths of at least two movie theaters, among other places. One of the student leaders, George Edwards, was the son of the Detroit police commissioner, a lawyer whose main goal when appointed was to stop the beating of prisoners on the way to jail. He asked his father how the students could make their point without being beaten or arrested. The answer was to (1) tell the local police before we acted so they could be present and (2) obey when the police told us to leave. We took the advice and were glad of it when a short-order cook at the hamburger place started waving a butcher knife under the throats of students at the counter. A policeman outside the door stepped inside. He told the cook to back off and the students to leave. Everyone obeyed. Students returned at lunchtime the next day. The cook stayed in the kitchen. I was not present, but the story spread quickly.

In addition to physically participating in sit-ins, I made one unique contribution to the effort – and arguably to Texas law. Some of the students reasonably feared they would be arrested for trespassing. As the only law student involved, I did some fast research on the subject soon after the first sit-in. I was surprised to find that there was no state trespass law. Checking municipal ordinances was harder, but I also established that neither University Park nor Dallas had a trespass ordinance. The students were heartened by the news. The next legislature passed Texas’ first trespass statute.

The sit-ins had unexpected and very happy consequences for me. The chaplain of the Methodist student organization at Texas Woman’s University in Denton was also a student at SMU’s Perkins School of Theology. He wanted a speaker from the protest group to talk to the Methodist students at TWU about the sit-ins and the civil rights movement. He contacted another theology student and, through a route I never knew, his request came to me. I suspect it was because someone thought I knew something about law.

I agreed to go, and in March 1960 I drove the 45 miles to Denton with three other guys I had not seen at the sit-ins. I think two were theology students. All three were clear that meeting girls was at least one of the reasons they were going. I thought they were nuts, but the girls at TWU seemed to have the same idea. Forty girls turned up at a meeting that usually had only ten.  (I know “girls” is not politically correct, but it was the standard terminology of the day.)

The chair of the group, a slender Mexican American girl in sensible shoes, a shapeless bulky sweater and an ankle-length skirt who had come straight from a swim class, ran a good meeting. After a few preliminaries, she discussed a task the group had undertaken to help the children of migrant farm workers. She reminded them that the toiletry kits they were making were probably going to hold the only personal items the children would own. She mentioned that she had seen how treasured such kits were during her two summers working in the Midwest with the Migrant Ministry of the United Churches of Christ. She checked on the progress of students who had agreed to work on the project. Then she asked the chaplain to introduce the guests, all of whom were impressed with her commitment to her ministry and her pleasant but businesslike manner.

I was the primary guest speaker. I started with a brief history of slavery, segregation and the civil rights movement. Then I explained the logic of sit-ins, both as an appeal to people’s better angels and as an effort to counteract the economic pressures of segregationists. I also explained why peaceful protest was a Christian response to a cruel system. One of the theology students said a few words. After a few questions about sit-ins, the chair reminded the attendees of the next meeting and the project they were working on. As people began to mill about, she disappeared. She, at any rate, was not there to meet men.

All four visitors wanted to chat with her. As we were about to give up, she came downstairs from talking with the chaplain’s wife and two small children. She was their babysitter and housekeeper in addition to having two other jobs. The visitors clustered around her. We asked her to help us find a hamburger joint – in a small town with two big universities! We didn’t fool her for a minute. She agreed but only if another girl went too. No problem! After a pleasant meal, during which she filched two of my French fries, we took the girls to their dorm. I was completely charmed.

The next day I called the chaplain for her phone number. Laughing, he gave it to me and confirmed that her name was Sofia. She turned me down the first two tries, convincingly pleading other engagements, but gave me enough encouragement that I called again. She agreed to a date, sounding pleased but cautious. While I waited for Sofia in the waiting room of her dorm the following Friday, surrounded by other guys waiting for dates, the room suddenly hushed as twenty guys caught their breath. I turned and saw a stunning brunette in a form-fitting black wool dress at the top of a set of low steps. It took me a moment to realize that she was my date, the sweet girl who was busy caring for other people and preparing to be a missionary. We had a delightful evening.

Things moved fast after that. Long-distance phone calls were expensive, so we used them primarily to coordinate dates. I drove to Denton for our dates two or three times a weekend. TWU was about 45 miles from Dallas. Freeways had not yet been built. When we went to events in Dallas I made two round trips a day.  It was an easy trip when Sofia was in the car. We talked about everything in the world and sang as many songs as we knew. Most were hymns. Sofia was my date to the annual law school awards banquet, where she met my parents, who had driven from Baton Rouge for the occasion. She also met my band of law school friends who sat around us with their wives and dates. She said little but observed everything and, as we drove back to Denton, discussed each of my friends. I was convinced she had more insight into them after an evening than I did after three years.

We both had jobs in Dallas that summer and saw each other daily. I worked for a law firm. Sofia was a social worker. I was supposed to study for the bar exam but couldn’t find time. I passed the bar anyway. We went to church together on Sundays, usually at the Spanish-speaking Presbyterian church in West Dallas where I had taught Sunday School and organized a Boy Scout troop my first year of law school. We spent one magical day at the Dallas Zoo.

