Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Clubs

“This Month In Dallas” — Aug./Sept. 1962: The Clubs

club-dallas_this-month-in-dallas_aug-sept-1962_ebay_detClub Dallas, Browder Street

by Paula Bosse

Downtown Dallas was a cool place for entertainment and dining in the early 1960s, from high-class clubs and lounges to famous and infamous strip joints (some of which were higher-class than others). A few months ago on eBay, someone scanned a bunch of pages of a magazine called This Month in Dallas (“Where to Go, What to Do”), which seems to have been aimed at the conventioneer or out-of-town visitor. (I’ve never heard of this publication, but I would LOVE to see more!)

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As far as image quality, I’m at the mercy of the person doing the scanning, but here are several of the ads featured in the eBay listing. All appeared in the Aug./Sept. 1962 issue of This Month in Dallas. (At the top, a detail from an ad for Club Dallas — the full ad is below.)

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Let’s just do them alphabetically.

ARAGON BALLROOM, 1011 S. Industrial Blvd. (now S. Riverfront). Featuring the Aragon Red Jackets Western Swing Band, the “Over 30” Club Dance, and Chuck Arlington and His Orchestra.

aragon-ballroom_this-month-in-dallas_aug-sept-1962_ebay

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CAROUSEL CLUB (or “New” Carousel Club), 1312½ Commerce, at Field. Jack Ruby, proprietor. “Dallas’ Newest and Most Intimate Burlesque Nite Club.” This ad (the first of several) features stripper Peggy Steele, “America’s Suzie Wong.”

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More CAROUSEL. “Dallas’ only burlesque nite club with a continuous girl and comedy show. No stopping, 9:00 PM ’til 2:00 AM.” America’s Suzie Wong” is back, now spelled Peggy Steel. MC’d by comic Wally Weston.

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More CAROUSEL. Here’s Mili Perele, “the Little French Miss.”

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More CAROUSEL. Heck, let’s throw in another Peggy Steel/e mention.

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More CAROUSEL (Jack’s advertising budget was impressive). Tammi True, then in the midst of a pinching brouhaha.

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Pat Morgan’s CLUB DALLAS, 206½ Browder (just south of Commerce). I love this ad, but I’m not familiar with the establishment or Mr. Morgan. Looks like it opened in the summer of 1962 (“Owner Pat Morgan has eliminated the semi-nude waitresses and aims for the family trade” — Dallas Morning News, July 27, 1962), changed its name in September 1962 to simply “Pat Morgan’s,” and finally closed in February 1963. I bet he rued the day he dumped those semi-nude waitresses….

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CLUB VEGAS, 3505 Oak Lawn. Yes, there was swinging nightlife beyond downtown. Club Vegas was famously owned by Jack Ruby’s sister, Eva Rubenstein. This club booked a lot of Black and Hispanic bands (for mixed audiences), including Joe Johnson and Trini Lopez. (I’ve been meaning to write about this place for the past 10 years!)

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CLUB VILLAGE / ITALIAN VILLAGE RESTAURANT, 3211 Oak Lawn. Another happening place in Oak Lawn. I wrote and wrote and wrote about Sam Ventura’s Italian Village here.

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COLONY CLUB, 1322½ Commerce. Abe Weinstein, proprietor. The “high-class” strip joint. Also featured acts like Deacon & Co., King and Queen of the Limbo.

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More COLONY CLUB. An unnamed exotic.

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GUTHREY’S CLUB, 214 Corinth, at Industrial (now Riverfront). Very popular back in the day. “Girls! Girls! Girls! Set-ups, beer, wine.” This ad features Dave Martin’s Tom Toms (James McCleeng, Glenn Keener, Gene Summers — vocalist, Charlie Mendian, Melvin Robinson, and Dave Martin).

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THE SPOT, 4906 Military Parkway. This ad features Joe Wilson & The Sabers.

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THE SPOT, the “other” location, 10635 Harry Hines. House band The Spotters.

spot_harry-hines_this-month-in-dallas_aug-sept-1962_ebay

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THEATER LOUNGE, 1326 Jackson, at Akard. Barney Weinstein, proprietor. “Glamour Girls Galore.”

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TOWN PUMP, 5021 Lovers Lane. “Dallas’ Original and Largest ‘Sing Along’ Piano Bar.” That is one scary sentence.

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Sources & Notes

All ads from the Aug./Sept. 1962 issue of This Month in Dallas.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Colony Club Billboard in Beautiful Kodachrome — Early 1960s

kodachrome_elm-ervay-live-oak_chris-colt_colony-club-billboard_ebay_WATERMARKDowntown Dallas has it all…

by Paula Bosse

This. Is. A. Fantastic. Photo.

If only for the great, great, great Colony Club (“the best of the undressed”) billboard featuring Chris Colt (“the girl with the 45s”).

See this same view of the (one-time) intersection of Elm, Ervay, and Live Oak here and here. (The dazzling animated neon Coca-Cola sign was once where Chris Colt is showing off her 45s.)

I almost never post images with watermarks, but this photo is pretty spectacular. Look around the watermark!

I don’t know the seller of this color slide. I have no affiliation with the person. I get no cut in any sale. But I want someone reading this to BUY IT! Let’s keep this with someone who loves Dallas history! (And if you DO buy it and would like to send me a digital copy… well, I wouldn’t say no!) See this slide currently on eBay HERE. (HURRY!)

To see a naughty photo of Chris Colt, you can click on an antique collectors’ website here.

colony-club_ad_chris-colt_112262Colony Club ad, Nov. 22, 1962

And below is a photo of Colony Club owner Abe Weinstein in his younger years counting his moolah.

abe-weinstein_abe-and-pappys_djhs-facebookphoto: Dallas Jewish Historical Society

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Sources & Notes

Top image is from a color slide in a current eBay listing here. (Seller’s title: “Original Slide Dallas St Scene Colony Club Coca Cola Billboards Southland Life.”) There is no date, but Golden Steer Barbecue opened at 1713 Live Oak sometime in 1961.

Abe Weinstein photo — from his days as the co-owner of Abe’s and Pappy’s — is from the Facebook page of the Dallas Jewish Historical Society.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Black Women’s Equestrian Company K (American Woodmen) — 1920s

black-womens-equestrian-contingent_cook-coll_degolyer-lib_SMUGeorge W. Cook Collection, DeGolyer Library, SMU

by Paula Bosse

Above, a photograph of an African American woman holding a pennant which reads “Co. K — Dallas, Texas.” Company K was a women’s equestrian unit of Dallas Camp No. 86, consisting of at least 30 members — it was one of the various “uniformed ranks” of the American Woodmen, a Black fraternal organization. These groups competed in drills and marched in parades, and, from what I gather, they were meant to be seen as something of a symbol of strength, purpose, and resolve. Company K won many drilling contests and was active, from what I can tell, from at least 1922 to at least 1930.

