Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Architecture/Significant Bldgs.

The Mercantile Bank Building — 1951

mercantile_squire-haskins_dec-1951_UTASquire Haskins Collection, UTA Special Collections

by Paula Bosse

Photo of one of my favorite downtown buildings, the Mercantile, taken by ace photographer Squire Haskins in December 1951. See a very large image of this at the UTA website, here. Zoom in and take a look around. Check out all the landmarks. You’ll probably find Waldo while you’re at it.

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Sources & Notes

“Downtown Dallas — Mercantile Building” by Squire Haskins, taken on Dec. 11, 1951; from the Squire Haskins Photography, Inc. Collection, University of Texas at Arlington Libraries, Special Collections — more information can be found here. (I have slightly cropped the image.)

mercantile_squire-haskins_dec-1951_UTA_sm

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Triple Underpass — ca. 1936

triple-underpass_ca-1936_us-bureau-public-roadsThe Gateway to Dallas, or the the Gateway to Oak Cliff?

by Paula Bosse

Above, a fantastic photo showing the new Triple Underpass, about 1936, with the view toward Oak Cliff. (Compare this with a similar view, from the 1950s, here.)

Below, a little earlier, with the view to the east, back toward town.

triple-underpass_construction_looking-east_austin-bridge-and-road-co

The triple underpass was built by the Austin Bridge & Road Company between 1934 and 1936, finishing up just in time to welcome the onslaught of visitors to the Texas Centennial Exposition. I encourage you to visit the company’s public Facebook post here, which includes these and other great photos of this Dallas landmark (including a “then and now” comparison and a history of their involvement in the project). Below is an excerpt from that post:

Once called the “Gateway to Dallas,” the triple underpass near Dealey Plaza was built by Austin Bridge Company and Austin Road Company starting in 1934. The underpass, a joint project with the Texas Highway Department and City of Dallas, created access to the western edge of downtown Dallas under the Union Terminal tracks. Contending with up to 80 trains a day complicated the job, requiring close cooperation with the railway companies. The triple underpass was hailed as a modern marvel, built of concrete with square balusters in a handsome art-deco style. It was unveiled with great excitement in 1936, during Texas Centennial celebrations.

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Sources & Notes

Top image is a U.S. Bureau of Public Roads photo showing the new underpass, looking to the west.

Both photos and the excerpt are from a post on the Austin Bridge & Road Facebook page, which you can find here.

triple-underpass_ca-1936_us-bureau-public-roads_sm

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Thanks-Giving Square — 1976

thanks-giving-square_thanksgiving-square_1976_postcard_ebay

by Paula Bosse

Happy Thanksgiving! It seems like a good day to look back at Thanks-Giving Square, the triangular one-acre park in downtown Dallas bounded by Pacific, Bryan, and Ervay. It was originally envisioned in 1961 by Dallas businessman Peter Stewart as a needed quiet refuge and chapel in the middle of a busy city — a calm space set aside for “spiritual gratitude.” It took several years before architect Philip Johnson was brought on to the project in 1971. After more than 15 years from its original conception, its official public dedication was on Nov. 28, 1976, three days after Thanksgiving.

Check out some of the progress reports on the project which appeared over the years on WFAA-Channel 8 News:

Architect Philip Johnson (whose other Dallas projects include the Kennedy Memorial, The Crescent, and the Cathedral of Hope, etc.) talks briefly about Thanks-Giving Square and its underground component, and also shows off a 3-D model (from July 1971):

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Business owners whose shops were in buildings on the land which was about to be leveled were forced to move out, and many were not happy (from April 1972):

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Construction is underway (November 1976):

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And, lastly, Channel 8 weatherman Troy Dungan checks out the progress as the dedication day approaches (November 1976):

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For a bit of street-level context, here’s a photo showing some of the buildings that were razed (at the right, directly across from the Republic Bank Building) in order to make way for Thanks-Giving Square:

kodachrome_bryan-n-ervay_1954_shorpyvia Shorpy.com

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Below is a detail from a newspaper ad for MetroBank which appeared in August, 1976, with a nice little stylized illustration of the triangular TGS and its swirly chapel (click for larger image).