Civil rights work was part of our summer. We spent a good many evenings walking door to door in a Black neighborhood of small, neat houses near Love Field. I had volunteered to help the NAACP find incoming first graders to desegregate the public schools. An openly segregationist federal judge had been forced to order the Dallas schools to desegregate but did so with a long list of conditions. Only one grade would be desegregated each year, starting with the first grade. Only Black children would be reassigned. To be reassigned to a white school, a child would have to live closer to the white school than to a Black one (in one of the most residentially segregated cities in America), have no older siblings in elementary school, have the approval of the principals of both the sending and the receiving school, and be declared emotionally sound by a psychologist. There were twenty-eight criteria in all. The school district was not required to help identify or find children who met the criteria. That burden was entirely on the plaintiffs.

Sofia and I caused a lot of excitement among the neighborhood kids. It was not every day they saw a beautiful Chicana and a skinny white guy, both dressed for office work, walking through the neighborhood during prime play hours. The adults who answered the doors were kind and helpful, even before we stated our business. Sofia’s grace and charm put everyone at ease. In the end, we found a third of the twenty-one children who were reassigned to white schools that fall.

We were formally engaged at the end of the summer. I spent the next nine months working on a doctorate in political science at Harvard while Sofia worked in Dallas as a social worker to earn enough money for her last semester of college. After a joyful Christmas together, we lived on letters and short phone calls till late May. The first week of June we were married by the chaplain who had given me Sofia’s phone number. We celebrated our sixty-fourth anniversary in early June this year.

Sofia died in her sleep in mid-July.

Elwood (Woody) Hain
B.A. 1958, LL.B. 1961, Southern Methodist University

Elwood Hain, Jr. (a/k/a Woody Hain) is a retired law professor who lives in Altadena, California. He earned a B.A. and an LL.B. from SMU and an LL.M. from Harvard Law School. For a dozen years, while primarily a professor and dean, he worked with school desegregation litigation as a scholar, a litigator, a peacekeeper, and an advisor to school boards and judges. He served thirty years in the Air Force reserve as a judge advocate, retiring as a colonel. For sixty-four years he had the joy of being married to Sofia Loera Hain, who died in July 2026.

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I send my deepest condolences to Sofia’s family and friends, and to Woody, whose further memories about his life with Sofia that he has shared with me will stay with me for a long time. –Paula

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Sources & Notes

Black-and-white photo of the SMU student protest is from the Dallas History & Archives, Dallas Public Library.

All other photos are from the family collection of Mr. Hain.

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Old Red: Once Under Threat of Demolition

Old Red, 2026 (photo by Paula Bosse)

by Paula Bosse

By 1961, the exterior of the Dallas County Courthouse (affectionately known as “Old Red”) had been slowly eroding for years. It was not uncommon for passers-by to have to dodge bits of the sandstone building raining down on them. And inside, county workers complained of severely cramped conditions in a building that had become overcrowded. The plumbing wasn’t great, and the lack of air conditioning made summertime intolerable. The courthouse was built in 1892 and was almost 70 years old.

County commissioners agreed that a new, modern courthouse was needed, and plans were drawn up to submit to the public. The $18,500,000 “Courthouse Building Program” was enthusiastically approved by voters in a September 1961 bond election. This vision included:

  • a new courts building and jail (to be erected on Commerce Street opposite the old red courthouse) which would “give space, dignity and stability to our county services”
  • landscaped plazas which would “conceal useful and urgently needed underground parking areas”
  • seven decentralized, permanent suburban sub-courthouses which the county would own and not have to rent

The new Dallas County Courthouse (which was renamed in 1992 to honor former City Councilman George Allen) began construction in the spring of 1963, and it was finished by the end of 1965. (Plans had changed somewhat by then, as in the intervening time there had been a presidential assassination, requiring the need to utilize one of the landscaped plaza blocks for a memorial.)

Throughout the construction of the new courthouse, heated discussions were going on about the fate of the old courthouse: what would happen to it? Commissioners refused to even discuss the question until the new courthouse was finished. One newspaper article said that this discussion hadn’t been brought up before the bond election for fear that voters wouldn’t approve it if they knew the old courthouse might be demolished when the new one opened (“County To Consider Prisoners as Yardworkers” by John Geddie, Dallas Morning News, Feb. 24, 1965). That didn’t bode well.

Because the sandstone exterior was eroding and the clock tower had been removed in 1919 for fear that it was structurally unsafe, people presumed that the building was in a dangerous state of disrepair and was falling apart. That it would cost more to repair than it was worth. But engineers inspected it at the time and reported that it “would stand for years and years.”

Ultimately, Old Red survived because the Texas Department of Public Welfare wanted to set up their Dallas office in the building: they told the commissioners that they would pay roughly half the renovation cost and that the county could retain ownership. This was sweet music to the commissioners, who decided against the demolition that most expected. Work began at the end of 1967 to update and modernize the old courthouse. It cost a million dollars.

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I was surprised to read how many people absolutely loathed Old Red and were actively urging the county to tear it down. I mean people hated it. I read so many newspaper articles in which people used words like “monstrosity,” “eyesore,” “ugly,” “gnarled,” “creaky,” “unsafe,” “unsightly,” and “obsolete.” Old Red?

