Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Photographs

Wynnewood

oak-cliff_wynnewood_looking-south_1950_ebayS. Zang and a brand-new Wynnewood…

by Paula Bosse

Enjoy these photos of the early days of Oak Cliff’s Wynnewood development. (And for an in-depth history of this 820-acre planned community, see Ron Emrich’s Legacies article “Wynnewood: ‘A Tonic to the Shelter-Hungry Nation,'” here.)

Above, looking south down Zang Blvd. in 1950 — see the same view 60-some-odd years later via Google, here (the “current” satellite view is pretty out-of-date, but you get the idea).

Below, Wynnewood — 1961.

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The Wynnewood Garden Apartments — 1954, the year “Father Knows Best” debuted:

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Wynnewood Garden Apartments:

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Birds-eye view of a neighborhood in Oak Cliff that is probably Wynnewood — 1954:

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Wynnewood North, residential street — 1961:

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The Wynnewood Theater — 1950:

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The Wynnewood Theater — 1951:

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Wynnewood Shopping Village — 1954:

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1949 ad for the “Planned ‘City within a City'”:

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The “Wynne” behind “Wynnewood” (and the man who, a few years later, brought us Six Flags Over Texas) — Angus Wynne, Jr., 1946:

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Watch a great little 22-minute film from 2013 on the development, rise, fall, and rebirth of Wynnewood North, “Neighborhood Stories: Wynnewood North,” here, produced by the Building Community Workshop (make sure to watch the video in full screen). There is an impressive companion booklet with more photos, here, which you can browse through page by page (hover over the cover and click on the “full screen” icon).

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Sources & Notes

Top photo from eBay. The only description was the one taped to the photo: “Oak Cliff, looking south over Wynnewood, 1950.”

1961 aerial shot from the short film linked above, “Neighborhood Stories: Wynnewood North”; photo provided by resident Janice Coffee.

Wynnewood apartment buildings: with bike, taken by Squire Haskins on March 4, 1954, from the Squire Haskins Collection, UTA — more info here (click thumbnail on that page to see huge image). Second photo of Garden Apartments is a screenshot from the “Wynnewood North” film; Dallas Public Library photo.

“Birds-eye view” of neighborhood taken by Squire Haskins on March 4, 1954 (described as “possibly Wynnewood” by UTA) — more info from UTA here (click that thumbnail for BIG image). More Wynnewood photos from UTA here.

Photo of 1961 residential street from the “Wynnewood North” film, provided by Janice Coffee.

1950 photo of Wynnewood Theater is also from “Wynnewood North” film (Hayes Collection photo, Dallas Public Library).

1951 photo of theater from the article “Wynnewood: ‘A Tonic to the Shelter-Hungry Nation'” by Ron Emrich (Legacies, Fall 2002) — GREAT history — read it here.

1949 ad from Dallas, a publication of the Dallas Chamber of Commerce, February 1949.

Angus Wynne, Jr. photo from Pinterest.

Need more Wynnewoodiana?

  • More photos from the Dallas Public Library, here.
  • More about Wynnewood from Wikipedia, here.
  • Even more from this Oak Cliff Advocate article by Gayla Brooks, here (this is an instance where I would encourage people to read the comments!).

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Copyright © 2017 Paula Bosse. All Rights Reserved.

“Dallas’ Dependable Business Climate” — 1959

ad-business-in-dallas_1959_photo-detThe “D” in “Big D” stands for “dinero”… (click for larger image)

by Paula Bosse

The booming Dallas skyline, captured by Squire Haskins on September 10, 1959, was used in a boosteriffic Chamber of Commerce-y statistics-filled ad.

“It’s exciting to live, do business, make money and grow in Dallas.”

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This Industrial Dallas, Inc. ad appeared in the January, 1960 issue of Fortune magazine. I found it on eBay, here.

Images larger when clicked.

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Copyright © 2017 Paula Bosse. All Rights Reserved.

Year-End List! My Favorite Photos Posted in 2016

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by Paula Bosse

Another year is coming to a close. Time for an inevitable year-end “best of” list! Or actually three lists. The first is a list containing some of my personal favorite photos I’ve come across over the past year. I’m sure I’ve left out some, but these are still pretty great. They are in no particular order. Click the highlighted title of the 2016 Flashback Dallas post in which the photo appeared for more info; click the photo itself to see a larger image.

