Teatro Panamericano / Cine Festival — 1943-1981
by Paula Bosse
by Paula Bosse
In 1937, Joaquin José (J. J.) Rodriguez opened the first theater in Dallas to show Spanish-language movies. It was the Azteca, at 1501 McKinney Avenue, one block away from the still-there El Fenix. He soon changed the name to the Colonia and later to El Patio.
1938 city directory
Even though a journalist later described this theater as being “dingy” and “unprepossessing” (DMN, July 31, 1944), the theater was quite successful, little surprise as the Hispanic community of the day was sorely underserved in almost every way. This endeavor was so successful that in the fall of 1943, the 36-year old entrepreneur made a big, BIG move: he bought the stunning and palatial Maple Avenue building that once housed the famed Dallas Little Theater, an amateur theatrical group that had burst on the scene in 1927, but which had fallen on hard times in recent years.
Rodriguez raised the necessary $35,000 (equivalent to almost half a million dollars in today’s money), bought the beautiful building at 3104 Maple, and renamed it Teatro Panamericano. The announcement that appeared in The Dallas Morning News spun the new moviehouse as being a boon to students and Anglo members of the community who might need to brush up on their Spanish rather than as a welcomed entertainment venue for the “Mexican colony” living and working in the adjacent Little Mexico neighborhood.
DMN, Sept. 22, 1943
El Panamericano was an immediate success and soon became not only a place to see movies, but also a place for Dallas’ Spanish-speaking community to meet and mingle, with PLENTY of room for all sorts of events. (It was so big that Rodriguez and his family lived in back, and he had TWO offices and more storage space than he had things to store in it.)
After more than 20 years of running a successful theater that catered to his core niche audience, Rodriguez was persuaded to change the theater’s focus. Mexican families had slowly moved out of the neighborhood, many to Oak Cliff where the Stevens Theater on Fort Worth Avenue had begun showing Spanish-language movies in the early ’60s and had siphoned off a large portion of Rodriguez’s audience. In 1965 the Panamericano became an arthouse cinema, showing mostly subtitled European (and, later, underground) films, movie bills which were clearly aimed at college students and an upper-class Anglo audience. The Panamericano became the splashy Festival Theater.
An indoor-outdoor restaurant — the Festival Terrace — was added, and it boasted of being “the only theater in the history of Texas with a wine and beer license.”
As impressive as the Festival and its array of films were, the theater struggled, and Rodriguez later called this period a “big mistake.”
“As soon as I could, I changed it back to the way it was before. In fact, I lost money on that deal.” (DMN, Aug. 9, 1981)
Another unusual misstep for Rodriguez at this time was his decision to open a drive-in that showed only Spanish-language films. What sounded like a great idea was another surprising failure for Rodriguez. Despite its non-stop advertising in the first half of 1965, the wonderfully-named Auto-Vista (located in Grand Prairie) lasted less than a year.
“Cine en su coche”! (DMN, March 25, 1965)
Rodriguez’s new-old Spanish-language theater — now the Cine Festival — was still popular, but it never regained its former glory. In 1981, Rodriguez retired and sold the property. Despite efforts by preservationists to save the beautiful Henry Coke Knight-designed building, it was demolished a few months later in the dead of night under cover of darkness (… that happens a lot in Dallas…). A nondescript office building was later built in its place.
J. J. Rodriguez died in 1993 at the age of 86, almost exactly 50 years after opening one of the most important entertainment venues for Dallas’ Hispanic population. He was a respected leader in the community and was president of the Federation of Mexican Organizations for many years, an organization he helped found in the 1930s. His theater was both culturally important and beloved by its patrons.
DMN, Aug. 9, 1981
J.J. with daughter and wife (Pampa News, July 30, 1944) AP photo
With his wife, Maria, downtown 1940s (Villasana)
In the projection booth, 1950s (Villasana)
The quality of the matchbook cover image below isn’t great, but it gives an indication of how large the theater was. The building at 3401 Maple — at the corner of Carlisle, across Maple from the Maple Terrace — was gigantic. In a Dallas Phorum discussion (here), the space was described thusly:
It was an interesting building with an outdoor terrace restaurant, a full proscenium stage, rehearsal space downstairs below the stage, dressing rooms, shop/storage areas, and even a puppet theatre built into a wall in the balcony lobby area.
To see what the corner of Maple and Carlisle looks like now, click here (have a hanky ready). Can you imagine how wonderful it would be to still have that elegant building and still see it in use as a theater and restaurant?
In what may well be research overkill, I thought it was odd that there was an Azteca Theatre at 1501 McKinney a year before Rodriguez owned it. I wondered if, in fact, Rodriguez had owned the first Spanish-language movie theater in Dallas, or whether that distinction belonged to Ramiro Cortez (whose name is often misspelled as Ramiro Cortes). It seems that Cortez’s theater might have featured live performances rather than motion pictures. Like Rodriguez, Cortez had ties to Dallas entertainment — read about him here.
Photos with “Villasana” under them are from the book Dallas’s Little Mexico by Sol Villasana (Charleston, SC: Arcadia Publishing, 2011); all are from the personal collection of Mariangel Rodriguez. More photos of J. J. Rodriguez can be seen here (click “Next” on top yellow bar).
All other images and clippings as noted.
Articles on J. J. Rodriguez and his theaters:
- “Teatro Panamericano” — coverage of opening night festivities by John Rosenfield, DMN, Oct. 12, 1943, can be read here.
- “Dallas Citizen Pan-American Movement Aid: Rodriguez’s Theater Meeting Place for Good Neighbor Groups,” an Associated Press story by William C. Barnard (which appeared in the DMN on July 31, 1944), is here.
- “Maple Location Regains Swank” by John Rosenfield, DMN, Sept. 18, 1965, about the change from El Panamericano to the arthouse Festival Theater, is here.
- “Festival Fades, but Mexican Movies Thrive: Theater Owner Says Adios to Film Business” by Mercedes Olivera (DMN, Aug. 9, 1981) about the closing of the Festival Theater, is here.
J. J. Rodriguez’s obituary — published in The Dallas Morning News on Sept. 26, 1993, is here.
Read about Teatro Panamericano at Cinema Treasures, here.
Read about the competing Stevens Theater in Oak Cliff on Fort Worth Avenue, here.
Copyright © 2015 Paula Bosse. All Rights Reserved.