There were also many who thought the building was beautiful and historically important and feared that it would be razed. But what could they do except write polite letters-to-the-editor saying that it would be a shame to tear down such an important landmark, and don’t you think it would make a nice museum? Dallasites had not yet become organized community activists for historic preservation, but this might have spurred people to become involved in saving buildings they felt deserved to be saved — the persistent effort to move Millermore to Old City Park and the fight to establish historic districts in Old East Dallas was just around the corner.

Thankfully, Old Red is still hanging in there, and since its incredible makeover in 2006/2007 — which included the welcome return of a clock tower — it looks spectacular. Granted, I didn’t see what the state of the building was in 1961 — and I definitely was not a fan of the clock tower being lopped off — but it’s hard for me to imagine it ever being considered a “monstrosity.” I think a lot of people just don’t like anything that’s old. Or anything that they feel is blocking a path to what they consider “progress.”

It’s also important to “Remember the Alamo!” as an example of how effective public sentiment and organized effort can be. I’m not suggesting that Old Red inhabits the same realm of historical significance as the Alamo, but knowing how difficult it was for a small group of women to save THE VERY SYMBOL OF TEXAS from falling victim to wealthy and powerful developers wanting to build a “luxury hotel” on the site (!)… it’s a miracle we have anything older than 20 years still standing in Dallas, a city known for its insistence on having everything as new and shiny as possible… until people get tired of it, label it “ugly” and “obsolete,” and abandon it or tear it down to build something else. City leaders and citizens must work together in finding solutions when faced with situations like the one Old Red found itself in, especially when it was taxpayers who paid for the building in the first place.

A “world-class city” is not just built with an eye to the future but also with an appreciation of its history. Old Red is 134 years old, and Dallas would not be the same without it. We’re lucky to still have it.

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Sources & Notes

Top photo by Paula Bosse, taken on Jan. 31, 2026 after leaving the 2026 Dallas Legacies Conference, held across the street at the Records Building.

The drawing is from the 1965 book The Key to Dallas by Lon Tinkle. The drawing, which was used in promotional material for the 1965 bond election, is credited to the Dallas Chamber of Commerce.

Below is a passage from a Dallas Morning News article profiling Patrick Horsbrugh, a Scottish architecture professor who was visiting Dallas. He had “near-ecstatic” praise for Old Red, which he described as being a prime example of “American Robust” architecture:

“Just look at those squat columns! Just look at the forces in that building!” He added, “Dallas is short on architectural inheritance, compared, say, with Boston or Philadelphia. It can’t afford to be as careless as older American cities about what is destroyed.” (“Architect Likes Old Courthouse” by Jim Stephenson, DMN, Oct. 2, 1963)

And a few days later, this paragraph appeared in a DMN editorial about Horsbrugh’s comments, which must have sounded unusual to the ears of people so accustomed to hearing the old courthouse described as an “architectural monstrosity”:

To the generation that built and paid for it out of fairly meager tax resources, it was “the stateliest courthouse in the South.” That is how it was described in the city directory of the day. They thought it a proper canopy for the seat of Justice in Dallas County — and who is to say today that they were a bunch of squares who couldn’t tell the Parthenon from a packing house? (“Dallas Guardians,” DMN, Oct. 7, 1963)

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Aldredge Book Store: New Location, Opening Day — 1969

My father, Dick Bosse

by Paula Bosse

Hello! Where have I been? My website host changed a bunch of stuff, and it has been too much of a hassle to sit down and figure out how to actually post anything without having a nervous breakdown. But I think I might have cracked it, and I have (partially) recovered from the breakdown. So… hello! It’s been a while.

Friday was my late father’s birthday, which I’ve tried to commemorate almost every year on this blog with a bookstore-related post in his honor. I didn’t manage to squeak in under the actual birthday deadline, but I’m racing to get it up during the holiday weekend. Better late than never!

The photo above was taken by Dallas Times Herald photographer Andy Hanson in August 1969 to coincide with the opening of the store’s new location at 2506 Cedar Springs, moving from 2800 McKinney Avenue, where the store was opened by the original owner, Sawnie Aldredge Jr., in 1947. Sawnie died in 1967, and my father, Dick Bosse, continued as the store’s manager and later became the owner.

The photo was taken in the room that was at the very back of a weirdly designed long, thin store comprised of several rooms that opened up off a long (lemon yellow!) hallway. This room was where the more expensive sets and fine bindings were shelved. To the right of the photo was a surprising feature: a sort of hidden courtyard and greenspace, sunken below street level, where customers could enter through a parking lot at the rear of the building.

When I started working in the Dallas History & Archives of the Dallas Public Library a couple of years ago, one of the first things I did was check the photo database to see if there were any photos of the store, and this popped up — one of several photos taken by Andy Hanson (an ABS habitué) in August 1969, none of which I’d ever seen. It was a nice way to start a new job.

There are definitely perks to the job, mainly endless researching opportunities and endless discovery opportunities. This weekend I checked the Vertical Files Collection (clipping files) and found the very article this photo appeared in, clipped decades ago by a fastidious librarian. (Click to read.)