The photo at the top appeared in the post “Melons On Ice — 1890s” (the title comes from a sign advertising melons for sale at Wiley’s Cash Grocery). I’d never seen this photo and was initially a little confused trying to figure out exactly where it had been taken. The Old Red Courthouse is a pretty big hint. The strip of businesses was on Commerce, on land now occupied by the Kennedy Memorial block.

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From the post “Tomatoes, Cokes, Dominoes: Cadiz Street — 1959.” I love seeing old photos of the Farmers Market area. Like this one. What I wouldn’t give to have the old gritty, grimy, worn, and real Farmers Market back.

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“4th of July, White Rock Lake — 1946.” The war is over, and everyone looks happy and relaxed. This was the most-viewed photo I posted this year. I love it. From the Seurat-like composition (see the post for explanation) to the fact that a reader commented that she recognized her aunt and cousins in this photo (the five women sitting in a row, behind the two women with their legs propped up). So much is going on here — it was a great photo to zoom in on.

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“Parasols on the SMU Campus — 1917.” I love this photo.

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“Preston and Valley View: The Calm Before the Storm — 1958.” The second  most-viewed Flashback Dallas picture posted in 2016. In just a few short years this bucolic vista would be replaced by LBJ Freeway.

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This photo is just so fantastic. It shows Madison High School’s ROTC “Sweeethearts,” and it may be my favorite school yearbook photo ever. From the post “The Esquire Club, The Charm Club, and The Riflettes: James Madison High School — 1970.”

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“On the Grounds of Ursuline Academy and Convent.” Back when Old East Dallas was really old.

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“Pacific Avenue: Watch for Trains! — ca. 1917.” Pacific looking east from Akard. I wish the quality of this image were better, but even washed-out, this Frank Rogers photo of a train whooshing along Pacific is cool.

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“Gene’s Music Bar, The Lasso Bar, and The Zoo Bar.” I love this — Akard looking north toward the Adolphus. This post also has another photo fave in it: the Zoo Bar on Commerce.

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“Bob-O-Links Golf Course — 1924-1973.” I grew up not too far from this area, and I can’t believe that it ever looked like this. The street on the left is Abrams; the view is to the southeast. The East Dallas golf course for those who couldn’t afford to join the Lakewood Country Club.

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“Dallas Midway, Night Illumination — 1936.” A moody midway during the Texas Centennial.

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“Home Sweet Home at Commerce & Harwood.” Yep, houses downtown.

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Desperate for a corny dog out of season? Luckily there was a place to get them. “Fletcher’s State Fair Drive-In — 1960-1963.”

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“The Skyline Beyond — 1950.” The haves and the have-nots.

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Sometimes photos of houses just call to me. Like this still-standing home of former mayor W. C. Connor in Highland Park. “The House at Crescent & Byron, Highland Park.”

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And, well, you have to have runners-up.

“North Dallas High School, The Pre-Beatles Era” had so many great photos from the 1960, ’62, and ’63 yearbooks. The two below were my favorites.

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And, finally, a personal favorite, a photo I stumbled across which I’m pretty sure shows the back of my father’s head when he was a grad student at SMU in 1956 (he’s in the white shirt in the foreground). I also love the photo of my mother at SMU from the same year (she’s the third from the left on the top row). From the post “The Digital Collections of SMU’s Central University Libraries: The Gold Standard.”

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Copyright © 2016 Paula Bosse. All Rights Reserved

 

The Over-the-Top University Park Christmas Display Featuring Big Tex and a Six Flags Spee-lunker

xmas-wayne-smith_university-park_2015_big-tex_speelunkerBig Tex on the roof, a “Spee” to the right (click for larger image)

by Paula Bosse

You may have heard about Wayne Smith’s annual spectacular Christmas display in the 3600 block of Southwestern in University Park — the one with a cast of thousands, including a previous head of Big Tex, what seems like hundreds of illuminated Santas, Dracula, Moe Howard, and a former denizen of Six Flags Over Texas’ “Cave”/Spee-lunker ride. Before I get back to the “Spees” (the name the creatures have been given by their surprisingly enthusiastic fan-following), here’s a wider shot of a photo I took during last year’s holiday season. (Click it!)

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(And this gives you only an inkling of what’s actually there. I LOVED it! I waited until after Christmas — in fact, after New Year’s — to wander around — I can only imagine how backed up with looky-loos the street gets closer to Christmas.)