The American Woodmen (not to be confused with the Woodmen of the World, an exclusively white organization) was a national fraternal benefit association which provided loans and insurance coverage to members. It was open to Black men and women. During the 1920s, the Woodmen offices were located at 714 N. Hawkins, at Central (the address was originally 718 N. Hawkins, as seen in the ad below). Members could join various extracurricular “uniform ranks” if they so chose.

american-woodmen_dallas-express_041720Dallas Express, Apr. 17, 1920

The American Woodmen Uniform Ranks were overseen by the national “Commander,” Maj. Gen. John L. Jones (many fraternal organizations borrowed liberally from the military, as seen in their fondness for uniforms, “officer” ranks, precision drilling, etc.). While in Dallas for the Woodmen’s District Encampment in August 1922, Jones told a reporter:

“The American Woodmen in establishing their uniform rank department intended to instill in those who joined it a higher appreciation for the value of the Negro soldier and hero. No other fraternity has thus established that branch of their organization.” (Dallas Express, Aug. 12, 1922)

When uniformed members of these various divisions drilled and paraded — hundreds at a time — it was an impressive, powerful sight. It was good PR, not only for the group selling insurance, but also for Black Americans who rarely had the opportunity to participate in this type of uniformed display of earnest, pillar-of-the-community solidarity. (See a typical group of the “Uniform Ranks” — which also included marching bands and nurses — in a 1924 photo showing the Louisville, Kentucky Camp, here.)

But back to Company K. I haven’t found any photos of them with horses, but I assume they really did ride horses. Below is an ad from January 1922, recruiting men for a Woodmen “cavalry.” I assume there was a similar version of this ad seeking female recruits.

woodmen_american-woodmen_cavalry_dallas-express_011422Dallas Express, Jan. 14, 1922

In an early competition at an “encampment” (a meeting of various American Woodmen companies, or “camps”), Company K tied for first place with another Dallas unit, Lone Star Company B. (Read coverage of this huge days-long encampment in the pages of the Black newspaper, The Dallas Express, hereThe Dallas Morning News did not mention the event.) The Dallas Encampment was at Riverside Park, a large open space where visitors set up military-style barracks/tents and competed in various military-like precision drills over the course of a few days. Riverside Park was the former Negro Play Park, at what is now Sabine and Denley in Oak Cliff, near the Trinity (it is now, I believe, Eloise Lundy Park). Not only was Riverside Park the site for several encampments and a place where Black families picnicked and gathered for special occasions, it was also the home of Negro League baseball games (these games were so popular among both Black and white Dallasites that a special section for white fans had to be installed during the Jim Crow era, when racial segregation was enforced by law). But back to Company K.

equestrian-co-k_dallas-express_081922_portal_detDallas Express, Aug. 19, 1922

The parade mentioned in the article below is described in the Express article “Woodmen Stage Big Parade” (Aug. 19, 1922). It sounds like it was a pretty big deal.

equestrian-co-k_black-dispatch_OKC_031523_headline_excerptBlack Dispatch (Oklahoma City, OK), Mar. 15, 1923

The incredibly low-resolution photo below was taken at the 1929 Encampment in Denver — it shows the scale of an encampment, with tents visible behind the posed participants. The caption says that Dallas’ Equestrian Co. K won the first prize for women in the drill contest — the prize (which, amazingly, was the same as the first prize for men) was $800, which, in today’s inflation-adjusted money would be about $15,000! 

equestrian-co-k_black-dispatch_OKC_090529_photoBlack Dispatch (OKC), Sept. 5, 1929

In an excerpt from a chatty overview of the women’s drilling groups, Company K spokeswomen say how happy they are to be back in Oklahoma City.

black-dispatch_OKC_071030_detBlack Dispatch (Oklahoma City), July 10, 1930

Most fraternal organizations are, as the name would imply, men-only. Yeah, they may have their female “auxiliary” organizations to give the women something to do, but the American Woodmen (Woodpeople?) included women in important roles. And it certainly paid off — the women of Equestrian Company K regularly won competitions and regularly brought the bacon home. 

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100% of what is contained in this post is information I didn’t know until I set out to discover what “Equestrian Co. K, Dallas, Texas” referred to. As always, it’s exciting to learn about something I had never known about.

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Sources & Notes

Top photo — “[Member of African American Women’s Equestrian Contingent, Company K, of Dallas, Texas]” — is from the George W. Cook Dallas/Texas Image Collection, DeGolyer Library, Southern Methodist University; more information on this photo can be found on the SMU Libraries site, here.

There is very little information on the internet about these American Woodmen women’s companies, so I’ve collected the article “Echoes from the Forest — Uniform Rank Department, American Woodmen” (The Black Dispatch, Oklahoma City, July 10, 1930), which lists female personnel for several Dallas companies, including the equestrian company, drill companies, a hospital company, and a nurse company — read the PDF here.

Read about the American Woodmen Benevolent Society (not to be confused with the (white) Woodmen of the World organization) in two very informative and interesting blog posts, here and here.

Read about Black soldiers during World War I in the sort-of related Flashback Dallas post “Black Troops from Dallas, Off to the Great War,” here.

black-womens-equestrian-contingent_cook-coll_degolyer-lib_SMU_sm

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Copyright © 2023 Paula Bosse. All Rights Reserved.

Dallas, The City of Splendid Realities — 1905

dallas_city-of-splendid-realities_texas-and-pacific-quarterly_1905_det_b

by Paula Bosse

In 1905, a group of jaycees-like Dallas businessmen formed the Hundred and Fifty Thousand Club — their aim was to promote the city in hopes that it would achieve a population of 150,000 by 1910. Below is one of their impressive ads, which, of course, includes the favorite insistent claim of Dallas boosters that the Trinity River will ANY DAY NOW become a bustling “direct water route to the Gulf and the Panama Canal, that will put it in closest touch with the markets of the entire world.” The entire world! (Still waiting for that “navigable Trinity,” guys….) (Transcription is below the ad.)

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DALLAS: The City of Splendid Realities

  • Probably no community in the world offers larger opportunities for the investment of capital and intelligent effort than does the city of Dallas, Texas.
  • Dallas is the commercial and industrial center of the most rapidly developing state in the Union.
  • The country surrounding the City is wonderfully rich and fertile — the famous black waxy belt that has never known a crop failure.
  • Its railroad shipping facilities are unexcelled, and now that the improvement of the Trinity River is assured it will stand at the head of navigation with a direct water route to the Gulf and the Panama Canal, that will put it in closest touch with the markets of the entire world.
  • There are dozens of opportunities for money making right now in the supplying of distinctly felt needs.
  • Conservative investors who have capital to place safely and profitably in industrial or public service enterprises, wide-awake men who are looking for a profitable employment of personal effort and limited capital in fruit raising, truck farming, chicken raising or small canning industries, are invited to write for information that will be of distinct interest to them.

Hundred and Fifty Thousand Club
Dallas, Texas
Write for Booklet, Dallas 1905

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When the results of the 1910 Census were revealed, Dallas hadn’t reached its goal of a population of 150,000. But it had grown an impressive 116% in a decade, and, according to The Dallas Morning News, this meant that Dallas had the largest population in all of Texas and about the 50th largest in the United States. (Click article for larger image.)

population_1910-census_dmn_091710Dallas Morning News, Sept. 14, 1910

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Sources & Notes

Ad found in the pages of Texas and Pacific Quarterly, 1905.

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Copyright © 2023 Paula Bosse. All Rights Reserved.