Dallas Times Herald, Aug. 6, 1969

Also in the vertical files was an article about the imminent closing sale at the old McKinney Avenue store, featuring this photo (my father is on the left, his co-worker Charles Drum is on the right):

Dallas Morning News, June 21, 1969

The store discounted things DEEPLY in order to clear out the jam-packed Victorian house, until the final day with a deal that couldn’t be beat:

July 1969

To continue the journey through library sources, I then checked out the Times Herald on microfilm (used by customers and staff several times a day!) and found this super-cool, esoteric ad featured on the Sunday Book Page the day before the new store opened:

DTH, Aug. 3, 1960

I then checked the digitized Dallas Morning News archive (the first 100 years of the DMN are available to search and peruse for free with a Dallas Public Library card) and found a couple of other ads (different ads were used for different papers!).

DMN, Aug. 3, 1969

And, below, the “We even have air conditioning” postscript was, I’m sure, much appreciated by regular sweaty customers. (This ad was part of a larger ad which also featured antique dealers in the Cedar Springs-Fairmount neighborhood. I’m not sure who mistakenly put “Aldredge Book Shop” instead of “Aldredge Book Store,” but it wasn’t my father!)

DMN, Aug. 10, 1969

I also found a photo of the building (the “Cedar Springs-Fairmount Building”) in a newspaper ad from 1946:

DMN, Mar. 31, 1946

And, one last research resource the library has: its Serials & Periodicals Collection. This line drawing of the shopping strip comes from an ad in the Feb. 1947 issue of Dallas magazine (the Gittings photography studio was the tenant of the large space at the end):

“Dallas” magazine, Feb. 1947

The last time I was in that area, the buildings were still there, but I have to think they’ll be demolished soon in order to keep cramming claustrophobic “density” into “Uptown.” Here’s what it looked like in 2011:

Google Street View, 2011 (15 years ago!)

And lastly, because this was where my father’s store was for a long time (I can never remember when the store made its final move to Maple Avenue), this is an area I spent a lot of time in as a child. The other day I was watching old Channel 8 news footage on SMU’s Jones Fillm Collection YouTube channel, and when I saw this moment in a clip from an interview with Rene Martinez in 1972, I instantly recognized the location. It was shot in the 2500 block of Cedar Springs, looking toward Fairmount from about Routh Street. The Aldredge Book Store was just a few steps down from that tall tree at the left.

I’ve looked at the clock. It’s 11:40 PM on Memorial Day. Thanks to my chronic procrastination, I’m three days late in observing my father’s birthday, but I did manage to post it before the Memorial Day Weekend was officially over! You have to take your victories wherever you can find them….

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Sources & Notes

Photo of Dick Bosse standing in the Aldredge Book Store (2506 Cedar Springs) was taken on August 3, 1969 by Andy Hanson for The Dallas Times Herald; from the Andy Hanson Collection, Dallas History & Archives, Dallas Public Library (PA97-8/1285-017A).

See other Flashback Dallas posts about The Aldredge Book Store here.

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Copyright © 2026 Paula Bosse. All Rights Reserved.

Dallas City Hall

by Paula Bosse

Our city hall has suddenly — and improbably — found itself in the headlines in recent weeks. As of this writing, its immediate fate is unknown. I don’t think I’ve written about this landmark building in the 12 years I’ve been writing about Dallas history. I guess I assumed I’d always have time.

Dallas City Hall is the work of architect I. M. Pei (1917-2019), who, in 1966, was commissioned to design a new city hall by then-mayor J. Erik Jonsson. The very modern design was both acclaimed and derided, and its bumpy road to completion was long and arduous — it was dedicated on March 12, 1978, 12 years after Pei accepted the commission. It is an instantly recognizable building by an internationally respected architect, and it has quietly held the fort on the southern edge of downtown for almost 48 years.

In the project plans presented to the City, I. M. Pei & Partners included these quotes from “Goals for Dallas,” the blueprint that Dallas leaders created for the city’s future:

In an oral history conducted by the Dallas Public Library in 2002, Pei discussed his City Hall project and was asked if he had visited the building in recent years (the link to the oral history and transcript are at the bottom of this post under “Sources & Notes”):

I’ve been back quite a few times. I always went up to the second floor to look at that public space. That public space — some people ask, “Why do you make that space so extravagant? People only come here and pay taxes or pay water bills.” I said, “Precisely. This is a People’s City Hall. You don’t build it for the mayor; you don’t build it for the Council; you build it for the people. They’re the ones who should enjoy it.” I remember that. I always go up to the second floor to look at that space. I think the public that comes to pay taxes should know that this is why. […] That was the original thought, and I still think it’s right — that this City Hall is designed for the people of Dallas. (I. M. Pei oral history, Aug. 1, 2002)

Below are a whole bunch of photos of I. M. Pei in Dallas, aerial views of the city before and during construction of the city hall, and two deceptively calm and quiet photos taken by me from the Central Library across the street only a couple of weeks ago, back when life seemed a little less precarious and before I thought it necessary to look up the dictionary definition of “beleaguered” to make sure I was using it appropriately. I was.

