Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: 1960s

Gloria Vanderbilt’s 4 Husbands… and Their Dallas Connections

cooper-wyatt_gloria-vanderbilt_1970_w-magMr. & Mrs. Wyatt Cooper, 2 months after their royal reign in Dallas

by Paula Bosse

Gloria Vanderbilt died June 17, 2019 at the age of 95. Despite being the subject of one of the most headline-grabbing child-custody trials in 20th-century history, “poor little rich girl” Gloria Vanderbilt grew up to live what appears to have been a full and mostly happy life. There were several Dallas connections in her life, especially regarding each of the four men she married.

One of Gloria’s aunts (her mother’s sister-in-law, or, more confusingly, the ex-wife of Gloria’s mother’s brother) was Ivor O’Connor Morgan, something of a bon vivant socialite who lived primarily in Europe but kept Dallas as her residence of record. She was born in Dallas, the eldest daughter of prominent banker J. C. O’Connor and niece of Mayor J. Waddy Tate. She testified in Gloria’s custody trial in support of Gloria’s mother (who ultimately lost custody).

And now to Gloria’s husbands.

1. PASQUALE (“PAT”) DiCICCO was Gloria’s first husband. He was a Hollywood agent and the ex-husband of film star Thelma Todd (who died under mysterious circumstances, with many wondering if Pat might have been involved in what many suspected had been a murder). They married in 1941 when Gloria was only 17 (Pat was 32). Gloria described the marriage as an unhappy and abusive one. They divorced in 1945. 

di-cicco_dec-1941_APDiCicco and Gloria in 1941

Their honeymoon road trip brought them to Dallas for a day where they took a breather from their motoring to be entertained at a luncheon held in their honor in the Mural Room of the Baker Hotel.

In 1947 — a couple of years after their divorce — DiCicco moved to Dallas to assume a vice-president position with the Dallas-based Robb & Rowley theater chain. He appears to have returned to Hollywood at the beginning of 1949.

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2. LEOPOLD STOKOWKSI, the noted classical music conductor, was Gloria’s second husband. They married one day after her divorce with DiCicco was finalized; Gloria was 21, Stokowski was 63. They were married for 10 years and had two sons.

stokowski_vanderbilt_1950_pinterestThe Stokowskis, with their first son, 1950, via Pinterest

In December, 1950 (about the time of the photo above), Leopold Stokowski appeared in Dallas as a guest conductor with the Dallas Symphony Orchestra. He and Gloria drove up from Houston and spent their time here at the Stoneleigh Hotel. Stokowski had been invited by DSO conductor Walter Hendl, with whom he had worked at the New York Philharmonic Symphony.

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Dec., 1950

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3. SIDNEY LUMET, the TV and movie director, was husband #3. They married in 1956 and divorced seven years later. He was known for critically acclaimed films such as 12 Angry Men, Dog Day Afternoon, Network, and Serpico.

lumet-sidney_vanderbilt_wedding_w-mag Mr. and Mrs. Lumet, 1956

Sidney Lumet’s father, Baruch Lumet, was a Warsaw-born actor who was had started in Yiddish theater. Somehow he ended up in Dallas, where he founded an acting school and was the director of the Dallas Institute of Performing Arts, whose home-base was the Knox Street Theatre. Baruch plied his craft in Big D for about ten years, beginning in 1952. Among his students was then-Dallas resident Vera Jane Palmer, better known as Hollywood glam-star Jayne Mansfield.

lumet-baruch_apr-1960_ad1960

Speaking of the theater world, it’s interesting to note that while Gloria was married to Sidney Lumet, she had written a play (untitled) which had been sent by her agent to Paul Baker at the Dallas Theater Center for consideration. The play was described as “a dance drama, written partly in poetic style” (Dallas Morning News, Sept. 24, 1959).

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4. WYATT COOPER was Gloria’s last husband; they were married from 1963 until his death in 1988, and together they had two sons, one of which is journalist Anderson Cooper. From most accounts, the years with Cooper were among her happiest.

gloria-vanderbilt_wyatt-cooper_wikipedia_ebay-photo_101170The Coopers, dressed in matching Adolfo, 1970, via WikiMedia

In 1970, it was announced that Neiman-Marcus’ annual extravagant Fortnight festivities would celebrate the culture and commerce of Australia, but at the last minute, the country pulled out, leaving Neiman’s in the lurch. It was too late to get another country on board, but the show must go on – and Stanley Marcus made the executive decision to feature a fictional country: “Ruritania.”

n-m-fortnight_ruritania_1970_postcard

The store created the country’s history, designed its money and postage stamps, and even commissioned a national anthem. There was even a king and queen of the principality: King Rudolph and Queen Flavia, embodied by the striking couple of Wyatt Cooper and Gloria Vanderbilt, who presided over a grand ball in formal-wear designed by Gloria’s favorite designer, Adolfo. The photo at the top of this post (and directly below) was taken in December, 1970, just a few weeks after the Neiman’s Fortnight — the Coopers were attending the high-society Winter Ball at the Plaza Hotel in New York, with Gloria in another Adolfo creation. It gives you an idea of the royal costumes they wore in Dallas as the faux monarchs of Ruritania. It also shows what a game, happy couple they were and why Stanley Marcus chose them to be the king and queen of his mythical kingdom .

cooper-wyatt_gloria-vanderbilt_1970_w-mag_sm

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RIP, Gloria. We should all be lucky enough to have a life as full as yours.

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Sources & Notes

Top photo of Gloria Vanderbilt and husband Wyatt Cooper shows the couple in December, 1970, attending the Imperial Russia-themed Winter Ball in New York City, with Gloria in a costume designed by Adolfo; that photo (as well as the photo of her and Sidney Lumet on their wedding day) appeared in a well-worth-clicking-through W magazine slideshow.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Dallas: Major Convention Center — 1963

dallas-major-convention-center_june-1963_ebayCity of dreams, city of motels… (click for larger image)

by Paula Bosse

Here’s an interesting shot of the downtown skyline: from an unidentified motel (possibly along Harry Hines?).