1400 Block of Main Street, ca. 1946

main-street_century-room_ca-1946_bell-collection_DHS_detThe Century Club, the Adolphus Bar, and the Manhattan Cafe await…

by Paula Bosse

A few years ago, I went in to the Dallas Historical Society a few times a week to volunteer. I ended up basically cataloging an entire collection of photos taken by a man named James H. Bell — and I really enjoyed it. Bell wasn’t a professional photographer, he was just a guy who liked to take a lot of photographs. The photos were all taken, as I recall, in 1946 and 1947, when he was apparently visiting Dallas — which I gather was his hometown — on a trip from his new home in California. He took a lot of pictures of places around Dallas that no one really bothered to document: businesses, street life, houses. He was also something of a pinball and jukebox aficionado, because a large number of his photos had coin-operated machines in them. Like a LOT. He also liked buses. And he seemed to always have his camera with him.

The photo above (which, sadly, I’ve had to crop because of image issues) shows the south side of the 1400 block of Main Street. I’ve never seen a photo from this period of the Main Street entrance to the Adolphus Hotel. That cool 1936 deco sign for the Century Room is great (even though it looks a little out of place next to the overly ornate early-20th-century arch next to it). (See the full wonky image — apologies for the low resolution — all my fault — here.)

I can tell you exactly why Bell took this photo: he saw a coin-operated machine being unloaded from a truck (or loaded into a truck). There were others photos in this collection taken in similar circumstances. I don’t know whether he was following jukebox and pinball trucks around town (a very definite possibility…), or whether he just happened upon these coin-op machine deliveries, camera at the ready. Whatever the case, he got a nice action-photo of a jukebox delivery in the wild, while, at the same time, he secured for posterity a nice historical image of everyday life on Main Street. And, we have the added bonus of seeing the long-gone sign for the swanky Century Room nightclub.

This was the Dallas Historical Society description I wrote for the full photo:

Downtown Dallas, 1400 block of Main Street. South side of Main, with Akard intersecting at left. Partial view of the Southwestern Life Building (southeast corner of Main and Akard, with Travis cigar stand at street level); Andrews Building (southwest corner of Main and Akard); C C Liquor Store (1412-B Main); Elko Camera Store (1410 Main); Ragir’s (1412 Main); Adolphus Hotel, rear entrance (with Century Room nightclub sign); Adolphus Bar (1406 Main); the Marquee restaurant (1404 1/2 Main); Paul R. Brown’s Restaurant. Also: a sign for Manhattan Cafe or Cafe Manhattan, pedestrians, 1940s vehicles, workman securing a pinball or other coin-operated machine into back of pickup truck.

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Sources & Notes

This photo was taken by James H. Bell in about 1946, and it is from the James H. Bell Collection at the Dallas Historical Society. The Accession Number is 2017.48, and the Object ID is V.2017.48.531. For some reason, an image is not on the DHS online database, but the link to the photo description is here.

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Copyright © 2022 Paula Bosse. All Rights Reserved.

African-American Businesses and Notable Dallasites — 1930

mme-pratt-muisc-teacher_dallas-negro-directory_1930_portal_det“Madame Pratt” in her music studio

by Paula Bosse

I’ve recently posted lots of photos of black schools and black churches which appeared in the Official Directory: Dallas Negro Churches, Schools and Other Activities; Civic, Business, Fraternal, Social, Etc., an absolutely fantastic historical document (which is scanned in its entirety on the Portal to Texas History site here) — now I thought I’d post some of the businesses and people featured in the directory.

First is the woman seen above, Ella Rice Pratt (1893-1966) who was known professionally as “Madame Pratt” and seems to have taught an extremely wide range of musical instruments. According to this 1930 ad, she was “The only woman of her race in Texas who performs successfully upon two instruments at the same time.”  (Most images are larger when clicked.)

mme-pratt-muisc-teacher_dallas-negro-directory_1930_portal1930

Her 1966 obituaries (one of which is here ) list a string of accomplishments, including having studied music at the New England Conservatory in Boston, toured as a concert pianist, trained a 30-piece touring orchestra, and opened what was described as “the first music studio in Dallas where Negro musicians could receive training on all instruments” (Dallas Morning News, Oct. 3, 1966). Not only was she a notable Dallasite, so were members of her family: her father, Charles A. Rice was a principal at Booker T. Washington High School (and is the namesake of Charles Rice Elementary School), her mother, Sally Rice, was the first supervisor of Griggs Park, and her husband, T. W. Pratt was a long-time principal in Dallas schools (at the time of this directory he was the principal of the Pacific Avenue School (he might be seen in this photo which also appeared in the 1930 Negro Directory). The Pratts lived at 3612 Thomas Ave., near Washington, where Madame Pratt also had her studio. (Her headstone in Lincoln Memorial Park has musical notes engraved on it.)

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Speaking of music, R. T. Ashford was a prominent businessman (he was one of the founders of the Dallas Negro Chamber of Commerce) who owned R. T. Ashford’s Music Shop, a popular record store at 408 N. Central (at Swiss), just north of Deep Ellum. Before this 1930 directory was issued, Ashford had called his shop “Black Swan Music”(I’m not sure whether this was an “homage” to the Black Swan record label or some sort of partnership). Ashford’s store was apparently very popular and Ashford himself seems to have been taken seriously by record labels whenever he would recommend local talent (he appears to have figured prominently in Blind Lemon Jefferson’s recording career). Ashford moved from Central Avenue to Hall Street in 1931, but he was a Deep Ellum music and business fixture for many, many years. I think the location of Ashford’s record shop (if not the actual store) can be seen in this photo from 1919 (on the street-level floor of the Thorburn Broom & Brush building). (Fun fact, perhaps only to me: Ashford’s Music Shop was next door to a business proprietor named “Simpson.”)

ashfords-music-shop_dallas-negro-directory_1930_portal1930

ashford_dallas-express_122223Dallas Express, Dec. 1923

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Another entrepreneur was Thad Self, whose main business seems to have been a grocery/general merchandise store on Routh Street south of Colby. He also owned a transfer company, a hotel/boarding house, a barber shop, a cafe, and at least one other general store. Most of his companies were located in buildings on the neighboring lots at 2113 Routh and 2115 Routh, one or both of which he appears to have purchased in 1913 for $100 (about $2,600 in today’s prices). He built a large three-story building on Routh in 1913 (which, according to this 1921 Sanborn map) was built over the Dallas Branch of the Trinity which snaked through downtown and the State-Thomas area — that  basement was probably pretty damp.

thad-else_dallas-negro-directory_1930_portal1930

thad-else_dallas-express_120619_HOTELDallas Express, Dec. 6, 1919

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Speaking of hotels, one of the most prominent hotels in the era when blacks were not allowed to stay in “white” hotels by law was the Powell Hotel at 3115 State Street (between Ellis and Hugo), owned by D. H. Powell and his wife Susie. In May, 1929 Powell was issued a permit to tear down a frame house at 3115 State, and he built his 40-room hotel on the property soon after. The Powell Hotel was where almost every notable African-American visitor to the city stayed. By the late 1940s, Powell had built something of a hotel empire in Dallas with several locations. (I will have to write more about him in a future post!) I like this very early ad, from the 1930 directory, describing it as the “Powel Hotel & Pleasure Dome.” The photo shows a pleasant-looking place, but you and I and Kubla Khan and Coleridge would probably agree it’s no Xanadu.

powell-hotel_dallas-negro-directory_1930_portal1930

powell-hotel_legacies_spring-2007Dallas Public Library, via Legacies, Spring, 2007

