Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Architecture/Significant Bldgs.

“Everyday Life” on Elm Street — ca. 1905

elm-street_everyday-life_UCR-smallElm Street rush hour

by Paula Bosse

Automobiles would be rolling down Elm Street very soon, but even when the traffic was still mostly horse-related, there’s a lot going on here: horses, buggies, barrels, saloons, a bored kid on a wagon, a street car, and the Wilson Building.

elm-st_everyday-life_UCR-det

elm-st_everyday-life_UCR-zoom(click for larger images)

And what was The Mint? The Mint was a saloon. I’m not sure when it first set up shop in Dallas, but it was listed in an 1877 directory, one of the city’s earliest.

elm-st_everyday-life_mint_UCR

Speaking of 1877, read about a typical frontier day at The Mint in two accounts of a stabbing, from The Dallas Herald in April, 1877, here, and the follow-up, here.

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Sources & Notes

Photo is from a stereograph titled “Everyday Life, Elm Street, Dallas, Tex.” from the Keystone-Mast Collection, UCR/California Museum of Photography, University of California at Riverside; it can be accessed here.

Images larger when clicked.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

Views From a Passing Train — 1902

edmunds_pacific-bryan_free-lib-phil_1902Pacific, looking west toward Bryan, 1902 (click for larger image)

by Paula Bosse

Franklin Davenport Edmunds (1874-1948) was a Philadelphia architect whose hobbies were travel and photography. A 1902 train trip to Mexico took him through Texas, during which there as a blink-and-you’ll-miss-it stop in Dallas.

edmunds_whos-who-philadelphia_1920Who’s Who in Philadelphia, 1920

On the way to Mexico, he stopped in St. Louis for a while (where he took several photos on Feb. 12), passed through Arkansas (on Feb. 13), apparently saw very little of Dallas as he rolled through, and then took a lot of photos when he reached San Antonio (by Feb. 14). He then continued on to a vacation of at least two or three weeks in Mexico, where his camera was never far from his side.

The two photos that were taken as he passed through Dallas (which I’m assuming were snapped from the train) were probably taken on Feb. 13 or 14, 1902.

The location of the photo above is not noted, but it appears to be Pacific Avenue looking west. Peter S. Borich’s sign-painting business was on the northeast “corner” of Bryan and Pacific (at the point of the diagonal intersection). The photo shows the back and side of his building. It’s hard to see them, but there is a wagon with a team of horses at the Bryan St. intersection. Behind Borich’s is a blacksmith shop, and across the street, there are several furniture stores. Straight ahead is an almost mirage-like smoke-spewing locomotive heading toward the camera. (Unless Edmunds was standing in the middle of Pacific, I’m guessing he was taking the photo from the rear of the train.)

Seconds later, the train would have pulled into the old Union Depot (located about where Pacific would cross present-day Central Expressway).

edmunds_old-union-stn_free-lib-phil_1902(click for larger image)

Even though not identified in the photo description, the distinctive old Union Depot is instantly recognizable (an unrelated photo taken from about the same spot can be seen in this one from the George W. Cook collection at SMU’s DeGolyer Library). Again, the photo appears to have been taken from the train.

Edmunds took a ton of photos on this trip, but, sadly, he seems to have merely passed through Dallas without wandering around to explore its streets (which I would think would be interesting — if not downright exotic — to a Philadelphia architect) — I’m not sure he even got off the train to stretch his legs! But I’ve never seen these two photos, and they’re pretty cool. So, thanks, Frank — you should have hung around a little longer.

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Both photos by Franklin Davenport Edmunds are from the Free Library of Philadelphia. The Pacific Avenue photo can be accessed here; the Union Depot photo, here. Other photos he took in Texas during the 1902 trip (and a few from a previous 1899 trip) can be viewed here.

A biography of Edmunds can be read at PhiladelphiaBuildings.org here.