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Speaking of the “swirly” design, in a 1982 article about TGS, Dallas Morning News architect deity David Dillon described this structure as “Philip Johnson’s Dairy Queen chapel,” which, presumably, might not have been met with amusement by internationally acclaimed architect Johnson, who probably wouldn’t have appreciated the comparison of his work to an ice cream cone. Interestingly, that description appeared in a 1982 article about Stewart’s dismay that the tall buildings which loomed over TGS (including Thanksgiving Tower) were, basically, blotting out the sun — little TGS was more often in shadow than in sunlight:

Stewart urged the city to pass a sun and shadow ordinance that would preserve the remaining downtown view corridors from high-rise development […] but the [preliminary] ordinance got such a cool reception from downtown developers that it was dropped quickly. (“Computer Study Sheds Light On Thanks-Giving Square Problem” by David Dillon, Dallas Morning News, July 4, 1982)

I bet it got a cool reception!

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Sources & Notes

Postcard found on eBay.

Videos from SMU’s WFAA News Film Collection, which can be found on the SMU Jones Film Collection YouTube channel.

Thanks to Noah Jeppson for passing along a link to the huge Thanks-Giving Foundation Collection of photos and documents, viewable on the University of North Texas’ Portal to Texas History, here.

Read about the history of Thanks-Giving Square (or as it’s often written, Thanksgiving Square) on Wikipedia, here.

Read the D Magazine article “The Park That Peter Built” (which seems to end abruptly) about the history of Thanks-Giving Square by Jane Sumner from Nov. 1, 1977 here.

thanks-giving-square_thanksgiving-square_1976_postcard_ebay_sm

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Cedar Crest, L. O. Daniel’s Country Home

daniel-l-o_cedar-crest_flickr_coltera
Still standing on West Jefferson Blvd. in Oak Cliff

by Paula Bosse

While looking for something on W. Lee “Pappy” O’Daniel (former governor and U.S. senator), I came across the image above, which I had mistakenly labeled “O’Daniel” rather than “Daniel.” It had nothing at all to do with W. Lee O’Daniel but, instead, showed a house belonging to L. O. Daniel. Who was L. O. Daniel? I’d never heard of him.

Lark Owen Daniel Sr. (1866-1927) was a wealthy businessman who made big money from… hats! He sold a lot of hats through his wholesale millinery company, and he was also involved in some spectacular real estate dealings (a newspaper article in 1907 mentioned he had just sold a couple of lots on Elm Street for $30,000 — if you believe online inflation calculators, that would be the equivalent of almost a million dollars in today’s money!). As a proven earner of big bucks, he was also the first president of the Dallas Chamber of Commerce.

Even before that huge real estate sale, Daniel was swimming in hat-cash. In 1901 he bought 27 acres near the Fort Worth Interurban rail line and built a 5,000-square-foot, 3-story, 15-room Victorian mansion. He named the house “Cedar Crest.” I don’t know if it was technically in Oak Cliff at that point, but it was definitely outside the Dallas city limits. This is the way Daniel’s address appeared in the 1910 city directory:

daniel-l-o_directory_19101910 Dallas directory

And here’s a photo of an interurban trundling along, uncomfortably close to the house:

cedar-crest_interurban_oak-cliff-advocate

The luxurious splendor of the somewhat isolated Cedar Crest apparently emitted a high-pitched siren-call which was frequently heard by area bandits: it was burgled quite a few times (at least 3 times in one 12-month period). After one incident in which a burglar wandered through the house in the dead of night and woke Mrs. Daniel as he stood over her as she lay in bed, Oak Cliff police said that they found no trace of the trespasser but saw where he had hitched his horse and get-away buggy, out back in the orchard. In another incident a few months later, Mrs. Daniel — who had been alerted by an employee that the family car was about to be stolen from the “automobile house” — ran out to the garage armed with a revolver and fired three shots at the thieves, scaring them away (I don’t think she was attempting to fire warning shots — I think she fired AT them). This may seem extreme, but the newspaper noted that the value of the car (in 1915) was an eye-watering $4,000 (more than $110,000 in today’s money!). I don’t know where Mr. Daniel was during all this, but Mrs. Daniel was not about to let that car go anywhere!