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Speaking of “resting places”… another essential element in any community is the funeral home. One of Dallas’ most prominent undertaking firms for black Dallas was the E. J. Crawford Funeral Home at 804 Good (now N. Good-Latimer, between Live Oak and Bryan), founded by Mr. Crawford in 1909. “The last word in funeralizing.”

crawford-funeral-home_dallas-negro-directory_1930_portal1930

crawford_e-j_dallas-express_020422Dallas Express, Feb. 4, 1922

Another prominent funeral home/ambulance service was Black & Clark, founded originally around 1914 by S. C. Black; in 1927 he was joined by his nephew C. J. Clark. For years they were located in Oak Cliff, at 1109 E. Tenth St., west of what is now South R. L. Thornton, near Cliff Avenue. This funeral home is still in business, and there was recently a profile of the Dallas institution on Channel 5 News (watch it here).

black-and-clark-undertakers_dallas-negro-directory_1930_portal1930

black-and-clark_archives_1802-n-washington1802 N. Washington (woozy screenshot of photo in Ch. 5 news story)

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This is Genevieve T. Starks, a woman with a lot of extra-curricular activities! I love this photo.

genevieve-starks_dallas-negro-directory_1930_portal1930

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The G Clef Club was organized around 1921 by Lincolnia Hayes Morgan, music supervisor for Dallas’ (black) public schools. A blurb about the group appeared in The Crisis, the official publication of the N.A.A.C.P.: “The objects of the club are to assist worthy music students and to raise the music standard of the community” (June, 1921).

g-clef-club_dallas-negro-directory_1930_portal1930

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A popular singing group was the Belt Sacred Quartette (comprised of J. J. Mollis, J. Poindexter, F. W. Grant, and N. Tisdale) — listen to their recording of “I Have Another Building” below.

belt-sacred-quartette_dallas-negro-directory_1930_portal1930

belt-sacred-quartette_blackwell-OK-journal-tribune_072332Blackwell (OK) Journal-Tribune, July 23, 1932

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The Davis Bible Singers (C. Davis, I. H. Burrell, R. Smith, and O. B. Walker) seem to have been pretty popular, having appeared on KRLD, WFAA, and WRR radio. They even recorded for Columbia Records (listen to their great recording of “Daniel Saw the Stone” below).

davis-bible-singers_dallas-negro-directory_1930_portal1930

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One of the most important doctors in Dallas in the 1920s and ’30s was Dr. Lee Gresham (L. G.) Pinkston (1883-1961), who opened the Pinkston Clinic at 3305 Thomas Avenue, between Hall and Central, in 1928 or 1929 (it made its first appearance in the 1929 city directory). In 1954, Pinkston — physician, surgeon, and civic leader — was one of the first five black doctors allowed to practice in a “white” Dallas hospital (St. Paul’s Hospital) — before that, the only hospital in Dallas where black doctors could practice was the Pinkston Clinic, which had 15 beds (32 beds were allotted for black patients at St. Paul’s in 1954). (See a photo of the five doctors here, Dr. Pinkston is seated.) A new West Dallas school — Pinkston High School — was named in Dr. Pinkston’s honor and opened in 1964, three years after his death. 

pinkston-clinic_dallas-negro-directory_1930_portal1930

pinkston-clinic_DHSDallas Historical Society

Below, a portrait of Dr. Pinkston with the artist, Calvin Littlejohn (whom I’d known only as a photographer previously), destined to hang in the new school.

pinkston-l-g_portrait_calvin-littlejohn_pittsburgh-PA-courier_112864Pittsburgh (PA) Courier, Nov. 28, 1964

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Sources & Notes

All 1930 images are from Official Directory: Dallas Negro Churches, Schools and Other Activities; Civic, Business, Fraternal, Social, Etc. compiled by James H. Smith, 1930; from the Tarrant County Black Historical and Genealogical Society, via the Portal to Texas History. This fantastic resource is scanned in its entirety here.

See the two other Flashback Dallas posts which also use this wonderful directory as a source:

mme-pratt-muisc-teacher_dallas-negro-directory_1930_portal_det_sm

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Copyright © 2020 Paula Bosse. All Rights Reserved.

Christmastime at Booker T. Washington High School — 1950s

booker-t-wash_xmas-decDecking the halls…

by Paula Bosse

Most of us have fond memories of holiday-themed activities in school — here are a few photos from the Christmas season at Booker T. Washington High School in the early ’50s.

Above, girls hang decorations on the office door.

Below, the Library Club poses for a photo at a Christmas party (all photos are larger when clicked).

booker-t-wash_xmas-party_1952via John Leslie Patton Papers, Dallas Historical Society

And the bottom two photos show members of the Booker T. Washington chapter of the American Junior Red Cross standing with the articles they’ve made and/or collected for distribution to various hospitals and institutions — a couple of girls can be seen crocheting and knitting items which will be added to the collection of things destined for grateful recipients.

booker-t-wash_xmas-red-crossvia John Leslie Patton Papers, Dallas Historical Society

And below, Mrs. Catherine Robinson, the organization’s sponsor, stands with students and their gift-wrapped presents which are ready to be delivered to places such as the Hutchins Home for Convalescent Patients, Woodlawn and Parkland Hospitals, orphanages, boarding homes for juvenile wards of the state, and even to the leprosarium in Carville, Louisiana (a hospital which treated leprosy patients — a 1953 newspaper article reported that most of the then-current 400 patients were from Texas).

booker-t-wash_xmas-red-cross2via John Leslie Patton Papers, Dallas Historical Society

Organized in 1917, the American Junior Red Cross had Dallas chapters in most — if not all — schools by 1918, including Booker T. Washington. By 1949 Dallas County had Jr. Red Cross chapters in 183 schools, with more than 78,000 students taking part; they made and/or collected 30,000 items that year which were distributed to active servicemen, to hospitalized veterans and children, to the needy, and to the aged. There were regular collection drives for reading material (elementary kids donated a LOT of comic books!), and there were regular visits to hospitals, etc., to entertain and perform (“except in times of polio epidemics”). Students also wrote letters to military personnel and to children in other countries and were trained in safety and first-aid procedures..

american-junior-red-cross_poster_1952_vintageposterworksvia Vintage Poster Works

Because of the efforts of Junior Red Cross members like these from Booker T. Washington High School, many who were convalescing, lonely, or in need were assured a happier Christmas than they might otherwise have had.

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Sources & Notes

All photos of Booker T. Washington High School students are from the John Leslie Patton Papers collection of the Dallas Historical Society. (More on Patton, the legendary principal of Booker T. Washington for 30 years can be found at the Handbook of Texas site here.)

More on the American Junior Red Cross can be found in these articles:

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

“Political Paranoia” and the North Dallas Democratic Women’s Club, feat. Future Governor Ann Richards

political-paranoia-2_1964_jones-collection_SMU_cast

by Paula Bosse

Ann Richards drove my carpool. She and my mother swapped out driving kids to the First Unitarian Church Cooperative Preschool on Preston and Normandy in University Park. I’m not sure anyone in either family was an actual member of the church, but that preschool was one of the only co-ops in Dallas (it might have been the first), and it was a magnet for the more progressive parents in the city. The Unitarian Church was also a major gathering place in the 1960s and 1970s for those involved in women’s issues, liberal activism, and Democratic politics, including my mother and the future governor of Texas, Ann Richards. I remember hearing about Ann (she was always referred to as just “Ann”) throughout my entire childhood. My parents weren’t close friends with the slightly older Richardses, but my mother was a keen admirer of Ann and my father described her as “the funniest woman I’ve ever known.” I remember their home on Lovers Lane which always seemed to be crammed full of kids.