A detail from the 1905 Sanborn map showing the businesses located at Pacific and Bryan, with Borich’s business circled in red and the camera’s vantage point in blue, can be seen here.

Below, a detail from a map (circa 1890-1900), showing the locations of the two photos, with the Pacific Ave. location circled in green and the Union Depot location in yellow.

dallas-map_ca1900(click for larger image)

And, lastly, a present-day image showing the same view as the top photo (from Google Street View).

pacific-bryan_google

My previous post, “The Old Union Depot in East Dallas: 1897-1935” — a history of the station with several photos — can be found here.

Images larger when clicked.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

South Pearl, In the Shadow of Downtown — 1950s

farmers-mkt-area_repub-bank-bldg_1950s_portalSkyscraper vs. paper hat (click for much larger image)

by Paula Bosse

Great shot of the Farmers Market area, showing the 400 block of South Pearl. South Pearl intersects with Canton at the light, halfway up the photo. Just past the intersection on the left is the IOOF Oddfellows Temple. And the Republic National Bank Building — which, until 1959, was the tallest building in the city — looms at the top left. (I think this is the same view seen here a decade or so earlier.)

Below, a map of the area today, with an X marking the spot seen in this photo. This area — where all the wholesale produce markets used to be — is now, largely, condos. Call me crazy, but I will always prefer gritty street corners to sterile condos. …Always.

canton_s-pearl_bing(click for larger image)

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Photo from the Dallas Farmers Market — Henry Forschmidt Collection 1938-1986, Dallas Municipal Archives; it can be viewed via the Portal to Texas History, here (with a not-entirely correct description).

Map from Bing.

Previous Flashback Dallas posts on the Farmers Market area can be found here.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

The Southern Rock Island Plow Company

southern-rock-island-plow_city-directory_1908-det_smFrom plow company to Dallas’ most famous building (click to enlarge)

by Paula Bosse

Behold, the Southern Rock Island Plow Company building. Looks familiar? Perhaps “Texas School Book Depository” is an easier hook to hang your hat on. When Dallas seemed to be farm implement-central, there were numerous plow companies in business here. This is the second Southern Rock Island Plow Co. building — the first one (built in the same location around 1898) burned down when it was struck by lighting. The building that still stands was built in 1903, and it is, without question, the most famous building in Dallas.And it’s probably not that far behind the Alamo.

southern-rock-island-plow_city-directory-19081908

southern-rock-island-plow_bldg-code_19141914

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Sources & Notes

Ad from the 1908 city directory.

Photo from the Building, Plumbing, Gas & Electrical Laws of the City of Dallas (1914).

More on the history of the Dallas branch of the Southern Rock Island Plow Co. can be found here.

For more about what’s going on with the building these days, see the Dallas Morning News article “Dallas County May Move Offices Out of Historic School Book Depository” by Matthew Watkins, here.

For more on the various incarnations of the building (which, by the way, is officially called the County Administration Building and which now houses county offices as well as the Sixth Floor Museum), see my previous post, “The Sexton Foods Building and the Former Life of the School Book Depository,” here.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

 

The Wilson Building Under Construction — 1902

wilson-bldg-construction_cook_degolyer_smu_1902_bwSlowly but surely…. (DeGolyer Library/SMU)

by Paula Bosse

The Wilson Building is one of Dallas’ most beautiful buildings. Designed by the immensely influential Fort Worth firm of Sanguinet & Staats, the building opened in 1904, with its most notable tenant being the Titche-Goettinger department store, which occupied the basement and first two floors.

From the Dallas Public Library’s website:

“J. B, Wilson, a wealthy Dallas cattleman, built this French Renaissance/Second Empire (Beaux Arts) style building, modeled after the Paris Grand Opera House. Craftsman from all over the country came to contribute to the building finish, exterior and interior, with a mahogany and marble interior finish. It was the first eight-story building in Texas. The building originally housed the Titche-Goettinger department store on the bottom floor, with the upper floors used as office space. In 1911, Sanguinet & Staats built a twelve-story annex to the building, which was raised five floors in 1957.”