One summer, the Daniels rented out Cedar Crest while they vacationed elsewhere. The ad in the paper specified that only “responsible parties without small children” were welcome. I hate to keep harping on about the money, but a two-month stay at L. O.’s “beautiful country home” would set some responsible childless person/s back a cool $300 (almost $9,000 in today’s money). (Who would pay such an exorbitant amount of money to stay in an un-airconditioned house in North Texas during the height of the summer?)

daniel_house-for-rent_summer-1912
Summer 1912

L. O. Daniel died in Feb. 1927. His business empire was closed down, and the large Cedar Crest swath of land he owned was put up for sale in 1929.

daniel_cedar-crest_april-1929April 1929

I’m not sure what happened with that specific transaction, but his son, L. O. Daniel Jr., ended up breaking that land up into parcels and selling residential lots as part of the “L. O. Daniel Jr. Addition,” beginning in about 1940.

daniel-addition_june-1940_mapJune 1940

daniel-addition_nov-1940November 1940

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This beautiful house is — somehow — still standing. It is located at 2223 West Jefferson in Oak Cliff, facing Sunset High School (see it on Google Street View here). Over the years the mansion fell into disrepair, but in the early ’80s the house was restored by two men — Martin Rubin and Earl Remmel — and it received historical landmark status in 1984. Cedar Crest was purchased a few years ago and has gone through additional restoration/renovation — it currently serves as the impressive law offices for the firm of Durham, Pittard & Spalding.

There are lots of photos online. View some on the Zillow site — which show what it looked like before it was recently updated — here. See some really beautiful photos on CedarCrestOakCliff.com, here. I particularly love this one:

cedar-crest_entry_cedar-crest-oak-cliff-dot-com

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It shouldn’t have been so hard to find a photo of L. O. — but this is about all I could find. Followed by a hats-hats-hats! ad.

daniel_l-o_photo

daniel_oct-1915_adOct. 1915

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Sources & Notes

Postcard at top (circa 1909) found a few years ago on the Flickr stream of Coltera (not sure if he’s still posting there — if not, that’s a shame, because he had amazing things!).

Photo of the interurban from the 2017 Oak Cliff Advocate article “Law Firm Renovates Historic Mansion on Jefferson” by Rachel Stone (click the link at the bottom of the article to read a piece published in Texas Lawyer which includes information on specific restoration/renovation work done on the house).

There are so many great homes in the L. O. Daniel area — look at a whole bunch on the L. O. Daniel Neighborhood Association website here.

Also recommended is the 2019 Candy’s Dirt article “What’s in a Name For L. O. Daniel?” by Deb R. Brimer.

daniel-l-o_cedar-crest_flickr_coltera_sm

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Elks-a-Plenty — 1908

dmn-bldg_decorated-for-elks-convention_1908_cook-collection_SMU_fullBegirt with ruffles and studded with elks…

by Paula Bosse

Conventions have always been important to Dallas. One of the most important conventions ever to descend upon the city was the annual convention of the Benevolent and Protective Order of Elks in July 1908. There were approximately 38,000 attendees, but when you added to that number spouses and various others with business, social, or just looky-loo interests, it was estimated that more than 100,00 out-of-towners clogged the streets of our fair burg during the time of the convention. Dallas was a sizeable city in 1908, but the sudden swarming into town of 100,000 people (twice the actual population of the city!) must have been… challenging. (And profitable!)