When Ann Richards lived in Dallas she was a self-described “housewife,” who, when she wasn’t busy raising her four children, was volunteering for Democratic candidates and causes. She was an active member of the North Dallas Democratic Women’s Club, a group which, in 1963, gained instant attention for the fundraiser show they wrote and performed called “Political Paranoia,” a satirical revue of politics, complete with sharp satire, broad comedy, song parodies, and ridiculous wigs and costumes. The show was such a huge success that follow-up standing-room-only shows were performed in 1964, 1965, 1966, and 1968. The shows were written and directed by Carolyn Choate, Ruthe Winegarten, and Ann Richards, and the cast consisted of the members of the NDDW. Ann’s portrayal of LBJ seems to have made lasting impressions on those who saw it.

I have recently begun working on a project for the G. William Jones Film and Video Archive at SMU, and a reel of 16mm black-and-white film — with sound! — was discovered in the vault recently with no identifying information. Nothing. Nobody knows where it came from or how it ended up at SMU. But there it was: a lightly edited filmed document of the second installment of “Political Paranoia,” presented by the North Dallas Democratic Women in the auditorium of Hillcrest High School on May 16, 1964. I was sure Ann Richards would be in there somewhere — and she was! I was pretty excited by this “discovery” because this show has become something of a legendary touchstone in local Democratic politics. As far as I know, there is no other film footage of any of these shows. Not only that, this may well be the earliest footage of Ann Richards, the woman who would go on to become the governor of Texas (1991-1995) and one of the most celebrated women in politics and Texas culture. This is an amazing heretofore unknown historical document.

The show is full of smart sarcasm and “hey-kids-let’s-put-on-a-show” enthusiasm. The humor is more amusing than cutting, and these Democratic women were certainly not afraid of making fun of members of their own party. A lot of the hot topics of the day addressed in this show are lost to the mists of time, but that doesn’t take away from its entertainment value. This was a time when women had very little voice, impact, or power in politics, and the women here have firmly taken control of the reins and perform with an exuberance that crackles. 

The 34-minute film — complete with odd jumps and abrupt cuts — has been uploaded by SMU in its entirety here:

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Here are a bunch of screenshots. I don’t know who all of the performers are — I would love feedback and corrections from the public. At the bottom is a list of names of women who were involved with the NDDW, but as they were invariably identified as “Mrs. Husband’s Name,” I have no idea what most of their first names are! I am especially interested in identifying Ruthe Winegarten, one of the prime movers behind these shows (and also a Texas and women’s historian of note).

First, 30-year-old Ann Richards (or as she was identified in newspaper accounts, “Mrs. David Richards”) appearing as Gordon McLendon, Dallas media magnate, owner of KLIF, and one-time wannabe politician — “The Old Scotchman.” That voice is unmistakable.

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And here she is as LBJ:

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Carolyn Choate, one of the writers and directors of “Political Paranoia,” wrote the music and performed many of the song parodies (she was also a contributor to the annual Dallas Press Club Gridiron Show).

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I was really interested to see Betty McKool, Ann’s longtime friend with whom she issued a famous series of annual jokey Christmas cards (which I wrote about in the post “The Legendary Christmas Cards of Ann Richards and Betty McKool”) — and here she is as Nelson Rockefeller at the 1964 Republican National Convention in what I thought was a really great, incredibly confident performance.

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I’m not sure who the blonde with the glasses and ruffled shirt is, but she gives a spirited performance as Barry Goldwater at the Republican Convention. (Mrs. Ray Pearce portrayed Goldwater in the first “Political Paranoia,” so perhaps this is her revisiting the role.)

political-paranoia-2_1964_jones-collection_SMU_convention

My preschool teacher (and, I believe, the founder of the Unitarian co-op school), Millie Seltzer, is seen below as Lady Bird Johnson. (There’s also a photo of her and Ann as Lady Bird and Lyndon from 1965’s “Political Paranoia III,” which is posted on the blog of Millie’s daughter’s here.)

political-paranoia-2_1964_jones-collection_SMU_lady-bird

Speaking of Lady Bird, here’s Lyndon and Ralph Yarborough (I’m not sure who these women are, but “Lyndon” might be Mary Vogel).

political-paranoia-2_1964_jones-collection_SMU_ralph-lyndon

Possibly Mary Vogel again as “Mrs. GOP.”

political-paranoia-2_1964_jones-collection_SMU_mrs-gop

An unknown performer singing about John Connally.

political-paranoia-2_1964_jones-collection_SMU_family-connally

More unknown performers in “I Dreamed I Dedicated a Federal Center in 1994….”

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…dedicated by Republican congressman Bruce Alger.

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Again, possibly Betty McKool in the straw hat in the center (with someone else playing her husband, Mike McKool).

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The cast, with leggy Joyce Schiff at the microphone (and Ann Richards behind her to the left, holding the cowboy hat).

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“Political Paranoia II”
May 16, 1964
Hillcrest High School auditorium

“Poop and patter from the Pedernales to the Potomac…”
“The most talked-about show from Euless to Balch Springs…”

$1.50 for Democrats
$7.67 for independents
$25.00 for Republicans

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Below is a list of women who were members of the North Dallas Democratic Women who were known to have participated in the 1963 and/or 1964 productions of “Political Paranoia,” either on stage or behind the scenes. If you recognize any of these women in the SMU film footage, please make note of a time-marker and let me know where you see them and I will update the info.

Written and directed by:
Mrs. Alvin Winegarten (RUTHE WINEGARTEN)
Mrs. David Richards (ANN RICHARDS)
Mrs. Jim Choate (CAROLYN CHOATE)

Mrs. Mike McKool (BETTY McKOOL)
Mrs. Holbrook Seltzer (MILLIE SELTZER)
Mrs. Harry Weisbrod (BEA WEISBROD)
Mrs. Herbert Schiff Jr. (JOYCE SCHIFF)
Mrs. Philip Vogel (MARY VOGEL)
Mrs. Frederick Sparks (MERLENE SPARKS)
Mrs. Sam Whitten (VIRGINIA WHITTEN)
Mrs. Harry Hoffman
Mrs. Thomas L. Ford
Mrs. Harold Polunsky
Mrs. Kenneth Parker
Mrs. Charles Webster
Mrs. J. T. Mullenix
Mrs. Forrest West
Mrs. C. A. Hurst
Mrs. Jack Cohan
Mrs. Donald Fielding
Mrs. Don Kise
Mrs. Stanley Kaufman
Mrs. Richard Sandow
Mrs. Irwin Kaim
Mrs. James Taylor
Mrs. Ray Pearce
Mrs. Daniel Rosenthal
Mrs. Oscar M. Wilson Jr.
Mrs. Earl Granberry
Mrs. Jerome Meltzer 

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Sources & Notes

Screenshots are from “Political Paranoia II,” a filmed chronicle of the 1964 political revue written and performed by the North Dallas Democratic Women’s Club at Hillcrest High School on May 16, 1964; the origins of the film are unknown, but this copy is held by the G. William Jones Film and Video Archive, Hamon Library, Southern Methodist University. All thanks to Jeremy Spracklen and Scott Martin of the Jones Archive. The direct YouTube link is here.

