Flashback : Dallas

A Miscellany: History, Ads, Pop Culture

Category: Retail

W. W. Orr: Buggies, Phaetons, Carriages — “Everything on Wheels!”

ad-orr-carriages_directory_1878-detW.W. Orr’s carriage business on Main St., 1878 (click for larger image)

by Paula Bosse

I came across the image above in the 1878 Dallas city directory, and my eye was immediately drawn to the novel open-air display of  buggies on the second floor of the building. I’ve never seen this before — the frontier version of the auto showroom!

I hope this is a depiction of the actual shop owned by W. W. Orr at 724-726 Main Street (corner of Main and Martin — see map below) and not some sort of early augmented clip art. Orr ran a successful business selling buggies, phætons, and carriages, and he probably did have an imposing shop.

William Wallace Orr was born in Ohio, and after the Civil War he made his way to Texas, where he served for a short time as an East Texas postmaster before coming to Dallas where he and his wife, Amanda, operated a livery stable.

orr_dallas-herald_041973Dallas Herald, April 19, 1873

I’m not sure whether “epizootic” is used here as some sort of 19th-century tongue-in-cheek hard-sell advertising term (“His prices are INSANE!“) … or whether it means the horses have some sort of disease. I tend to think it’s the former.

The carriage business, which had started by 1878, is notable (to me, anyway) because it was housed in a building with a basement — I wasn’t aware that basements really existed in Dallas at the time. Orr rented out the basement beneath his “carriage repository” as a beer cellar. If TV westerns are anything to go on, drunken brawls in most drinking establishments of the time were to be expected. What might not be expected is an account of a bar fight to be reported like this:

orr_cellar_dal-her_060278Dallas Herald, June 2, 1878

Regardless of what disreputable activities were going on in the cellar, it seems that Orr’s business of manufacturing and selling “everything on wheels” was a booming one.

orr_dal-her_060380Dallas Herald, June 3, 1880

He had stylish conveyances, cheap prices, and good goods:

orr_dal-herald_081283Dallas Herald, Aug. 12, 1883

After the death of his wife in 1886 (she died of consumption at the early age of 42), Orr passed the business to his son. In poor health, he left Dallas for Mississippi, where he met a woman who nursed him back to health and whom he later married. After a few years of an apparently happy second marriage, W. W. Orr died in 1894. Cash savings, investments, and real estate holdings back in Dallas had left him a wealthy man, and, as might be expected, his family in Dallas was dismayed to learn that he had left his estate to his infant daughter in Mississippi. His three grown children from his first marriage were not happy, and they contested the will. (The case is covered exhaustively here. I think the baby daughter emerged victorious, but I’m not absolutely sure.)

It’s interesting that Orr and his first wife are buried side by side in Greenwood Cemetery. Amanda Melvine McQueen Orr has a large, ornate monument and headstone; W. W. has his name — and nothing else — carved into an unadorned marker. It would have been nice to have had a little a buggy in the corner. …Something.

orr-map_c1900

The location of Orr’s buggy and carriage house was at the corner of Main and Martin, shown above in a map from around 1900. (Click for larger image.)

And, below, is the full ad, with that incredible artwork! (Click it!)

ad-orr-carriages_directory_18781878

***

Sources & Notes

Illustrated ad from the 1878 Dallas city directory.

All other ads from The Dallas Herald, as noted.

Map is a detail from a map of Dallas, circa 1900, from the Portal to Texas History, here.

Amanda Orr’s headstone and memorial statuary can be seen in several photos here; W. W.’s sad unadorned slab can be seen here.

Phætons? They sound dangerous!

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

 

Linz Bros. Glasses Ad — 1936

ad-linz-glasses_dmn_030836

by Paula Bosse

“Have your glasses made to order.”

Opticians should consider bringing back the surprisingly accurate elf-and-tape-measure method.

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

Expo Park, Circa 1946: Dry Goods, Rooms to Let, Sheet Metal, and Head-In Parking

exposition-827-825_c1946_jim-wheat800 block of Exposition…

by Paula Bosse

Next time you stop by the Amsterdam Bar at 831 Exposition Avenue, whip out your phone and show this photo to your drinking buddies — this is what the street looked like two doors down, just after World War II. The two-story building at 827 Exposition was home to Lief Dry Goods and the Lief Hotel, and the single-story 825 Exposition was divided into McNeill’s Tin Shop and the Fair Way Cleaners & Laundry (it currently houses the Ochre House theater space). Today the neighborhood has lost much of its grittiness (and head-in parking), but the buildings are still recognizable almost 70 years later. Below, present-day 827 and 825 Exposition Avenue.

exposition_827-google

exposition_825-google

***

Sources & Notes

Top photo from Jim Wheat’s Dallas County Texas Archives.