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The model:

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Aerial from 1967 (the original name of the project was the Dallas Municipal Center):

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Aerial from 1976:

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I. M. Pei giving a presentation in Dallas, in which he unveiled his vision for the new city hall (April 28, 1967, Dallas Times Herald photo by Ken Hardin):

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Showing off the futuristic-looking model to no doubt startled members of the Dallas City Council and city administration workers (October 5, 1970, DTH photo by Joe Gordon).

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Construction, 1973:

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Construction, 1974:

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Construction, 1975:

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Construction, 1976:

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Pei shows British sculptor Henry Moore the site where his sculptural work The Dallas Piece will be placed on the City Hall plaza (April 14, 1976, DTH photo by Paul Iverson):

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Pei in a hardhat, looking pleased (July 7, 1976, DTH photo by Jay Dickman):

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Pei with new mayor Robert Folsom, with a killer view of the Dallas skyline behind them (July 7, 1976, DTH photo by Jay Dickman):

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Side view, from Marilla:

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Finally, Dedication Day, March 12, 1978 — Pei is seen cutting the ribbon with (left to right) former City Manager Scott McDonald, current City Manager George Schrader, Mayor Robert Folsom, former mayor Wes Wise, and the man who started the whole thing rolling, former mayor J. Erik Jonsson (Pei said that his two greatest allies in the long slog to get the City Hall finished — and to continue with other projects in Dallas — were Schrader and Jonsson, both of whom he was quite fond of and considered friends):

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A chronology of the long, long trek to completion (at least up to 1976), prepared for the City by I. M. Pei & Partners:

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I. M. Pei in 1978, happy in Dallas (DTH photo by Phil Huber):

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And in October 2025, our solemn City Hall at the end of another day, holding steady as downtown Dallas’ southern anchor.

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Sources & Notes

Top and bottom color photos of City Hall taken by Paula Bosse on October 23, 2025 from the Central Library.

All other images are from various collections of the Dallas History & Archives division of the Dallas Public Library (including the Dallas Times Herald Collection and the Juanita Craft Collection). All images are used with permission.

Construction photos, “Goals for Dallas” quote, color model photo, and chronology are all from the presentation binder Dallas Municipal Center by associated architects I. M. Pei & Partners and Harper & Kemp (July 5, 1976) (Dallas History & Archives/Dallas Public Library call number R690.513 D145).

The 2002 quote from Pei about City Hall is from I. M. Pei: An Oral History Interview, conducted in New York City on August 1, 2002 by Bonnie A. Lovell for the Dallas Public Library. Ostensibly about Pei’s involvement in commissioning the Henry Moore sculpture, this is an entertaining read/listen, as Pei discusses the larger City Hall project and his affinity and admiration for the city of Dallas and its citizens (audio recording and 48-page transcript with index, Dallas History & Archives/Dallas Public Library call number 730.92 M822YP 2003) — you can listen to the recording and read the transcript on the Dallas Public Library Recollect Digital Collections page here.

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Copyright © 2025 Paula Bosse. All Rights Reserved.

Dome, No Dome, Dome

Gaston Ave. Baptist Church, ca. 1961, domeless

by Paula Bosse

Gaston Avenue Baptist Church, at Gaston and Haskell, opened to its congregation in 1904. (The photo above is from about 1961.) The church was designed by architect C. W. Bulger, whose most important Dallas building was almost certainly the Praetorian Building downtown. Bulger was a prominent architect and a prominent Baptist — he designed several Baptist churches, and, conveniently, he lived on Junius Street, not far from the Gaston Avenue church.

This building is imposing and impressive, but every time I drive past it, something just feels “off.” (See it on Google Street View here.) It’s that canary-yellow “gold” dome. Otherwise, it’s a beautiful building.

Here’s what it looked like in its earliest days:

This postcard was postmarked June 2, 1906 — the message reads:

June 2, 06. This is the first building that I worked on in Texas and cost about 45,000. Is built of brick and cemented outside. Is one of the finest churches here. Best wishes, H.E.S.

And another:

When you compare the early photos with the one from 1961, there are a few differences. Namely… the dome (…or lack thereof). It was built with a dome. But by 1961, the dome was gone. Why?

Here is what the building looks like these days (it is now the home of Criswell College):

Google Street View, June 2024

Dome.

What’s the deal here? I hate to be a negative Nellie, but every time I drive past that dome (which is often), I wince. It looks like sun-faded matte gold paint. It’s a beautiful building. It deserves a better dome!

After searching a bit, here’s what I found. In response to a reader’s question in 1991 asking what the “golden dome” was made of, The News responded:

MFG Molded Fiberglass in Union City, Pa. fabricated it of 1/2-inch molded fiberglass impregnated with gold-flecked paint… Both the dome and the bay section — the white collar that protrudes from the roof line — are composed of 12 separate pieces… The dome’s cap is composed of four pieces… and the spire that tops the structure is a single unit… [T]he structure stands approximately 35 feet above the roof of the library and weighs about 6,000 lbs. (Dallas Morning News, June 6, 1991)

Fiberglass, impregnated with gold-flecked paint. I don’t know when this happened, but more than 33 years ago. The gold-flecked paint has seen better days, beaten into submission by the relentless Texas sun. I’m sure it would probably cost a small fortune to spruce it up, but it would be nice to see it gold and shiny.