It was listed in the National Register of Historic Places in 1979.

The photo above is part of the incredible George W. Cook Dallas/Texas Image Collection at SMU’s wonderful DeGolyer Library (see note below). Below are a few enlargements of parts of the original photo to see more details. (Click for larger images.)

wilson-bldg-constuction_cook_degolyer_smu_1902-det7_bw

wilson-bldg-construction_cook_degolyer_smu_1902-det4_bw

wilson-bldg-construction_cook_degolyer_smu_1902-det5_bw

wilson-bldg-construction_cook_degolyer_smu_1902-det3_bw

wilson-bldg-constuction_cook_degolyer_smu_1902-det6_bw

wilson-bldg-construction_cook_degolyer_smu_1902-det2_bw

wilsonbldg-det

wilsonbldgHere it is today. Beautiful. Click photo for an image so colossally large that you can easily check out all the fabulous intricate architectural details. (Photo by Joe Mabel.)

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Sources & Notes

This photo (titled “Building Construction at the Intersection of North Ervay and Elm Street”) is from the incredible George W. Cook Dallas/Texas Image Collection, housed at the DeGolyer Library, Central University Libraries, Southern Methodist University; it can be viewed here. It is not currently identified as being the Wilson Building. (UPDATE: The photo is now titled “Wilson Building Construction, Intersection of North Ervay and Elm Street.” And this post is actually cited in the description! Thank you, DeGolyer Library!) (I have altered the color of these images as they were appearing harshly yellow in my photo editor — please see DeGolyer page for correct color of the original gelatin silver photograph.)

The DeGolyer Library is one of Dallas’ very best repositories of important historical images and papers, and just knowing that they are scanning this fantastic collection of Dallas ephemera is making me a little dizzy. So many incredible images!! An exhibit of selected items from the collection opens TOMORROW (Jan. 30, 2015) — details are here.

Credit and photo info for the gigantic present-day photo by Joe Mabel is here.

Read about Sanguinet & Staats here.

More on the Wilson Building from the Dallas Public Library, here. Check out the photo of the excavation of the site before construction began at the top of the page.

And what does Wikipedia say? See here.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

The Dallas Aquarium: The Building Emblazoned With Seahorses — 1936

tx-centennial_aquariumThe Dallas Aquarium at Fair Park, 1936… (click for larger image)

by Paula Bosse

Out of all the buildings at Fair Park, the one I have the fondest memories of is the Dallas Aquarium, one of the buildings built in 1936 for the Texas Centennial Exposition which was specifically intended to be a permanent structure which would be available year-round to the citizens of Dallas, well after the Centennial had ended (some of these other “civic buildings” included the Museum of Fine Arts, the Museum of Natural History, the Hall of State, the bandshell, etc.). The Centennial buildings were designed by different architects, usually working in teams — the aquarium was designed by Fooshee & Cheek (best known for their previous triumph, Highland Park Village), Hal B. Thomson, and Flint & Broad. It ended up costing the city about $200,000 ($50,000 over the initial budget), and tussles with the Park Department and the City Council over its budget and space requirements meant that at various times it was suggested that the aquarium find a home at the Marsalis Park Zoo in Oak Cliff rather than at Fair Park, or that it just be shelved altogether.

fair-park-aquarium_1936

But everything worked itself out in the end, and its popularity at the Centennial was huge. HUGE. Most people in our part of the country had never been to an aquarium and had never seen fish outside of a lake or river or hatchery. According to reports in the newspapers during its construction in early 1936, not only was the Dallas Aquarium the first aquarium in Texas, it was also only the 12th aquarium in the entire United States — and it was the only one in the country in a “strictly inland city.” So unless visitors to the Centennial that year had traveled extensively, chances were slim that they’d ever seen anything like this.