Bottom two images from Google Street View.

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

Neiman-Marcus Brings France to Big D — 1957

neiman-marcus_french-fortnight-poster_1957

by Paula Bosse

In 1957, Neiman-Marcus presented their very first Fortnight celebration — a tribute to France, which included filling the department store with French products and couture, hosting celebrated fashion icon Coco Chanel on her first visit to Texas, promoting French culture and tourism, and even elaborately decorating the outside of their downtown building to resemble the Rue du Faubourg Saint-Honoré. It was a huge success, and it became a much-anticipated annual event in Dallas.

n-m_french-fortnight_stanley-marcus-papers_degolyer-lib_SMU_color_1957A little bit of Paris on Ervay Street (via DeGolyer Library)

The Fortnights became very popular and were celebrated city-wide. There were all sorts of non-N-M events around town that tied in with whatever country was being honored that year (plays, art exhibits, lectures, etc.), and businesses soon realized that it was easy to share in the Fortnight spotlight and momentum by either blatantly or subtly customizing their advertisements to have a bit more international flavor for two weeks every year.

As I have a personal connection to The Aldredge Book Store, I’ll use them as an example. The ad below is one of the earliest examples of a Fortnight tie-in ad. Sawnie Aldredge, the original owner of the store, was an enthusiastic Francophile, and Stanley Marcus had been a regular customer from the day the doors opened in 1947. It seems likely that the two would have discussed the event at some point, and this type of piggy-backing seems like a mutually beneficial sales opportunity made in heaven. Even though N-M was not specifically mentioned, readers of the ad would certainly have known of the connection to the well-publicized promotion. As the Fortnights became more and more popular, everyone in town began jumping on the bandwagon, and between 1957 and 1986, the whole city went crazy for one specific country for two weeks every year. It was great. And I still miss them.

ABS_lelivreenfrance_1957“From 50¢ to $600” (1957)

***

Sources & Notes

Neiman-Marcus “France Comes to Texas” poster by Raymond Savignac.

Photograph of the Frenchified facade of the N-M building from the Stanley Marcus Papers collection, DeGolyer Library, SMU Libraries, Southern Methodist University; more information on this photo is here.

Aldredge Book Store ad from October, 1957.

One of my favorite pieces of ephemera from this first French Fortnight is a lavish advertisement insert that appeared in the October 1957 issues of American and French editions of Vogue. The 30-plus page insert has been scanned by SMU (it is in the collection of Stanley Marcus’ papers at the DeGolyer Library). It is great. If you are interested in fashion advertising of the 1950s, you’ll enjoy the sophisticated-but-fun-and-frothy art direction, seen in a PDF, here.

For an entertaining look back at the various Fortnights (including the year when Mr. Stanley & Co. had to invent a country one year when Australia pulled out at the last minute!), read “Fabulous Fortnight” by Si Dunn in D Magazine (Oct. 1984), here.

And for my previous post on Coco Chanel’s visit to Dallas (during which she attended a barbecue!), “When Coco Chanel Came to Dallas — 1957” can be found here. This wasn’t an official part of the first Fortnight, but it was a sort of prelude, preceding the 1957 French Fortnight by a month.

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

Happy “7-Eleven Day,” Y’all!

7-11_owl-rooster

by Paula Bosse

Hope you roosters and owls got your free Slurpees today!

***

Ad from the National Museum of American History, Smithsonian Institution.

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

“See Dallas Through Linz Glasses!” — 1929

ad-linz_rotarians_dmn_052629

by Paula Bosse

What a great ad from 1929!

The huge annual convention of the Rotarians was underway in Dallas at this time — 10,000 people were flooding the city from around the world, and all the larger businesses had specially-branded advertisements aimed at the pool of potential new customers.

*

Copyright © 2014 Paula Bosse. All Rights Reserved

From Blacksmithing to Auto Body Repair: A Guy Who Knew How to Change With the Times

palace-shop_1920sThe Palace Shop — 2814 Main St., Deep Ellum…

by Paula Bosse

The building seen above in a photo from the 1920s is still standing on Main Street in Deep Ellum — and it still looks very much the same. It goes back to at least the 1910’s and has most recently been an art gallery/production studio; when I went to see a gallery show there several months ago, I was almost more interested in the building than in the art. It’s pretty cool.