Dallas welcomed the Elks with enthusiasm and open arms. Everyone knew they were coming, and everywhere there were splashes of the Elk colors, purple and white. A special (and later notorious) semi-permanent arch was erected to span Main Street at Akard. And businesses competed with one another to see who could decorate their building with the most spectacular and festive bunting.

Above is a photo of the Dallas Morning News Building at the northwest corner of Commerce and Lamar, crammed full of flags, bunting, pennants, cowbells, lights, little statues of elks, medium-sized statues of elks, and large statues of elks. (There is an elk in every window.) It also had a large clock erected which was perpetually stuck at an Elk-y 11:00 and a parallelogram-shaped sign which lit up to flash the Elk greeting “Hello, Bill!” So… a lot. But what might seem like overkill — like The News was trying a little too hard to be noticed… the Elks loved it. LOVED IT. They loved it so much that they awarded the newspaper an award of $250 for the best decorated building in the city (that would be about $8,000 in today’s money!). Scroll down to read a breathless description of these decorations, with details of absolutely everything that was flapping, clanging, flashing, billowing, and throbbing at Commerce and Lamar in the summer of 1908. (I have to put this sentence from the article here because I love it so much: “To the bottom of each of these flags are attached small cowbells of different tones, so that with every strong whiff of wind there is a discordant but merry jingle.”)

So, those elk statues. I mean… they’re fantastic. Little elks in every window, illuminated by a single electric bulb positioned “between the forefeet” of each mini-elk. And then there are the larger ones appearing to step out of — or off of — the building. But back to those little elks — are you wondering what happened to them after the conventioneers headed back home? Wonder no more!

elks_news-bldg_belo-ad_071808Dallas Morning News, July 18, 1908

That would have been a great souvenir!

The photo at the top of this post (by Frank B. Secrest of Hunt County) was issued that summer as a postcard. The News did not miss an opportunity to mention it:

elks_news-bldg_dmn_080708DMN, Aug. 7, 1908

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And because I love to zoom in on these sorts of photos, here are a few magnified details:

dmn-bldg_decorated-for-elks-convention_1908_cook-collection_SMU_det-2

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dmn-bldg_decorated-for-elks-convention_1908_cook-collection_SMU_det-7

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Here is a lengthy description of the decorations, from The Dallas Morning News — direct from the horse’s mouth:

To decorate The News Building in celebration of the coming of the Elks has been the labor of two men for more than a month, and of a dozen for two days: for, though it was only three days ago that the first bit of color appeared on the outer walls, the preparations were begun in the seclusion of a workshop early in June. The draping of the building with bunting and flags was done under the direction of W. T. Senter of the National Decorating Company of St. Louis, and of Edward A. Gebhard, librarian of The News. In working out their scheme they have used 4,200 yards of bunting, purple, white and purple, and twenty-four immense flags, and disposed of it in such artistic fashion as to avoid a sense of crowding.

PURPLE, WHITE AND PURPLE RUFFLES

The building is thrice begirt with big ruffles of purple, white and purple. But, to begin at the topmost, three large flags, one the United States, another the Texas and the other The News’ flag, float high above the Lamar street side of the building. To the bottom of each of these flags are attached small cowbells of different tones, so that with every strong whiff of wind there is a discordant but merry jingle. From one to the other of the flagstaffs hundreds of small pennants in the colors of the Elks flutter gayly in the breeze. Festooned from the heavy cornice which crowns the building are heavy folds of purple, white and purple so arranged that with every vagrant breeze it swells and sinks like the surface of water. Once on the Lamar street side, over the entrance, again at the corner and once on the Commerce street side this bunting is gathered around an immense United States flag, fashioned fan-shape. Poised on the cornice of the building at the corner, as if surveying the land preparatory of a leap, is the graceful figure of an elk, five and a half feet high, made out of plaster of Paris, painted and enameled until he glistens.