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Sources & Notes

Top photo by Squire Haskins, from the Squire Haskins Photography, Inc. Collection, University of Texas at Arlington Libraries, Special Collections; more info on this photo is here (see interior photos taken by Haskins at the same time here and here).

Postcard was found on eBay.

The photo captioned “A Mighty Fortress” is from a TSHA Annual Meeting 1977 publication, via the Portal to Texas History.

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Copyright © 2024 Paula Bosse. All Rights Reserved.

KVIL: The “VIL” Stands for Village

sewell-auto_KVIL_ebayNortheast corner of Preston & Mockingbird…

by Paula Bosse

Sewell Village Used Cars and a Mobil station were at the northeast corner of Preston and Mockingbird (Sewell was at 5460 Preston Road), catty-corner from Highland Park Village. The KVIL studios were right around the corner, at 4152 Mockingbird Lane, across the street from the Dallas Country Club — you can see the jauntily-lettered sign in the background of this undated.photo. I am really bad at determining car-model years, but let’s say this is about 1960. What does this corner look like these days? It looks like this.

I just learned (from the KVIL Wikipedia page) that the “VIL” in the station’s call letters stood for “Village,” as in Highland Park Village. Who knew? The AM station began broadcasting on March 1, 1960, and the FM station hit the airwaves on Aug. 25, 1961. I believe both stations had a strict “no-rock-and-roll” policy. In the early days, a block of programming was aimed directly at housewives:

The program policy followed by the station is designed to fit the various hours of the day. For the driving hours when listeners drive to work (5:45 to 9 a.m.) and return (4:30 to 6:55 p.m.) the music is livelier. “Sing Along” is the order of the day from 9 a.m. to noon for the housewife’s work hours. (“KVIL Mark’s First Birthday Wednesday,” Dallas Morning News, March 1, 1961)

Here are a couple of hep, caffeinated KVIL ads from those early days:

patreon_KVIL_HPHS_1961-yrbk1961 ad

patreon_KVIL_HPHS_1962-yrbk1962 ad

kvil-logo_broadcasting-mag_122462_ad-det1962 logo

Most of my sort of generally vague awareness of KVIL was in the 1980s, when it was an absolute powerhouse in the ratings. But even its most stalwart fans would probably not describe its playlist as “bright,” “exciting,” or “swinging.” But look how much fun the promotions department imagined the effect on “young adults” was!

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And what about Sewell Village Cadillac and its selection of “Village Fine” used cars? If circa-1960 Highland Park is going to have a used car lot, you better believe it’s going to be populated with Cadillacs. (UPDATE: Thanks to Peter K’s link in the comments, check out what appears to be the original photo by Squire Haskins, with a wider view, at the UTA Libraries website, here.)

sewell-village-cadillac_032158March 1958

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Sources & Notes

Photo from eBay.

KVIL ads from the 1961 and 1962 Highland Park High School yearbooks.

KVIL logo is a detail from an ad that appeared in the Dec. 24, 1962 issue of Broadcasting magazine.

This post appeared in an abbreviated form on the Flashback Dallas Patreon page.

sewell-auto_KVIL_ebay

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Copyright © 2024 Paula Bosse. All Rights Reserved.

On the Line at Coca-Cola — 1964

patreon_coca-cola-bottling-plant_john-rogers_portal_ca-circa-1964Gleaming!

by Paula Bosse

The photo above shows the sunniest factory floor I’ve ever seen. You don’t think of factories filled with sunlight, but this is what it looked like inside the new Coca-Cola bottling works at Lemmon and Mockingbird in 1964. It’s gone now (as is that UNBELIEVABLY FANTASTIC ANIMATED NEON SIGN that made me look forward to nighttime drives to Love Field). All that remains is the small syrup plant (from 1948?). (…I think it’s a syrup plant. Or a warehouse. Or something syrup-related.)

The new plant opened in June 1964. The building had floor-to-ceiling glass — I’ve read reminiscences of people who remember driving by and seeing the work going on through those huge windows. I don’t know if there was bottling work going on after dark, but here’s a grainy photo from a Dallas Power & Light ad that shows the building at night, lit up like a stage.

patreon_coca-cola_opening_060964_dpl_night_det-1Dallas Power & Light ad (det), June 1964

Speaking of which, The Dallas Morning News wrote this:

The bottling room, which fronts on Lemmon, has a glass front 254 feet long and 26 feet high to provide a view of the bottling process to the passing public. (DMN, June 9, 1964)

Free show!

The woman featured in an Employers National Life Group Insurance Company ad (below), might be the same woman seen in the photo at the top. Manning her station.

patreon_coca-cola_opening_060964_ad-det_employers-natl-life-group-insuranceEmployers National Life ad (det), June 1964

And what was rolling off the automated line? Coke, Sprite, and Tab. And something called Mission (grape and orange drinks). 1,860 bottles a minute (!).