fair-park_aquarium_postcard

At the time that plans were being discussed for the Fair Park facility, there was something of a tropical fish fad going on around the country. The Dallas Aquarium Society — a small group of “tropical fish fanciers” — was organized in June, 1935, and in September of that year, they had enough pull to put on an exhibition of their personal collections in small tanks on an upper floor of the Dallas Gas Company. People who had never before seen anything but a goldfish in a fish bowl were fascinated, and there were several “gee-whiz” articles in the papers describing the fishy wonders that could be found that fall at the gas company. The president of the Dallas Aquarium Society was Pierre Fontaine — an advertising man and “authority on marine life” — and he must have made quite an impression with the Centennial board, because in February of 1936, he was chosen to be the head of the already-under-construction Dallas Aquarium. (Though apparently a hobbyist when appointed, Fontaine served for decades as the respected director of the Dallas Aquarium — and later the Dallas Zoo.)

aquarium_fontaine_1936
Pierre Fontaine, 1936

The fish on display during the Centennial were almost exclusively freshwater fish. Not only would it have been prohibitively expensive to ship the thousands and thousands of gallons of salt water that would have been needed, it would also have been extremely costly to purchase and maintain the special non-corroding equipment necessary to equip such tanks. But Fontaine must have pushed, because the city gave the go-ahead for a paltry 500 gallons of salt water from the Gulf to be shipped up for the opening of the Exposition, so at least a few exotic saltwater-dwelling creatures and plants were able to share their DeMille-moment in the Centennial spotlight with their freshwater brethren. (At the time, “artificial” salt water was not yet an option as it now is, and only natural salt water could be used.)

aquarium_art-institute-of-chicago_1936Art Institute of Chicago Collection

The 1936 Centennial aquarium building still stands. After extensive renovation, it now houses the “Children’s Aquarium,” which I haven’t visited, but which I’m confident is entertaining and educational. I’m pretty sure, though, that it is a completely different aquarium from the one of my childhood memories (when museums were basically designed for adults and were rarely “interactive”). I loved going to the aquarium. I remember it being dark and cool and kind of dreamy inside. Mysterious and exotic. I loved the little neon fish that playfully (or nervously) darted all around the tanks, the big, slow-moving fish that looked back at me like nonchalant cud-chewing cows in a field, the tiny skittering crabs, the turtles, the undulating plants … I loved all of it.

But what I really remember are the seahorses on the side of the building — whichever architect came up with that perfect little detail deserves a special place in heaven. I loved them as a child, and I love them now. The acres and acres of art deco fabulousness created for the Texas Centennial are absolutely thrilling, but those solemn and quietly elegant seahorses all in a row on the side of the Dallas Aquarium will always be my personal favorite little nostalgic detail in the whole of beautiful, beautiful Fair Park.

seahorses_pb-det

The Aquarium today (click to enlarge) / photo: Paula Bosse

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UPDATE — Oct. 2020: It has been announced that the Children’s Aquarium will be closing permanently. This news is almost as upsetting as seeing Big Tex in flames.

UPDATE — Sept. 2021: Good news! It looks like the aquarium will be reopening in time for the 2021 State Fair of Texas. Read about it here.

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Sources & Notes

Top two images are postcards based on the original architectural drawings, issued before the aquarium was built, found somewhere on the internet.

The third color image is a postcard from a photograph taken after the Centennial was underway.

Photo of the exterior of the present-day aquarium was taken by me in 2013.

The website for the Children’s Aquarium at Fair Park is here.

For an absolutely FANTASTIC well-illustrated article titled “The Metamorphosis of the Dallas Aquarium at Fair Park Into the Children’s Aquarium at Fair Park, With Historical Annotations” by Barrett L. Christie, Aquarium Supervisor, see p. 5 of the “Drum & Croaker” PDF, here. I really loved this article — especially the “Annotations of Historical Interest” at the end (p. 14). Seriously — this is a great read. I’m as layman as you’re gonna get regarding this topic, and I was fascinated by all of this. I’m going to have to write about that mysterious severed human leg found on the roof in 1954!