Thanks also to Margaret Werry and Jean Ball for their help in identifying participants and for taking the time to share their memories of Dallas’ political past.

A good account of Ann Richards’ time in Dallas can be found in her autobiography, Straight from the Heart, My Life in Politics & Other Places (Simon & Schuster, 1989).

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Copyright © 2019 Paula Bosse. All Rights Reserved.

 

Dallas in “The Western Architect,” 1914: Places of Leisure, Etc.

hippodrome-theater_western-architect_july-1914

by Paula Bosse

Continuing with the series of photos from the all-Dallas issue of The Western Architect, which featured photos of new buildings which had popped up all over the city between the years of about 1910 to 1914. Today, in an attempt to categorize the seven buildings in this post, I’ve decided on “places of leisure” — although one of the places is a high school, and a high school is hardly a place of leisure. Two of these buildings are still standing: one which you’ve no doubt heard of as being at death’s door for a few decades now, and the other… well,  you’ve probably never seen it or been aware of it (but it’s my favorite one in this group!). 

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1.  THE HIPPODROME THEATER (above), 1209 Elm Street, designed by architects Otto Lang & Frank Witchell. Built along Dallas’ burgeoning “theater row” in 1912-1913, the Hippodrome was one of the city’s grandest “moving picture playhouses.” Among its lavish appointments was this odd little tidbit: “Over the proscenium arch there is an allegorical painting representing Dallas as the commercial center of the Southwest,” painted by the theater’s decorator, R. A. Bennett. Below was a fire curtain emblazoned with a depiction of Ben Hur (a “hippodrome” was a stadium for horse and chariot races in ancient Greece). So that was a nice little weird culture clash. Though originally a theater which showed movies exclusively, it eventually became a theater featuring movies as well as live vaudeville acts. As the Hippodrome became less and less glamorous, it resorted to somewhat seedier burlesque acts (it was raided more than once,for employing female performers who were too scantily clad) and the occasional boxing or wrestling match. The building was sold several times and was known as the Joy Theater, the Wade, the Dallas, and, lastly, the Strand. I was shocked to learn this old-looking-when-it-was-new building stood for almost 50 years and wasn’t demolished until 1960 (that façade must have looked very different by then). (See it on a 1921 Sanborn map, here.) (All images are larger when clicked.)

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via Flickr

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2.  THE CAMPBELL HOUSE HOTEL, 2004 Elm Street (southeast corner of Elm & Harwood), designed by Lang & Witchell. A few blocks east on Elm from the Hippodrome was the Campbell Hotel, built in 1910-1911 by Archibald W. Campbell, a man who knew how to invest in Dallas real estate and left an estate worth more than a million dollars when he died in 1917 (a fortune equivalent to almost $20 million today). The Campbell Hotel lasted until 1951, when it  was sold and became the New Oxford Hotel. It was demolished sometime before 1970; the site is currently occupied by a parking garage. (See it on a 1921 Sanborn map, here.)

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campbell-house_flickr_coltera_ca-1918

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3.  DALLAS AUTOMOBILE COUNTRY CLUB, at the time 6 miles north of Dallas (roughly at what is now Walnut Hill and Central Expressway), clubhouse designed by Lang & Witchell. Built in 1913/1914, this club for wealthy “automobilists” was located on what was originally 26 acres donated by W. W. Caruth — in order to get there, you had to drive, which was part of the relaxing experience this golf course-free country club counted as one of its benefits. The club grounds included a 6-acre lake and was a popular site for boating, fishing, and swimming (a top-notch golf course was eventually added). The name of the country club changed a couple of times over the years: it became the Glen Haven Country Club in 1922 and then the Glen Lakes Country Club in 1933. Glen Lakes had a long run, but northward-development of Dallas was inexorable, and the club and golf course were closed in 1977 when the land the country club had occupied for over 60 years was sold for development. (See it on a 1962 map here — straddling Central Expressway — and just try to imagine the value of that land today.)

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4.  DALLAS COUNTRY CLUB, Preston Road & Beverly Drive, clubhouse designed by C. D. Hill. One of the reasons the Dallas Automobile Country Club had to change its name was because people kept confusing it with the granddaddy of Dallas’ country clubs, the Dallas Country Club, in Highland Park, built in 1911 and still the most exclusive of exclusive local clubs and golf courses. (See part of the club’s acreage on a 1921 Sanborn map, here.) (I don’t think any of the original clubhouse still stands, but I could be wrong on this.)

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dallas-country-club_matchbook_cook-collection_degolyer_smuvia DeGolyer Library, SMU

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5.  LAKEWOOD COUNTRY CLUB, 6430 Gaston Avenue, clubhouse designed by C. D. Hill. This East Dallas country club and golf course was built in 1913-1914 on 110 acres of “rolling prairie and wooded glades, broken with ravines and set with stately trees that offer puzzling hazards” (it was estimated that there were over 1,000 pecan trees on the land). I don’t know anything about golf, but trying to play a round on this original ravine-ravaged course sounds … exhausting. This large structure (which seems too big to be called a “clubhouse”!) stood in Lakewood until it was demolished at the end of 1959 or beginning of 1960 when a new clubhouse was built. (See it on a 1922 Sanborn map — out in the middle of NOTHING — here. Note that many of the street names have changed over the years, including Abrams, which was once called Greenville Rd.)

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lakewood-country-club_dmn_051813_drawingDallas Morning News, May 18, 1913

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6.  DALLAS HIGH SCHOOL, Bryan & Pearl streets, designed by Lang & Witchell. Located on the site of the previous Dallas High School, this new building was built in 1908. For years Dallas’ only (white) high school, the building expanded over the years and has been known by a variety of names (Dallas High School, Bryan Street High School, Crozier Tech, etc.). I like this description of the original “somewhat novel” color scheme of the classrooms: the ceilings were in cream, the “under wall” in warm green, then the blackboards, and beneath them, the walls, in RED. This building has valiantly managed to survive for 110 years — seemingly forever under threat of demolition — but it still stands and, recently renovated into office space, it appears to have a rosy future. (See the main school building on a 1921 Sanborn map here; the gymnasium is here.)