This cover of a 1963 Dallas Chamber of Commerce magazine carries the headline “Dallas: Major Convention Center” — that year Dallas was named the #3 convention center (Chicago and New York held the top two spots) in a survey conducted by the trade publication World Convention Dates based upon the number of conventions booked — Dallas had 405 conventions booked, as of July, 1963. The previous year Dallas was ranked #9, so that’s quite an improvement. The GOP was even considering the city as the site of their 1964 Republican National Convention (which, considering the events of November, 1963, is an odd thing to contemplate).

Why was Big D so popular? An advertorial in The Dallas Morning News listed a few reasons:

…clear, dry weather; cosmopolitan atmosphere; numerous modern and attractive hotels and motels – with more being built every day; a marketplace with wares from over the nation and world; fun things to do and see including cultural, sports and theatrical offerings; a world-wide shopping center; easy accessibility via gleaming highways, freeways and an airport which ranks 10th in the nation. (DMN, Oct. 6, 1963)

So… pretty much the same things you hear today (except our highways might not be quite so gleaming — but our (new) airport ranks a lot higher than #10). All these years later, Dallas remains near the top of the convention-attracting cities in the United States. (I have a feeling the motel seen in the photo above did not have such a rosy future….)

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Sources & Notes

Image shows the cover of the June, 1963 issue of Dallas, the magazine of the Dallas Chamber of Commerce; found in an old eBay listing. (If anyone has any old copies of this magazine they would like to divest themselves of — or loan out for a short time — please contact me at the email address in the About/Contact tab at the top of this page.)

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Copyright © 2019 Paula Bosse. All Rights Reserved.

The Zodiac Room

zodiac-room_ebay_menu_cover

by Paula Bosse

The tastefully swanky Zodiac Room opened at the downtown Neiman-Marcus store on April 27, 1953. (Interestingly, there was an earlier — and presumably unrelated — Zodiac Room, in the Jefferson Hotel, from at least 1950 to 1952.)

The Zodiac, a fashionable restaurant and tearoom featuring select foods, will open Monday on the sixth floor of Neiman-Marcus Company’s downtown store. Designed by Eleanor LeMaire of New York, the restaurant’s décor will suggest the roof of the world with signs of the Zodiac represented in both the main dining area and the terrace. (The Dallas Morning News, April 26, 1953)

Stanley Marcus wanted a restaurant in the store in which customers could take a break from shopping by having lunch or afternoon tea on-site, without having to leave the premises. Customers could continue to “shop” while dining as models walked around modeling fashions from the store’s inventory.

“[W]e installed a large restaurant, the Zodiac Room, to attract more people to the downtown area and as a service to those customers from out of town who were spending the day in the store.” (Stanley Marcus, in his book Minding the Store)

Below are a few ads from the Zodiac’s first week (click to see larger images).

zodiac_opening-ad_042653
April 26, 1953

COME AND SEE DALLAS’ NEW AND DISTINCTIVE RESTAURANT — THE ZODIAC.

Just completed on our new sixth floor, the Zodiac Restaurant is another step in our downtown expansion program to bring to Dallas the most luxurious and elegant store in America.

The star studded atmosphere of the Zodiac will give you an out of this world feeling. The walls are a wonderful cerulean blue, the carpet’s deep enough for snowshoes and an Italian tile pool sprouts water lilies for the occasion. Informal modeling every day at luncheon.

Plan to have lunch with us this week and bring your guests. We think you’ll be enchanted with the atmosphere as well as the excellent cuisine. Luncheon 11:00 to 2:30, tea 2:30 to 5:00, dinner Thursday night 5:00 to 8:00. NEIMAN-MARCUS

zodiac_opening-today-ad_042753
April 27, 1953

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April 28, 1953 (N-M ad, detail)

You could even get a Zodiac-inspired hair-do, the Zodiac Cut: “Sophisticated, spherical — without a hint of a part.”

zodiac-cut_nm-ad_042953April 29, 1953

Other than the fact that this elegant dining space was part of the world-famous Neiman-Marcus department store, its main draw was its food. According to Stanley Marcus, in his book Minding the Store, the Zodiac struggled for the first year or two and didn’t find its footing until he hired the now-legendary Helen Corbitt as the restaurant’s director. He wrote the following in a guest column in The Dallas Morning News in 1979:

“A landmark in the culinary history of Dallas was the arrival of Helen Corbitt, who made a monumental contribution to improvement of food and service standards in the community. The Neiman-Marcus Zodiac Room became famous under her direction.” (Stanley Marcus, DMN, April 12, 1979)

Below is an example of the fare favored by the Ladies Who Lunch (and the occasional Men Who Lunch), seen in a menu from 1956. (The most expensive item on the menu was the Roast Prime Rib of Beef, which came with a Baked Idaho Potato, a salad from the “Salad Wagon,” and a choice of coffee, milk, or “exquisite tea” — the price was $2.25, which in today’s money was a shockingly affordable $21.00.)

zodiac-1956-menu_inside_ebay

A dessert menu (a bit hard to read, I’m afraid) is below:

zodiac-menu-2_ebay_dessert-menu

There was also a children’s menu, which was so charmingly designed by Neiman’s gift-wrap designer, Alma Shon, that I don’t blame a customer for having spirited away a copy of the menu as a holiday-time souvenir of what was no doubt a very special occasion (the date penciled at the top is Dec. 23, 1966). (More information about Ms. Shon is in the “Sources & Notes” section at the bottom of this post.) Below, the front and back of the children’s menu, illustrated with the signs of the zodiac:

zodiac-room_childrens-menu_instagram_front

zodiac-room_childrens-menu_instagram_back

Inside, meal options for well-appointed kiddies and a “Zodiac game” to keep them occupied.

zodiac-room_childrens-menu_instagram_food

zodiac-room_childrens-menu_instagram_zodiac-game

A few years later, this Stanley Marcus-penned letter appeared as a 1976 N-M ad — it was a personal reply to a nine-year-old Zodiac patron who had apparently written to Neiman’s inquiring about the children’s menu, which she was distressed to see had disappeared on her last visit:

zodiac-room_051776_ad-det_childrens-menu
May 17, 1976

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Lastly, a memory of the downtown Zodiac, from the Department Store Museum website:

The downtown Dallas store was in its entirety a magic store. Every step and turn off the escalators to the top floor was amazing. The Zodiac room with its floor-to-ceiling diaphanous curtains that filtered the bright Texas sky made for a dreamlike atmosphere along with the slender long-legged models in evening gowns and furs and the Andre Previn-inspired piano player. The popovers with strawberry and cinnamon butter weren’t bad either. Thank you, Dallas and Neiman-Marcus, for such a rich time in my life.