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Copyright © 2015 Paula Bosse. All Rights Reserved.

Love Field, The Super-Cool 1950s Era

love-field_1957Welcome to Dallas Love Field!

by Paula Bosse

Above, fantastic drawing, 1957.

Below, fantastic photo, 1957.

love-field_terminal_1957

And, below, fantastic-er photo. 1959. Just too cool.

love-field_1959_LARGE

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Sources & Notes

Top two images completely lifted from a blog post by architect Jacob Haynes, here.

Bottom image from … somewhere else, long forgotten.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

“The Walls Are Rising” — SEEN!

trinity-amphitheater-bandshell_aia-dallas_1960sA 1960s vision for development of the Trinity (AIA Dallas)

by Paula Bosse

The AIA Dallas screening last night of “The Walls Are Rising,” a 1967 film made by the AIA about Dallas’ somewhat chaotic urban planning, was a huge success! Not only were there upwards of 250 people in attendance at the Sixth Floor Museum to view the film and listen to a panel discussion afterwards, but, for me, it was something of a surreal experience to have a large group of people discussing a film I had researched and researched but had been unable to find any trace of after 1972. I contacted the Dallas Chapter of the American Institute of Architects with my “re-discovery,” and they enthusiastically set out to find it.

Thanks to AIA Dallas’ Anna Procter, the film was found and digitized. Other related archival materials were also found, including a wonderful series of drawings, one of which (above) shows one of the many grand and occasionally outrageous visions for a new Trinity River Town Lake: an amphitheater facing a bandshell set IN the water, replete with the ubiquitous sailboat that always seems to accompany renderings of just about every view of Trinity development I’ve ever seen. I would love to see this series of drawings collected in a book. I would buy it.

It was a great event, and it was so nice (and, again … surreal) to meet so many people who told me they enjoyed the blog. Thank you! (And, guy-who-told-me-about-losing-an-hour-of-time-at-work-reading-the-blog … thanks — but get back to work!)

I loved the film. It was weird and kooky and definitely of its time. It’s interesting to see how the city has improved in the past 40-something years, but it’s also frustrating to see how LITTLE it’s changed.

The film will be available in the near future for online viewing, which is great, because not only will more people be able to see it, but also because we’ll all be able to pause it to look more closely at some of the many, many photos used in the film. UPDATE: Watch the film online, here.

Thanks to AIA Dallas/Dallas Center for Architecture, panelists Howard Parker, Larry Good, and Jack Gosnell, moderator Robert Wilonsky, and the Sixth Floor Museum for an entertaining night. And thanks to everyone who attended!

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Sources & Notes

A few of the reviews/recaps of last night’s film and discussion:

Previously:

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Copyright © 2015 Paula Bosse. All Rights Reserved.

 

Dallas’ “Courthouse Complex”

courthouse-complex_tinkle_key-to-dallas_1965-drawingEarly-’60s vision of the “courthouse complex”

by Paula Bosse

Let’s all be thankful that the Old Red Courthouse is still with us, because there was serious talk in the ’50s and ’60s of razing it to make way for a more modern downtown and a more efficient use of space. Lon Tinkle wrote the following in the mid-’60s:

courthouse-complex_tinkle_key-to-dallas_1965Excerpt from Lon Tinkle’s “The Key to Dallas” (1965)

Tinkle’s next paragraph: “It is not that Dallas doesn’t care. It does. But it has to grow into this experience of great cities, and it will.”

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Here’s what the eastern boundary of the “courthouse complex” looked like in 1964. (Incidentally, the first Kennedy memorial site was chosen in April, 1964, and it was to be in the block immediately to the east of the Records Building, the one seen in the center of this photo. Sometime in the next few months, the location was changed to the block immediately east of the Old Red Courthouse.)