The two lower ledges of the building are draped in similar fashion, except that the streamers at these places are narrower than those that festoon the cornice. Above the main entrance on the Lamar street side and extending from below the second story to the third-story ledge is the piece de resistance. Here set in an embrasure of the building, is a clock dial twelve feet in diameter. The gilt letters marking the divisions of the circle are two feet high. The hands point to the hour of 11. The pure white head and shoulders of an elk seven feet high are shown in the center one foot forward, as if he were about to emerge from the fluffy mass of purple and white bunting that forms the background dial. On each side an immense flag is gathered in a way to make it fan-shaped. Circling the clock dial are six large incandescent lights.

WHOLE HERD OF ELKS

From the third-story corner of the building, above which stands a five and one-half foot Elk, as if surveying the country from a precipice, are festooned two twelve-foot flags that fall almost to the second-story ledge of the building. One is gathered around on the Commerce and the other on the Lamar street side. And there yet remains to speak of the most distinctive feature of the whole scheme of decoration. The News, in preparation for this event, had made a whole herd of elks. There are forty-two of them, each thirty-two inches tall, and one, mounted on a pedestal, stands poised from the ledge of every window in the building. They are pure white, made of plaster Paris, painted twice and then enameled. Between the forefeet of every one is an electric bulb. The elks are from models designed by Mr. Gebhard and were cast in The News Building.

BRILLIANT ILLUMINATION

Of course the whole building is brilliantly lighted. In addition to the electricity used ordinarily, which lights the exterior of The News Building pretty well, bulbs have been studded profusely midst the decorations and over the Lamar street entrance is a parallelogram of electric lights which illuminate the sign, “Hello, Bill!”

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The article then launches into more self-promotion, with an, admittedly, interesting description of the layout of the News Building:

ATTRACTS GENERAL ATTENTION

The building of The News attracted general attention from the thousands of visiting Elks. Many expressed their surprise that a city the size of Dallas had such a complete, modern building and equipment, and the compliments concerning The News as a newspaper have been very pleasing.

The News Building has all the modern fireproof features. It occupies a space of 300×100, having three floors and a basement, the whole being used by the newspaper. Its business office is one of the handsomest in the State, and, as one visitor remarked, it looks more like a prosperous bank than the ordinary newspaper office.

The first floor is given up to the business and circulation departments, the press room and the mailing department. In the basement are the paper storage rooms and the power department. On the second floor are the editorial rooms, telegraph rooms and the general circulation department and the newspaper job department, besides the Employes’ Library and Recreation Room. On the third floor are the composing and the linotype rooms, the stereotype room and the engraving department.

INDIVIDUAL ELECTRIC MOTORS

Every piece of machinery in the house is operated by its own individual electric motor. Power is supplied from two immense engines and generators combined, the engine room being one of the show places in the building, having a metal ceiling and white glazed brick on the walls, with a cement floor. The press room contains two three-deck presses, one quadruple press and one sextuple press.

TWO DAILY NEWSPAPERS

The Dallas News is the offspring of The Galveston News, which was established in 1842. The two papers are under the same management. The publication offices of The News, Galveston and Dallas, 315 miles apart, are connected by special wires for interchange of news matter. The Galveston paper supplies the southern part of the State and the Louisiana border, while the other covers all North Texas and goes well into Arkansas, Oklahoma and New Mexico.

THREE SPECIAL TRAINS

For upward of a quarter of a century the two papers have operated at their own expense, every day in the year, three special newspaper trains, one running Galveston to Houston, one Dallas to Denison and the third Dallas to Fort Worth. The Dallas News covers hundreds of thriving towns throughout its territory, many of them before breakfast time, through its unrivaled facilities of distribution. Starting in 1885, The Dallas News has been a continuous success, and has achieved an enviable reputation wherever American newspapers are known. As an advertising medium it is in a class by itself so far as papers in this section of the country are concerned. Starting at 1885 with thirty-three classified ads in its Sunday issue, it now runs each Sunday about 2,000. It is a success because it is enterprising and because it is clean, both in its news columns and in its advertising columns; because it is fair-minded and because its efforts have always been uplifting from a moral and intellectual standpoint and fair to every interest.