And it’s still going strong.

zodiac_matchbox_cook-collection_degolyer-library_SMU

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Sources & Notes

Top image and other (non-children’s) menu images from eBay.

The four images of the Zodiac Room children’s menu are the reason I decided to do this post. My whimsy-threshold is pretty low, but I love the utterly charming drawings which grace the front and back covers. I saw them posted on the Instagram account @reflectionofaman (a cool account — here, for the desktop site — which features the photographs of Stanley Marcus, curated by his granddaughter, photographer Allison V. Smith); it had been shared there by Babs Bern (@mullett7665.manor). The menu’s artist — Alma Shon — was identified by her daughter Kate Heyhoe (@StarkRavingCat) in the comments. According to a 1953 Dallas Morning News profile, Shon was born in California in the early 1920s to Korean refugees who had fled Korea in 1905 during the Russo-Japanese War. She grew up in Los Angeles but made her way to Dallas by at least 1948; she began working for Neiman Marcus in 1948 or 1949. She was in charge of Neiman’s giftwrap design, but also designed other merchandising elements — she was with the store for several decades. More on Ms. Shon (including a photo of her from the ’50s) can be found in a post by her daughter Kate, here.

Color postcard of the Zodiac Room was found on Flickr, here. I used this same card in a previous Flashback Dallas post, “Luncheon at The Zodiac Room, Darling.”

Image of the  blue matchbox at the bottom is from the George W. Cook Dallas/Texas Image Collection, DeGolyer Library, SMU Libraries; more info is here.

More on Helen Corbitt can be found in articles in Texas Monthly and in Legacies; a couple of her recipes — including her famous Poppy-Seed Dressing — can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

Esquire Theater — 1969

esquire-theater_1969_portal“Midnight Cowboy” at the Esquire, 1969… (click for  larger image)

by Paula Bosse

This is a really great photo of the still-missed Esquire Theater in Oak Lawn. Here we see it in 1969, showing the X-rated film Midnight Cowboy, which went on to win several Academy Awards, including Best Picture (the only X-rated film to receive the Best Picture Oscar), Best Director (John Schlesinger), and Best Adapted Screenplay (by Waldo Salt, based on the novel by James Leo Herlihy).

Midnight Cowboy opened at the Esquire in July, 1969 and ran for several months. One of the featured actors in this American classic is Dallas’ own Brenda Vaccaro (Thomas Jefferson High School Class of 1958, daughter of Mario Vaccaro who owned Mario’s Italian restaurant) — I’ve loved her in everything I’ve ever seen her in. (Here’s one of her scenes from Midnight Cowboy.)

vaccaro-brenda_thomas-jefferson_1958_seniorThomas Jefferson High School, 1958

“Whatever you hear about Midnight Cowboy is true!” … “A reeking masterpiece. It will kick you all over town.” … “A nasty but unforgettable screen experience.”

midnight-cowboy_072369_opening_esquire
Opening day, July 23, 1969

It’s been a while since I’ve seen this movie. I had forgotten how much I liked the opening in which Joe Buck leaves Texas to head to New York. Here it is, overflowing with small-town Texas flavor (filmed in Big Spring). Cameo by an evocative Mrs. Baird’s paper hat.

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Sources & Notes

Photo titled “[‘Midnight Cowboy’ at Esquire Theatre]” is from the Spotlight on North Texas collection, provided by UNT Media Library to The Portal to Texas History; more on this photo can be found here.

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Copyright © 2019 Paula Bosse. All Rights Reserved.

Jane Asher in Dallas — 1967

jane-asher_dallas_1967

by Paula Bosse

English actress Jane Asher — who has acted since the age of 5 — will probably forever be referred to somewhere (like here) as “Paul McCartney’s former girlfriend.” They dated from 1963 to 1968, and Jane always asserted that her acting career was what was important to her, not being a celebrity (or the girlfriend of a celebrity). But if you were dating a Beatle, that was probably an impossible thing to escape.

In 1967, Jane toured the United States for several months as part of the Bristol Old Vic company. One of their longest stays was in Dallas (April 10-15, at the State Fair Music Hall), where the company performed Shakespeare’s Measure For Measure, Hamlet, and Romeo and Juliet (in which Jane appeared as Juliet). The Dallas performances (“The theatrical event of the season!” “Only Southwestern engagement…”) were co-sponsored by Neiman-Marcus.

bristol-old-vic_022667_det

It appears that Jane popped into Dallas early — on April 4 and April 5 — in order to do some publicity, catch a Dallas Theater Center production of Julius Caesar (as the guest of Richard Marcus who, afterwards, hosted a small dinner party), and, the next day, celebrate her 21st birthday at a noon luncheon in Neiman’s Zodiac Room.

Her arrival at Love Field was captured by Channel 8 news cameras (sadly, without sound).

