Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Tag: Dallas TX

Keep Oak Cliff Kinky — 1923

thumb-sucking_dmn_111823

by Paula Bosse

I’m not sure what more I can offer, except to say that in today’s money — with inflation taken into account — that little $3 bondage device for a child’s thumb would run you a cool 40 bucks in 2014. (Updated: in 2024, make that $55!)

I picture Mrs. J. C. Thompson assembling the inventory herself, at the kitchen table in her little frame house on Melba Street in Oak Cliff, the Victrola playing in the other room, having a chirpy one-sided conversation with the imaginary “Dr. Thompson.” I wonder if she sold any?

To quote the Messrs. Python: “Guaranteed to break the ice at parties!”

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Sources & Notes

Ad from The Dallas Morning News, Nov. 18, 1923. I’m not sure there was a follow-up.

Whither Mrs. J. C. Thompson, OC entrepreneur?

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Copyright © 2014 Paula Bosse. All Rights Reserved.

Protected: Parking Hogs, Meet Your Nemesis: The Parking Meter — 1935

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Dallas Medical College: 1900-1904

dallas-med-college_1903_utswPhotos from the UT Southwestern Library (click for larger image)

by Paula Bosse

Between 1900 and 1910, Dallas had ELEVEN medical schools, some of dubious distinction. One of the earliest and most successful was Dallas Medical College, an offshoot of Trinity University which was eventually merged with Baylor College of Medicine. It was located on Commerce St. near Akard, neighbors with a fire station and the City Hall (the Adolphus Hotel now occupies this site). Here are several photos from the Dallas Medical College archives, showing three typical medical students engaging in typical medical school hijinks.

dallas-med-college_1903a_utsw

dallas-med-college_1903b_utsw

dallas-med-college_1903c_utsw

dallas-med-college_1903d_utsw

dallas-medical-college_dmn_020301adallas-medical-college_dmn_020301b Dallas Morning News, Feb. 3, 1901

dallas-medical-college_dmn_020301-sketchThe school’s first location on S. Ervay & Marilla (DMN, Feb. 3, 1901)

dallas-medical-college_dmn_092703DMN, Sept. 27, 1903

dallas-med-coll_southern-merc_111004Southern Mercury, Nov. 10, 1904

The official announcement of the merging, with details on how the two schools would function for the rest of the school year can be read here.

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Sources & Notes

Photographs from the UT Southwestern Library, here and here.

More on early medical schools in Texas, with several paragraphs on Dallas, can be found in “Training the Healers” by Vernie A. Stembridge, M.D., an article from the May, 1999 issue of Heritage magazine (a publication of the Texas Historical Foundation) which can be read here.

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Copyright © 2014 Paula Bosse. All Rights Reserved.

 

Ads for Slaves Lost, Found, and For Sale in the Pages of The Dallas Herald

runaway_negro_dallas-herald-1856Dallas Herald, June 7, 1856

by Paula Bosse

When one is browsing through Texas newspapers from the 1850s and 1860s, one shouldn’t be surprised to see things like this. But that doesn’t make them any less shocking. Black men and women were not regarded as people, but as property — in all of these “ads” you could easily substitute “horse” for “negro.” I think I always wanted to believe that slavery wasn’t much of an issue in Dallas — but it was. The name of one man, E. M. Stackpole, a successful shopkeeper, kept coming up a lot in these advertisements. In addition to the general merchandise of his store, he seemed to do a pretty brisk trade in buying, selling, hiring (more like leasing from other slave-owners), and hiring out slaves. One of his ads is below. (By the way, the word “likely” was a common adjective for slaves; it meant, basically, “worthy of purchase.”)

trade_for_negro_dallas-herald_1856March 15, 1856

negro-auction_dallas-herald_091558Sept. 15, 1858

negro-auction_dallas-herald_102058Oct. 20, 1858

negro_for_sale_dallas-herald_18611861

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Sources & Notes

All advertisements from The Dallas Herald, via UNT’s Portal to Texas History site.

My lack of knowledge about slavery in Texas is appalling. The Wikipedia entry provides a good overview; read it here.

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Copyright © 2014 Paula Bosse. All Rights Reserved.

Plow vs Skyscraper

mydans_lucius-washington_smithsonian_1939(click for super-gigantic image)

by Paula Bosse

Here’s an unexpected view of the Dallas skyline, by legendary Life magazine photographer Carl Mydans. The photograph — titled “Lucius Washington and Two Mules Plow the Fields Before the Dallas Skyline” — is from the collection of the Smithsonian Institution, with catalog description here. Though the Smithsonian lists this photo as being from 1939, it’s possible that it was taken a year earlier, as The Dallas Morning News reported on April 2, 1938 that Mydans was in town shooting the Dallas skyline. A major article on Texas appeared in Life magazine a year later, in the April 10, 1939 issue, featuring a different, very large photo of the Dallas skyline by Mydans, which can be seen here.

Below, an enlarged detail, lightened a bit.

mydans_lucius-washington_smithsonian_1939-det

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More on Mydans from the Duke University collection here, with examples of his FSA, Life magazine, and WWII reportage here.