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And then it launches into many, many testimonials from Elk visitors on how much they love the decorations. This is the first. You get the idea.

J. T. McNulty of Baltimore, grand trustee of the Elks, prominent in National circles of the Knights of Columbus and a central figure in the Ancient Order of Hibernians of America, who has traveled largely and visited every State in the Union, being prominent in business and political circles said: “I have been to many conventions, my son, and have seen many decorations, but the one at The News plant, in my estimation ‘takes the cake,’ figuratively and literally speaking. It is the most unique, the most artistic and the most beautiful I have ever seen in all my attendance at conventions in this country, and I have attended many of them. I was agreeably surprised at the way Dallas has decorated, but nothing gave me such a shock of pleasurable surprise as the first sight I had of The News’ decorations.”

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And this is the dark and grainy photo that ran with the article:

dmn-bldg_elks_dmn_071508_photoDMN, July 15, 1908

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I kinda want an elk statue now. Also, according to the article, I now know the Morning News has its own flag. Can someone point me to more info?

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Sources & Notes

Top photo — titled “[The News, First Prize for Decorations, Dallas, Texas]” — is from the George W. Cook Dallas/Texas Image Collection, DeGolyer Library, Southern Methodist University; more info on this photograph (postcard) can be found here.

Lengthy quote is from the article “Dallas News Building Decorated In Honor of the Elk’s Grand Lodge Which Is Now Holding Its Annual Session and Grand Jubilee in This City,” The Dallas Morning News, July 15, 1908.

More Elks-related Flashback Dallas posts:

And more photos of this beautiful Dallas News Building can be found in these posts:

dmn-bldg_decorated-for-elks-convention_1908_cook-collection_SMU_full_sm

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Autos, Autos Everywhere, and Not a Place to Park — 1971

cabell-fed-bldg_flickr_wayne-hsieh
Earle Cabell Federal Bldg. / Wayne Hsieh, Flickr

by Paula Bosse

The other day I was looking for some information on the 1971 opening of the new 16-story Federal Center at 1100 Commerce Street (the name was changed to the Earle Cabell Federal Building in late 1973 to honor the former Dallas mayor and U.S. congressman). I came across the Dallas Morning News article “Center Augments Parking Woes” by Earl Golz (DMN, Jan. 12, 1971) which had a couple of surprising tidbits. The new federal building — which was expected to be occupied by more than 5,000 workers — had a grand total of 59 underground parking spaces. …Fifty-nine. FIVE-NINE. Let that sink in. This was a brand-new building. It’s not like they squeezed those pitifully few parking spaces under an existing building. This was in the plans. That’s a lot of car-pooling.

Three years earlier, in 1968, One Main Place opened at 1201 Main — it was more than twice as big as the Federal Building. When it opened, it was noted that there were 800 underground spaces (with a planned-but-never-realized massive underground parking garage for 4,000 cars, to go along with the never-realized Two Main Place and Three Main Place complex). But, somehow, by 1971, One Main Place’s parking had decreased to a mere 400 spaces, all of which were completely filled daily. I have images of panicky office workers constantly circling blocks in search of a place to park. Stories were rampant that parking-lot attendants were reserving weekly and monthly spaces in pay lots for exorbitant under-the-table cash transactions. 

How did this happen? Who would design such large modern buildings with such woefully inadequate parking? Were “interested parties” strong-arming architects or city planners to skimp on the parking? Is there such a thing as a big “parking-lot lobby”? (What am I saying? I’m sure there is.) Ever wonder why Dallas kept tearing buildings down in the early ’70s and replacing them with pay parking lots? I’m sure there were many reasons, but I saw more than one newspaper mention that parking lots (not garages, mind you — just lots) could be more profitable than aging buildings. It’s always seemed odd to me that there were (are) so many surface parking lots downtown, rather than multi-story garages. Imagine how much more money parking lot operators would be making with garages. Not that multi-story garages are in any way more desirable, aesthetically, but why didn’t land developers build garages which could accommodate so many more paying customers than these puny little lots? Some lot operators insisted that it benefitted everyone to have these lots — insisting that the buildings which once stood on the land were old and ugly eyesores which needed to be torn down, and that these lots were basically just placeholders until a fat-cat developer forked over multi-millions to build something tall and beautiful on it.