Ferd Kaufman, AP

Here’s what the southern boundary looked like when construction of the new Dallas County Courthouse began in the spring of 1963:

courthouse-construction_early-1963

And here’s the “complex” today.

courthouse-complex_google

Old Red isn’t going anywhere!

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UPDATE: After posting this on the Flashback Dallas Facebook page, a person commented about having worked across the street during the new courthouse’s construction.

On the night of June 19, 1964, a massive fire broke out on the upper floors of the new courts building, which was then under construction. There were 130 firefighters and more than 30 pieces of equipment on the scene according to newspaper accounts. The commenter wrote the following, in clipped sentences, telegram-style:

“I started to work 1963 at Terminal Annex. The Court House under construction, razed by fire shortly thereafter, heat from fire made us work away from windows. There was no thought of leaving building as mail had to make connections to railroads.”

First thing: Wow. The postal creed in action. Wonder if the workers got hazard pay? Or at least a W.C. Fields “hearty handclasp.”

Secondly: I had never seen the phrase “razed by fire” before. It’s not really accurate here, because only the upper floors were destroyed, but the cinematic quality of the phrase is pretty cool. I’ll have to file the phrase away to be used as the title for my memoirs, even if it doesn’t really apply to anything I’ve ever done or experienced. Can’t sacrifice a good title.

Thirdly: I continue to realize just how exceedingly dull my life is.

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Sources &  Notes

Top image and text is from Lon Tinkle’s wonderful The Key to Dallas (Philadelphia/New York: J. B. Lippincott Co., 1965), an extremely informative book for young people. The drawing is by Dallas artist Bud Biggs (his signature is seen in the reproduction of this drawing in the Aug. 1961 issue of Dallas magazine).

Labeled image of the area in question, looking west, is an Associated Press photo by Ferd Kaufman, taken in 1964. I used this previously in the post “Where To Put That Kennedy Memorial? — 1964.”

Aerial view is a current one, from Google Maps.

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Copyright © 2015 Paula Bosse. All Rights Reserved.

The Dallas Athletic Club Building, 1925-1981

dallas-athletic-clubThe Dallas Athletic Club, 1920s

by Paula Bosse

Dallas’s premier architects Lang & Witchell designed the Dallas Athletic Club building. It was built between 1923 and 1925 on a triangular piece of land located at St. Paul, Elm, and Live Oak, its entrance facing St. Paul. It was one of the city’s top private clubs, catering to Dallas’ businessmen. Aside from sports and recreational facilities — swimming pools (for men and women), gymnasiums, games courts, billiard rooms, etc. — the club also offered meeting rooms, a dining room, a ballroom, and lounges. It also offered use of hotel-like “rooms” to members and their guests. (If it was anything like old movies from this period, I assume it was a handy place to stay if a DAC member was in the doghouse with his wife — or in the midst of divorce proceedings. “If the VP from the home-office calls, Miss Klondike, I can be reached at my room at the club.”) The building also housed a variety of non-DAC-related businesses and offices — my great aunt had a hat shop there in the late 1930s and early 1940s.

The Athletic Club was a major social and recreational spot for years and was something of a landmark in the east end of downtown. In the 1950s the membership opened a country club and golf course near Mesquite but kept the downtown facility open as well. But with suburbia’s surge and downtown’s decline, it was only a matter of time until the club closed the downtown facility. The DAC finally sold the building in 1978, and it was demolished in 1981 to make way for the 50-story 1700 Pacific tower. It had a good run.

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Before construction began, an artesian well was dug on the property.

dac_artesian-well_dmn_031722DMN, March 17, 1922

When it was finished five months later, “water sufficient to produce 300,000 gallons of water every twenty-four hours was reached” (Dallas Morning News, Aug. 20, 1922).