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Back to the Spees. The Cave water ride debuted in 1964 and was an immediate hit. When it opened, there were 28 of these creatures who, according to the original marketing, “came from innerspace.”

They are 30 inches high and they play harps, do the Twist, play cards, hammer cave crystals into rock candy and engage in a shell game — turtle racing.

This ride was always one of my favorites (probably because it provided a brief, cool respite from the glaring sun and the blasting heat that plagued my annual summer visits to Six Flags).

The Spee-lunkers left Six Flags a long time ago, so it’s nice to see that one of them is still entertaining local crowds, right next to another beloved DFW icon, Big Tex … along with a phalanx of festive Santas!

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Lest you think the publicity mill wasn’t working all angles of this new attraction, we see below that one of the Spees got a visit from, of all people, TV-darling Donna Douglas who played Elly May Clampett on The Beverly Hillbillies.

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photo and article, Hood County News Tablet, June 4, 1964

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August, 1964

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Grand Prairie Daily News, May 25, 1977

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Sources & Notes

Photo of Wayne Smith’s Christmas display taken by me on January 2, 2016. The house is in the 3600 block of Southwestern, between Baltimore and Thackery. Since the display is probably visible from space, there’s no way you can miss it.

Postcards found on eBay and Google.

Every year TV crews descend on Smith’s house to do a story. Watch one from this year — from CW33 News — here.

For those who might like more info on the Spee-lunker attraction/ride (which, by the way, is classified as a “dark ride” in amusement park lingo) at Six Flags Over Texas, here’s a bunch of links:

  • Weird video and music (and history!) by a superfan, here
  • Article by the same guy who put the above video together, here
  • Spee-lunker vignettes described here
  • Google images aplenty, here

More on the new ride can be found in the Dallas Morning News archives in the article “$300,000 Hole: Six Flags To Open Cave Ride” (DMN, May 24, 1964) — accompanying the article is an amusing photo captioned “Gail Powers yelps in mock fear as lobster seizes her hand.”

A shout-out to Wendy Cook who, when I posted the top picture to the Flashback Dallas Instagram feed in January, pointed out to me that the Spee-lunker was even in there. She recognized him right away, but with so much visual overload, I hadn’t even noticed him! Thanks, Wendy!

See stuff bigger — when in doubt, click it!

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Copyright © 2016 Paula Bosse. All Rights Reserved.

 

Merry Christmas from the Priscilla Art Club — 1968

xmas_priscilla-art-club_123168_uta“Say ‘fondue’!”

by Paula Bosse

These women look like they’ve stepped out of a catalog — perfectly dressed, perfectly coiffed, perfectly posed. They are members of the Priscilla Art Club, the oldest African-American women’s club in Dallas. The club was formed in 1911, and I think it may still be active — the most recent news I could find of the club was from 2012, when the “centennial legacy quilt,” made by members to celebrate the club’s 100th anniversary, was displayed at the African American Museum. Below, a little history of the club from the press release announcing the exhibit in February, 2012.

THE PRISCILLA ART CLUB CELEBRATES BLACK HISTORY MONTH

In honor of Black History Month, the Priscilla Art Club, the oldest African American women’s organization in Dallas County, will host a display of its centennial legacy quilt made by its members […] at the African American Museum of Life and Culture, Dallas Fair Park.

“The idea of a custom designed legacy quilt started out as a novel idea from our Systems Committee in recognition of our 100th anniversary. The twenty-two club members quickly became engaged in seeing it to fruition and we are happy to honor the beauty, the inspiration and the legacy of our Club” said Shirley Porter Ware, Club President.

The Priscilla Art Club, organized in 1911 as a club for young matrons, was organized under the encouragement and direction of Mrs. Mattie Mansfield Chalmers. The organization’s purposes were to establish and maintain the aesthetic, promote congenial companionship and foster all social and community interests that pertain to the general uplift. The Club was named for Priscilla, a New Testament woman of extraordinary culture and the wife of Aquila, a Jewish tentmaker.

Since its auspicious beginning, the Club has invited into its membership many of Dallas’ most distinguished homemakers. These members have exhibited an interest or are talented in arts and crafts.

Besides being homemakers and mothers, the members have been and some still are principals, school administrators, teachers, business owners, social workers, church leaders and servant volunteers in the local community.