Back to the sign for a second. I haven’t invested a LOT of time in a search (but *kind of* a lot…), but I have been unable to find footage of that truly wonderful, mesmerizing neon Coca-Cola sign. Living in an age of Instagram and YouTube, we just expect to find this sort of thing quickly, without having to set aside large chunks of time to devote to searching. If YOU know where film/video of that sign might be hiding… SPEAK UP!

A couple of shots of the exterior:

patreon_coca-cola-bottling-plant_john-rogers_portal_ext_ca-circa-1964

patreon_coca-cola-bottling-plant_john-rogers_portal_exterior_ca-circa-1964

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coca-cola-plant_mockingbird_dallas-power-light-ad_dallas-mag_april-1964_full
April 1964

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Sources & Notes

Top photo and last two photos are all by John Rogers and were probably taken around the time the plant began operation in mid-1964; all are from the John Rogers and Georgette de Bruchard Collection, UNT Libraries Special Collections, via the Portal to Texas History, here, here, and here.

A shorter version of this post previously appeared on the Flashback Dallas Patreon page in November 2023.

patreon_coca-cola-bottling-plant_john-rogers_portal_ca-circa-1964

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Copyright © 2024 Paula Bosse. All Rights Reserved.

Jimi Hendrix in Dallas, 4/20/69

jimi_WFAA_042069_SMU_aDoug, Mitch, Noel, and Jimi

by Paula Bosse

Today is 4/20 Day. An alternate (or parallel) way to celebrate the already alternative “holiday” is to mark the anniversary of one of Jimi Hendrix’s best interviews, on the Love Field tarmac on April 20, 1969, given to Dallas reporter Doug Terry (still a college student when he was at WFAA-Channel 8). The band was in Dallas for a show at Memorial Auditorium. It’s just a fantastic, laid-back, cool interview.

I had tried contacting Doug several years ago to let him know this clip was racking up the hits on YouTube, in case he wasn’t aware it was there, but I didn’t hear back from him until this week! He had seen the post I had written about this interview and wrote a bit about that momentous occasion in the email. He also adds some interesting behind-the-scenes tidbits I always find interesting (the following is used with Doug’s permission):

I was still a college student most of the time I worked at WFAA. I handed in my resignation after covering the north Texas pop festival in that same year. [Watch one of Doug’s reports from the Texas International Pop Festival here.] Your comment about being in a large city and its advantages was something that I did not fully grasp until years later. The access was wonderful, I saw Hendrix at least three times, on one occasion being in the dressing room with a camera when he warmed up for a show (that footage is nowhere to be found).

There are two aspects to mention about that interview. First, I was a weekend reporter and late night news anchor at Ch. 8 and I assigned myself to go interview him. In those days, one could call up the airlines when a notable person was coming in and they would give the flight number and arrival time. Amazing. Most of the people at the station at that time probably had no idea who Jimi was and wouldn’t have cared if they did know.

The other interesting point is the work of the photographer. Ordinarily, we did over the shoulder interviews, the camera to the back and side of the reporter. The fact that this was shot from the side made all the difference. As a shooter, he was not otherwise outstanding but this interview would be much less interesting if it had been shot in the traditional line-up sort of way. The two bandmates goofing around was distracting but great.

Thank you so much for getting in touch, Doug!

My original 2017 post about this interview (with the film clip of Jimi, Mitch Mitchell, and Noel Redding at Love Field) — which includes additional info about Jimi’s other performances in Dallas — is here: “Jimi Hendrix, Glen Campbell, Tiny Tim — In Dallas (…Separately), 1969.”

jimi_WFAA_042069_SMU_b

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Sources & Notes

Screenshots from the WFAA Collection, G. WIlliam Jones Film and Video Collection, Hamon Arts Library, SMU.

Excerpt from Doug Terry’s email to me (April 16, 2024), used with permission.

jimi_WFAA_042069_SMU_a

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Copyright © 2024 Paula Bosse. All Rights Reserved.

Salih’s, Preston Center: 1953-1977

patreon_salihs_w-t-white_1968-yrbk_ext1968, Preston Center (W. T. White yearbook)

by Paula Bosse

If you’re reading this, chances are pretty good that you have fond memories of Salih’s Barbecue in Preston Center (or its later incarnation in Addison as “Solly’s”). I have to admit, I had never heard of Salih’s until I started this blog in 2014 (I completely forgot to note the landmark of 10 full years of Flashback Dallas a couple of weeks ago!). But, from what I’ve read, this was an incredibly popular place, and people still rhapsodize about the BBQ, the po’ boys, the fries, the cole slaw, and the potato salad.

So, I’ve read all these memories… but I can find no good photos of the place! There’s the cropped shot of the exterior above and a lot of not-very-helpful shots which appeared in high school yearbooks over the years, taken inside — but they don’t actually show the restaurant! And I understand there was quite a mural in there. I’d love to see a photo of that! Do YOU have any photos of Salih’s in Preston Center? Exterior? Interior? Mural? Please send me whatever images you have. I really want to see them!