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dallas-high-school_flickr_colteravia Flickr

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7.  SEARS, ROEBUCK & COMPANY OF TEXAS, EMPLOYEES’ CLUB HOUSE, S. Lamar & Belleview, designed by Lang & Witchell. I love this little building! When plans for the 1913 expansion of the massive Sears warehouse were drawn up, this modest building was to be a (three-story) clubhouse for employees. A description of the not-yet-built expansion included this:

This clubhouse will contain ample cafeteria, dining room and lunch room [space] to accommodate 600 employees at one time. The main cafeteria will be so arranged that it can be turned into an assembly room for the benefit of the employees, having a stage built at one end, and means will be afforded for all variety of social, musical and athletic activities as may be developed by the employees themselves. (Dallas Morning News, Feb. 5, 1913)

What a perk! But by 1918, Sears had basically outgrown the building (which had ultimately been built as only one story, with a half-basement), and the company offered the use of it to the Dallas YWCA who used it as an “industrial branch” lunchroom/cafeteria (and lounge) in which meals were served to both YWCA members as well as to the general public (including many who worked at Sears). Prices of these wholesome meals served by wholesome girls varied over the years from a nickel to 25 cents — 200-400 patrons were served daily. The building’s half-basement was used as the men’s dining room and as a gymnasium for the YWCA girls (I believe it was also made available to Sears-Roebuck employees). (Read an article about this little “industrial branch” of the YWCA in a Dallas Morning News article from Aug. 15, 1920, here). The YWCA used this Sears building from at least 1918 to 1922. I’m not sure what its use was after the YWCA closed their “Sears-Roebuck Branch,” but I’m delighted to see that it still stands as part of the South Side on Lamar complex. (See the employee club house on a 1921 Sanborn map, here — it appears to be connected to one of the main buildings by a tunnel).

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Detail of this postcard

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Next: churches, firehouses, an art gallery, and a hospital (the last installment!).

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Sources & Notes

The Western Architect, A National Journal of Architecture and Allied Arts, Published Monthly, July, 1914. This issue, with text and critical analysis in addition to the large number of photographs, has been scanned in it entirety by the University of Illinois at Urbana-Champaign as part of its Brittle Books Program — it can be accessed in a PDF, here (the Dallas issue begins on page 195 of the PDF). Thank you, UIUC!

In this 7- part series:

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Copyright © 2018 Paula Bosse. All Rights Reserved.

Sam Ventura’s Italian Village, Oak Lawn

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by Paula Bosse

In amongst photos and belongings of my mother’s aunt, I recently came across this wonderful graphic of Oak Lawn’s Italian Village (3211 Oak Lawn, at Hall). It was on the cover of one of those cardboard photo holders which contained photos of diners and club-goers captured by photographers wanting to memorialize celebrants’ special occasions — they would take your photo and you would later purchase prints, which would be tucked inside the souvenir folder. (I don’t recognize any of the people in the photo which was  inside — the photo is here.)

The Italian Village complex (which contained all its various tangential enterprises over he years) was an Oak Lawn fixture for over 45 years — it was apparently still around during my lifetime, but I have no memory of ever seeing it. But by the time I would have been aware of it, things had begun to get a little weird and its profile had definitely dipped. (More on that later.)

Italian Village began its life in 1934 when Sam Ventura (1907-1997) bought a popular drive-in restaurant in Oak Lawn from a man named Levi F. “Speck” Harper. In Ventura’s obituary in The Dallas Morning News, his wife said: “He bought it from a man named Speck Harper who told him, ‘Give me $250 and my hat, and you’ll never see me again.’ Sam had to go and borrow the money.” (DMN, June 1, 1997) ($250 in today’s money would be about $4,700.)

speck-harper_july-1934July, 1934

Not only did $250 start Ventura on a very successful career as a restaurateur, it also assured him ownership of what would quickly become a primo piece of real estate. (Ventura dabbled in real estate and, in 1937, along with fellow restaurant man Sam Lobello, he purchased land at Preston Road and Northwest Highway which would one day become Preston Center.) (It might be worth noting here that Sam Ventura was not affiliated with the very popular Sammy’s restaurants, run by Dallas’ Messina family.)

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Matchbook, via eBay

Italian Village — a restaurant which operated for many years as a private club in order to sell liquor — was originally co-owned by brothers-in-law Sam Ventura and Nick DeGeorge (DeGeorge was later married to Ventura’s sister Lucille). By the time the ad below appeared in 1939, the place had been newly remodeled and was on its ninth (!) expansion. There were lots of new “rooms”: the Can-Can Room, the Plaid Room, the Hunter’s Room, the Gazelle Room, and the Marionette Room, the latter of which featured entertainment in the form of a marionette show with puppets made in likenesses of the owners. (All images are larger when clicked.)

1939_italian-village_feb-1939Feb., 1939

In June, 1940, Italy entered the War in Europe as a member of the Axis forces. As a result, Ventura and DeGeorge immediately asserted their patriotism and their American-ness (both were born in the United States to Italian immigrants) by changing the name of their restaurant: arrivederci, Italian Village, hello, Oak Lawn Village. The owners placed an ad in Dallas newspapers explaining their decision (see ad below) — this made news across the country, garnering both positive national publicity as well as fervent local support.

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June, 1940

Not only did the restaurant’s name change in 1940, so did its ownership. Nick DeGeorge and his wife (the sister of Sam Ventura) embarked on a very lengthy, very bitter divorce (newspapers reported that Nick and Lucille were each on their fourth marriages). The result of this marital split spilled over and also caused a business split: Ventura became the sole owner of Italian Oak Lawn Village, and DeGeorge left to start his own (very successful) restaurant career (DeGeorge’s, Town & Country, etc.). Sam announced that he was “sole owner” in a September, 1940 ad. (I hope Nick at least got custody of his mini-me marionette….)

1940_oak-lawn-village-ad_sept-1950Sept., 1940

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Oak Lawn Village matchbook cover, via Flickr

In June, 1941 yet another remodeling/expansion was announced, with architectural design by longtime friend of Ventura and DeGeorge, Charles Dilbeck, and murals by Russ Ellis. In addition to the Gazelle Room (“for comfort”) and the Hunter’s Room (“for private parties”), there was now the San Juan Capistrano Room (“follow the swallows”), the 42nd & Broadway Room (“for luxury”), the South American Room (“for romance”), the Dude Ranch Room (“where the west begins”), the Rain Room (“for private parties”), the Banquet Room (“seating capacity 150 guests”), and an outdoor Italian Garden Terrace (“beneath the stars”).

1941_oak-lawn-village_dmn_june-41June, 1941

That $20,000 remodel (which would have been equivalent to about $350,000 in today’s money) went up in smoke — literally — in April, 1944, when the restaurant was “virtually destroyed” by fire. Ventura said he would rebuild when war-time government regulations would permit him to do so. At the end of the year he announced that he would build a new restaurant, of shell stone and marble construction, lit in front by decorative tower lights. The new place was built and in full swing — and back with its original name — in the summer of 1945.

1945_italian-village_aug-1945Aug., 1945

An ad for Dallas’ S. H. Lynch & Co.’s Seeburg Scientific Sound Distribution system appeared in the Aug. 10, 1946 issue of Billboard magazine, showing photos of Sam Ventura, the exterior of the new building, and an interior shot showing a Seeburg jukebox. (See full ad here.)

1946_italian-village_billboard_081046_ad-det-1Sam D. Ventura, 1946 (ad detail, Billboard magazine)

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1946_italian-village_billboard_081046_ad-det-3Italian Village exterior and interior, 1946 (ad detail, Billboard magazine)

In January, 1951 another remodeling (to the tune of $75,000!) introduced the 300-seat Flamingo Room, which meant the entire Italian Village now had a seating capacity of more than 700 (Ventura had said that the original post-Speck’s restaurant seated only 40 or 50 people). The “modernistic styling” was the work of architect J. N. McCammon.