Throughout the century of service and sisterhood, recorded in The Priscilla’s prolific history include mention of service rendered in support of the World War I efforts by rolling bandages that were sent overseas to the field hospitals in France. For several years, the Priscillas decorated the shotgun house, located in Old City Park, in observance of the holiday season. In more recent years, the members have decorated t-shirts and jackets made from sweat shirts to give to men and women in local assisted living facilities. Club members have made crocheted skull caps in a variety of vivid colors and patterns and donated to cancer patients actively engaged in treatment regimens.

Regardless of change, the Priscilla Art Club’s concern for its artistic endeavors and for civic and social uplift will continue with deepening interest and commitment as the tradition of the founders’ legacy is carried forward.

I hope the club is still around. This year marks its 105th anniversary.

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Sources & Notes

Photo was taken on December 31, 1968; from the Culmer Family Papers, UTA Libraries, Special Collections, accessible here.

The 2012 press release was posted on the Facebook page of the Dallas Fort Worth Association of Black Journalists, here.

More on the history of the club can be found in the Dallas Morning News article “Reception to Honor Art Club’s 65th Year” by Julia Scott Reed (DMN, April 2, 1976).

The most in-depth history of the club that I could find online can be found in the guide to the Culmer Family Papers at UTA, here (scroll down to the paragraph that begins “The Priscilla Art Club was one of the most prestigious, if not elitist clubs for African American women in Dallas….

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Copyright © 2016 Paula Bosse. All Rights Reserved.

Albert Einstein “Threw the Switch” in New Jersey to Open the Pan-American Exposition in Dallas — 1937

pan-american-expo_einstein_061237Einstein at the switch, June 12, 1937…

by Paula Bosse

Who knew? Albert Einstein, the world’s most famous physicist, helped open the Greater Texas and Pan-American Exposition. The exposition was held at Fair Park for 20 weeks, from June 12, 1937 to October 31, 1937, as a follow-up of sorts to the Texas Centennial (the city had built all those new buildings — might as well get their money’s worth!). I’m not quite sure how Einstein got roped into this, but looking at the photo above, he seemed pretty happy about what was, basically, a long-distance ribbon-cutting. Via telegraph.

The plan was for Professor Einstein to officially open the Pan-American Exposition by “throwing the switch” which would turn on massive displays of lights around Fair Park. He would do this from Princeton, New Jersey, where he lived, by closing a telegraph circuit which would put the whole thing in motion. Newspaper reports varied on where exactly Herr Einstein was tapping his telegraph key — it was either the study in his home, in his office, in a Princeton University administration building, or in the Princeton offices of Western Union (the latter of which was mentioned in only one report I found, but it seems most likely).

Einstein was a bona fide celebrity, and this was national news — newspapers around the country ran stories about it, and the ceremony was carried live on coast-to-coast radio. Almost every report suggested that Einstein’s pressing of the key in New Jersey would be the trigger that lit up the park in Texas, 1,500 miles away — which was partly correct. According to The Dallas Morning News:

Lights on the grounds will be turned on officially at 8:40 p.m. when Dr. Albert Einstein, exponent of the theory of relativity, presses a key in his Princeton home to fire an army field gun. With the detonation of the shell, switches will be thrown to release the flood of colored lights throughout the grounds. (DMN, June 10, 1937)

So on June 12, 1937 he pressed a telegraph key somewhere in Princeton, NJ, an alert was instantly wired to Dallas, an army field gun (in some reports a “cannon”) was fired, and that blast was the cue for electricians positioned around the park to throw switches to illuminate the spectacular displays of colored lights.

The Western Union tie-in gimmick was a success. Newspaper reports might have been a little purple in their descriptions, but from all accounts, those lights going on all at once was a pretty spectacular sight.