UPDATE: Thanks to Mark Salih, son of co-owner Jack Salih, I have a photo of the interior, with parts of the mural visible. George Salih is on the far right, and his brother Jack is next to him. (Thank you, Mark!)

salihs_mark-salihMark Salih photo, used with permission

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Salih’s Barbecue was opened by George and Jack Salih on March 20, 1953. The brothers had previously owned a small drive-in and later worked in or managed locations of Lobello’s in Lakewood (2005 Abrams) and Casa Linda (328 Casa Linda Plaza) — either before, during, or after these locations became “Fred’s” BBQ stands (owned by Fred Bell, founder of Kip’s).

That first business, Salih’s Drive-In, was located across from Fair Park at 912 S. Haskell — it opened around 1945. Read George Salih’s memories of serving the “circus people” there in a Feb. 11, 1987 article from the Farmers Branch Times here.

salihs-drive-in_haskell_DMN_081849Aug. 18, 1949

After a few years of working for the Lobello family, George and Jack opened their own place at 8309 Westchester, in Preston Center, not far from the original Lobello’s on Northwest Highway. Eventually, Jack moved to East Texas and opened another barbecue place (the Angus Inn in Longview), and George ran the Dallas restaurant. (Click ad to see a larger image.)

salihs_opening_032053_adMarch 20, 1953 — opening day

An article in the Dallas Morning News describes the new Dallas restaurant thusly:

The restaurant features unique styling in both interior and exterior design. Relief murals decorate the walls inside, while small wooden shutters afford a rustic flavor. The exterior incorporates Roman brick construction, with tall red columns decorated with glass paneling added as a decorative feature. (DMN, March 20, 1953)

It also notes that the Salih brothers were the restaurant’s chefs.

I mentioned this Park Cities landmark in a recent Patreon post, and a kind member described the mural (designed, I believe, by artist Frank J. Boerder):

It was a 3-dimensional cut-out depiction of a cowboy scene, back-lit by a set of red-orange lamps. It ran the length of the south wall of the interior. When you looked at it the scene was in black, back-lit by the lamps. Very striking for a BBQ place. (Plus, the food was very, very good.)

Salih’s is described in the ad above as “a dining area which provides an inviting atmosphere with ultramodern ranch-style design.” I would really like to see this!

Salih’s left Preston Center around 1977, leaving for the then-sparsely populated wilderness of Addison. The restaurant’s name was changed to “Solly’s” (which was either a new name for a new location, a guide for new customers on how to pronounce the Lebanese name, or a sad concession to deal with possible Middle Eastern biases). Solly’s closed in 2004.

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Below are a lot of ads that appeared in the yearbooks of Highland Park High School and W. T. White High School. I was hoping to see more of the interior but, instead, got lots of photos of kids in paper hats (which I still enjoy!). So here they are!

salihs_smu-campus_081656SMU Daily Campus, 1956
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salihs_HPHS_1960-yrbkHPHS, 1960
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salihs_HPHS_1961-yrbkHPHS, 1961
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salihs_HPHS_1962-yrbkHPHS, 1962
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salihs_HPHS_1963-yrbkHPHS, 1963
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salihs_HPHS_1964-yearbookHPHS, 1964
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salihs_w-t-white_1966-yearbookWTW, 1966
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salihs_HPHS_1967-yrbkHPHS, 1967
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Part of the mural over their heads?

salihs_w-t-white_1967-yrbkWTW, 1967
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salihs_HPHS_1968-yearbookHPHS, 1968
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salihs_HPHS_1969-yrbkHPHS, 1969
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More of the carved mural?

salihs_w-t-white_1969-yrbkWTW, 1969
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salihs_HPHS_1970-yrbkHPHS, 1970
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salihs_HPHS_1971-yrbkHPHS, 1971
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salihs_HPHS_1972-yrbkHPHS, 1972
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salihs_HPHS_1973-yrbkHPHS, 1973
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salihs_HPHS_1974-yrbkHPHS, 1974
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salihs_HPHS_1975-yrbkHPHS, 1975
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salihs_HPHS_1976-yrbkHPHS, 1976
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And, the last one, from 1977 — could that be a another very, very dark part of the mural at the right?

salihs_HPHS_1977-yrbkHPHS, 1977

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Sources and Notes

All sources as noted.

Read the obituary of George Salih here. Read a longer, more colorful obituary in the Dallas Morning News archives (“George Salih — Operated Barbecue Restaurant in Dallas” by Joe Simnacher, DMN, Aug. 14, 2009).

Jack Salih died in Gilmer in Jan. 1991.

patreon_salihs_w-t-white_1968-yrbk_ext_sm

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Copyright © 2024 Paula Bosse. All Rights Reserved.

The Hilltop Is for Lovers — 1963

valentines-day_yellow-pages-cover_may-1963_HILLTOP IS FOR LOVERSLove is in the air…

by Paula Bosse

Happy Valentine’s Day!

This seems like a timely image. Sort of a half-photo, half-illustration depiction of dreamy campus life, in which SMU appears to be populated entirely by smiling paired-off couples, as a soft-focus Dallas Hall rests serenely in the background.

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Sources & Notes

Cover of the 1963 Greater Dallas Yellow Pages, which popped up sometime last year on eBay.

valentines-day_yellow-pages-cover_may-1963_HILLTOP IS FOR LOVERS_sm

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Copyright © 2024 Paula Bosse. All Rights Reserved.