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asher-jane_wfaa_jones-collection_smu_april-1967_a


asher-jane_wfaa_jones-collection_smu_april-1967

asher-jane_ap-wire-photo_040567_dtcAP wire photo, taken in Dallas on April 4, 1967

asher-jane_zodiac-room_040567
AP wire photo, taken in Dallas at Neiman-Marcus on April 5, 1967

After cake at the Zodiac Room on her birthday — April 5, 1967 — she left for Denver, the next stop on the tour. That night her famous boyfriend joined her there for even more cake.

jane-paul_denver_ap-wire-photo_040667
Denver, April 5, 1967

After the run in Denver, the Bristol Old Vic company came to Dallas for six days (and seven performances). A reviewer complained about the Music Hall’s poor acoustics and thought that the productions of the three plays were a bit “mod” for his taste (“considerable stage movement and fast-paced dialogue caused many of the lines to be lost”), but he thought Jane acquitted herself well as Juliet in a good, if somewhat undistinguished production.

In an interview with Maryln Schwartz of The Dallas Morning News, Jane — probably for the thousandth time — had to steer the conversation back to her acting and away from her famous boyfriend. When Schwartz asked who her favorite “singing group” was she told her it was the Grateful Dead.

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old-vic_dallas_austin-american-statesman_011567
Austin American-Statesman, Jan. 15, 1967 (click to see larger image)

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Sources & Notes

Top photo by Harry Benson, Daily Express, Hulton Archive, Getty Images. The Getty caption has the date as April 25, 1967, which is incorrect — the photo was most likely taken on April 5, 1967 (Jane is wearing the same outfit seen in the Zodiac Room photo, and on April 25th, the theatrical company had been in Illinois for over a week). I have to admit, I love seeing celebrities awkwardly wearing Texas cowboy hats. But Jane looks pretty cute.

The WFAA-Ch. 8 news footage is from the G. William Jones Film Collection at SMU. The short, 49-second clip shows her arriving on a Delta flight at Love Field, met by a no doubt Stanley Marcus-approved be-costumed young man with a trumpet and a woman bearing some sort of official proclamation of “welcome.” The two color photos are my screen captures.

The birthday cake photo is from a blog post teeming with fantastic photos of Jane Asher and her stunning red hair, here.

More on Jane Asher’s career at Wikipedia, here.

More on the Beatles and Dallas can be found in the Flashback Dallas post “The Fab Four in Big D — 1964,” here. (It’s interesting to note that two important people in the orbit of the Beatles celebrated milestone birthdays in Dallas: Jane Asher turned 21 here, and manager Brian Epstein turned 30 while here with “the boys” in 1964.)

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Dallas Fire Fighter Magazine — 1960s

dallas-fire-fighter-magazine_jan-1965_ebay

by Paula Bosse

I saw these covers of Dallas Fire Fighter magazine on eBay and thought they looked really interesting. I can’t find anything about this publication other than a one-sentence glancing mention in a Dallas Morning News article on fire prevention in January, 1962 — so it had been around at least since the early ’60s. Here are four covers — one from 1963, two from 1965, and one from 1966.

dallas-fire-fighter_magazine_july-1963_ebay_love-fieldLove Field engine, July 1963

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Rescue of a toddler, April, 1965

dallas-fire-fighter_magazine_oct-1966_ebay
Aero-Unit inspection, No. 1 Station, October, 1966

The person listing these magazines on eBay included a few (very low-resolution!) photos of some of the pages inside. Below are a few interesting tidbits from the October, 1966 issue.

dallas-fire-fighter-magazine_oct-1966_ebay_fire-house-rhythm-kings_photo

The Fire House Rhythm Kings was a country band made up of Dallas firefighters, formed in 1956. They played well over 300 gigs a year (one article noted they sometimes performed at four venues in one DAY!), combining entertainment with education on fire prevention. The caption: “Fire House Rhythm Kings – left to right, Jack Mewbourne, Doug May, Les Wilson, Spurgeon Harris, Don Smith, ‘Big Ed’ Hunt, J. W. Hadaway, Don Spruell, and Leland Loggins. Members not present in the photo include Harvey Lanier, Troy England, W. T. Babb and Wendel Jenkins. Newest additions to the band include Larry Gotchel and Earl Rowe who have also joined since the photo was made.”

They also had a regular show on radio station KPCN (click to see larger image):

dallas-fire-fighter-magazine_oct-1966_ebay_fire-house-rhythm-kings
Dallas Fire Fighter, October, 1966

The department had recently acquired new equipment, including a heavy-duty rescue-salvage unit and an aero-unit (apologies for image quality!):

dallas-fire-fighter-magazine_oct-1966_ebay_heavy-duty-rescue-salvage-unit“New heavy duty rescue-salvage unit now in service at No. 3 Station”

dallas-fire-fighter_magazine_oct-1966_ebay_aero-unit
Aero-Unit

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And, lastly, an ad announcing a new section of Hillcrest Memorial Park created exclusively for fire-fighters and their families: “Firemen’s Rest.” This section of the cemetery featured a large marble statue by memorial sculptor Bernhard Zuckermann, which appears to be a copy of the bronze Firemen’s Monument dedicated in City Park in 1903 (the original bronze statue has been relocated to the Dallas Fire-Rescue Training Center on Dolphin Rd.). (See a transcription of the ad’s hard-to-read text here.)

dallas-fire-fighter_magazine_oct-1966_ebay_hillcrest-memorial-park_ad

Below, the original monument topped with the bronze likeness of Dallas fireman John Clark (who died fighting a huge East Dallas fire in 1902) honors Dallas firefighters who have died in the line of duty; it was dedicated on Nov. 26, 1903.

firemans-monument_dmn_112703_photoDallas Morning News, Nov. 27, 1903

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Sources & Notes

Dallas Fire Fighter magazine (published by the Dallas Fire Fighters Association) found on eBay, here (now sold!).

An interesting article on the Fire House Rhythm Kings band can be found in the Dallas Morning News archives in the article “Firehouse Band Goes Like Blazes” by the always entertaining Kent Biffle (DMN, Dec. 13, 1965)

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

A Gaston Avenue Plumbing Company, Its Windmill, and a Water-Whooshing Neon Sign

gaston-ave_strip-shopping_colteraConsumers Plumbing Co., Gaston and Hall

by Paula Bosse

A few years ago I came across this photo, showing the 3200 block of Gaston Avenue, just west of Hall. At the time I was more concerned with whether the deco-esque building still stood (it does not) that, somehow, I don’t think I even noticed the windmill (!). I know I didn’t notice that absolutely fantastic sign at the right, which I only hope was an animated neon sign with water whooshing from a faucet and then bubbling up at the bottom.