Wikipedia article on Mydans here.

Click photos for much larger images.

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Copyright © 2014 Paula Bosse. All Rights Reserved.

Give a 15-Year-Old 8,400 Pounds of Soap and He’ll Carve You a Radio Transmitter — 1930

owen-michael_soap_1930a
Michael Owen, Jr., boy soap-carver 1930

by Paula Bosse

In 1930, 15-year-old sculptor Michael G. Owen, Jr. carved a replica of the WFAA transmitter building out of 8,400 pounds of Ivory soap. And why not? It was a big draw at that year’s State Fair of Texas.

Mike Owen, a student at well-to-do Highland Park High School (although Dallas artist Olin Travis, who had him as a pupil at about this time, described him as being “very poor”), had been sculpting all sorts of things, from the age of 3. He had begun winning awards when he was 13 or 14, one in an earlier “soap modeling” contest sponsored by Procter & Gamble. Not only did that soap-carving award result in young Mr. Owen being commissioned by Sanger Bros. to carve a model of the downtown skyline (I’m not sure this commission was ever actually completed), he was also asked to create an attraction for the State Fair: a replica-in-soap of the WFAA transmitter plant located on Northwest Highway near Grapevine (see a photo of the transmitter building and tower here). Owen worked from blueprints of the building and a bronze model supplied by the Belo Corporation (owner of WFAA), and Proctor & Gamble supplied the huge bars of Ivory soap (12 bars, each weighing 700 pounds). The finished piece was an “exact replica” of the 50,000-watt transmitter plant and was touted by Procter & Gamble as being the largest soap sculpture ever executed. It was a big hit at the 1930 State Fair of Texas.

Michael Owen went on to become a professional artist, with early enthusiastic support from Jerry Bywaters. He was associated with the Dallas Nine (and was, by far, the youngest member affiliated with that somewhat amorphous group), and I will address his more serious non-soap forays into the art world in a later post. But, first, back to soap!

The photo below shows Mike Owen’s finished product, which took him 12 days to complete.

owen_wfaa-soap_degolyerBelo Collection, DeGolyer Library, SMU

It’s difficult to tell what the size of the finished work was from this photo, but it was described as being five feet high and seven feet wide. So… big. When it was displayed at the fair it was, for some reason, bathed in blue light. After the 12 days it took Owen to complete this sculpture, I bet that kid was squeaky-clean and positively reeked of Ivory soap.

owen-michael_soap_1930b

owen-michael_soap_1930

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Sources & Notes

Photo of Owen’s soap carving of the WFAA transmitter plant is from the Belo Records collection, DeGolyer Library. Central University Libraries, Southern Methodist University; more information on this photo can be found on the SMU website here.

Other Flashback Dallas posts on artist and sculptor Michael G. Owen, Jr.:

  • For a look at Owen’s professional career as a sculptor, see my post “Michael G. Owen, Jr., Dallas Sculptor of Lead Belly” here.
  • To read about the Peruna monument SMU commissioned him to produce in 1937 (when he had just turned 22), see my post here.

UPDATE: Read about a recently discovered large painting by Owen up for auction in Dallas in 2019 here.

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Copyright © 2014 Paula Bosse. All Rights Reserved.

 

WFAA & WBAP’s Unusual Broadcasting Alliance

wfaa_wbap_transmitter_1941-sm

by Paula Bosse

wfaa-wbap_transmitter_1941

I looked at this photograph and thought, “That’s odd. Two competing radio stations from two competing newspapers from two competing cities used the same radio transmitter. How did that happen?” And then I read about the extremely unusual time-sharing arrangement that WFAA (which was owned by The Dallas Morning News) and WBAP (which was owned by The Fort Worth Star-Telegram) maintained for 41 years.

I’ll link to a story that fully explains this extraordinary arrangement, but, briefly, WFAA and WBAP both broadcast on two frequencies, trading off throughout the day. A typical schedule looked like this:

wfaa-wbap_schedule

The two frequencies were 570 and 800 (later 820) kilohertz on the AM band. When WFAA was broadcasting on 570, WBAP was broadcasting on 820. On the agreed-upon time, the stations would switch over to the other frequency. Back and forth. Over and over and over. All day long. They were independent stations with independent programming, network affiliations, on-air talent, and advertising departments. And this went on for FORTY-ONE YEARS! Until 1970! How had I never heard of this?

Apparently it wasn’t all that big a deal to the stations or the listeners. Things were getting a little strained by 1969, though, when WBAP went whole-hog into playing country music (and eventually became one of the most successful country stations in the United States). It was time to go their own ways. The split was amicable, and both stations felt that the unusual partnership had worked well for all concerned.

So why did this happen in the first place? Because of the 820 frequency. 820 was a clear channel frequency, which meant that the station that owned it could broadcast at an incredible 50,000 watts — enough to be heard all over the Western hemisphere; 570 boasted a measly 5,000 watts, and, as someone said, “people might hear you in Sherman … but maybe not.” Neither WFAA or WBAP wanted to give up the clear channel powerhouse, which is why their piggy-backing partnership lasted as long as it did. But, ultimately, WBAP got 820 and was a major broadcasting force to be reckoned with. WFAA radio got the short end of the stick and sputtered along at 570 on the AM dial for a few lackluster years but never recovered from losing its half-share of 820 AM. In the WFAA-WBAP showdown: Fort Worth 1, Dallas 0.