Dr. Albert Einstein, celebrated scientist, threw a switch that flashed a million lights over the 187-acre exposition park. The flash came at 8:40 o’clock and instantly the huge park became a city of a million wonders. Flags from a thousand staffs proclaimed their nationality [and] bands played the national airs of the nations of the Western Hemisphere as lusty cheers roared with thunderous approval. The Greater Texas and Pan-American Exposition was formally opened. It is on its way. (Abilene (TX) Reporter News, June 13, 1937)

The Dallas News describes the crowd as stunned into silence:

The waiting participants in the ceremonies at Dallas heard the results [of Einstein’s telegraph signal] when a cannon boomed. Electricians at switches around the grounds swung the blades into their niches and the flood of light awoke the colors of the rainbow to dance over the 187-acre park. Its breath taken by the spectacle, the crowd stood silent for a moment, and then broke into a cheer. (“Pan-American Fair Gets Off to Gay Start” by Robert Lunsford, DMN, June 13, 1937)

Many of the lighting designs and displays had been used the previous year during the Centennial, but, as with much of the attractions and appointments throughout the park, they were improved and spectacularized for the Pan-American Expo. And people loved what they saw.

Despite the multi-million dollar structures, air conditioning demos, works of art and other newfangled additions to the space, when people left the Centennial Exposition one thing was on everyone’s tongues, according to historical pollsters: the lights.

Positioned behind the Hall of State were 24 searchlights scaffolding into a crowned fan shape. “They all moved and were different colors,” says [Jim] Parsons [co-author of the book Fair Park Deco]. “It sounds gaudy, but people loved it.” The lights, he goes on to tell, were visible up to 20 miles away.

Considering most of the people who were visiting the fairgrounds were coming from rural farming communities with no electricity, the inspiring nature of those far-reaching beams makes a lot of sense. (Dallas Observer, Nov. 7, 2012)

Thanks for doing your part for Dallas history, Prof. Einstein!

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Below, photos from the Texas Centennial, 1936. The multicolored lights could be seen from miles away — here’s what they looked like from downtown and from White Rock Lake.

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tx-centennial_night_hall-of-state_lights_flickr_baylorvia Baylor University Flickr stream

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A look behind the scenes: “The general lighting effect is a battery of twenty-four 36-inch searchlights as powerful as the giants that flash from the dreadnoughts of Uncle Sam’s navy. Each searchlight will produce 60 million candlepower. Combined, the battery has a total candlepower of 1.5 billion. A 350,000-watt power generator will produce this colossal quantity of ‘juice.’” And the accompanying photo of the searchlight battery crew manning the candlepower:

tx-centennial_lights_southwest-business-mag_june-1936_photoSouthwest Business, June 1936

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(All pictures and clippings are larger when clicked.)

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Denison Press, June 9, 1937

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Waxahachie Daily Light, June 11, 1937

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Denison Press, June 14, 1937

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Medford (Oregon) Mail Tribune, June 23, 1937

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Vernon Daily Record, June 24, 1937

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1937

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Sources & Notes

Top photo from the old Corbis site.

Black-and-white photos from the Centennial seen from Fair Park and White Rock Lake are from the Texas/Dallas History and Archives Division of the Dallas Public Library; the photo of the lights seen from downtown Dallas (titled “New skyline at night from Dallas, Texas”) is from the GE Photo Collection, Museum of Innovation and Science (more info on that photo is here).

Sources of other images and clippings cited, if known.

More on the Pan-American Exposition from Wikipedia, here, and from the fantastic Watermelon Kid site of all-things-Fair-Park, here.

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Copyright © 2016 Paula Bosse. All Rights Reserved.

Traffic at Ross and Pearl — 1920s

ross-and-pearl_galloway_park-citiesLooking northeasterly on Ross from N. Pearl (click for larger image)

by Paula Bosse

The photo above shows the intersection of Ross and Pearl. The streetcar tracks ran along Pearl. We’re looking northeasterly on Ross. To the left, out of frame, would be the Sacred Heart Cathedral (renamed Cathedral Santuario de Guadalupe in 1977). The photo comes from Diane Galloway’s wonderful book The Park Cities, A Photohistory. Her caption:

Traffic jams such as this one at Ross and Pearl Streets during the twenties encouraged Dallasites to pack up and move to newer developments away from the city.

With the crowd of people at the left, I think the traffic in this photo might have been caused by church-going motorists. The license plates on the cars seem to match those from 1927 and 1928 (links to license-plate-dating sites at bottom of post).

That impressive house at the top left with the pointed turret? At the time of this photograph, it was the George A. Brewer Undertaking Company. Like the two-blocks-away Belo Mansion, which was converted into the Loudermilk-Sparkman funeral home in 1926 (seen here), this spectacular house was once a private residence. It was built by Charles F. Carter (1848-1912), a wealthy cotton merchant, sometime between 1892 and 1895. It took up a huge lot at what is now the northeast corner of Ross and Crockett (see it at the bottom left of the 1921 Sanborn map, here). Here’s what the house looked like, circa 1894. (All pictures are larger when clicked.)