The business seen here is a plumbing supply business referred to over the years as both Consumers Supply & Plumbing Co. and as Consumers Plumbing Supply Co. It began in Dallas in 1924 when Sam Glickman opened a location on Main Street; two years later, the company incorporated, with two locations — one in Dallas and one in Fort Worth: the incorporators were Glickman and his wife, Minnie, and Morris Strauss and his wife, Josephine.

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July, 1924 (click for larger image)

In these early years, an incident in July, 1927 involving partner Morris Strauss (who ran the Fort Worth store) led to a highly publicized trial which garnered front-page coverage. Morris was abducted from his house late one night by several men, some of whom may have been wearing masks (which, on its own, was illegal, per the anti-mask law), had a hood placed over his head, and was driven to a deserted country road where he was beaten and flogged with a whip or rope and a tree limb. He was left bloodied, in his robe and pajamas, with a warning that the same fate awaited his partner, Glickman, in Dallas.

Newspaper reports suggested that the masked “floggers” were affiliated with a plumbers’ organization whose members were reportedly unhappy with what they thought was shoddy work and low-ball bidding on city projects by Consumers Plumbing. There was huge interest in the ensuing trial of one of the men implicated in the beating, a former FW police detective with ties to the Ku Klux Klan, but the trial ended anti-climactically in a hung jury. In 1990, a Fort Worth Star-Telegram article (“KKK Links Lurk In Tarrant Past” by Hollace Wiener, FWST, Feb. 25, 1990) noted that this incident was precipitated not so much by the fact that Strauss was outselling the competition, but, more importantly, it was because he was Jewish (both Strauss and Glickman were Russian-Jewish immigrants). Not only did the defendant have Klan connections, so did the judge (and probably several members of the jury). Strauss had been granted permission by the city manager to carry a firearm for his protection, and as far as I can tell, there were no further attacks. But the Fort Worth branch of Consumers Plumbing did not make it into the 1930s, and Mr. Strauss appears to have left town.

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Detroit Free Press, Oct. 1, 1927

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Samuel G. Glickman (1898-1967) was born in Russia and, as a boy, immigrated with his family to the United States, settling in New Orleans. He initially trained as a telegraph operator but eventually became a plumber and moved to Dallas to set up his own retail/wholesale plumbing company, offering plumbing services and selling supplies and fixtures.

In 1934 or 1935, he moved into a large building in Old East Dallas at 3207-3211 Gaston, next to the 1890s-era Engine Co. No. 3 firehouse (which stood immediately east of Consumers Plumbing, at the corner of Hall, until about 1963). The building had a second floor, where Glickman lived for a time. In fact, he was sleeping there when a huge early-morning 4-alarm fire broke out in the half-block-long building in January, 1949. Despite being right next door to a fire station, the building was gutted. Glickman rebuilt. And the new building (seen at the top) and THAT SIGN were pretty cool. (All images are larger when clicked.)

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Jan., 1949

consumers-plumbing_gaston_100249Oct., 1949

consumers-plumbing_gaston_oct-1949Oct., 1949

And because everything — no matter how obscure — seems to end up on the internet — here are a couple of random photos from a 1959 Volkswagen trade publication, showing Consumers workers loading plumbing-related things onto the back of a VW pick-up — some copywriter was no doubt ecstatic to have the opportunity to use “Everything goes in, including the kitchen sink!”

consumers_VW-truck_1959

consumers_vw_1959_thesambadotcom_1via TheSamba.com

At some point the Eveready Supply Co. (another of Glickman’s businesses) joined Consumers in the same block. Glickman died in 1967, and the businesses either moved or closed in the 1970s. The building is, unfortunately, long gone, and that block of Gaston is just one of … EVERY SINGLE BLOCK IN THAT AREA which seems to have been swallowed up by the gargantuan, ravenous, real-estate-gobbling machine known as Baylor Hospital (or whatever it’s called these days).

God, I wish I’d seen that neon faucet sign.

Oh, and the windmill? Aside from being an attention-grabber to passersby, Consumers also sold farm and ranch supplies.

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Oct., 1947

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Sources & Notes

Top color photo is from a postcard found several years ago on a Flickr page of superstar user “Coltera,” here.

I love neon signs, and Dallas used to have them everywhere. I haven’t seen another sign with quite this same water-whooshing-out-of-a-faucet design, but the one seen in this video is similar (but not as good!). Dripping faucets are popular — like this one. A great page featuring eccentric vintage neon signs of plumbing establishments is here.

And only because one of those Volkswagen trucks is featured prominently in a previous Flashback Dallas post, check out the floating VW pick-up bobbing along a flooded 4600-block of Gaston (mere blocks from Consumers Plumbing), here. And — why not? — a Clarence Talley Volkswagen ad from 1961 can be found here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

The JFK Assassination and Television Firsts — 1963

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Ruby shooting Oswald on live TV

by Paula Bosse

The assassination of President John F. Kennedy was not only one of the most sobering moments in American history, it was also a turning point for broadcast journalism, particularly in the way television covers breaking news.

The Kennedy assassination and the later captured-live-on-television shooting of Lee Harvey Oswald by Jack Ruby put broadcast journalists to the test as never before. News coverage was a solid days-long block — with NBC devoting almost 72 straight hours to the assassination and its aftermath. The immediacy of live television and the ability to learn of breaking-at-this-minute news was something that had never been experienced by Americans before — and something which pushed radio and television news reporting to new heights. It was reported that CBS alone used 80 newsmen to cover the story. The Nielsen ratings estimated that an unbelievable 93% of American households with televisions were tuned in to watch live coverage of the President’s funeral procession.