1951_italian-village_flamingo-room_jan-1951Jan., 1951

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Front and back of 1955 menu, via eBay

Below, a shot of the Italian Villa’s four odd brick structures seen from across the street (in a screen capture from unrelated January 1955 news footage).

italian-village_oak-lawn-natl-bank_wbap-news_012355-portalKXAS-NBC 5 News Collection, UNT

Further changes came to 3211 Oak Lawn in the fall of 1954 with the arrival of the Village Club, which featured live entertainment (including a rotating piano) and shared a kitchen with Italian Village. It was also a “private locker club” with personal liquor lockers available to members to keep their bottles in at a time when it was not legal for restaurants in Dallas to sell liquor-by-the-drink — “set-ups” were sold and the demon alcohol was poured from the member’s stash (or, more likely, from the communal stash).

In 1961 there was yet another remodel, which enlarged the club — now called Club Village — and shrank the restaurant. The swanky new club was designed by Charles Dilbeck and had a sort of Olde English theme (and, for some reason, featured a waterfall, a glass cage behind the bar containing live monkeys, and two live flamingos named Lancelot and Guenevere).

italian-village_dallas-entertainment-awards_1961_SMUvia DeGolyer Library, SMU

1965_club-village_oct-1965Oct., 1965

Around this time the (apparently short-lived) Francisca Restaurant appeared.

francisca-restaurant_menu_1961_ebayvia eBay

club-village_francisca_new-years-eve_dec-1961New Year’s Eve, Dec., 1961

1961 also marked the club’s debut on national television, appearing in scenes of the hit show Route 66, which were filmed in November. Below is a screen-capture from the episode “A Long Piece of Mischief,” with the waterfall in the background. (The entire episode, shot around the Mesquite Rodeo, can be watched on YouTube here — the two Club Village scenes begin at the 26:42 and 38:15 marks.)

1961_club-village_route-66Route 66 (screen capture) — Nov., 1961

In late 1966, Dallas filmmaker Larry Buchanan shot his cult classic Mars Needs Women in various locations all over town. I’m pretty sure one of the very first scenes was shot inside the club, after yet another remodel. (Incidentally, see what the lively neon-ified corner of Oak Lawn and Lemmon, a couple of blocks away, looked like in Buchanan’s film, here.)

1966_club-village_mars-needs-women
Mars Needs Women (screen capture) — 1966

In August, 1964 a new club opened: Gringos (sometimes spelled Gringo’s). This public club, featuring mostly rock bands, was the brainchild of Sam Ventura, Jr. (who said in an interview that he had rather brazenly sprung the whole thing as a big surprise on his father, who had been out of town on a lengthy vacation — luckily, the club was a hit and Sam, Sr. was pleased). Club Village continued as a private club, but from newspaper accounts it seems that the new discotheque displaced the Italian Village and/or Francisca restaurant completely. So now on one side you had the long-running “sophisticated” private club, and on the other side, the “new concept in continuous entertainment,” with its Mexican-themed decor and Watusi-dancing waitresses (“Las Mata-Dollies…”), which catered to a younger set. The Fort Worth Star-Telegram described Gringos thusly:

Newest “port of call” for Dallas revelers on the bistro beat is the just-opened and lavishly-done Gringos Club on Oak Lawn Ave. near the Melrose Hotel and in the location formerly occupied by the Italian Village Restaurant and Village Club. Open to the public, this night time Camelot with Mexican decor features, among other flings, Jesse (brother of Trini) Lopez and his handful of musical consorts on the bandstand and a covey of revealing young handmaidens called “Las Matta-Dollies” [sic], sort of Spanish-type Playboy Bunnies who are worthy of your scrutiny. (Chris Hobson, FWST, Aug. 27, 1964)

1964_gringos_aug-1964Aug., 1964

In May, 1967, Sam Ventura, Jr. (“Sammy,” who had taken over the family business when Sam, Sr. retired in 1966) declared that Gringos was dead: “There will be absolutely no rock-and-roll in this room anymore. It’s dead. Our whole concept [now] is for sophistication, for adult entertainment” (DMN, May 24, 1967). So adios, Gringos, hello an even bigger Club Village. (In 1968 a club described as a “new” Gringos  opened a block away, at 3118 Oak Lawn — it’s unclear whether this was affiliated in any way with the Ventura family.)

In June, 1968, the never-ending improvements, remodelings, and reconfigurings of 3211 Oak Lawn continued with Sammy’s announcement of a new (public) restaurant, the Wood ‘N Rail. This steakhouse featured a revolving “ice bar” (the old revolving piano bar, repurposed), which contained a display of raw meat — from this, customers would choose whichever cut of beef called to them, and before the meat was escorted into the kitchen, the patron would sear his or her initials into it with a “red-hot branding iron.” The restaurant’s slogan was “Personalized Beef.” The unstoppable Club Village continued as a private club and restaurant in the adjoining complex.

1968_wood-n-rail_oct-1968Oct., 1968

1971 began with a fire. The (once) unstoppable Club Village was destroyed. The adjacent Wood ‘N Rail emerged unscathed. So, yes, more remodeling! By 1972, 3211 Oak Lawn boasted three (three!) restaurants at one address: the continuing Wood ‘N Rail (steakhouse), Fisherman’s Cove (seafood), and — hey! — the return of Italian Village. As the ads said: “3 RESTAURANTS UNDER ONE ROOF!”

1972_fishermans-cove_march-1972March, 1972

1972_three-restaurants_may-1972May, 1972

Also big news in 1971: it finally became legal to order liquor and mixed drinks in bars and restaurants — the whole “private club-membership” thing in order to get around liquor laws was mostly a thing of the past (unless you lived in a dry area of the city…).

Then, in 1974, things really changed. After a “profound religious conversion,” Sammy Ventura stopped all sales of alcohol and told the TABC he didn’t need or want that ol’ liquor license. This made news around the country.

1974_kings-village_panama-city-FL-news-herald_081274UPI wire story, Panama City [FL] News Herald, Aug, 1974

Unsurprisingly, business plummeted. Two of the three restaurants closed. Italian Village continued to limp along, even weathering the introduction of the King’s Village, “Dallas’ first Christian dinner theater.”

1976_kings-village_june-1976June, 1976

This change in direction of the the 40-plus-year-old family business caused a huge rift between Sammy and his father. Sam, Sr. put his foot down, and The King’s Village (“the nation’s first non-liquor, Christian nightclub”) closed in June, 1977.

1977_kings-village_pampa-daily-news_062177
AP wire story, Pampa Daily News, June 21, 1977

Oak Lawn’s decades-old Italian Village was no more (although Sammy appears to have opened his own Italian Village restaurant in Richardson’s Spanish Village for a while). The last mention I found of Italian Village was in Feb., 1979:

After 45 years, the Italian Village restaurant has changed to another venture, the Crazy Crab. Sam Ventura opened the Italian Village in 1934 and the last event before the changeover was a surprise birthday party honoring Sam. (DMN, Feb. 23, 1979)

It’s a shame Italian Village’s last incarnation was a mere shadow of its former go-go glory, but it’s almost unbelievable that a restaurant in Dallas was in business for 45 years. Sam Ventura’s $250 gamble in 1934 paid off very, very well.

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Sources & Notes

Top image is the front cover of a cardstock photo-holder (with linked photo by the Gilbert Studios, 4121 Gaston); collection of Paula Bosse.

All clippings and images are larger when clicked.

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Copyright © 2018 Paula Bosse. All Rights Reserved.