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And, below, you can just see part of the house in a 1910 photo of the new-ish Cathedral at the corner of Ross and Pearl.

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In 1920 or ’21 the Brewer Undertaking Co. moved into this house at 2303 Ross Avenue and operated as one of the city’s most prominent funeral homes until 1931 when they moved into a new location farther down Ross. When Brewer moved out, the beautiful house was demolished. In its place … a used car lot. Argh. In 1940, Lone Star Olds (later Lone Star Cadillac) moved in, eventually bought up the whole block, and became one of Dallas’ legendary car dealerships. It moved from its Ross Avenue location in 1985.

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Also, even though it isn’t really visible in the top photo, across the street from the old Carter house — at 2310 Ross — was Brynce Court, a u-shaped apartment building. I haven’t been able to verify this, but The Dallas Morning News had a blurb about the “First Apartments” in the city which read as follows:

Dallas’ first apartment complex was a two-building development at 2310 Ross Ave. Built in 1919 [note: it appears to have been built in 1912], Brynce Court was the first set of apartments housed in more than one building.” (DMN, Jan. 7, 1984)

I mention this because it’s a cool little factoid, but also because I stumbled across a photo of it in an ad while looking for info on Lone Star Olds-Cadillac. So I have to show it. Surprisingly, this apartment block (which probably looked a lot less charming after fifty years) stood at that location until at least 1964.

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Dallas Morning News, May 15, 1921

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DMN, April 22, 1912

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I always like to look at things in the background of old photos. Here’s an extremely blurry magnified detail from the top photo, showing a two-story building of shops and businesses at Ross and Leonard. Included in these businesses is the Imperial Drug Store — it’s a little hard to make out, but the vertical sign with white letters appears to read “DRUGS” (this building can be seen in the 1921 Sanborn map mentioned above).

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Below, the businesses and residences along Ross Avenue — between  N. Pearl and Leonard — from the 1927 Dallas directory.

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Ross and Pearl these days looks nothing like that top photo. See what the same view looks like today, via Google Street View, here. At least the Cathedral lives on.

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Sources & Notes

Top photo from Diane Galloway’s book The Park Cities, A Photohistory (Dallas: privately published, 1989); from the collection of John Stull/R. L. Goodson, Jr., Inc., Consulting Engineers.

Photo of the C. F. Carter House is from the book Dallas, Texas Through a Camera, a collection of photos by Clifton Church.

Photo of the Cathedral of the Sacred Heart from the Dallas Public Library, taken in 1910.

(Cropped) photo of Lone Star Cadillac by Squire Haskins from the Squire Haskins Photography, Inc. Collection, University of Texas at Arlington Special Collections; more info is here (click thumbnail on UTA page to see much larger image).

Info on dating Texas license plates can be found here (PDF), here, and here. (If the first link doesn’t open, Google “The History of Texas License Plates.” It’s a report issued by the Texas Department of Transportation. It’s 255 pages long (!) and it’s exhaustive!)

Click pictures to see larger images.

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Copyright © 2016 Paula Bosse. All Rights Reserved.

A Rainy Day at Main and Akard — 1932

main-akard_frank-rogers_011632_legacies_fall-2013Fedoras, cloches, umbrellas…

by Paula Bosse

A nice photo of a rainy day downtown, almost 85 years ago. The photo — taken on January 16, 1932 by Dallas photographer Frank Rogers — shows the intersection of Main and Akard (the people with umbrellas are crossing Akard Street, heading east). Marvin’s Drug Store (which occupied the ground floor of what was later known as the Gulf States Building) was on the northwest corner, and the A. Harris department store occupied the first five floors of the Kirby Building (originally the Busch Building) on the northeast corner — both buildings are still standing. See the view today, via Bing, here.

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Sources & Notes

Photo from the Fall, 2013 issue of Legacies, viewable at the Portal to Texas History, here.

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Copyright © 2016 Paula Bosse. All Rights Reserved.