Perhaps the grisliest “first” of this new era of TV news was that millions of Americans watched a murder happen live as they watched from their living rooms: when Jack Ruby lunged from the phalanx of reporters gathered in the parking lot beneath the Municipal Building to shoot Lee Harvey Oswald as he was walking to an armored vehicle to be transported to the county jail, millions witnessed the shooting as it happened, stunned. NBC was the lone network to have broadcast live coverage of this unforgettable moment of 20th-century American history. The other networks followed soon after with recorded footage, but NBC got the scoop.

ad-jfk-assassination-NBC_broadcasting-mag_120263NBC ad in Broadcasting magazine, Dec. 2, 1963

Broadcasting — an industry trade magazine — devoted an entire 25-page “Special Report” on how television had covered — and shaped — JFK’s presidency and his assassination. Below is the article which specifically focused on the wall-to-wall broadcast news coverage, post-Nov. 22.

OSWALD SHOOTING A FIRST IN TELEVISION HISTORY

For the first time in the history of television, a real-life homicide was carried nationally on live TV when millions of NBC-TV viewers saw the Nov. 24 fatal shooting in Dallas of the man accused of assassinating President John F. Kennedy two days earlier.

Less than a minute after the shooting occurred, CBS-TV telecast the episode on tape, which was made as the homicide took place. Network executives in New York viewed the tape and officially directed that it be placed on network immediately.

The setting for the live NBC-TV coverage of the shooting of Lee Harvey Oswald, the accused assassin who died a short time later, was this: Oswald, flanked by detectives, stepped onto a garage ramp in the basement of the Dallas city jail and was taken toward an armored truck that was to take him to the county jail. Suddenly, out of the lower right corner of the TV screen, came the back of a man. A shot rang out and Oswald gasped as he started to fall, clutching his side.

UNBELIEVABLE

NBC News correspondent Tom Pettit, at the scene, exclaimed in disbelief: “He’s been shot! He’s been shot! Lee Oswald has been shot!”

The TV screen showed shock on the faces of police officers as they swarmed over the back of the assailant, Jack Ruby, a Dallas night club operator. The coverage showed Ruby hustled away by policemen and Oswald being sped to the Parkland Hospital in Dallas, the same hospital to which President Kennedy had been taken.

CBS-TV’s coverage of the sudden shooting, relayed a minute after the episode, was reported by Robert Huffaker, staff newsman of KRLD-TV Dallas, the network affiliate. Mr. Huffaker cried: “He’s been shot! Oswald’s been shot!”

ABC-TV did not have live cameras at the scene, having moved them to the Dallas county jail in preparation for Oswald’s planned arrival there. But ABC newsman Jack Lord reported the news flash of the Oswald shooting. The episode also was recorded by film cameras and was telecast subsequently on the network.

JAPAN’S KILLING

Broadcasters were certain the episode marked the first time in 15 years of global television that a homicide was telecast as it happened. It was recalled that in October 1960 Inejiro Asanuma, a Japanese political leader, was knifed on a public stage in Tokyo. Tape recordings of this incident were played back on Japanese TV stations 10 minutes later.

The capturing by TV of the Oswald homicide was one indication of the extensive, though quick, preparations by the networks for coverage of the disaster. Networks had made arrangements for quick switching to Dallas, as well as other focal points of the developing story, and were able to pick up the homicide episode once they had been alerted that Oswald was being ushered out to the garage ramp. (Broadcasting magazine, Dec 2, 1963)


JFK_ruby-oswald_broadcasting-mag_120263
Broadcasting, Dec. 2, 1963 (click to see larger image)

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NBC was the only network to carry Ruby’s shooting of Oswald on live TV. The footage — as it was aired — can be watched in the video below (the Dallas footage begins at about the 5:00 mark).


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KRLD, the local CBS affiliate, captured the shooting live, but it was not broadcast live. Here is the KRLD footage, helmed by Bob Huffaker (the shooting takes place near the 13:00 mark).


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In 2007, Bob Huffaker, Bill Mercer, Wes Wise, and George Phenix — reporters for CBS-affiliate KRLD-TV news — recalled the blur of days on the beat following the assassination in their book When the News Went Live: Dallas 1963. Watch a panel discussion on those days, below, recorded at the Sixth Floor Museum in 2008. (I found Wise’s recollections, beginning at the 39:00 mark to be most interesting.) (RIP, Bob Huffaker, who died June 25, 2018.)

when-the-news-went-live_cover

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ABC came in late, with reports from affiliate WFAA-Ch. 8 (about the 7:20 mark), but their coverage was certainly no less exciting — in fact, this might be my favorite reporting by local broadcast journalists that day.


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Another “first” in these days immediately following that awful day in Dallas was the very first showing of 8mm home-movie footage showing the assassination of the president. The film was shot by Dallasite Marie Muchmore, who reportedly sold the footage — sight unseen (it hadn’t even been developed) — to UPI for $1,000 (roughly about $8,000 in today’s money); the film was then shown on WNEW-TV in New York on Nov. 26. (The short footage, restored in recent years, can be watched on the Associated Press Archive site, here.)

ad-jfk-assassination-film_UPI_broadcasting-mag_120263
Broadcasting, Dec. 2, 1963

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Sources & Notes

A “Special Report” on the broadcast coverage of the Kennedy assassination and the shooting of Oswald by Ruby appeared in the Dec. 2, 1963 trade magazine Broadcasting; the issue may be read in its entirety here (pp. 36-61); the photo at the top of this post (showing Jack Ruby shooting Lee Harvey Oswald) is from that issue.