The building has housed a lot of automotive-related endeavors over the years, including, the Palace Shop, a business which originally started out as a blacksmith shop in 1889 (in a different location — at what is now Commerce and Lane).

palace-horseshoeing_bldg-code_19141914 ad

As the horse-shoeing business began to slack off, the owner — an early automobile enthusiast named Gus Henderson, Sr. — shrewdly made the transition from blacksmith to auto body repair guy. His business expanded and he made the move to Main Street.

Below is what the building looks like today, still pretty much the same. The word at the top is “springs” which can be explained by there having been a “spring specialist” at that address for several years (the Carlton Auto Spring Co., later bought out by the Standard Spring & Axle Co.), but I’m not sure what the “Carson” refers to — anyone know? (Should it be “Carlton”?)

palace-shop_now_googleGoogle Street View

carlton-auto-spring_dmn_0219221922

standard-spring_dmn_1008221922

I’m always happy to see these old buildings still in use a hundred years after they were built — a sad rarity for Dallas. Thank you, Deep Ellum!

***

Sources & Notes

The often-unreliable Dallas Central Appraisal District info has the construction date of the building as 1913. The earliest business I can find at that address is something called Star Manufacturing Co. — in business there in 1915. (The city’s street numbers were changed in 1911, so it’s difficult to pinpoint what was in that location previously — the street numbers in that block of Main Street would have been between 744 and 774, per the 1909 Worley’s directory.)

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

 

Cokesbury Book Store — 1959

cokesbury_dallas_1959

“For a summer of pleasure, grab a good book.”

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

Irby-Mayes Ad With a Cameo by the Merc — 1948

ad-irby-mayes_merc_dmn_040148Landmark alert!

by Paula Bosse

An ad with the famous local building making a cameo.

It’s called PLATEAU
…the wonder fabric by Pacific Mills
that’s so perfect for our Texas weather. Suits of
[redacted??] look like regular weight worsted
…yet can be worn most every month of the year.
A new shipment exclusive at Irby-Mayes.

I love this 1948 ad. Irby-Mayes was located — where else? — in the Mercantile Bank Building!

*

Copyright © 2014 Paula Bosse. All Rights Reserved.

Neiman-Marcus Celebrates the Texas Centennial with “Cactus Colors” and Cattlebrands Burned Into Rawhide Belts — 1936

neiman-marcus_shoes_vogue-1936-det

by Paula Bosse

Texans celebrate history with — what else? — fashion! Below, text from a Neiman-Marcus ad which appeared on the eve of the huge Texas Centennial celebrations in 1936.

Five days before the Centennial finds Neiman-Marcus keyed for last-minute demands … both in selections and service … Spectator clothes and accessories in cactus colors (see current Vogue), and Artcraft stockings, thin as a web, in Texas range colors … Cool snowy crepe dresses for the afternoon and printed chiffon jacket dresses for Centennial sightseeing … Cottons gifted with importance … Crownless roof hats and trailing garden party dresses … Cattlebrands burned on a rawhide belt that girdles a crisp white watching dress. All in the best of taste and at a happy range of prices.

And then I looked for the Vogue ads mentioned and … wow! I’ve had a vintage advertising blog for several years, and I’ve seen a lot of ads … but these may be my favorites! All as a tie-in to the Texas Centennial, celebrated in Dallas in 1936, spear-headed by Stanley Marcus himself. Thanks, Mr. Stanley!

neiman-marcus_shoes_vogue-1936

neiman-marcus_cactus-colours_vogue-1936a

neiman-marcus_cactus-colours_vogue_1936b

***

Color ads from Vogue, June 1936. I found them on Etsy from this seller (the ads have, apparently, been sold). I would LOVE to see these with the watermarks removed, and I’d also love to know what became of the original artwork and who “N. de Molas” was. I love Texas kitsch and I love fashion illustration from this period, and this is fantastic! Click color pictures for much larger images! And read that copy, man.

If you want to wander around a whole bunch of vintage advertising, my Retro Adverto blog is here, but it has been sadly neglected since my immersion into this blog!

*

Copyright © 2014 Paula Bosse. All Rights Reserved.