The Sam Houston Zephyr Leaving Union Station, Crossing Over the Triple Underpass — 1950

zephyr_triple-underpass_1950_portalThe SHZ heading out of Dallas… (click for larger image)

by Paula Bosse

The title pretty much says it all. The Sam Houston Zephyr passenger train is seen crossing over the Triple Underpass, heading out of Dallas. Next stop: Fort Worth. The Post Office Terminal Annex is the tall white building, the Jefferson Hotel is behind it (with the sign on its roof), and Union Station is in the background, just right of center, with the Dallas Morning News building peeking over its roofline. The Old Red Courthouse would be out of frame to the left.

Below, a view of downtown from the west, with the Triple Underpass partially cut off at the very bottom, and Union Station just out of frame at the right.

downtown_aerial-photo-service_postcard_cook-collection_smu_cropped

In asking members of Facebook’s Texas Railroad History group about the top photo, Gerald Preas, one of the members, made this comment, full of interesting little tidbits (slightly edited by me):

The large building in the center is the USPO Terminal Annex. I started working there in August 1963. The buildings between TA and Union Station were part of Railway Express, used for sorting mail to and from RPO cars. That stack in back was the power station for Union Station — it had its own electric and water system, maybe sewage, too. I drank many times that cool sweet well-water. Notice cars around TA loading dock. I supervised that dock 1968/69 — we had to keep the area open. Now look where train is bending, people would park off ballast, but cars turning would swing out further and hit parked cars. That tree on the upper right led down grade to vacant parting lot. I was coming up that path when the President was shot.

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Sources & Notes

Top photo shows the Fort Worth and Denver’s Sam Houston Zephyr train No. 4, northbound from Houston, leaving the Dallas Union Terminal Station, heading to Fort Worth. The photo was taken by Roger S. Plummer in 1950; photo from the Museum of the American Railroad, via UNT’s Portal to Texas History, here.

(Other photos of the Sam Houston Zephyr taken in Dallas — and one in Fort Worth — by Roger S. Plummer between 1949 and 1955 can be found on the Portal to Texas History site, here.)

Bottom image titled simply “Dallas, Texas” is an Aerial Photo Service postcard, from the George W. Cook Dallas/Texas Image Collection, DeGolyer Library, Central University Libraries, Southern Methodist University. I’ve edited the image a bit — see the original image and description here.

An aerial view of the same area today can be seen here, via Google.

A previous Flashback Dallas post on the stunningly beautiful Texas Zephyr can be found here.

Thanks to the members of the Texas Railroad History group on Facebook for their comments and help.

Both photos are larger when clicked.

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Copyright © 2016 Paula Bosse. All Rights Reserved.

 

The 1957 Tornado, Seen From Old East Dallas

tornado_live-oak_040257_rusty-williams_dplThe view from Liberty & Live Oak… (click for larger image)

by Paula Bosse

Great shot of the historic Dallas tornado (which killed 10, injured at least 200, and left about 500 people homeless) as it was plowing through Oak Cliff and West Dallas on April 2, 1957, seen from the 2800 block of Live Oak.

Aside from the tornado, this is an interesting view looking toward downtown, the Medical Arts Building, and the Republic Bank Building (that rocket must have been Dallas’ tallest lightning rod at the time!). The building containing the strip of businesses at the right still stands (I love these buildings — there are a lot of them in the older parts of town) — a present-day view can be seen on Google, here. What stood out to me was a Burger House — I didn’t know of any other than the one on Hillcrest, but this one stood at 2811 Live Oak from 1950 or ’51 until about 1976.

Below, the businesses in the 2800  block of Live Oak — between Texas and Liberty — from the 1956 city directory (click for larger image):

live-oak_1956directory

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Sources & Notes

Top photo from the book Historic Photos of Dallas in the ’50s, ’60s, and ’70s by Rusty Williams (Nashville: Turner Publishing Company, 2010); from the collection of the Dallas Public Library.

Film footage of the tornado can be found in several videos on YouTube, here.

One of the newspaper reports on the tornado which captures the terror felt by those in the twister’s path and is well worth reading in the Dallas Morning News archives is “‘Roar of Thousand Trains’ Precedes the Killer Funnel” by James Ewell (DMN, April 3, 1957). Of particular interest is the story of T. M. Davisson who hid with a customer in a large empty steel tank on his property.

A previous Flashback Dallas post — “Tornado As Learning Tool — 1957” — is here.

Photo and clippings are larger when clicked.

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Copyright © 2016 Paula Bosse. All Rights Reserved.