More Flashback Dallas posts on the Kennedy assassination can be found here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Bruce Channel, Delbert McClinton, and The Beatles — 1962

beatles_delbert_bruce_062162_mike-mccartneyThe Ringo-less Beatles with Delbert and Bruce, June 21, 1962

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(CLICK HERE TO WATCH THE FILM DISCUSSED IN THIS POST)

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by Paula Bosse

You know how you’re all excited about one thing only to discover something even more exciting sitting all alone over off to the side? That’s what happened when I took a look at the “Light Crust Doughboys collection” which has recently been uploaded to the Portal to Texas History site as part of the Spotlight on North Texas project via the UNT Media Library. I’m a huge fan of Western Swing and classic country music, and I spent an enjoyable hour or two watching home movies of the Light Crust Doughboys as they toured around Texas. When I looked to see what else comprised this collection, I saw the words “England Tour,” “Bruce Channel,” and “Delbert McClinton,” and a jolt went through me: oh my god, could there be film footage of the legendary meeting between the Beatles and North Texas musicians Bruce Channel and Delbert McClinton? Every Beatles fan worth his/her salt knows about the June 21, 1962 meeting when John Lennon eagerly chatted with Delbert McClinton about his harmonica prowess.

channel-beatles_poster_new-brightonvia Beatlesource.com

I watched the 27-minute home movie (shot by Marvin “Smokey” Montgomery, member of the Light Crust Doughboys and, from what I gather, Bruce Channel’s musical collaborator and, possibly, acting manager), and it does, in fact, capture glimpses of the famed tour in which Grapevine’s Channel, riding high on his #1 hit Hey! Baby, toured England with Fort Worth musician Delbert McClinton, who played harmonica on the record. One of their dates was the English town of Wallasey, just across the Mersey from Liverpool. On June 21, 1962 Bruce and Delbert played the New Brighton Tower Ballroom — their opening act was a popular local band on the brink of superstardom, The Beatles. Backstage, John Lennon asked for a few harmonica tips from Delbert whose Hey! Baby sound John really liked, and Delbert was happy to share. The photo above was taken at that meeting by Paul’s brother, Mike McCartney: from left to right, Pete Best (who would soon be replaced by Ringo Starr), John Lennon, Delbert McClinton (is he wearing Paul’s jacket?), Bruce Channel, Paul McCartney, and George Harrison. Another one, with Bruce and Paul, is below (I’m not sure who the girl is).

channel_mccartney_062162_mike-mccartney-photoBoth photos via Beatlesource.com

The home movie shot by Smokey Montgomery shows Bruce and Delbert (both only 21 years old at the time), their Fort Worth record producer “Major Bill” Smith, as well as several members of the package show of British performers that toured with Bruce, including Frank Ifield, Jay and Tommy Scott, and Beryl Bryden. …But, argh, no Beatles! So close! Still, this is great film footage of a famous tour — footage which may never have been seen by the public — and it is now available online for all to see, courtesy of the University of North Texas!

The 27-minute (silent) film can be viewed here (the good stuff is really only in the first 11 minutes or so — the rest is mostly tourist footage of the changing of the guards at Buckingham Palace). 

This may be thrilling to only a handful of people, but I am definitely one of those people!

A few screen captures from Smokey Montgomery’s 1962 “England Tour” film (all images are larger when clicked):

channel-film_UK_1962_bruce_busBruce on the bus

channel-film_UK_1962_delbertDelbert in a taxi

channel-film_UK_1962_bruce_with-fansBruce with fans

channel-film_UK_1962_bruce_fansPerks of the trade

channel-film_UK_1962_bruce_kiss
More perks

channel-film_UK_1962_delbert_hands-up
Delbert

channel-film_UK_1962_bruce_delbert_bbc
Bruce and Delbert, London

You just never know what you’re going to stumble across…. Below is Bruce Channel’s monster 1962 hit, recorded in 1961 at the Clifford Herring Studios in Fort Worth, Hey! Baby, kicked off by Delbert McClinton’s distinctive harmonica.

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Bruce Channel (born Bruce McMeans — the “Channel” was his mother’s maiden name), was born at the end of 1940 and attended Grapevine High School. During his high school days he gained popularity as a performer, complete with lengthy commutes between Dallas and Shreveport, where he was a regular performer on the star-making Louisiana Hayride. Around this time he began writing songs with Margaret Cobb, an Irving woman who was 10-15 years older and the sister of a musician acquaintance. Dallas-Fort Worth-area musician Smokey Montgomery (known for decades as the banjo player in the Light Crust Doughboys) not only helped arrange those songs, but he also produced and played on some of Channel’s early singles, such as the cool (and fast!) rockabilly number, Slow Down, Baby (hear it here) and a song I like even more, Come On, Baby (hear it here).

The Cobb-Channel-penned Hey! Baby was recorded in 1961 and soon became a local radio hit, most notably on KLIF in Dallas, then worked its way up charts around Texas. The song finally reached #1 in the country in March, 1962. Channel had a few other lesser hits, but none ever reached the heights of Hey! Baby. He moved to Nashville in the ’70s and embarked on a successful songwriting career.

Delbert McClinton was born in Lubbock, also at the end of 1940, but grew up in Fort Worth where he, too, was a teenage musician, first gaining attention with his band The Straitjackets/Straightjackets and later the Rondels. He’s a bona fide Texas blues legend and continues to perform.

channel-bruce_grapevine-high-school_sr-photo_1960Bruce McMeans, Grapevine High School, 1960

channel-bruce_louisiana-hayride_shreveport-times_101058
Shreveport Times, Oct. 10, 1958

channel-bruce_irving-news-record_010760
Irving (TX) News-Texan, Jan. 7, 1960 (click for larger image)

channel-bruce_louanns_march-1962
Louann’s, Dallas, March, 1962

bruce-channel_photo
British tour program photo, June, 1962, via Flickr

mcclinton-delnert_arlington-hts-high-school_1959_junior
Delbert McClinton, Arlington Heights High School, 1959

delbert-mcclinton_FWST_012558
Red Devil Lounge, Fort Worth, Jan., 1958

mcclinton-delbert_lubbock-avalanche-journal_032162
Lubbock Avalanche-Journal, March 21, 1962 (click to read)

channel-bruce_delbert-mcclinton-strait-jacketsFWST_010662
Bruce with Delbert (and stripper Tammi True), FW, Jan. 1962

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Sources & Notes

The film featuring Bruce Channel and Delbert McClinton is titled “[The Light Crust Doughboys, No. 16 — England Tour]” and is part of the Spotlight on North Texas collection; it was provided by UNT Media Library to The Portal to Texas History and may be viewed here. It was filmed by Marvin “Smokey” Montgomery (who can be seen near the very end, sitting almost in silhouette in front of an airplane window). The film is part of a collection of Light Crust Doughboys and LCD-related materials donated by Art Greenhaw. (Special thanks to Laura Treat!)