Was the lack of underground spaces in these two new buildings intentional? This would have been a weird way to force people to use public transportation. It might even have been a bit of strain on public transportation — the Dallas Transit System was already losing the fight against car-culture and downtown workers who lived in suburbia.

In the early ’70s, Dallas and Fort Worth were both experiencing a severe lack of downtown parking. In 1970 there had been a major excavation to build underground parking below the Old Red Courthouse — it was probably helpful, but it was just a band-aid on a much bigger problem.

A few of the city’s proposals to deal with these parking woes:

  • Dissuade people from bringing their cars downtown by significantly raising fees for parking lots and parking meters and to cut the time limit for parking (quickly approved by the City Council)
  • Build satellite lots outside the Central Business District where people could park and then bus into town (“Park and Ride” stations began, shakily, in 1973)
  • Investigate the use of “people-movers” in varying degrees of sci-fi futurism

As far as “people-movers,” there were several automated transportation systems on drawing boards around the country at the time, a couple of which were being developed in the Dallas-Fort Worth area. There was the electrically powered monorail-like AirTrans — a joint project of Vought Aeronautics of Dallas and Varo Inc. of Garland — and there was the similar but less well-known Sky-Kar of Fort Worth. AirTrans was very successful and was first adopted by DFW Airport, but Sky-Kar seems to have fizzled out after the death of the company’s president in the early ’70s. 

One of Sky-Kar’s salesmen was Paul Groody (he can be seen being interviewed in one of the kars in a WFAA clip from October 1970 here, with additional kar-footage here). Groody (who, in this interview, is a couple of months from full Asimov muttonchops) had, in the previous decade, gained some national notoriety as the funeral director who had been given the task of driving from Fort Worth to Dallas to pick up the body of Lee Harvey Oswald and “prepare” him for burial — because there were no pallbearers, he had to scrounge for volunteers among the reporters covering the interment. Because I may have no other opportunity to post this, below is the cute and compact Sky-Kar Transivator prototype from 1970. …Sky-Kar, we hardly knew ye.

sky-kar_wfaa_SMU_oct-1970WFAA Collection, Jones Collection, SMU

Below, Paul Groody, Sky-Kar rep (1970), and Paul Groody, funeral director for Lee Harvey Oswald’s burial (1963) (he is seen partially obscured, all the way at the back right, wearing glasses).

sky-kar_paul-groody_wfaa_SMU_oct-1970WFAA Collection, Jones Collection, SMU

oswald-funeral_FWST_1963
Fort Worth Star-Telegram

Equal time: see the Vought/Varo AirTrans prototype running on its test track in Garland in December 1970 here, along with interviews from company reps here.

airtrans-prototype_garland_wfaa_SMU_dec-1970WFAA Collection, Jones Collection, SMU

Hopes were that these people-mover systems would be used not only in airports but throughout the Central Business District and on sprawling college campuses, etc. Forget the flying cars. I’m waiting for my monorail. (And it’s probably still best to leave your automobile at home if you’re heading downtown.)

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Sources & Notes

Top photo, “Earle Cabell Federal Building and Courthouse” (2019) by Wayne Hsieh — found on Flickr, here. (I have cropped it.)

Screenshots from Channel 8 news film posted on YouTube, from the WFAA Collection, G. William Jones Film and Video Collection, Hamon Arts Library, Southern Methodist University.

cabell-fed-bldg_flickr_wayne-hsieh_sm

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Elm & Ervay — Early ’60s

elm-and-ervay_looking-north_squire-haskins_DPLAn impressive collection of architectural styles

by Paula Bosse

Three shots of N. Ervay. Above, looking north from Elm (Charade is playing at The Palace, dating this photo to late 1963 or early 1964).