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Look at this crazy billboard from 1963 — it flashed which frequency WFAA was currently broadcasting on.

WFAA-WBAP_broadcasting_042263Broadcasting, April 22, 1963

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Sources & Notes

Photo of the transmitter building from WFAA, WBAP, KGKO Combined Family Album (Dallas-Fort Worth, 1941). Yes, there was actually a THIRD station involved in all of this for a while — KGKO out of Wichita Falls! Here’s an ad from the 1941-42 Texas Almanac, via the Portal to Texas History (click to see a larger image):

wfaa_kgko_tx-almanac_1941-42_portal

Sample schedule is from the definitive article on this bizarre broadcasting alliance: “You Have Half a Station, We Have Half a Station” — How WFAA in Dallas and WBAP in Fort Worth Shared Radio Frequencies for Four Decades by John Mark Dempsey, from the Spring, 1999 issue of Legacies magazine, which can and SHOULD be read, here.

For another photo of this transmitter building, see a previous post here.

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Copyright © 2014 Paula Bosse. All Rights Reserved.

 

Dallas in 1879 — Not a Good Time to Be Mayor

main-jefferson_1879_greeneA view from the courthouse, looking north (click for larger image)

by Paula Bosse

Above, a view of Dallas in 1879, looking north from the courthouse (one of many in the city’s past that eventually burned down); the intersection in the right foreground is Main and Jefferson (now Record Street).

This is such a cool photo that, on a whim, I checked to see what exciting things might have happened in Dallas in 1879. I found that the city’s voters had just elected a new mayor, James M. Thurmond, who had run on an “independent reform and morality ticket.” Yawn. On the surface, that hardly seemed very interesting — a  historical fact, yes, but not all that exciting. But, wait, there’s more to the story.

Thurmond’s post-election honeymoon was short-lived because, even though he had won a second (one-year) term, he had made some serious enemies in his first term. He was removed from office in 1880 by the city council in a lack-of-confidence vote, the result of a nasty trial and probably slanderous accusations by lawyer Robert E. Cowart.

The feud between Thurmond and Cowart grew more and more bitter as time passed, and on March 14, 1882 — moments after the two men had exchanged angry words in Judge Thurmond’s courtroom — Cowart shot and killed Thurmond. Witnesses described the shooting as an act of self-defense. They said that Cowart shot when the judge reached for his pistol. (For an incredibly gruesome account of this incident, the contemporary newspaper report is linked below.)

The photograph above was taken from the courthouse where this shooting took place. When the photograph was taken in 1879, the animosity between the new mayor and an unhappy lawyer had already begun to percolate. I suppose men with “Esq.” after their names in the 1880s were predisposed to shoot-outs indoors in well-appointed courtrooms rather than out in the dusty streets at high noon. It’s classier.

thurmond_headstone_greenwood-cemetery_findagraveGreenwood Cemetery, Dallas (photo: David N. Lotz)

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Top photo is from Dallas, The Deciding Years — A Historical Portrait by A. C. Greene. (Austin: The Encino Press for Sanger-Harris, 1973); photo is from the collection of the Dallas Public Library.

Photo of J. M. Thurmond’s headstone in Greenwood Cemetery is from Find A Grave, here. Cowart — who died in 1924 — is buried in a nearby plot in the same cemetery. (Incidentally, Cowart’s claim to fame — other than shooting a judge in his own courtroom — appears to be that he was the person who inadvertently came up with Fort Worth’s nickname, “Panther City” when he wrote a tongue-in-cheek newspaper article about Fort Worth in 1875. Read a great history of this amusing kerfuffle in Hometown by Handlebar’s post, here — scroll to the second story.)

For an interesting contemporary report of the shooting — including gruesome eyewitness accounts — check out the article from the March 15, 1882 edition of The Dallas Herald (under the headline “The Deadly Pistol”), here, via the Portal to Texas History.

A short background on the Thurmond-Cowart feud, from the WPA Dallas Guide and History (which includes the verdicts of Cowart’s two trials for murder), can be read here.

Click top photograph for HUGE image.

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Copyright © 2014 Paula Bosse. All Rights Reserved.

Cokesbury Book Store — 1959

cokesbury_dallas_1959

“For a summer of pleasure, grab a good book.”

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Copyright © 2014 Paula Bosse. All Rights Reserved.

When the Flying Red Horse Could Be Seen From Miles Away

birdseye_night_early1940sThe symbol of Dallas…

by Paula Bosse

One of my favorite views of the skyline — back when Pegasus had no competition.

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Sources & Notes

Original photograph by Lloyd M. Long, from postcard “Night Scene, Heart of Dallas, Texas” (D-43).

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Copyright © 2014 Paula Bosse. All Rights Reserved.