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Photo by Charles Erwin Arnold showing construction in progress:

dallas-athletic-club_construction_DHSvia Dallas Historical Society

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dac_construction_dmn_112523

The progress made to date on the new home of the Dallas Athletic Club Building, which is under construction. […] The picture was snapped from an upper floor of the Medical Arts Building. […] The facing for the three lower floors is of gray Bedford stone. The exterior walls for the upper floors will be of dark red brick. The large openings extending from the fourth to sixth floors will contain the massive windows over the men’s swimming pool. The men’s gymnasium will be on the south side of the fourth floor. When completed, the building will cost approximately $2,000,000, and it will be the most modern athletic club in the United State, according to club officials. (DMN, Nov. 25, 1923)

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dac_berloy-ad_1924_cropAd for “Berloy Floor Cores” from 1924. Great photo!

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Work is nearing completion on the concrete framing for the five upper floors of the thirteen-story Dallas Athletic Club building at Elm and St. Paul street, and bricklaying will be started probably this week. The five upper floors will be used for office purposes, with the club quarters on the eight lower floors, except for some storerooms facing the two streets. (DMN, Nov. 16, 1924)

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dallas-athletic-club_so-this-is-dallas_c1946_sm1946-ish (click for much larger image)

The above pictures portray some of the many features of one of Dallas’ greatest civic assets, the Dallas Athletic Club. The club’s home is the modern thirteen-story club and office building, facing St. Paul Street, bounded by Elm and Live Oak streets. It was completed in 1925 at a cost of almost $3,000,000.

The Club utilizes the basement and eight floors of the building. The first five floors are devoted to facilities for the services of members and their families, including clubs and private dining rooms, game rooms, swimming pools for men and women, gymnasium, etc. Three floors are given over to living quarters for members and their out-of-town guests. On these floors are eighty bedrooms and suites, all decorated and furnished in accordance with the highest standards of modern hotels. The Club’s year ’round program of cultural and recreational activities for members and their families play an important part in the business and social life of Dallas. Membership is by invitation.  (“So This Is Dallas,” a guide for newcomers to the city, circa 1946)

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dac_smu_1938-crop

Aerial view from 1938, looking east; the DAC is in the center, with Elm Street to the right. (SMU)

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dallas-athletic-club_matchbook_cook-collection_degolyer_smu_a     dallas-athletic-club_matchbook_cook-collection_degolyer_smu_b
1950s matchbook, via SMU

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In March, 1981 it was announced that the building would be imploded.

The former Dallas Athletic Club building, which for 53 years served as a health club and meeting place for Dallas businessmen, will be imploded. […] A 50-story office building will be constructed on the site. The 57-year-old building has been empty since the club moved from the building in 1978. (Dallas Morning News, March 22, 1981)

And on March 22, 1981…

dallas-athletic-club_demo_dmn_032381a

dallas-athletic-club_demo_dmn_032381bDMN, March 23, 1981

The end of an era.

But let’s remember happier times for the Dallas Athletic Club building and gaze at this idealized version from Lang & Witchell’s original drawing (circa 1922).

dallas-athletic-club_drawing_arch-yrbk_1922

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Sources & Notes

Bird’s-eye view of the construction site is by Charles Erwin Arnold and is from the Arnold Photographic Collection, Dallas Historical Society; its ID number is A.68.28.17.

Aerial view is a detail from a photograph taken by Lloyd M. Long in 1938; it is from the Edwin J. Foscue Map Library, Southern Methodist University. The full photo can be seen here; the same photo, with buildings labeled, is here.

Lang & Witchell drawing from The Yearbook of the Dallas Architectural Club, 1922.

Dallas Morning News clippings and photos are as noted.

Live Oak used to cut through the block bounded by St. Paul, Elm, Ervay, and Pacific. To get an idea of where the building was, here is a 1962 map of the area (the full map can be seen here).

map_1962

The Dallas Athletic Club is still around. Their website is here.

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Copyright © 2015 Paula Bosse. All Rights Reserved.