A little closer in on the Mayflower Coffee Shop:

elm-and-ervay_looking-north_mayflower-coffee-shop_squire-haskins_1960_DPL

More Mayflower:

elm-ervay-live-oak_looking-north_mayflower-coffee-shop_squire-haskins_1960_DPL

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Sources & Notes

All photos from the Dallas Public Library Dallas History and Archives Division.

First photo is “[View of Downtown Dallas looking north on North Ervay Street]” by Squire Haskins — Call Number PA2000-3/1404. Second photo is “[View of Downtown Dallas looking north]” by Squire Haskins — Call Number PA2000-3/1401. Third photo is “[View of Downtown Dallas looking north on Ervay Street]” — Call Number PA2000-3/115.

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Union Station Interiors — 1916

union-station_interior_atlantic-terra-cotta-co-coll_UT_frank-rogersA beautiful place to wait…

by Paula Bosse

Above, a photo of the new “Union Depot,” completed in 1916 and, thankfully, still standing more than a century later. Below, a couple of details of the Lunch Room and the Women’s Waiting Room.

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The same view as the top photo, but from 1922:

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Back to 1916, in what I gather is a sort of interior/exterior shot showing another place to pass the time. What better, quaint way to wait for a train and take in a great, slightly elevated view, than in a rocking chair.

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And a slight zoom-in:

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Imagine those rocking chairs up there in those archways, between the columns.

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Sources & Notes

The two photos from 1916 (by Frank Rogers) are from the Atlantic Terra Cotta Company Architectural records and photographs, 1914-1941, Architectural Terra Cotta, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin — more info on these photos is here and here

A couple of other images of the new Union Station can be seen in these Flashback Dallas posts:

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Copyright © 2022 Paula Bosse. All Rights Reserved.

Two Postcard Views of a Growing Dallas

skyline_dallas-texas_rppc_postcard_ebayThere’s a church, and a bank, and a bank, and a bank…

by Paula Bosse

A couple of quickies: these are two really nice postcards which popped up recently on eBay — I’d never seen them before.

Above, a lovely, creamy, glowing shot of the skyline. I recognize several of the buildings, but I’m not sure where the photographer was positioned. I’m sure a smart person will put the location in the comments.

And below, a great image of the “Dallas-Oak Cliff viaduct,” looking toward the city. There’s even a Volk’s billboard to welcome visitors.

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Sources & Notes

Both postcards found on eBay.

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Copyright © 2022 Paula Bosse. All Rights Reserved.

3635 Beverly Drive, The Residence of Architect Anton F. Korn — 1926

international-casement_ad_anton-korn_1926-detAnton Korn’s Highland Park home, 1926

by Paula Bosse

The image above appeared in a 1926 ad in The House Beautiful. The ad was for metal casement windows with leaded glass, manufactured by International Casement Co. Such a beautiful house! The only clue as to where this house might have been located is in information in the inset which reads, “Res. Dallas, Texas — Anton F. Korn, Architect.” Korn was a well-known architect in Dallas, and I had seen several mentions of him on Douglas Newby’s Architecturally Significant Homes site — I went there, looked up Anton Korn (1886-1942), and found this page, which shows several of the houses he designed. I scrolled down until I found one that looked like the house in the photo. I think it is the home Korn designed at 3635 Beverly Drive in Highland Park (southwest corner of Beverly and Drexel). The image on Google Maps (here) has trees obscuring the chimney, but it looks like the same house. According to Newby, the house was designed in 1924. And according to the city directory, Korn apparently designed the house for himself, and he lived there for several years. Newby notes that the oak timbers were re-planed from the grand Oriental Hotel (southeast corner of Commerce and Akard).

Here’s the ad that photo came from:

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I love this house! Let’s hope it continues to stand another (almost) 100 years!

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Sources & Notes

Ad currently for sale on eBay.

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Copyright © 2022 Paula Bosse. All Rights Reserved.

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