Speaking of UNT, there may also be a film clip somewhere in the Denton vaults in which Bruce Channel, the “Grapevine farmboy,” was the subject of a WBAP-Ch. 5 news story (the April 18, 1962 script is here).

See the full printed program for Bruce Channel’s June, 1962 British package tour here.

Bruce Channel’s website is here. Read an interesting interview with him here. More Bruce on Wikipedia, here.

Delbert McClinton’s website is here. He’s constantly touring. Go see him!

The producer of (among other recordings) Hey! Baby and Hey, Paula (the song which has followed me around my whole life) was “Major Bill” Smith who was quite a polarizing character and was often described as a “hustler” (Delbert was not a fan). Read about him here. (Also, rockabilly god Ronnie Dawson might be one of the musicians on Hey! Baby — I’ve always heard he played drums on Hey, Paula.)

Marvin “Smokey” Montgomery is listed, along with Major Bill Smith, as a co-producer of Hey! Baby, which sold well over a million copies, but it rankled him that he did not get a songwriting credit (and, perhaps more importantly, did not earn royalties), which he contended he deserved: in a 1973 Dallas Morning News profile he said somewhat bitterly, “[*Now*] if I have anything to do with making the music or writing the words… you can bet your sweet life my name will be on that record.” (“The Man Who’ll ‘Listen To Your Song'” by David Hawkins, DMN, Oct. 18, 1973). More on Smokey’s long career can be found at the Handbook of Texas, here.

Read about the Beatles’ use of a perhaps Delbert-inspired harmonica sound on several of their early recordings, most notably Love Me Do, here.

Side note: Hey! Baby broke first locally on Dallas radio station KLIF and then on Houston’s KILT — both stations were owned by Gordon McLendon, which might explain why Bruce Channel was appearing at an April, 1964 political rally at Reverchon Park in support of McLendon’s race for U.S. Senate (?!) — see the ad here. (McLendon lost his Democratic primary challenge against Sen. Ralph Yarborough, who ultimately went on to defeat Republican contender, the elder George Bush.)

Bruce and Delbert weren’t the only DFW musicians with whom pre-Beatlemania Beatles hobnobbed: they also shared a bill in Paris with Dallas son Trini Lopez in 1963 — the Flashback Dallas post “Trini Lopez: Little Mexico’s Greatest Export” is here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

Casa View Elementary/Casa View Park — 1954-1974

casa-view-elementary_park_aerial_squire-haskins_1954_dallas-municipal-archives_portalCasa View Elementary and next-door park, 1954 (click for larger image)

by Paula Bosse

I wrote about Casa Linda Park not long ago, so today … Casa View Park (and its neighbor, Casa View Elementary School).

After World War II, there was a severe housing shortage in Dallas, and developers began looking to areas which offered new land to build on and were ripe for annexation. One such area — east of White Rock Lake and beyond the city limits — was eyed as a prime site for a new residential neighborhood: it didn’t take long for the area now known as Casa View to pop up.

One of Casa View’s neighborhoods was Casa View Heights (which, roughly, is bounded by Garland Road, Centerville Road, Shiloh Road, and … maybe Barnes Bridge? — see ad below) — it was a development spearheaded by Carl Brown, whose nearby Casa Linda development had been a big hit. The land this addition was built on was annexed by the City of Dallas in 1949. In mid-1950, it was announced that “ten acres of pasture land north of Centerville Road in the Casa View area” had been purchased by the Dallas School Board, a tract which “some day may be the site of a school […] though the school building program has no project scheduled for the area” (“Sizable Land Plots,” Dallas Morning News, July 16, 1950).

About half that parcel of land became Casa View Park sometime in 1950; the other half became the campus of Casa View Elementary School. The school (designed by premier Dallas architect Mark Lemmon) began construction in 1952 and was ready for use by the opening of the new school year in 1953 (enrollment on the first day was an impressive 870 students).

Below are four aerial photos showing the Casa View park and school, taken over a 20-year period by Squire Haskins. (All images are larger when clicked.)

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At the top: a photo from 1954, with the year-old Casa View Elementary School on the left (in its original square shape, with an unusual-for-the-time open courtyard in the center); the fairly bleak-looking, treeless Casa View Park is on the right. The view is to the west, with Farola at the top, Monterrey on the left, and Itasca at the bottom and right.

Below, from January, 1966 — a view toward the south:

casa-view-elementary_park_aerial_squire-haskins_jan-1966_dallas-municipal-archives_portal

November, 1969 — looking west:

casa-view-elementary_park_aerial_squire-haskins_nov-1969_dallas-municipal-archives_portal

August, 1974 —  looking east:

casa-view-elementary_park_aerial_squire-haskins_aug-1974_dallas-municipal-archives_portal

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Below, with annexation under their belt (and assurance of city services, schools, etc.) developers’ ads like this one began appearing in local newspapers, hoping to entice prospective homeowners to the brand new “Casa View Heights” addition. (The description of these modest homes as “luxury” was a bit of a stretch….) 

casa-view-heights_103049_adOctober, 1949

Here are a couple of interesting pages from the 1952 Dallas Mapsco. Take a look at all that empty white space just waiting to be gobbled up by an ever-sprawling Big D. (The location of the park and school is marked in the second image.)

casa-view_mapsco-1952a


casa-view_mapsco-1952b_marked

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Sources & Notes

The aerial photos are from the Dallas Municipal Archives, and are included in the collection “Dallas Parks Aerial Photographs” provided to UNT’s Portal to Texas History site; all photos above can be found here.

The location of the school and park can be seen here. A present-day aerial view from Google is here.

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Copyright © 2018 Paula Bosse. All Rights Reserved.

 

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